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    ‘We Are Gathered’ Promises to Love, Honor and Cherish

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    When JaDonna Harris and Marquian Harris married in 2015, they did it alone, before a justice of the peace. As their 10th anniversary approached, they contemplated a do-over that would include friends and family. But the cost was an issue, as was agreeing on a venue. Then JaDonna Harris received an email from Arena Stage. An upcoming play was looking for real couples interested in getting married or renewing their vows. She and her wife replied immediately.“We were like, this is kismet,” JaDonna Harris recalled.That play, “We Are Gathered,” is a new work by Tarell Alvin McCraney that began Friday, overlapping with Washington’s World Pride festivities. A celebration of love, each performance will culminate with what Arena Stage is calling “Love Takes Center Stage,” an immersive experience in which one or more couples will join the actors for a real marriage ceremony or vow renewal. One of the stars, Craig Wallace, has been ordained. Over the course of the show’s 30 scheduled performances, several dozen couples will participate. After each show, Arena Stage will hold a reception with cake, champagne and dancing.“We’re going to be discovering a great deal each night,” said the director Kent Gash, right, with the playwright Tarell Alvin McCraney.Maansi Srivastava for The New York TimesThe Harrises can’t wait.“We are happy to celebrate queer love, to celebrate the love in general all over the world and everybody’s ability to find a person that they are attached to,” JaDonna Harris said. “That’s all that matters.”McCraney began to dream up “We Are Gathered” during World Pride in Sydney, Australia, in 2023. A theater there was staging a revival of his 2012 play “Choir Boy,” a drama about a young gay man at an all-Black preparatory school. McCraney admired the production, but he wished that the play, which deals with anti-gay prejudice, didn’t feel quite so relevant. He decided that by the time the next World Pride came around, two years later, he would offer actors a script that felt more playful, more joyful.In searching for a subject, McCraney, now 44 and the artistic director of the Geffen Playhouse in Los Angeles, kept returning to the idea of marriage. When he was growing up, marriage wasn’t available to gay men, but a 2015 Supreme Court decision had changed that. Now friends were asking him why he wasn’t married and he was beginning to ask that question of himself. Recent opposition to gay rights and transgender rights — including book bans and a Florida law nicknamed “Don’t Say Gay” — had made that question feel more urgent. “Those things were happening pretty regularly and beginning to remind me there isn’t a lot of time and nothing is promised,” he said. “I decided, OK, I’m going to find out what this means to me.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Trump’s Kennedy Center Would Get $257 Million in House Republican Plan

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      A House committee proposed a huge increase in federal funding to repair and restore the center, which President Trump took over in February. Democrats have questions.Since leading a stunning takeover of the John F. Kennedy Center for the Performing Arts at the start of his second term, President Trump has repeatedly lamented the building’s condition. He has described the center, which opened in 1971, as in “tremendous disrepair,” and has spoken about the need for a major renovation.Now Republican lawmakers appear to be heeding his call. A House committee approved a budget proposal last week that called for allocating $257 million to the Kennedy Center for capital repairs and other expenses, roughly six times the amount it usually receives from the government. It is a piece of the large reconciliation measure, which Mr. Trump calls his “one big beautiful bill,” that Republicans are writing and hope to push through Congress in the coming months.The House Transportation and Infrastructure Committee, which has jurisdiction over federal buildings, said in a statement Tuesday that the “component of the proposal that provides funding for repairs and maintenance needs at the Kennedy Center was requested by the president.”The White House declined to discuss the specifics of the proposal, which is still working its way through the House as the reconciliation package takes shape.“President Trump cares deeply about American arts and culture, which is why he is revitalizing historic institutions like the Kennedy Center to their former greatness,” Anna Kelly, a White House spokeswoman, said in a statement.The Kennedy Center declined to comment.The center typically gets about $43 million in federal funds, which goes toward operations, maintenance and repairs of the property. That is roughly 16 percent of its $268 million annual budget.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Under Trump, Kennedy Center’s Classical Offerings Will (Mostly) Go On

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      The Kennedy Center’s flagship opera company and symphony orchestra announced Thursday that they plan to present robust and fairly typical programs next season, the first full season since President Trump took over the institution.But one prominent work was missing from the lineup: Gregory Spears and Greg Pierce’s “Fellow Travelers,” an opera set in the 1950s about two men working for the government who become lovers. The work was withdrawn by its creators because of concerns about Mr. Trump’s takeover, according to a letter obtained by The New York Times.Washington National Opera said the 2025-26 season would include classics like Verdi’s “Aida” and less commonly heard works like “Treemonisha,” an opera by the ragtime composer Scott Joplin. The National Symphony Orchestra is planning warhorses by Tchaikovsky and Shostakovich and world premieres by Carlos Simon, the Kennedy Center’s composer in residence; Valerie Coleman; and others.In a sign of the political sensitivities at the Kennedy Center, the leaders of the opera and the symphony declined to be interviewed about the new season.The center has been in flux since Mr. Trump purged its previously bipartisan board of Biden appointees and had himself elected chairman. The president’s actions have prompted an outcry, leading some artists to cancel engagements there in protest. The musical “Hamilton” scrapped a planned tour there next year.The classical field, in which seasons are planned years in advance, has largely been unaffected. But the creators of “Fellow Travelers,” an opera based on the 2007 novel by Thomas Mallon, confirmed this week that they were pulling the work, which was supposed to have its Washington premiere next year.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Amid Kennedy Center Upheaval, a Maestro Decides to Stay On

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      As the center goes through changes after President Trump’s takeover, Gianandrea Noseda is extending his tenure at the National Symphony Orchestra, one of the center’s main groups.The John F. Kennedy Center for the Performing Arts in Washington has gone through big changes since President Trump’s recent takeover of the institution.But there will be at least one constant in the coming years: The conductor Gianandrea Noseda will stay on as music director of the National Symphony Orchestra, one of the center’s flagship groups. Mr. Noseda has extended his contract through at least 2031, the ensemble announced on Wednesday.Mr. Noseda, 60, the ensemble’s maestro since 2017, said that he felt he still had more to accomplish with the orchestra. He wants the ensemble to tour more often, to commission more pieces and to perform more opera.“We have established this kind of mutual trust in our relationship,” Mr. Noseda, whose contract had been set to expire in 2027, said in an interview this week. “It would have been a pity to stop.”Mr. Trump took over the Kennedy Center last month, purging its board of all Biden appointees and installing himself as chairman. Deborah F. Rutter, the center’s president for more than a decade, was fired. She was credited with luring the highly esteemed Mr. Noseda to the orchestra in what was widely seen as a coup.After the president’s takeover, Ben Folds, the singer and songwriter, resigned his post as an adviser to the orchestra. The orchestra has stayed largely quiet about the changes; its musicians issued a statement saying they were “proud to perform for our patrons, our community in our nation’s capital, and the country at large.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      At Kennedy Center, Trump Inherits a Tough Job: Fund-Raising

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      For the arts institution, which receives only a small portion of its budget from federal funding, the perennial challenge is to raise additional revenue through ticket sales and private donations.In just one week, the John F. Kennedy Center for the Performing Arts in Washington has been completely transformed.President Trump purged the center’s board of all Biden appointees and installed himself as chairman, ousting the financier David M. Rubenstein, the center’s largest donor. The new board fired Deborah F. Rutter, the center’s president for more than a decade. At least three other top staff members were dismissed.Performers have dropped out in protest amid fears that Mr. Trump’s call to rid the center of “woke” influences, drag shows and “anti-American propaganda” will result in a reshaping of programming too narrowly aligned with the president’s own tastes.This concern — that the center’s tradition of pluralism, free expression and classical art forms is in jeopardy — has dominated conversation about its future. But just as relevant, experts say, are questions about its financial stability.Though the abrupt takeover by the new administration might suggest the center is an arts adjunct of the federal government, it is actually a semi-independent nonprofit.It operates under the Smithsonian Institution as a public-private partnership, and only a small portion of its $268 million budget — about $43 million, or 16 percent — comes from the federal government. That subsidy is not spent on programming but is earmarked for operations, maintenance and repairs of the property, which is federally owned.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Issa Rae Cancels Kennedy Center Appearance After Trump’s Takeover

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      President Trump’s takeover of the John F. Kennedy Center for the Performing Arts in Washington has prompted an outcry in the cultural community, with several artists resigning their posts or canceling engagements at the center.Mr. Trump made himself chairman of the center on Wednesday, a few days after he purged the board of Biden appointees. The new board, stacked with Trump loyalists, elected Mr. Trump chairman and fired the Kennedy Center’s longtime president, Deborah F. Rutter. The board named Richard Grenell, who was ambassador to Germany during the first Trump administration, interim president.The new leadership has moved swiftly to reshape the Kennedy Center’s upper ranks. In addition to Ms. Rutter, several other longtime staff members were fired on Wednesday, including top officials overseeing public relations and governance.Here’s a look at the stars who have resigned from the Kennedy Center or canceled shows in the wake of Mr. Trump’s takeover:Issa RaeMs. Rae, the actress, writer and comedian, announced on social media on Thursday that she was canceling an engagement next month at the Kennedy Center, “An Evening With Issa Rae.” She said that tickets would be refunded.“Unfortunately, due to what I believe to be an infringement on the values of an institution that has faithfully celebrated artists of all backgrounds through all mediums, I’ve decided to cancel my appearance at this venue,” she wrote on Instagram.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Trump Names Richard Grenell Interim Leader of Kennedy Center

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      President Trump announced in a post on social media Monday that he was appointing Richard Grenell as the “interim executive director” of the Kennedy Center in Washington. Mr. Grenell, who was Mr. Trump’s ambassador to Germany during the first Trump administration, is one of his most fiercely loyal apparatchiks.The president wrote that Mr. Grenell “shares my Vision for a GOLDEN AGE of American Arts and Culture” and would be overseeing “daily operations” to ensure there was no more “ANTI-AMERICAN PROPAGANDA.”The appointment was just the latest in a series of moves designed to strengthen Mr. Trump’s grip on the performing arts center in Washington.He kicked off a purge Friday night, when Mr. Trump announced his intent to gut the Kennedy Center’s board and install himself as chairman. He had denounced the center’s programming choices.On Monday, 18 board members and the board chairman were removed from an official roster on the center’s website. The excised members were appointees of Mr. Trump’s predecessor, Joseph R. Biden Jr. The board’s chairman, David M. Rubenstein, was also removed.Mr. Rubenstein, a financier who was initially appointed to the board by former President George W. Bush, has given $111 million to the center over the years, making him the biggest donor in its history.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      At the Kennedy Center, a Send-Off to Biden and Questions About the Future

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      A bipartisan crowd honored Francis Ford Coppola, the Grateful Dead, Bonnie Raitt, Arturo Sandoval and the Apollo Theater. Some wondered if Donald J. Trump would attend next year.The arrival of the president to the center box is typically a pro forma affair each year at the Kennedy Center Honors. But President Biden’s arrival on Sunday night carried the tinge of a Washington on the verge of change.President-elect Donald J. Trump did not attend any of the honors events during his first term, in a sharp break with tradition. So the question of whether Sunday night might be the last time the commander in chief attends for the next four years was front and center as celebrities, artists and officials gathered to pay tribute to the arts.“I was talking to people backstage, and they’re going to try to get as many of these Honors in place now before the inauguration,” David Letterman joked as the audience roared with laughter.This year the center honored the filmmaker Francis Ford Coppola, the beloved rock band the Grateful Dead, the Cuban American jazz trumpeter and composer Arturo Sandoval, the singer and songwriter Bonnie Raitt and the landmark Apollo Theater, in Harlem.Queen Latifah, hosting the celebration, said, “We find hope in heartache and hard times, and now more than ever, we need artists to help us uncover our shared truths, one story, one rhythm, one lyric at a time.”Bonnie CashThe host, Queen Latifah, told the crowd that artists “find hope in heartache and hard times, and now more than ever, we need artists to help us uncover our shared truths, one story, one rhythm, one lyric at a time.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      National Symphony Orchestra Players Reach Deal After Brief Strike

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      The musicians won a raise of about 8 percent over two years after a short work stoppage, the Washington ensemble’s first in 46 years.The musicians of the National Symphony Orchestra in Washington reached a deal with management for a new labor contract on Friday after a tense, short-lived strike threatened to disrupt the season.Under the agreement, the players will receive a raise of 4 percent this season and another 4 percent increase in the 2025-26 season. They had previously rejected an offer of a 13 percent raise over four years.In an escalation after months of labor talks, the musicians walked off the job on Friday for the first time since 1978. They picketed in red shirts outside the Kennedy Center, which oversees the ensemble, holding signs that said, “No pay, no play!” The strike lasted from about 11 a.m. until 2:30 p.m.After the strike began, the National Symphony Orchestra’s managers said they would cancel the opening gala, a major fund-raising event scheduled for Saturday. But they reversed course once the deal was reached, saying the gala would go forward.Edgardo Malaga Jr., the president of the players’ union, Local 161-710 of the American Federation of Musicians, said the players were relieved by the agreement.“The musicians are very happy,” he said. “We felt we were successful. We’ve got some good gains here that we can be proud of.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More