Ventura, Cassandra (Cassie)

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      What We Know About Sean Combs Lawsuits, Raids and Federal Investigation

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      Federal agents executed search warrants at his homes in Los Angeles and Miami Beach, and he faces several civil lawsuits accusing him of rape and sexual assault.Since federal agents raided two of Sean Combs’s homes in Los Angeles and the Miami area this week, the investigation into the hip-hop mogul has become the subject of intense public interest and speculation.The raids were conducted by Homeland Security Investigations, which has said very little about the focus of its inquiry. No criminal charges have been filed against Mr. Combs in relation to the case.But the footage of federal officers brandishing weapons while entering Mr. Combs’s sprawling Los Angeles mansion, where they confiscated computers and other devices, has raised questions about the nature of the investigation and how it might relate to a series of civil sexual assault lawsuits filed against Mr. Combs in recent months.Mr. Combs — a high-profile music producer and artist for decades who has been lauded as one of the architects of hip-hop’s commercial rise — has vehemently denied all the accusations, and his lawyer called the raids a “witch hunt based on meritless accusations made in civil lawsuits.”As details about the federal investigation gradually emerge, here is what we know about Mr. Combs’s legal troubles.Homeland Security Investigation agents putting boxes into a van after searching Mr. Combs’s home in Miami Beach.Giorgio Viera/Agence France-Presse — Getty ImagesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      How ‘The Nutcracker’ Has Been Reimagined, for Better and Worse

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      A tour through five cases in which Tchaikovsky’s classical score has been taken up by jazz legends and misguided filmmakers.“The Nutcracker” is a cherished Holiday staple — one that, for every traditional treatment, inspires a left-field twist toward the contemporary.There’s a grain of truth in Lisa Simpson’s comment that everybody does “The Nutcracker” “because you don’t have to pay for the music rights.” As the critic Roslyn Sulcas once wrote in The New York Times, “Even less-than-great versions of the ballet exercise a kind of magic through Tchaikovsky’s score, which offers the same infinite potential for choreography as the texts of great plays do for staging.”That potential, however, can be double-edged. Here are five instances in which light tweaks and heavy rewrites have reframed — and occasionally ruined — Tchaikovsky’s famous music.Duke Ellington and Billy Strayhorn: ‘The Nutcracker Suite’Perhaps the most classic update of Tchaikovsky’s score, the Ellington-Strayhorn “Nutcracker” has inspired productions as different as Donald Byrd’s “The Harlem Nutcracker” and David Bintley’s “The Nutcracker Sweeties.” Its release, in 1960, also suggested an interesting switch in power dynamics between arranger and arranged: The original cover art gave Ellington, Strayhorn and Tchaikovsky the same billing.“Overture” sets the tone, with a wandering double bass that leads softly into classic Ellington orchestrations. But that softness is quickly dispelled by the high woodwind chirps of “Toot Toot Tootie Toot (Dance of the Reed-Pipes),” and there are flashes of Stravinsky harshness in the “March,” renamed the “Peanut Brittle Brigade,” which begins with dissonant stacks of harmony that could be straight from “A Soldier’s Tale.” Most powerful is the amount of textural space Ellington and Strayhorn afford; in the sparse, boozy “Sugar Rum Cherry” and the light yet expressive “Arabesque Cookie Arabian Dance),” less is definitely more.‘The Hip Hop Nutcracker’Some “Nutcracker” scores are reimagined; others are remixed. But “The Hip Hop Nutcracker,” a 2014 production by Jennifer Weber that has become a touring staple in the United States, is a remix in the fullest sense. Clara — here, Maria-Clara — goes on a quest to bring her parents back together, accompanied by a troupe of break dancers. The score is remixed onstage by a D.J. and an electric violinist. As in all revisions of “The Nutcracker,” the key is for the score to act like a double mirror: The act of shining fresh light on the original score should rebound to energize the new. The brittle electronic beats create solid new foundations for improvised flourishes and ensemble numbers alike.Brian Setzer Orchestra: ‘The Nutcracker Suite’Brian Setzer’s career has been defined by a revivalist energy. First, his rockabilly group Stray Cats looked back to the rock ’n’ roll of the 1950s through the eyes of the 1980s. After the group split, he founded the Brian Setzer Orchestra, a boogie-woogie, jump blues band straddling originals and jazzed-up covers.“The Nutcracker Suite,” originally arranged for Les Brown and his Band of Renown by Frank Comstock, wasn’t the only time that the Brian Setzer Orchestra dabbled in classical rearrangements. In the 2007 album “Wolfgang’s Big Night Out,” Beethoven’s “Für Elise” became the Django Reinhardt pastiche “For Lisa,” and Johann Strauss II’s “The Blue Danube” became the bluesy swing chart “Some River in Europe.”An unlikely source brought the group’s take on Tchaikovsky into holiday tradition: Buddy, in the movie “Elf.” As the lights dim in Gimbels, the store that Buddy (Will Ferrell), has tasked himself with redecorating overnight, the Brian Setzer Orchestra trumpets strike up, playing the fanfare call from “March of the Toy Soldiers.” But what follows is not the impish, pizzicato response that usually accompanies the toys’ jolting movements: A drum kit crashes in, and snarling, swinging saxophones accompany Buddy’s commando rolls across the aisle behind a security guard. The whole arrangement pits clipped precision against swirling chaos.Drew McOnie and Cassie Kinoshi: ‘Nutcracker’Cassie Kinoshi, a composer and saxophonist associated with London’s jazz scene, has already had a fruitful foray into dance, collaborating with the group BalletBoyz alongside her work for theater, film and orchestra. Now she has reimagined Tchaikovsky’s score for Drew McOnie’s “Nutcracker” at the Tuff Nut Jazz Club, a pop-up speakeasy hidden underneath the Southbank Center in London.Like Strayhorn and Comstock’s arrangements before, Kinoshi’s score is based in jazz. But where the others have the golden dazzle of that full big-band sound, her music is much more contained, for a versatile four-piece group nestled in the corner of the performance space. Led by the bass player Rio Kai, the quartet lovingly dismantles Tchaikovsky’s music and brings in modern energy, switching effortlessly between chilled vamps and off-kilter meters. Moments of sugary sweetness — in a nice touch, the players are dressed in pajamas — add yet more sparkle to the heavily sequined production, for which the phrase “camp as Christmas” was surely coined.‘The Nutcracker in 3D’Here is a warning that new takes on “The Nutcracker” can go too far.Set in 1920s Vienna, Andrei Konchalovsky’s deeply strange film, from 2010, presents the classic story as a Nazi allegory few, if anyone, saw coming. The combination of a tedious plot, poor acting, some howling digital effects and not infrequent references to the Holocaust made this largely nondancing “Nutcracker” an expensive Christmas turkey, costing $90 million to make but bringing in only $20 million at the box office.Among the worst elements of “The Nutcracker in 3D” is the music, which inexplicably gains lyrics by Tim Rice. And so “The Dance of the Sugar Plum Fairy” becomes “It’s All Relative,” a song for the Einstein-like Uncle Albert (Nathan Lane) packed full of banal sentiments like “Who’s to say what/Is or is not/Who writes your plot?/You do!” Later, “Dance of the Reed Flutes” becomes a sleazy, vaudevillian show tune sung by an anthropomorphic Rat King to his loyal subjects, a group of baying rodents dressed like SS officers. And, as if ruining “The Nutcracker” weren’t enough, the movie then plunders from the second movement of Tchaikovsky’s Fifth Symphony, mapping kitschy lyrics for the chronically misunderstood child Mary (Elle Fanning) onto one of the composer’s most popular tunes. It’s grotesque. More

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      Cassie Settles Lawsuit Accusing Sean Combs of Rape and Abuse

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      The R&B singer Casandra Ventura and the music mogul did not disclose terms of the settlement, which came one day after Ms. Ventura filed an explosive complaint.Sean Combs and the singer Cassie have reached a settlement just one day after she filed an explosive lawsuit accusing the hip-hop mogul of rape and numerous instances of physical abuse.The parties announced on Friday evening that they had reached an agreement to resolve the case, though they disclosed no details about the terms of the settlement.“I have decided to resolve this matter amicably on terms that I have some level of control,” Cassie, whose full name is Casandra Ventura, said in a statement. “I want to thank my family, fans and lawyers for their unwavering support.”In a statement, Mr. Combs said: “We have decided to resolve this matter amicably. I wish Cassie and her family all the best. Love.”For Mr. Combs, the settlement quickly shuts down what could have been a risky and potentially embarrassing process of legal discovery — in which reams of evidence are made public — and a possible trial. And Ms. Ventura, who has already aired her accusations through a public complaint, avoids a cross-examination by Mr. Combs’s attorneys.In a lawsuit that drew international attention, Ms. Ventura — who signed to Mr. Combs’s Bad Boy label in 2005, when she was 19, and dated him for about a decade — accused Mr. Combs of what she said was years of beatings, controlling behavior and various forms of sexual abuse, including a rape. In response, a lawyer for Mr. Combs, Ben Brafman, said, “Mr. Combs vehemently denies these offensive and outrageous allegations.”According to Ms. Ventura’s suit, which was filed on Thursday in Federal District Court in Manhattan, Mr. Combs assaulted her numerous times, leaving her bloodied and bruised; she said his employees sometimes took her to hotel rooms for days to recover out of the public eye.In one of the suit’s most disturbing allegations, Ms. Ventura said that for years she was forced to participate in sexual encounters with a succession of male prostitutes, as Mr. Combs watched, masturbated and recorded videos. According the suit, Mr. Combs called these events “freak offs,” and they took place in a number of high-end hotels throughout the United States.According to Ms. Ventura’s suit, Mr. Combs controlled nearly every aspect of her life, paying for her homes, car, clothes and other necessities, and even had access to her personal medical records. The suit says Ms. Ventura never went to the police because she feared it “would merely give Mr. Combs another excuse to hurt her.”Mr. Combs, who started Bad Boy in 1993, became one of the most powerful and successful figures in the hip-hop industry, working with stars like the Notorious B.I.G. and Mary J. Blige, and helping to transform rap music and culture into a global pop phenomenon and a major business.Still, his rise to fame has been dotted with allegations of violence, including that he and his bodyguards beat a rival music executive, Steve Stoute, with a Champagne bottle and other items.Last year, Mr. Combs received a lifetime achievement honor at the BET Awards, and in September he was given the global icon award at MTV’s Video Music Awards.Even with the settlement, however, the damage to Mr. Combs’s reputation and legacy may be substantial. In the day since Ms. Ventura’s suit was filed, past allegations of violence and abuse have been resurfaced, and various musicians have publicly signaled their support for Ms. Ventura.In a statement, Douglas Wigdor, a lawyer for Ms. Ventura, said: “I am very proud of Ms. Ventura for having the strength to go public with her lawsuit. She ought to be commended for doing so.” More

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      Sean Combs Is Accused by Cassie of Rape and Years of Abuse in Lawsuit

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      In the suit, the singer says Mr. Combs, known as Puff Daddy or Diddy, subjected her to a pattern of control and abuse over about a decade. Mr. Combs “vehemently” denied the allegations.Sean Combs, the producer and music mogul who has been one of the most famous names in hip-hop for decades, was sued in federal court on Thursday by Cassie, an R&B singer once signed to his label, who accused Mr. Combs of rape, and of repeated physical abuse over about a decade.In the suit, filed in Federal District Court in Manhattan, Cassie, whose real name is Casandra Ventura — and who had long been Mr. Combs’s romantic partner — says that not long after she met him in 2005, when she was 19, he began a pattern of control and abuse that included plying her with drugs, beating her and forcing her to have sex with a succession of male prostitutes while he filmed the encounters. In 2018, the suit says, near the end of their relationship, Mr. Combs forced his way into her home and raped her.“After years in silence and darkness,” Ms. Ventura said in a statement, “I am finally ready to tell my story, and to speak up on behalf of myself and for the benefit of other women who face violence and abuse in their relationships.”In response, a lawyer for Mr. Combs, Ben Brafman, said: “Mr. Combs vehemently denies these offensive and outrageous allegations. For the past six months, Mr. Combs has been subjected to Ms. Ventura’s persistent demand of $30 million, under the threat of writing a damaging book about their relationship, which was unequivocally rejected as blatant blackmail. Despite withdrawing her initial threat, Ms. Ventura has now resorted to filing a lawsuit riddled with baseless and outrageous lies, aiming to tarnish Mr. Combs’s reputation and seeking a payday.”Douglas Wigdor, a lawyer for Ms. Ventura, said the parties had spoken before the suit was filed. “Mr. Combs offered Ms. Ventura eight figures to silence her and prevent the filing of this lawsuit,” he said. “She rejected his efforts.”Ms. Ventura’s case is the latest in a series of sexual assault civil suits filed recently against prominent men in the music industry, including Steven Tyler of Aerosmith, the executive L.A. Reid and Neil Portnow, the former head of the organization behind the Grammy Awards. (Mr. Portnow has denied the accusation; Mr. Tyler and Mr. Reid have not responded.)Mr. Combs, 54, founded Bad Boy in 1993 and became one of the primary figures in the commercialization of hip-hop, working with stars like the Notorious B.I.G. and Mary J. Blige. His net worth has been estimated as high as $1 billion, and last year Forbes calculated Mr. Combs’s annual earnings at $90 million, attributing that amount largely to his former partnership in a liquor brand, Ciroc, that is owned by the spirits giant Diageo.Mr. Combs, who in his career has variously been known as Puff Daddy, Diddy and Love, may be the most famous music executive of his generation. But the suit depicts Mr. Combs as a violent person who, beyond repeatedly assaulting Ms. Ventura, asked her to carry his gun in her purse, and the suit suggests he was responsible for blowing up the car of a rival suitor. In one incident, the suit says, Mr. Combs dangled a friend of Ms. Ventura’s over a 17th-floor hotel balcony.In naming additional defendants, the court papers assert that others who worked with Mr. Combs had helped him to control Ms. Ventura, at times by threatening her with retribution — like suppressing her music if she did not obey his orders — or by helping to conceal his behavior. The suit, which names Mr. Combs and a number of his associated companies as defendants, seeks unspecified damages.“After years in silence and darkness,” Cassie, whose real name is Casandra Ventura, said in a statement, “I am finally ready to tell my story.”Karwai Tang/WireImage, via Getty ImagesAccording to Ms. Ventura’s suit, she was swept into Mr. Combs’s jet-set lifestyle not long after meeting him and signing with Bad Boy, which released her debut album in 2006.But, the suit says, he soon began to assert an extraordinary level of command over her life. In addition to controlling her career, he paid for her car, apartments and clothing, and even had access to her personal medical records. According to the suit, the results from an M.R.I. scan she had — for memory loss, possibly caused by drug use or by a beating she said she suffered from Mr. Combs — went directly to Mr. Combs.Mr. Combs also provided Ms. Ventura with “copious amounts of drugs,” including ecstasy and ketamine, and urged her to take them, the suit says, and often became violent, beating her “multiple times each year.” The suit says Ms. Ventura never went to the police because she feared it “would merely give Mr. Combs another excuse to hurt her.”In one incident in Los Angeles in 2009, the suit says, Mr. Combs became enraged when he saw Ms. Ventura talking to another talent agent, then pushed her into a car and kicked her repeatedly in the face, making her bleed. According to the suit, Mr. Combs then had his staff bring her to a hotel room to recuperate for a week. She asked to go home to her parents, but Mr. Combs refused, the suit says.The suit says that after seeing the violent repercussions of rejecting Mr. Combs, and the extent to which he would isolate her from her support network, “Ms. Ventura felt that saying ‘no’ to Mr. Combs would cost her something — her family, her friends, her career, or even her life.” And though she tried to leave Mr. Combs, the suit says he sent his employees to lure her back.In one incident described in the court papers, Ms. Ventura says that in early 2012, Mr. Combs grew so angry about her dating the rapper Kid Cudi that he said he would blow up the rapper’s car. “Around that time,” the suit says, “Kid Cudi’s car exploded in his driveway.”Through a spokeswoman, Kid Cudi confirmed Ms. Ventura’s account that he had a car that exploded. “This is all true,” he said.A few years into Ms. Ventura’s relationship with Mr. Combs, the suit says, he began coercing her “to engage in a fantasy of his called ‘voyeurism,’” in which she was directed to have sex with a succession of male prostitutes, while Mr. Combs watched, masturbated, took pictures and shot video.According to the suit, Mr. Combs called these encounters “freak offs,” which involved costumes, like masquerade masks and lingerie. They continued for years, taking place at high-end hotels across the United States and in Mr. Combs’s homes. The suit says that he instructed Ms. Ventura to search the websites of escort services to procure male sex workers.Drugs were supplied at these events, which Ms. Ventura’s suit says she took because they “allowed her to disassociate during these horrific encounters.”According to the suit, Ms. Ventura would delete videos from these incidents that had been shot on her phone, but Mr. Combs told her he still had access to those videos, and on a flight once made her watch a video she thought she had deleted.The suit says that as a result of these sexual encounters in different cities, Ms. Ventura was a victim of sex trafficking. The suit also accuses Mr. Combs of sexual battery, sexual assault and violations of New York City’s gender-motivated violence law.Ms. Ventura’s suit includes several accounts of her unsuccessful attempts to escape Mr. Combs’s control.In one example, the suit says that during a “freak off” at a Los Angeles hotel in 2016, an intoxicated Mr. Combs punched Ms. Ventura in the face, giving her a black eye. He fell asleep and she tried to leave the room, but Mr. Combs woke up and followed her into the hallway, where he threw glass vases at her, sending glass shattering throughout the corridor, according to the court filing. The hotel’s security cameras captured that incident, but the suit says Mr. Combs paid the hotel $50,000 for the footage.The court filing says that in 2018, after Mr. Combs and Ms. Ventura met for dinner, he forced himself into her apartment and raped her while she “repeatedly said ‘no’ and tried to push him away.” After that, the suit says, she left him for good. Ms. Ventura married Alex Fine, a personal trainer, the following year and now has two young children. According to the complaint, her association with Bad Boy ended in 2019.Ms. Ventura’s case, like other recent sexual assault lawsuits, is being brought under the Adult Survivors Act, a New York law that allows people who say they were victims of sexual abuse to file civil suits after the statute of limitations has expired. The one-year window to bring cases under this law ends next week.That law is cited in Ms. Ventura’s complaint, and in a statement she addressed its importance.“With the expiration of New York’s Adult Survivors Act fast approaching,” she said, “it became clear that this was an opportunity to speak up about the trauma I have experienced and that I will be recovering from for the rest of my life.” More

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      Who Is Cassie, the R&B Singer Suing Sean Combs?

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      The R&B singer was poised for a big breakout after her 2006 hit song “Me & U.” But her second album never arrived.Cassie, the singer, model and actress who is suing the music mogul Sean Combs for physical and sexual abuse, was supposed to be the next Britney Spears or Janet Jackson.Such a high bar for success was set by Combs, who in addition to dating the singer for more than a decade beginning around 2007 was also her label boss at Bad Boy Records until 2019. “Those two great artists have paved the way,” Combs said in 2008, while hyping up the singer’s much-anticipated second album.But it never came.After a promising start to her career in pop and R&B — including an infectious debut single, “Me & U,” that peaked at No. 3 on the Billboard Hot 100 in 2006, and a well-reviewed first album — the singer, whose full name is Casandra Ventura, subsequently struggled for years to regain her footing as an artist. In pop music circles, she has long represented a “what if?” of unfulfilled artistic potential, even as she gained cult-favorite status among R&B obsessives and turned to releasing music independently.Ventura’s lawsuit, filed in Federal District Court in Manhattan on Thursday, may cast her abbreviated career in a different, darker light. According to Ventura’s claims, Combs, whom she met when she was 19, began a pattern of control and abuse that fused the singer’s personal and professional life as he plied her with drugs, beat her and forced her to have sex with male prostitutes while he watched and recorded. As their relationship was ending in 2018, the suit says, he raped her after pushing his way into her home.Through a lawyer, Combs, 54, has denied the accusations, calling the lawsuit “riddled with baseless and outrageous lies, aiming to tarnish Mr. Combs’s reputation and seeking a payday.”When they first became acquainted, Ventura, now 37, was an aspiring singer and sometime model from New London, Conn., while Combs was a larger-than-life hitmaker — known as Puff Daddy or Diddy — who was credited with developing the careers of the Notorious B.I.G., Mary J. Blige and more. In February 2006, according to the lawsuit, Ventura signed a 10-album deal with Bad Boy. That summer, her debut studio album was released, with writing and production from the R&B polymath Ryan Leslie.“Just what we need: a young singer and a young producer who want to be the next Aaliyah and Timbaland, or maybe the next Ciara and Jazze Pha,” the critic Kelefa Sanneh wrote in The New York Times, praising her minimalist R&B sound. “No, seriously: It is just what we need.”“Cassie,” released by Bad Boy and Atlantic Records, reached No. 4 on the Billboard chart, selling more than 100,000 copies in its first week. But promotional appearances on shows like MTV’s “Total Request Live” and BET’s “106 & Park” were rocky, with Ventura citing “significant performance anxiety” in her lawsuit.Combs, at the time, was her public defender, telling MTV, “It made me really appreciate what I really love about her: She’s a regular person.” He added, “You’ve got to understand that success for her is coming out of nowhere.”In the years that followed, despite singles featuring Lil Wayne (“Official Girl”) and Akon (“Let’s Go Crazy”), Ventura became known as much for her relationship and public appearances with Combs as for her music. A second album was routinely teased in the press — with Combs touting her artistic development: “she’s really cocooned into a butterfly” — but never materialized.Still, Cassie remained a pop culture presence. In 2008, she appeared as an actress and dancer in the film “Step Up 2: The Streets.” The following year, she signed a record deal with Interscope Records, in association with Bad Boy, but got even more attention for an experimental hairstyle in which she shaved half of her head. “I wanted to go all the way and kind of land in punk,” she said at the time.By 2012, with the release of the single “King of Hearts,” Ventura was still touting a comeback. “I’m just a laid-back person,” she told GQ of the six-year gap between albums. “Maybe laid-back to a fault.” She added, “It’s been too long, I know, but I got to start over and over again. It would be awesome to stay popular, but if I was only an underground artist, I would be OK with that.”In 2013, Ventura released a mixtape, “RockaByeBaby,” that was not promoted with the force of an official studio album, but was met with praise nonetheless. With appearances by the rappers Wiz Khalifa, Rick Ross and Meek Mill, the album showcased Ventura as “an on-mic presence that’s the equal to any of the rappers she’s recruited for features here,” a critic for Pitchfork wrote.It would be years before Ventura released music again. According to the singer’s lawsuit, on at least two occasions in 2009 and 2015, Combs beat her after seeing her speak to music managers at parties. “She had hoped speaking to this manager would allow her to further grow her career, and that Mr. Combs would be happy for her, but instead he became extremely angry,” the suit says of the 2009 incident.Following the filing of the lawsuit, two former Bad Boy artists expressed support for Ventura online. “Been trynna tell y’all for years,” the singer Aubrey O’Day, formerly of the Combs-backed group Danity Kane, wrote on Instagram. “Prayers up for this queen.” Dawn Richard, another former member of Danity Kane, wrote on X, “praying for Cassie and her family, for peace and healing. you are beautiful and brave.”In 2019, Ventura married the wellness consultant Alex Fine while pregnant with the couple’s first child; the “intimate backyard wedding,” with just 14 guests, was documented by Vogue. That year, Ventura also began releasing music again, putting singles online via her own Ventura Music label in what she called the Free Fridays Playlist.“I feel supported so I make decisions based on what’s best for me,” Cassie said in an interview about beginning a new creative phase as a mother. “I used to spend the most time overthinking the smallest things and always worrying about how people felt that I neglected how I really felt and what would make me happy. I wasn’t creating from the heart.”“The most valuable thing I’ve learned in starting a new chapter,” she added, “is that it’s OK to ask for help.” More