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    Could ‘Young Rock’ Be Dwayne Johnson’s ‘Apprentice’?

    A wrestler’s job is to sell an absurd fiction, and make it reality — maybe it’s not so different from politics.Listen to This ArticleThe eighth episode of “Young Rock” finds the show’s protagonist, a 15-year-old Dwayne Johnson, in a classic sitcom predicament. He has pretended to be rich to impress a classmate named Karen, who has the blond hair and movie-grade makeup that teenage boys dream of. Now she is coming over for dinner and expecting to see a palace; in reality, Young Rock is squeezed into a small apartment with his parents, who struggle to pay the rent. The show, which just finished its first season on NBC, follows the actor’s childhood growing up around the professional wrestling business, back when his father, Rocky Johnson, was a star. In a bind, Young Rock turns to his father for the sort of advice only he can provide.“I understand,” Rocky says with paternal knowingness and a roguish smile that implies he has been here before. “You were working a gimmick, and you cornered yourself.” In pro wrestling, working a gimmick is the tapestry of untruths you speak and act into reality — the commitment to character that propels the most gifted fabulists into superstardom. The all-American Hulk Hogan persuaded children to eat their vitamins; the Undertaker somehow made people think he really was an undead mortician; Rocky, who dressed fantastically and went by “Soulman,” was the coolest guy around. (It wasn’t more complicated than that.) It’s why, on the show, he leaves the wrestling arena in a fancy Lincoln Continental, only to check into a run-down motel for the night — he has created a high-rolling persona for the fans, and he must keep it intact. And it’s why he dismisses Young Dwayne’s concerns that maybe he should just come clean with Karen. “Wrong, son,” he says. “What you gotta do is work the gimmick even harder.”Professional wrestling is a form of entertainment that invites viewers to understand its fictive properties but nevertheless still buy into its dramas; in fact, the knowledge that it’s all constructed quickly gives way to a form of meta-appreciation. And unlike actors in a conventional TV drama, wrestlers are their characters, even in real life. This informal contract between performer and audience to never break character means that no matter where Rocky Johnson goes, he’s still recognizable as himself and must behave accordingly.With “Young Rock,” Johnson may very well be trying to find out if this alchemy can be performed for real: if a fiction can be created in front of an audience and then imposed on reality. The framing device for the show, the reason we’re learning about Young Rock’s life, is that Johnson is on the campaign trail for the 2032 presidential race, where he has a real shot to win. Like all coming-of-age stories — and most instantly remaindered political memoirs — “Young Rock” purports to trace how Johnson’s upbringing turned him into the man he is today: wrestling champion, the highest-paid actor on the planet, maybe a future president. Roll your eyes, but accept the possibility. Ever since Donald Trump was elected, plenty of charismatic celebrities have been floated as potential candidates. More than the other contenders — Oprah, Mark Cuban — Johnson has gained real traction, even going so far as to publicly state that he wouldn’t run in 2020 but that it was something he “seriously considered.”Johnson passes every cosmetic test: handsome, tall, voice like a strong handshake. He’s the star of several film franchises that future voters will have grown up watching. And while a different show might play all this for laughs, “Young Rock” frequently lapses into what messaging for Johnson’s actual campaign might sound like. It’s never specified whether he’s running as a Democrat or a Republican; he presents as a third-way politician who just wants America to push past its divisions. Candidate Rock is a little like Michael Bloomberg, but with more convincing platitudes and even better delts. One episode shows Young Rock watching his grandmother’s wrestling company struggle to adjust to contemporary trends, something that leads candidate Rock to sympathize with everyday Americans concerned about their jobs being replaced by automation. Another ties his childhood friendship with Andre the Giant to his selection of a female general (played by Rosario Dawson) as his running mate — because, just like Andre, the general will “always push me to consider other points of view.” (She had previously endorsed his opponent.) Celebrity politicians, like Trump or Arnold Schwarzenegger, can usually skip this self-mythologizing process; the reason they’re running is that people already know who they are. But on “Young Rock,” Johnson runs a fairly conventional campaign; he even engenders a small controversy when he eats a Philly cheesesteak improperly. The insistence that his candidacy would be in any way conventional only heightens the sense that the show is a road map for an actual run.Back in 1987, Young Rock takes his father’s advice to double down on the gimmick in order to impress Karen. It backfires when she sees through the ruse, because for most people charisma can transform reality only so far — and even wrestlers run into this barrier, once their stars fade a little, or their addictions take root, or they simply grow older. Wrestling history is littered with ignoble ends and performers who couldn’t quite accept that the show was over. But there’s one — the only one who has ever lived, actually — who has kept doubling down and seen his star ascend accordingly. For most people, charisma can only transform reality so far — and even wrestlers run into this barrier. Johnson followed his father into professional wrestling, then left the W.W.E. at the apex of his success to get started in Hollywood; he latched himself to the “Fast & Furious” franchise, always playing some version of his stentorian, trash-talking wrestling persona, until he became a movie star in his own right; when his name started coming up as a potential presidential candidate, he indulged the rumors rather than say, “Wait a minute, I’m the guy who says, ‘Can you smell what the Rock is cooking?’” And here he is now, maybe sort-of speaking his fictional presidential campaign into reality, a compelling “will he or won’t he” drama that’s up there with any of his best wrestling or Hollywood stories.“Young Rock” has been modestly successful, averaging more than four million viewers per episode. It’s not Trump’s “The Apprentice,” which was a genuine hit for a decade. But Johnson has many other concurrent efforts to expand his fame across American life: A new “Fast & Furious” movie comes out in June; his relaunch of the much-maligned X.F.L., which he purchased last year, is still in the works; there are rumors that he’ll return to the W.W.E. for a final match. Nobody has ever taken this path to the Oval Office, but you could have said that about Trump, who also understood the importance of committing to character. When your supporters want to believe what you’re saying, there’s no limit to how far the gimmick can go.Source photographs: Mark Taylor/NBC/NBCU Photo Bank, via Getty Images; David M. Benett/WireImage, via Getty Images; PM Images, via Getty Images. More

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    Why Oprah’s Meghan and Harry Special Won’t Have a Streaming Home

    #masthead-section-label, #masthead-bar-one { display: none }The British Royal FamilyInterview and FalloutWhat Meghan and Harry DisclosedWhat We LearnedMemories of DianaAdvertisementContinue reading the main storySupported byContinue reading the main storyWhy Oprah’s Meghan and Harry Special Won’t Have a Streaming HomeThe three participants’ ties to Netflix and Apple, along with Ms. Winfrey’s desire to reach a big live-viewing audience, paved the way to an old-school deal with CBS.Oprah Winfrey’s interview of Meghan Markle and Prince Harry was a rarity in the age of streaming: a cultural event powered by network TV.Credit…Rebecca Smeyne for The New York TimesEdmund Lee and March 9, 2021, 6:28 p.m. ETOprah Winfrey pulled off what has become a rare television event: the tell-all interview that turns into a cultural moment. On Sunday, an audience of more than 17 million watched bombshell revelations tumble out of the mouths of Meghan Markle and Prince Harry as they described their lives under the palace gaze in a two-hour CBS special that rivaled any of the royal dramas on the Netflix series “The Crown.”Social-media discussion of the show has continued since the credits rolled, leaving many people who missed it wondering where they could stream it. For the next 30 days, the special will be available on CBS.com and the CBS app. But after that, it will not have a home on any streaming platform.That’s because, from the start of negotiations, Ms. Winfrey’s company, Harpo Productions, the owner of the program, envisioned the special as something suited to a big broadcast network, three people with knowledge of the deal said. Harpo did not even attempt to sell the streaming rights to Netflix or Paramount+, the streaming platform owned by CBS’s parent company, ViacomCBS, the people said.Harpo’s old-school strategy of avoiding subscription-video-on-demand services came about partly because of the complications presented by Ms. Winfrey’s deal to make programs for Apple’s streaming platform, AppleTV+, the people said. Ms. Winfrey’s AppleTV+ deal includes an interview series, “The Oprah Conversation,” which has featured Barack Obama, Dolly Parton and Mariah Carey. Another wrinkle was the roughly $100 million production deal that Meghan, Duchess of Sussex, and Prince Harry struck last year with Netflix, the people said.Ms. Winfrey’s company also did not approach cable networks when seeking the right venue for the special, the people said. Hoping for the greatest possible reach, she sought a deal with one of the major broadcast networks, which do not require a subscription and consistently draw the largest audiences for live viewing. Harpo also liked the idea of appearing in the Sunday night slot after “60 Minutes,” the highly rated CBS News show where Ms. Winfrey was a special correspondent in 2017 and 2018, the people said.As part of the $7 million deal, ViacomCBS won something valuable: the rights to broker international distribution on behalf of Harpo. The program aired Monday on ITV in Britain and will be available in more than 80 countries.Prince Harry and Meghan, Duchess of Sussex, cut a deal with Ms. Winfrey in 2019 to produce a series on mental health. Credit…Joe Pugliese/Harpo ProductionsMs. Winfrey revealed during the interview that she had spent about three years trying to land the exclusive. Along the way, she went into business with Meghan and her husband. Adding to the jumble of media alliances, the couple in 2019 cut a deal with Ms. Winfrey to produce a documentary series about mental health that is scheduled to stream on AppleTV+.Some industry observers were surprised by the CBS deal because of another corporate entanglement: Ms. Winfrey’s long relationship with Discovery Communications, the cable giant that invested in her cable network, OWN, over a decade ago. David Zaslav, Discovery’s intensely competitive chief executive, decided to continue the investment even after OWN experienced growing pains early on. The company now controls the network, which has become a ratings success. Discovery also recently launched its own streamer, Discovery+, where Ms. Winfrey hosts an interview series, “Super Soul.” (The company bought advertising time on the CBS special and provided a commercial featuring Ms. Winfrey.)It turns out that digital television, originally meant as a convenient alternative to clunky cable, can be just as knotty and cumbrous as the business it’s trying to replace.The morning after her interview with the Sussexes, Ms. Winfrey appeared on “CBS This Morning,” a program anchored by her close friend, Gayle King, where she presented extra material that didn’t make the special. CBS announced on Tuesday that it will show the special again Friday night at 8.John Koblin More

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    Oprah, Meghan and Harry Draw 17.1 Million Viewers to CBS

    #masthead-section-label, #masthead-bar-one { display: none }The British Royal FamilyliveInterview and FalloutWhat Meghan and Harry DisclosedWhat We LearnedRace and RoyaltyAdvertisementContinue reading the main storySupported byContinue reading the main storyOprah, Meghan and Harry Draw 17.1 Million Viewers to CBSA two-hour special revived a faded TV genre, the “big-get” prime-time interview that once drew tens of millions for exclusive sit-downs with people like Michael Jackson and Monica Lewinsky.Meghan Markle and Prince Harry described racism within the royal family during an interview with Oprah Winfrey.Credit…Harpo Productions, via ReutersMarch 8, 2021Updated 4:36 p.m. ETOprah, Meghan and Harry drew a sizable audience on Sunday night, making for an old-style prime-time television moment in the age of on-demand viewing.Oprah Winfrey’s explosive two-hour interview with Meghan Markle and Prince Harry, who had largely kept their silence after announcing last year that they would give up their duties as members of Britain’s royal family, attracted 17.1 million viewers on CBS, according to preliminary Nielsen figures.The number of viewers climbed as the show went on. It drew 16.9 million in the first hour and 17.3 in the second, Nielsen reported. That audience was about twice the size of the viewership for the prime-time ratings winner in a given week.In a time when Netflix and other streaming platforms dominate viewing habits, the ratings for “Oprah With Meghan and Harry: A CBS Primetime Special” were strong — but they did not come close to the figures of similar prime-time exclusives from past decades. And the number of viewers fell short of the 22 million who watched a similarly ballyhooed interview in 2018, a “60 Minutes” episode in which Stephanie Clifford (also known as Stormy Daniels) told Anderson Cooper about her past affair with Donald J. Trump.Ms. Winfrey’s special aired after days of anticipatory coverage hinting at what the couple might reveal about their experiences with the royal family and their decision to leave the palace behind.Meghan did not hold back during the interview, telling Ms. Winfrey that she had contemplated suicide while living as a royal. She also blamed Britain’s first family for not providing her with sufficient protection from Britain’s ferocious tabloid press and described racism within the royal family, saying that, during her pregnancy, there had been “concerns and conversations about how dark” the skin of her child would be. Harry revealed a strained relationship with his father, Prince Charles, and brother, Prince William.The high level of interest in a special on a big broadcast network was something of a throwback to a moment when prime-time television interviews, jampacked with commercials, became a gathering spot for a mass audience.The “big get” interview is a TV genre unto itself, in which a famous anchor or host elbows out rivals to land an exclusive sit-down with a newsworthy subject. It is also a genre past its heyday. Along with Diane Sawyer and Barbara Walters, Ms. Winfrey, an interviewer extraordinaire who started her TV career in the 1970s, was a major player when the competition for such shows was at its height.In 1993, Ms. Winfrey’s prime-time interview of Michael Jackson at his Neverland Ranch, broadcast by ABC, attracted an audience of at least 62 million. Six years later, also on ABC, Ms. Walters sat down with Monica Lewinsky for a two-hour special that drew 48.5 million.Since then, the rise of digital media and its infinite screen-time options has cut deeply into the might of the big broadcasters. As the viewing audience fractured, opportunities for must-see prime-time interviews became vanishingly rare. Even the biggest one-on-ones of recent years have lacked the drawing power of the specials from two decades ago and more. The audience of 17.1 million for Ms. Winfrey’s interview of Meghan and Harry matched the number of viewers who tuned in when Caitlyn Jenner revealed that she was transgender to Ms. Sawyer on a 2015 episode of ABC’s “20/20.”The Sunday night special was unusual in that it was not overseen by a network news division. Ms. Winfrey’s company, Harpo Productions, produced it, and CBS paid at least $7 million to license the show, according to a person with knowledge of the arrangement. (The Wall Street Journal previously reported the figure.) The deal was also a gamble: It was taped after the network had bought the rights, according to two people with knowledge of how the show was made. During the interview, Ms. Winfrey said she had been trying to land the exclusive with the couple for about three years.CBS emerged the winning bidder despite Ms. Winfrey’s rocky experience at “60 Minutes,” where she was a special contributor in 2017 and 2018. In a 2019 interview with The Hollywood Reporter, Ms. Winfrey revealed that the show’s producers had criticized her delivery, saying she had “too much emotion” in her voice, even when she said her own name. (Ms. Winfrey has maintained a connection to the network through her good friend Gayle King, an anchor of “CBS This Morning,” and appeared on that show Monday.)Further complicating CBS’s attempt to get the big get was the thicket of media companies surrounding Ms. Winfrey and the former royal couple. Ms. Winfrey has her own cable network, OWN, and is a major part of the streaming platform AppleTV+. Recent episodes of Apple’s “The Oprah Conversation” have featured her interviews of Barack Obama, Dolly Parton and Mariah Carey.Meghan and Harry, for their part, signed a multiyear deal with Netflix last year to make documentaries and other shows. They also signed on to make podcasts for Spotify and released the first installment on Dec. 29. It included guest appearances by Elton John, Tyler Perry and other celebrities, as well as the first public utterance from their son, Archie.The pact between CBS and Harpo Productions was largely focused on TV rights. The interview ran live on ViacomCBS’s newly rebranded streaming service, Paramount+ but at least for now will not be available on Paramount+ for on-demand viewing. Instead, the special will be available on CBS.com and the CBS app for 30 days, a CBS spokesman said.Originally slotted for 90 minutes, it ended up a two-hour show. Before the broadcast, CBS released teaser clips, and British tabloids that have been unfriendly to Meghan shot back with anonymously sourced items on her apparent misdeeds.The estimate of 17.1 million viewers will only grow after Nielsen tabulates some viewers who streamed the special, as well as out-of-home viewing.AdvertisementContinue reading the main story More

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    Prince Harry Finally Takes On White Privilege: His Own

    #masthead-section-label, #masthead-bar-one { display: none }The British Royal FamilyliveInterview and FalloutWhat Meghan and Harry DisclosedWhat We LearnedRace and RoyaltyAdvertisementContinue reading the main storySupported byContinue reading the main storyCritic’s notebookPrince Harry Finally Takes On White Privilege: His OwnMeghan Markle and Harry’s interview revealed a catalyst for their reinvention, our critic writes: Harry’s racial awakening after attacks on Markle.Prince Harry and Meghan Markle speak with Oprah Winfrey about racism and other issues in a blockbuster interview on CBS on Sunday night.Credit…Harpo Productions, via ReutersMarch 8, 2021Updated 4:30 p.m. ETIt was well worth the wait. The first joint interview with Prince Harry and Meghan Markle since they stepped down from royal life last year (a process that became officially permanent last month) did not disappoint.I, for one, watched this tell-all with Oprah Winfrey while texting with many of the same Black women with whom I watched their wedding in 2018. Back then, we shared OMG emojis because we were pleasantly surprised by the way Black culture was so powerfully celebrated and Markle’s African-American identity so thoughtfully integrated into their ceremony at St. George’s Chapel.Now, we were aghast at the couple’s allegations that racism toward Markle and its various consequences were a primary reason they fled their home to find freedom in sunny California.Based on Markle’s deep commitment to women’s rights and the interview’s promo clip — Winfrey asks her, “Were you silent or were you silenced?” — I went into this assuming it would be a feminist revision of the couple’s fairy-tale romance. “The latter,” Markle responded in the interview. Later, she’d compare her life as a royal to Princess Ariel losing her voice after falling in love with a human in “The Little Mermaid.” In that analogy, this interview is the final breaking of that spell, with Markle now fully in control of her voice. It reminded us that she never needed a Prince Charming to rescue her, while showing us that their very modern marriage is what saved and ultimately liberated them both from the trappings and the trap that is the Crown.But therein lies the true catalyst for their radical reinvention: Harry’s racial awakening. Here, I do not just mean the accusations from the couple about the deep anxiety some royals had about the potential skin color of their son, Archie — which resulted, they said, in him not being offered the traditional rituals of the royal hospital picture, the title “Prince” and the security that comes with that status. Rather, the second hour of the interview was a culmination of a process that Harry had been undergoing since their first date in 2016, when he was becoming more cleareyed, confrontational and emboldened to take on the British monarchy into which he was born, and the white privilege that holds it up and has benefited him his entire life.Typically, we see racial awakenings as a tragic rite of passage for Black people. In slave narratives and early 20th-century African-American autobiographies and novels, there is often a moment in which a Black child realizes she is not only different from her white peers but that her darker skin or African-American parentage makes her inferior to them. The literary critic Henry Louis Gates Jr. once described it as a “scene of instruction.” In books like W.E.B. DuBois’s collection “The Souls of Black Folks,” from 1903, or Nella Larsen’s novel “Passing,” from 1929, this traumatic rupture is always intimate and severe, the first and most formative experience in a lifetime of racist insults.An official wedding photograph released by Kensington Palace in May 2018.Credit…Alexi Lubomirski/Agence France-Presse — Getty ImagesAs Black parents, we try to prepare our children for these inevitable encounters with The Talk, the sage advice and survival strategies we hope might blunt the damage of these betrayals. But every Black person I know has had such a moment. Mine was my senior year in high school when my white classmates charged that the only reason I had been admitted to the University of Pennsylvania was because of affirmative action, an insinuation that equated being Black with being underqualified, and an injury that has caused me to obsessively overachieve in almost every aspect of my professional life.I’ve rarely heard white friends discuss their parallel experiences of first realizing their privilege. In fact, this summer was unprecedented in the sheer number of public figures and predominately white organizations that released statements or tweets acknowledging their role in perpetuating systemic racism. In private, I and many of my Black friends received more sympathetic emails or Black Lives Matter solidarity texts from our white colleagues than ever before. It seemed, suddenly, white people too were having their own version of The Talk.And in popular culture, these awakenings are appearing with more frequency. In this season of NBC’s “This Is Us,” Randall’s white siblings, Kate and Kevin, are, as a result of the Black Lives Matter protests this summer, slowly coming to terms with how much their own white household, and their ongoing refusal to deal with racism, has harmed their African-American brother, who was adopted.Without such recognition by our white family members and friends, racial inferiority is merely thrust onto Black people as a unique burden that we must bear, disprove of and reject. This innocence is at the core of white privilege, and by extension, white power.Back in 2005, when Harry wore a Nazi uniform to a costume party, it would have been impossible to predict his trajectory. By last fall, however, his awakening was well underway, with him talking about how his marriage to Markle immediately changed his understanding of race. “I had no idea it existed,” he said of unconscious bias in British GQ. “And then, sad as it is to say, it took me many, many years to realize it, especially then living a day or a week in my wife’s shoes.”Last night, he took it a step further. First, he noted how “the race element” distinguished the tabloid frenzy surrounding Markle from others in the past. “It wasn’t just about her, it was about what she represents,” he said. Next, he indicted his family for not taking on the racist attacks hurled at their own, and then linked their institutionalized reticence or refusal to intervene to Britain’s much longer history of imperialism.“For us, for this union and the specifics around her race, there was an opportunity — many opportunities — for my family to show some public support,” he told Winfrey. “And I guess one of the most telling parts and the saddest parts, I guess, was over 70 female members of Parliament, both Conservative and Labour, came out and called out the colonial undertones of articles and headlines written about Meghan. Yet no one from my family ever said anything. That hurts.”With this provocation, Harry suggests the Royals were not merely unwilling to accept his biracial Black wife and their multiracial child but also what Markle embodied: the millions of Black people throughout Britain and the Commonwealth who finally saw themselves in the monarchy through Markle’s existence, finding optimism in this interracial union.And with that confession, Harry declared his independence from British racism — whether he realizes it goes beyond his family’s treatment of his son and is an essential ingredient to the monarchy itself, I don’t know. But I turned off the interview wondering how American race relations will further change him. That the couple landed in the United States during a pandemic that has disproportionately harmed African-American and Latino families, and in a period of racial protest and rising white nationalism, feels a bit like jumping out of the frying pan into the fire.But, maybe that’s the point.Freed from the constraints of not being able to confront racism head-on might mean that he will dedicate his life to dismantling it, not just out of necessity, but also as a way of writing a new chapter in his family’s history and bequeath his children a legacy of antiracism.And if that is the case, it really will be better than any fairy tale ever imagined.AdvertisementContinue reading the main story More

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    In Oprah Interview, Meghan Says Life as Royal Made Her Suicidal

    #masthead-section-label, #masthead-bar-one { display: none }The British Royal FamilyThe Oprah InterviewWhat Meghan and Harry DisclosedWhat We LearnedBehind the InterviewAdvertisementContinue reading the main storySupported byContinue reading the main story‘I Just Didn’t Want to Be Alive Anymore’: Meghan Says Life as Royal Made Her SuicidalIn a bombshell interview with Oprah Winfrey, the Duchess of Sussex said she had asked officials at Buckingham Palace for medical help but was told it would damage the institution.Oprah Winfrey’s highly anticipated two-hour interview with Prince Harry and his wife, Meghan, aired on CBS Sunday night.Credit…Joe Pugliese/Harpo Productions, via Getty ImagesPublished More

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    Amorphous D.J.'d His Way Through 2020

    #masthead-section-label, #masthead-bar-one { display: none }At HomeMake: BirriaExplore: ‘Bridgerton’ StyleParent: With ImprovRead: Joyce Carol OatesAdvertisementContinue reading the main storySupported byContinue reading the main storyHis Dreams Came True, Despite the PandemicAfter having a rough start to 2020, Jimir Reece Davis, a D.J. who goes by Amorphous, ended it with a bang.“I’ve been doing mash-ups for a while, they come to my mind when I am bored,” said Jimir Reece Davis, a D.J. who goes by Amorphous. “I do it for fun. I am always listening to music in my head.”Credit…Chase Hall for The New York TimesFeb. 10, 2021Updated 2:00 p.m. ETJimir Reece Davis’s 2020 wasn’t going well even before the pandemic hit. In January, he found himself homeless in Los Angeles after his living situation became untenable. Then his mother, who has epilepsy, had a bad seizure and was hospitalized. So, he decided to pack his bags and return home.Everything that could go wrong seemed to be going wrong for Mr. Davis, a 23-year-old D.J. who goes by Amorphous. Little did he know, his dreams were about to come true in mere months.On Thanksgiving, Mr. Davis filmed a video of himself mixing Rihanna’s “Kiss It Better” with Luther Vandross’s “Never Too Much.” Intertwined, the two tracks sounded familiar and warm, like the kind of song you’d hear a block party on a balmy spring day. In the video, he sports a black T-shirt with an image of Aaliyah’s face on it and he’s grooving to the sound of his mix..@rihanna’s ‘kiss it better’ x luther vandross’s ‘never too much’. 💞 pic.twitter.com/0wNENEDhuO— amorphous (@loneamorphous) November 26, 2020
    “I’ve been doing mash-ups for a while. They come to my mind when I am bored,” Mr. Davis said in an interview. “I do it for fun. I am always listening to music in my head.”The response on social media was immediate: Mr. Davis’s mix had gone viral. To date, the video has been played more than 2.6 million times, over 100,000 people have liked his tweet and it was shared more than 30,000 times. Superstar producers and artists like Missy Elliott, John Legend, Issa Rae and LL Cool J congratulated him on the mix and encouraged him to keep going.Less than a month later, when he tweeted that his laptop had stopped working, Oprah Winfrey sent him a replacement with a note that read: “Thank you for bringing joy to the world your way. ​I hope this helps you continue.”Mr. Davis’s world shifted again when he received a call from Fat Joe, who loved his new mix and wanted to use it for a song.“When I heard it, I was like ‘Yo, this is amazing,’” Fat Joe said in his slack jawed, New York City accent. “We were influenced by him. The kid is a genius, man, he’s done things that nobody has done before.”“Dreams do come true,” Mr. Davis said. “Even with the tragedy of the pandemic, I believe they can.”Credit…Chase Hall for The New York TimesFat Joe used the mix on his latest single, “Sunshine,” which was co-produced by Cool of the production team Cool & Dre. The video, which now has more than eight million views on YouTube, was shot in Miami in December and features Diddy and DJ Khaled in their yacht-life, silk-Versace-button-up best. Amorphous is on the boat, too, behind a D.J. booth, doing what he loves to do: mixing music.Mr. Davis said he was a little intimidated during the video shoot. But he said he tried to be himself because “that’s how all this happened was by me being me.”This wasn’t the first time Mr. Davis, who graduated from Full Sail University in 2018, had gone viral. But the response to this mix has been astronomical. He even managed to get the attention of Rihanna, the subject of a fandom-inspired documentary he made while he was in school. Mr. Davis said Rihanna reached out and watched the documentary.“I know, it’s crazy right?” Mr. Davis said. “From what I’ve heard, she liked it.”In college, Mr. Davis studied film making, but his heart was always in his music. When he was three, he would rap along to Jay-Z songs at home. Later on, he taught himself how to beat box. At 11, he was teaching himself how to use production software like Beaterator to make music.“I was kind of just using different free software,” Mr. Davis said. “I realized that I actually liked producing.”Back in high school, he begged his father to buy him Ableton, a music production suite that at the time cost $1,000. His father did not wince at the price and got it for him; Mr. Davis spent all his free time learning how to use it and was soon producing songs on his own.All of his hard work paid off. In 2016, he began to share his mash-ups online. The Canadian R&B duo Dvsn liked one of his mixes and used it on their album “A Muse in Her Feelings.” The experience gave Mr. Davis a taste of the music production process and soon he set his sights on becoming a producer himself.Things are finally falling into place for Mr. Davis. Now that “Sunshine” has debuted at No. 10 on the Rap Digital Song Billboard chart, he’s gained confidence and is looking forward to possibly collaborating with Chloe Bailey, one half of the R&B group Chloe x Halle, and the singer Kehlani.“Amorphous is not only an incredible ear, visionary young artist, but is the most gracious humble deserving human being,” Kehlani said.Mr. Davis still pinches himself every so often. He often re-shares his old tweets, from the days when he was hoping to have the opportunities he has now.“Dreams do come true,” Mr. Davis said bashfully. “Even with the tragedy of the pandemic, I believe they can.”AdvertisementContinue reading the main story More