More stories

  • in

    ‘Virgin River,’ ‘Laid’ and More: What to Watch on TV This Week

    Watch how “The Ultimatum,” “Laid” and “Virgin River” test relationships in different ways. Get into the holiday spirit with Josh Groban.Between streaming and cable, there is a seemingly endless variety of things to watch. Here is a selection of TV shows and specials that air or stream this week, Dec. 16 to Dec. 22. Details and times are subject to change.Roses are red, violets are blue. What if I don’t want to marry you?Instead of couples counseling, some people use the reality show “The Ultimatum” as an outlet to tell their partners what aspects of their relationship they aren’t happy with. The process is really anything but simple: one person in the relationship issues the other an ultimatum — they either need to get married or break up. From there, they separate, start canoodling with other people and choose a different match to start a “trial marriage.” After that, they either reassess their original decision or stick to it. Though it is by no stretch of the imagination a successful model for solving relationship problems, it does make for great television. The finale is airing this week, and the whole season will be available to binge-watch. Streaming Wednesday on Netflix.In most romantic comedies, before committing to love, the heroine has to ask herself, “Am I the one causing the problems?” In “Laid,” Ruby (Stephanie Hsu) finds herself asking that question but for a different reason: She discovers that the people she slept with are dying in odd and unclear ways. And now she must track down her past lovers to stop the mysterious cycle. Cue Taylor Swift: “It’s me, hi, I’m the problem, it’s me.” Streaming on Peacock on Thursday.From left: Nicola Cavendish, Gwynyth Walsh, Christina Jastrzembska, Teryl Rothery and Zibby Allen in “Virgin River.”NetflixAfter five long seasons of rooting for Mel (Alexandra Breckenridge) and Jack (Martin Henderson), the time is finally here. The sixth season of “Virgin River” will follow all the pre-wedding festivities for the happy couple, including the bachelor and bachelorette parties and the rehearsal dinner. But as Mel and Jack are settling down, it just means that everyone else’s love lives are getting more topsy-turvy. Streaming on Netflix on Thursday.Light up the Christmas tree and turn on the amp’Tis the season to watch Gracie Abrams, SZA and Benson Boone sing their hits in a holiday-themed show. For the 10th year, iHeart Radio Jingle Ball tour has been making its way around the country and bringing a special to TV so you can join in on the fun at home. Wednesday at 8 p.m. on ABC.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    Best TV Shows of 2024

    “English Teacher,” “My Brilliant Friend,” “Shogun,” “Babylon Berlin” and “Somebody Somewhere” were among the series that stood out in a year when television felt more mid than ever.As you browse, keep track of how many shows you’ve seen or want to see. Find and share your personalized watch list at the bottom of the page.Best Shows of 2024 | Best International | Best Shows That EndedJames PoniewozikBest Shows of 2024We live in the Age of Like. You can click stars and hearts from one end of the internet to the other to express your contentment. Like is fine. Like is good. But like isn’t the same as love. Love is more challenging. It asks more of you and it risks more. Like can’t break your heart.The good news is, there was a ton of TV to like in 2024. But it was harder this year than most to find those special, challenging, distinctive shows to l-o-v-e, which is what I think year-end lists like this are all about.All this is an outgrowth of a phenomenon I wrote about earlier this year: “Mid TV,” the burgeoning category of well-cast, professionally produced shows that look like the groundbreaking TV of the past but don’t actually break ground of their own. This TV has its place — I watch a lot of it, happily — but that place is not on this list. (The shows that did make it are arranged alphabetically.)Farewell, 2024; here’s to a more-than-mid 2025!‘English Teacher’ (FX)There’s a popular “Simpsons” meme in which the school principal, Seymour Skinner, wonders to himself, “Am I so out of touch?,” and concludes, “No, it’s the children who are wrong.” What the rookie-of-the-year sitcom “English Teacher” posits is: Maybe the children are wrong, and so are the adults, but we’re all also sort of right, and all this is part of life. Less apocalyptic than “Euphoria,” more acerbic than “Abbott Elementary,” the series surveys the post-Covid educational culture wars with more curiosity than judgment. That, it turns out, is one of the best ways to learn. (Streaming on Hulu.) More

  • in

    ‘What We Do in the Shadows’ Returns One Last Time

    One of TV’s few great funny ha-ha comedies begins its sixth and final season this week on FX and Hulu.One of my absolute favorite shows, FX’s “What We Do in the Shadows,” is back for its sixth and final season, with three new episodes now streaming on Hulu. The show, set within a household of vampires on Staten Island, remains goofy and grotesque, full of warped zingers and silly asides.Only the first three episodes of the season were made available to critics, and they introduce a few new facets, including a long-dormant additional roommate, Jerry the Vampire (Mike O’Brien). His fellow vampires were supposed to wake him in 1996, and he’s peeved to discover that not only did they let him oversleep for so long, but they also haven’t achieved any of the world-conquering goals they’d all set. Elsewhere, Guillermo, the lovable familiar, has re-entered the regular human work force — first at Panera and then at a financial firm (where they keep odd hours … hmm…).In the wake of Jerry’s disapproval, Laszlo (Matt Berry) feels motivated to get back to the lab and take another crack at one of his hideous experiments. Colin (Mark Proksch) tags along, and lo, he too has a knack for freaky discoveries. “Another young scientist inspired,” Laszlo crows. “First Mr. Oppenheimer, and now Colin Robinson.”“Shadows” faces the most vexing question for both vampires and sitcoms: Does anything change? It’s the curse and comfort of immortality and comedy alike, that everything tends to — has to? — reset and reset and reset to the norm. Even when “Shadows” stretches itself with format, as in Season 4’s brilliant HGTV episode, or in season-long surprise arcs, as with Colin’s gleefully bizarre death and rebirth, everything finds its way back to how it always was.My fondest hope is that “Shadows” has a few final tricks up its sleeve, but even its waning fifth season brought me plenty of joy last year. At a time when funny ha-ha comedies are rare, losing one of our jokiest shows stings extra hard. More

  • in

    Mark Proksch, of ‘What We Do in the Shadows,’ Gets Into the Swing of It

    As an “energy vampire,” the comic actor has been the most relatable menace in the FX comedy, which begins its final season.On a recent evening, the actor Mark Proksch watched as a pirate ghost cavorted on a video monitor. “I love their idea of what counts as haunted,” he said.Proksch, 46, a star of the FX supernatural comedy “What We Do in the Shadows,” knows a thing or two about haunting. He plays Colin Robinson, a vampire who shares a crumbling Staten Island mansion with three undead roommates and one human minion. Unlike his friends, Colin is a day walker, an energy vampire who feeds off others, mostly by droning on about zoning ordinances or car insurance. (Proksch, who has a gift for tedium, mostly improvises these speeches.) Onscreen, he plays blandness with such intensity that he makes apparent normalcy seem very, very weird.Proksch, who lives in Los Angeles with his wife, the TV writer Amelie Gillette, was in town to promote the comedy’s sixth and final season at New York’s Comic Con. (The first three episodes premiere Monday on FX and Tuesday on Hulu.)On a free night, he had come to the home of the pirate ghost, Shipwrecked, an ostensibly eerie mini-golf course in the Red Hook neighborhood of Brooklyn. At the first hole, he hefted his club and swung at his bright green ball. A hole in one.“Well, that was thrilling,” he said dryly.Raised in a small city in Wisconsin, Proksch never planned on a career in performance. (As a child, he appeared in a community theater production of “The Music Man”; he had no lines.) Pale and unassuming, he has a way of blending into the background of any given room. “It’s that Midwestern charisma,” he joked.On the fourth hole, his ball veered around a tropical plant then was caught by a sand trap. “There’s a reason I haven’t done this in 20 years,” he said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    Best Movies and TV Shows Streaming in October: ‘Shrinking,’ ‘Disclaimer’ and More

    “Citadel: Diana,” “Disclaimer,” “The Franchise,” “Star Trek: Lower Decks,” a Springsteen documentary and others arrive.Every month, streaming services add movies and TV shows to their libraries. Here are our picks for some of October’s most promising new titles. (Note: Streaming services occasionally change schedules without giving notice. For more recommendations on what to stream, sign up for our Watching newsletter here.)New to Amazon Prime Video‘Citadel: Diana’Starts streaming: Oct. 10Last year, Amazon released the first season of “Citadel,” a big-budget action series about a pair of retired spies forced back into service to thwart a dangerous international agency known as Manticore. The idea all along was for the show to anchor a sprawling franchise, which collectively would tell the story of the covert Citadel organization across multiple countries and eras. Now the first of those spinoffs is here: “Diana,” set in Italy in the year 2030, starring Matilda De Angelis as a Citadel agent who has spent so long undercover within Manticore that she has lost touch with her handlers and mission. “Diana” jumps back and forth in time, to show how and why the heroine was recruited into espionage in the first place, along with what happened to Citadel that has left her all alone, deep behind enemy lines.Also arriving:Oct. 3“House of Spoils”“The Legend of Vox Machina” Season 3Oct. 8“Killer Cakes”Oct. 15“Beyond Black Beauty”Oct. 16“Are You Smarter Than a Celebrity?” Season 1Oct. 24“Like a Dragon: Yakuza”Oct. 30“Buy It Now” Season 1New to AMC+A scene from “Stork,” an episode of “V/H/S/Beyond.”Shudder‘V/H/S/Beyond’Starts streaming: Oct. 4The “V/H/S” series of horror anthologies have survived the fluctuating popularity of the “found footage” subgenre, in part because the collections have such uncomplicated yet clever organizing concepts. Each film is presented as a set of disturbing home videos, newly discovered and sharing a common theme. The latest edition is framed as an episode of a TV show about cryptids and aliens, which gives the chapters a science-fiction angle. As always with this franchise, the participating filmmakers take creative approaches to their segments, which in “Beyond” includes one about a Bollywood dance number gone awry, one set during a skydiving misadventure, and one moody U.F.O. encounter story written by the ace horror filmmaker Mike Flanagan and directed by his wife, Kate Siegel.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    Matt Berry Is Afraid of Heights, Not Comedy

    His performance as a debauched vampire in “What We Do in the Shadows” earned him an Emmy nod. It has also often had him dangling 50 feet off the ground.Many actors will claim to have been surprised by an Emmy nomination. Matt Berry seems to mean it. While “What We Do in the Shadows,” the gleefully grotesque FX vampire comedy, has piled up a score of Emmy nominations, none were for performance.So when Berry’s agent called in mid-July and asked to FaceTime, Berry, a prolific singer-songwriter who was busy at his drum kit recording a new folk-pop album, had no idea why.“I can honestly tell you I was not expecting an Emmy nomination,” he said. But it was — a nomination for best lead actor in a comedy series, his first in any category.Berry, 50, an English actor best known for cult comedies like “Garth Marenghi’s Darkplace” and “Toast of London,” stars as Laszlo Cravensworth, a 300-year-old English aristocrat turned vampire. An avatar of decadence with a thing for orgies and cravats, he is played by Berry with a debauched joy and an accent that somehow suggests cut glass, crushed velvet and many, many quaaludes.Berry, whose gift is for making the most outlandish circumstances feel oddly plausible, recently wrapped the show’s sixth and final season. He didn’t seem to regret it. “I’m one of those that is very keen to cut loose when I’m onto a good thing,” he said. And despite the occasional wire work — he has an entirely serious fear of heights — “Shadows” had been good.Reached at his home in Bedfordshire, England, Berry discussed Victorian style, vampirism’s upsides and the most outlandish things the show has ever made him do. These are edited excerpts from the conversation.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    Haley Joel Osment, ‘Sixth Sense’ Star, Is Content 25 Years Later

    Haley Joel Osment’s childhood memories are not like other people’s. He remembers the kindness with which Tom Hanks treated him, when he was 5 and playing Hanks’s son in “Forrest Gump.” And the time Russell Crowe adjusted his bow tie at an awards show when Osment, not yet 12, was Oscar-nominated for his breakout performance in “The Sixth Sense.” The in-depth conversations he had with Steven Spielberg about the future as they were filming “A.I.” that same year.A phalanx of Osment clones, made for that movie, are still floating around — he heard they might have ended up stockpiled in Peter Jackson’s trove of memorabilia in New Zealand. If the apocalypse happens, Osment jokes, that preteen version of him will survive.It is, in any case, the form in which many fans know him best — especially as the notably named Cole Sear, the teary-eyed center of “The Sixth Sense,” M. Night Shyamalan’s blockbuster supernatural thriller from August 1999. Osment’s indelibly whispered line, “I see dead people,” went from the trailer to the canon of cinema to pop culture infamy long before memes even existed to codify it (though they have now). It was a phrase so potent that, 25 years after its arrival, it is a Kendrick Lamar lyric — on a Drake diss track, no less.With its final-act twist, “The Sixth Sense” also, some cineastes argue, started “spoiler culture” — meaning that mass moviedom as we know it, with entire publicity campaigns and prickly fan bases fiercely safeguarding plotlines, sprang from that moment. A 10-year-old paired with an action star (Bruce Willis), playing against type as a child therapist, spooked audiences into repeat views, and today we scour the screen for Easter eggs and hope for the thrill of a shock.Osment with Bruce Willis in “The Sixth Sense.” When the boy auditioned, M. Night Shyamalan recalled, “I turned to the casting director and said, ‘I don’t think I want to make this without him.’”Buena Vista PicturesOsment is now 36; he has been a working actor for nearly nine-tenths of his life, in drama, comedy, fantasy, animation, period pieces, video games and oddball stuff. He has enough credits that when a cast was made of his arm for the Amazon superhero series “The Boys,” he was able to use it again, seasons later, to beat someone in the FX vampire satire “What We Do in the Shadows.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    Colin Hanks Finds Perfection in ‘What We Do in the Shadows’ and Tacos at Every Meal

    The actor, who moves out of his comfort zone in Peacock’s “A Friend of the Family,” talks about his love affair with soccer and the pleasure of a shaved head.When Colin Hanks learned that he was being considered for “A Friend of the Family,” he thought, “Awesome — it sounds fabulous.”Then the scripts arrived.“I went, ‘Oh, this is just the saddest show I’ve ever read, so I don’t know what to think if you’ve been thinking of me,’” he recalled. “It was one of those stories that was incredibly intimidating and my first instinct was just, ‘No, I can’t.’”But he couldn’t get the true-crime show out of his head. Debuting Oct. 6 on Peacock, Nick Antosca’s limited series is based on the real story of the Brobergs (who were also the subjects of the 2017 Netflix documentary “Abducted in Plain Sight”).Hanks plays Bob Broberg, a stalwart Mormon in bucolic Idaho whose family implodes when Robert Berchtold (Jake Lacy) — or Brother B, to his adoring neighbors — moves to town and perverts everything they thought they believed in. He also kidnaps the Brobergs’ eldest daughter, Jan. Twice.Before he took on the role, Hanks made it clear that he wasn’t interested in re-enacting a laundry list of all the bad decisions the Brobergs made while being emotionally and sexually manipulated by Berchtold, even as they questioned his growing fixation on their daughter. Rather, Hanks wanted to examine why they made these choices.The Vampire Antics of ‘What We Do in the Shadows’The FX series based on the 2015 film by the same name follows a crew of vampires and their struggles to settle down in Staten Island.The Movie: “At heart a dotty look at oldsters struggling to adapt to an unwelcoming modernity, ‘Shadows’ has the bones of an anarchic sitcom,” The Times wrote upon the film’s release.The Creators: Jemaine Clement and Taika Waititi wrote, directed and acted in the mockumentary. Here is why they decided to return to the vampire world with a show.Series Review: “If ‘Shadows’ doesn’t seem entirely necessary, it’s perfectly fun,” our critic wrote when the TV show debuted in 2019.Harvey Guillén: The actor plays Guillermo, a human in a house full of vampires. Though it was supposed to be a minor role, he quickly became a fan favorite.“And that was exactly what Nick was wanting to explore,” he said.It has been a hectic year for Hanks, who played an F.B.I. agent in “Impeachment: American Crime Story,” about the Clinton-Lewinsky scandal, and a studio executive in “The Offer,” about the making of “The Godfather.” A San Francisco Giants fan, he has also produced a documentary about Willie Mays, out November on HBO.Calling from London, where he’s shooting an independent film, Hanks ticked off 10 things that have kept him grounded during the hustle, including “What We Do in the Shadows,” his cast-iron skillet and the Atlanta BeltLine.These are edited excerpts from the conversation.1. “The Baseball 100” by Joe Posnanski I’ve been slowly reading this book because I don’t want it to end. They’re really more of a character study on players from all different points in baseball’s history, as well as players from Japan and players from the Negro leagues.2. My cast-iron skillet I’m not very skilled at cooking, not yet at least. But there’s something about the idea of using this one skillet and seasoning it and being able to cook almost anything in it and that’s all you need. In a strange way, it’s also a little bit like a baseball mitt. You’ve got to break it in. You’ve got to take care of it. You’ve got to clean it properly. It’s not something that you use and then throw in the sink and don’t think twice about.3. “Sunderland ’Til I Die” on Netflix I’ve made a bunch of documentaries. That’s sort of my show business side hustle. I did one about Tower Records. I did another about Eagles of Death Metal going back to Paris, playing after the Bataclan attack. Recently, I got obsessed with this fantastic sports doc called “Sunderland ’Til I Die,” about an English football team that’s been demoted. That’s just heartbreak, the likes of which I’ve not seen in sports in quite some time.4. Shaving my head I had to have a very specific hairstyle to play Bob Broberg. So half of my head has been shaved because I had a very serious wig process that I had to go through. I had to paint my head every morning and then do four layers of makeup and then put a wig on top. I’ve been wearing a hat every day since. I’m currently doing a job in which I had to have another wig made that looks like my normal hairstyle. I’m very much looking forward to about seven days from now, being able to shave my head and start all over again.5. Tacos The perfect food. Period. Exclamation point. They can be lunch, they can be dinner and, if you’re really lucky and you’ve got a good spot, they can also be breakfast as well.6. Discovering “new” music I find something really joyful in discovering music that’s new for you but might not necessarily be new for all. I found this record by this band called Jagwar Ma from 2013, and I’ve been listening to it nonstop walking around London. Wherever I travel, I go to local record stores, and I will label what city I’ve bought the records in. And so all of my records are sort of a memory, if you will, of where I was literally, physically, but also where I was in my life and what I was doing.7. Fall Fall is one of those moments that I really enjoy — you see the leaves change and you feel the temperature drop and everyone gets excited, for a little while at least, to button up their coats. It also means that the Fall Classic is right around the corner.8. The Atlanta BeltLine I live in Los Angeles, but I had to relocate to Atlanta for “A Friend of the Family.” It’s this fantastic walkway that circles the entire city. It is just this incredible conduit to Atlanta. Since I was staying right by it, I could throw some shoes on and go for a walk and see people and have dinner someplace and walk back. It’s not too dissimilar from the High Line in New York. It made me feel like I was part of the life there.9. Soccer They call it the beautiful game for a reason. The simplicity of it — a sport that is played everywhere around the world, and all you really need is a ball. I was actually supposed to see Liverpool play and it was going to be the first time I was going to see them live in person, and the match was postponed because of the Queen’s funeral. So it was very, very sad. Hence, now a Sunday spent at a pub drinking my sorrows away.10. FX’s “What We Do in the Shadows” It’s one of those shows where you might watch the first two episodes and your instinct is to say, “OK, I get it. They’re vampires. It’s a fake documentary. Everyone is speaking in funny accents.” Pardon the pun, but that show crept up on me in such a way that I am crying laughing practically every single episode. The concept of a vampire that sucks your energy by boring you to death, I thought that was so hilarious. Oddly, you wouldn’t necessarily think that a show that broad would be able to grip you and make you fall in love with the characters. But I absolutely have. More