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    Christopher Walken Destroys Banksy Painting on BBC Comedy Show

    A genuine painting by Banksy, the street artist whose work has sold for millions, was gone in seconds as the actor painted over the artwork as a gag on the show.With a few swipes of a paint roller, the actor Christopher Walken wiped away a real Banksy painting from the side of a building in England on an episode of BBC’s “The Outlaws” that aired Wednesday night.Though Banksy’s work has fetched millions of dollars at auction, Mr. Walken unceremoniously painted over the artwork on the comedy-drama series, which is set in Banksy’s hometown, Bristol.A spokesperson from Big Talk Productions, the show’s production company, confirmed that the artwork was “an original Banksy,” and that Mr. Walken painted over it during filming, “ultimately destroying it.”Mr. Walken plays Frank on the BBC comedy show “The Outlaws.” Stephane De Sakutin/Agence France-Presse — Getty ImagesThe production company offered no more details, and a representative for Banksy did not respond to a request for comment.Banksy, a street artist and one of the world’s most expensive artists, has rigidly maintained his anonymity. He has often manipulated the news media with stunts, notably in 2018 when a painting self-destructed moments after it was sold for $1.4 million at auction. That painting, retitled “Love is in the Bin,” was recently resold by Sotheby’s in London for $25.4 million, a record for the artist.Big Talk/Four EyesIn the BBC show, directed by and starring the comedian Stephen Merchant, Mr. Walken’s character, Frank, is ordered to perform community service. He and several other characters don high-visibility vests as they clean up graffiti from a wall on the side of a building in Bristol.Mr. Walken’s character, fulfilling his duties, knocks over a board leaning against the wall, revealing a painted black-and-white rat and two canisters, recognizable in Banksy’s style even if the word “BANKSY” weren’t spray-painted on the wall in orange.“Look at this rat I found,” he says to his supervisor, played by Jessica Gunning, who, thoroughly uninterested, spends her supervision reading with her back turned to the wall.Big Talk/Four EyesAfter he explains it was a graffiti rat, not a real one, she responds: “Council said paint over any graffiti, so crack on.”“It’s awfully good,” he protests.“Less debating, more painting,” she shoots back.Mr. Walken shrugs, and then the camera zooms tightly on the artwork as he covers it entirely with six strokes.The BBC did not immediately put a clip of the scene on YouTube, but it made the episode available to watch on its iPlayer service for those in Britain. More

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    ‘Percy vs Goliath’ Review: Growing Pains

    Christopher Walken plays a beleaguered farmer in this understated environmental drama.“Percy vs Goliath” might be based on a 1998 Canadian legal battle and its fallout, but Clark Johnson’s ambling, warmhearted movie doesn’t lean on courtroom tension for drama. Addressing high stakes — the degree to which agribusiness controls our food supply — in an extremely low key, Johnson uses one family’s plight to illustrate the predicament of an entire industry.Christopher Walken stars as Percy Schmeiser, a curmudgeonly canola farmer in Saskatchewan. Each year, Percy plants the legacy seeds his family has saved over generations, refusing to purchase the genetically modified, pesticide-resistant variety patented and sold by Monsanto. (The company has since been acquired by Bayer.) When Monsanto investigators discover his crop contains the modified gene (which Percy claims was an accidental contamination from a neighboring farm), Percy is vaulted into a yearslong struggle to protect his farm, his livelihood and, not least, his integrity.Sentimental and a little corny in parts, “Percy” is protected from bathos by Walken’s proudly minimalist performance as an intensely private man reluctantly drawn into an uncomfortably public fight. Both Zach Braff (as Percy’s out-of-his-depth lawyer) and Christina Ricci (as a perky environmental activist with her own agenda) do their best to enliven the movie’s rather staid rhythms. And while the courtroom scenes are dusty and dull, Luc Montpellier’s generally unremarkable cinematography surprises us with some lovely prairie vistas.Unabashedly partisan and unfailingly modest, Garfield L. Miller and Hilary Pryor’s script strives to educate, not always unobtrusively (as in a visit to India to discuss farmer suicides). The result is a movie that’s unlikely to raise your pulse, but it might just heighten your interest in what goes into your mouth.Percy vs GoliathRated PG-13. No sex, no guns, no bad words and no idea why the rating. Running time: 2 hours. In theaters and available to rent or buy on Google Play, FandangoNow and other streaming platforms and pay TV operators. More