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    Bill Withers Was a Working Man Who Became a Star

    I.

    He is 73, with a long, woolly beard, like someone’s version of Father Time. He lives in a hand-built shack with no electricity or running water, nearly eight miles up a forgotten dirt road in the Santa Cruz Mountains of California, a mile from a creek named for a long-ago settler — Waddell — who was killed by a grizzly bear. They call him a hermit, a holy man, the Unabomber. He could care less. On the night of Sunday, Aug. 16, 2020, a heat wave with temperatures well above 100 degrees brings a rolling cloud from the ocean as the old man sleeps under a canopy of redwood trees. When the lightning comes, it sizzles and snakes, consummates with dry earth.

    II.

    We all start somewhere — and end somewhere too. But how did he come to be here, feeding the jays and squirrels each day, under the redwoods? His vow of silence, one he takes in his early 30s, makes him an enigma to others, for silence is one of our great American fears. But still, he hasn’t annulled himself. He has a history too, born a middle child, to a mother of blighted artistic ambitions and a father who was a traveling salesman, with two sisters, living in a comfortable Sears Roebuck house in Columbus, Ohio. He loved camping and fishing with his father. He loved animals, rabbits first. Patiently played with his younger sister, Jill. Was gravely ill at one point and probably concussed himself after hitting a tree with his sled. He went to college and rambunctiously flunked out. He went into the military, in 1967, and was sent to Germany instead of Vietnam, growing to hate authority figures and command chains. His inheritance was an anger that kept growing; almost a substance: even now it smolders and ignites.

    III.

    By the next day — Monday, Aug. 17 — the lightning has set the grasses and underbrush on fire in the mountains around Big Basin Redwoods State Park. Within miles of these growing fires lives the old man in the remote enclave of Last Chance, in a gully beneath the ridge. He has no plumbing and stores his supplies in plastic barrels. Once a month, he rents a car in town, in Santa Cruz, to procure his supplies, including 800 pounds of seed to feed the animals, and to visit Windy, a friend’s 43-year-old daughter whom he helped raise. Until recently, she had never heard his voice as he took the vow of silence back when Jimmy Carter was president, communicating by chalkboard and jottings on paper. She has only ever known him as that wise, constant presence in her life. “The Bay Area is made up of many microclimates, and the one I am living in is particularly nice,” he tells Windy in one of his letters. “I don’t have the heat of inland or the fog of the coast. So I’ll stay here as long as possible.” The spot fires, left unfettered, now grow and begin to converge. In some places there is 50, 100 years’ worth of fuel on the ground. Though there has been no call for evacuation yet, you can smell the smoke. The forecast projects more heat and wind.

    IV.

    Booze, weed, the Sixties. Tad Jones, for that’s his name when people use it, lives in a school bus, on Sanibel Island in Florida, with a girlfriend. After they split, he lives for a time with his other sister, in her barn. His skin turns a green pallor perhaps because of “alcohol mixed with pharmacology,” as Jill puts it today. But at some point, he lifts himself up and turns himself into a seeker. He finds yoga, which helps with his scoliosis, and a guru: Baba Hari Dass, an Indian yoga master he follows to California. Like his guru, he renounces all but essential material possessions — and seemingly sex too — and takes a vow of silence. Baba Hari Dass wrote: “One who doesn’t want to possess any thing possesses every thing.”

    V.

    At first it’s hard for the Jones family to understand this retreat, his wanton rejection of American society, but he keeps repeating his mantra: He doesn’t want to inflict his anger on the world. Or his growing paranoia. “How uncalm he was,” Jill recalls. “If he was outside his realm, he was overwhelmed.” He carries a knife for protection; he’s careful to wear neutral clothing so as not to be confused for a gang member. He lets his beard grow out, until eventually it reaches his knees. He braids it and often rolls it up, then unfurls it to the surprise of new acquaintances. He lives inside the trunk of a redwood tree, in time with it, in opposition to industrial time, replicating those happy camping trips with his father. In the 1980s he moves out to Last Chance, a back-to-the-land community fed by cold springs and an August barn dance. His work here is to become part of the fauna, to enter the understory, to encode himself in nature. He writes in a letter that the skunks brush up against his legs, not once thinking to spray.

    VI.

    We could use more contemplation, more self-reflection. America — us — we could use more silence. As radical as it seems to subtract yourself from society, to cancel your own voice, and add yourself to the forest floor, the old man, it turns out, is not really radical. He likes the band Rush and the movie “The Big Lebowski.” He reads National Geographic, articles about faraway places and these extreme changes to our environment. The wind direction shifts now from the northwest to the northeast, and the fire leaps into alignment with the topography, lighting duff and branches: More than 43,000 acres are about to burn in a matter of hours.

    VII.

    Windy, who adores him, saves all his letters, which are full of advice written in his big loopy handwriting: here’s how to interact with your grandparents, here are the pros and cons of having children. (“[T]he earth doesn’t need any more people, so if you do give birth you want to give the child a reasonable chance to succeed.”) He tells her about the Mexican radio station he listens to, with the woman’s voice singing so lovely. He cracks slightly profane jokes about Donald Trump. He says he has set redwood trunks in ascending order to a little pet entrance to the shack so the cat can keep safe from predators. When he’s overrun by arthritis — his knees and shoulders and hips, walking with two metal canes — he goes to town to see the doctor, to stay with Windy. “Word is the crabs are meaty and good,” he writes her. “I am including a hunny B” — a hundred-dollar bill — “to buy the dinner.” Guinness beer too. He writes, “Remember I am speaking/talking now so don’t be shocked.”

    VIII.

    After nearly 40 years of silence, the old man starts talking again, at first to communicate with the doctors. It’s 2017, and he still swears like a sailor. Jill, his sister, speaks to him over Windy’s cellphone, and the first words out of his mouth are “How do you make this goddamn thing work?” It’s as if they’ve never missed a beat: he still has that mellifluous, bemused voice, that Midwestern accent. And that hair-trigger temper. As the fire encroaches, on that Tuesday, he buys feed for the animals in town — then returns to Last Chance. The wind is blowing, harder now, created by the fire itself, it seems. A community is its own ecosystem — like a forest — connected through pulses, half aerial, half subterranean. Every person, every cell, communicates in a chain. Still, almost no one here knows the old man’s last name. The fire conjoins and rages, from oak to oak, redwood to redwood. In the mesmerizing face of it, your own anger isn’t much. Even by 8 p.m. no evacuation order has been issued by the state. The residents of Last Chance, over 100 in all, think they’re safe. Only when the smoke blows clear does the fire marshal see wild flames from the ridge, the fine, dry leaf matter catching hot. By the time the conflagration jumps Waddell Creek, she take matters into her own hands, no longer waiting for state officials to raise the alarm, and the evacuation plan goes into effect.

    IX.

    By about 9:30 p.m., all but three people are accounted for at the gate that leads out of Last Chance. The old man — the hermit, the holy man, Unabomber — tries to drive the road out in his rented minivan, but fire suddenly blocks his way. He turns, and drives back, but now more fire blocks the back way. It’s as if napalm has been dropped on the forest, everything lit and storming. Fire personnel are nowhere to be seen. One resident spends the night in a field, fighting off rivers of sparks; another takes to a pond in his backyard, breathing out of a hose to escape the inferno. By 10:30 p.m. Last Chance has mostly burned to the ground. In the days after, only one person remains unaccounted for.

    X.

    Later comes the recovery mission. People with chain saws, an incursion to reclaim what’s left of home. Many of the redwoods are still burning inside and will die later. The old man is found — his bones, his ashes — near his two metal canes and the minivan not far from his shack, next to a scorched ravine, the fire so hot the van’s windows have been vaporized. Jill says there’s a way of seeing her brother’s demise as “terrifying” but “glorious.” “A slow, rusty death — that wouldn’t have been good for him,” she says. “It would have been awful.” After 70,000 people evacuate and nearly 1,500 structures are lost, Tad Jones ends up the only casualty of what comes to be called the CZU Lightning Complex in the most rampant fire year California has ever seen. “He burned on the ground of the place he lived,” Windy says, “the land he loved, the forest he walked through thousands and thousands of times, and he became part of it.”

    [Read an article about Tad Jones’s death.]

    Michael Paterniti is a contributing writer for the magazine and is working on a book about the discovery of the North Pole. More

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    The Artists We Lost in 2020, in Their Words

    #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storyThe Artists We Lost in 2020, in Their WordsGabe Cohn, Peter Libbey and Dec. 22, 2020, 5:00 a.m. ETIt’s always difficult to lose a favorite actor or a beloved musician. But in 2020, a year of crisis upon crisis, some of those losses were especially painful, brought on by a pandemic that killed hundreds of thousands of people in the United States alone. The artists on this list could help us better understand the time we’re living through, or at least help us get through it with a smile or cathartic cry. Here is a tribute to them, in their own words.Chadwick BosemanCredit…Magdalena Wosinska for The New York Times“When I dared to challenge the system that would relegate us to victims and stereotypes with no clear historical backgrounds, no hopes or talents, when I questioned that method of portrayal, a different path opened up for me, the path to my destiny.”— Chadwick Boseman, actor, born 1976 (Read the obituary.)Ann ReinkingCredit…Jack Mitchell/Getty Images“It’s crucial to know where the work stops and your life begins.”— Ann Reinking, dancer, born 1949 (Read the obituary.)Larry KramerCredit…Sara Krulwich/The New York Times“I don’t consider myself an artist. I consider myself a very opinionated man who uses words as fighting tools.”— Larry Kramer, writer, born 1935 (Read the obituary.)Luchita HurtadoCredit…Anna Watson/Camera Press, via Redux“When that first photograph was taken of Earth from space and you saw this little ball in blackness … I became aware of what I felt I was. I feel very much that a tree is a relative, a cousin. Everything in this world, I find, I’m related to.”— Luchita Hurtado, artist, born 1920 (Read the obituary.)Sean ConneryCredit…Bob Haswell/Express, via Getty Images“If you start thinking of your image, or what the mysterious ‘they’ out there are thinking of you, you’re in a trap. What’s important is that you’re doing the work that’s best for you.”— Sean Connery, actor, born 1930 (Read the obituary.)Little RichardCredit…Eloy Alonso/Reuters“I’m not conceited — I’m convinced.”— Little Richard, singer, born 1932 (Read the obituary.)Alex TrebekCredit…Alamy“My life has been a quest for knowledge and understanding, and I am nowhere near having achieved that. And it doesn’t bother me in the least. I will die without having come up with the answers to many things in life.”— Alex Trebek, TV host, born 1940 (Read the obituary.)Othella DallasCredit…Beda Schmid“Dancing and singing is all I always wanted. Doing what you want makes you happy — and old.”— Othella Dallas, dancer, born 1925 (Read the obituary.)Eddie Van HalenCredit…Ebet Roberts/Redferns, via Getty Images“All I know is that rock ’n’ roll guitar, like blues guitar, should be melody, speed and taste, but more important, it should have emotion. I just want my guitar playing to make people feel something: happy, sad, even horny.”— Eddie Van Halen, guitarist, born 1955 (Read the obituary.)Ennio MorriconeCredit…Paul Bergen/EPA, via Shutterstock“In my opinion, the goal of music in a film is to convey what is not seen or heard in the dialogue. It’s something abstract, coming from afar.”— Ennio Morricone, composer, born 1928 (Read the obituary.)Diana RiggCredit…Valery Hache/Agence France-Presse — Getty Images“The older you get, I have to say, the funnier you find life. That’s the only way to go. If you get serious about yourself as you get old, you are pathetic.”— Diana Rigg, actress, born 1938 (Read the obituary.)Helen ReddyCredit…Herb Ball/NBC Universal, via Getty Images“I would like to thank God because she makes everything possible.”— Helen Reddy, singer, born 1941 (Read the obituary.)Jerry StillerCredit…Suzanne DeChillo/The New York Times“Laughter is the answer to all the pain I experienced as a kid. When I’m not doing it, it all gets eerie and weird. I am only left with the memories that inhabit me that can only be knocked out by hearing laughter.”— Jerry Stiller, comedian, born 1927 (Read the obituary.)Christiane Eda-PierreCredit…Keystone/Hulton Archive, via Getty Images“I have never had any support, I have not been encouraged by anyone, it is not in my character or the customs of my family. I made myself on my own, thanks to my work.”— Christiane Eda-Pierre, singer, born 1932 (Read the obituary.)Milton GlaserCredit…Robert Wright for The New York Times“I am totally a believer in the idea that style is a limitation of perception and understanding. And what I’ve tried in my life is to avoid style and find an essential reason for making things.”— Milton Glaser, designer, born 1929 (Read the obituary.)CristinaCredit…Ebet RobertsMy life is in a turmoilMy thighs are black and blueMy sheets are stained so is my brainWhat’s a girl to do?— Cristina, singer, born 1956 (Read the obituary.)Adam SchlesingerCredit…Ebet Roberts/Redferns, via Getty Images“I’d rather write about a high school prom or something than write about a midlife crisis, you know?”— Adam Schlesinger, songwriter, born 1967 (Read the obituary.)Anthony ChisholmCredit…Sara Krulwich/The New York Times“I’m an actor. I can play a lizard, anything. I’ve worked in ‘nontraditional’ theater. I did ‘Of Mice and Men.’ Played Slim. The great Joe Fields did a Willy Loman. We as actors want to act.”— Anthony Chisholm, actor, born 1943 (Read the obituary.)Olivia de HavillandCredit…Julien Mignot for The New York Times“I would prefer to live forever in perfect health, but if I must at some time leave this life, I would like to do so ensconced on a chaise longue, perfumed, wearing a velvet robe and pearl earrings, with a flute of champagne beside me and having just discovered the answer to the last problem in a British cryptic crossword.”— Olivia de Havilland, actress, born 1916 (Read the obituary.)Krzysztof PendereckiCredit…Rafal Michalowski/Agencja Gazeta, via Reuters“Listening to classical music is like reading philosophy books, not everybody has to do it. Music is not for everybody.”— Krzysztof Penderecki, composer, born 1933 (Read the obituary.)Helen LaFranceCredit…Bruce Shelton, via Associated Press“If I do something somebody likes, well, I’m satisfied because somebody liked what I did, but I don’t think it’s important.”— Helen LaFrance, artist, born 1919 (Read the obituary.)Kirk DouglasCredit…Associated Press“If I thought a man had never committed a sin in his life, I don’t think I’d want to talk with him. A man with flaws is more interesting.”— Kirk Douglas, actor, born 1916 (Read the obituary.)Aileen Passloff, leftCredit…Nina Westervelt for The New York Times“I was strong and tireless and full of passion and loved dancing as deeply as one could ever love anything.”— Aileen Passloff, dancer, born 1931 (Read the obituary.)Kenny RogersCredit…Wally Fong/Associated Press“I love my wife, I love my family, I love my life, and I love my music.”— Kenny Rogers, singer, born 1938 (Read the obituary.)Peter BeardCredit…Shawn Ehlers/WireImage, via Getty Images“An artist who goes around proclaiming that the art he’s making is art is probably making a serious mistake. And that’s one mistake I try not to make.”— Peter Beard, artist, born 1938 (Read the obituary.)Charley PrideCredit…Bettmann Archive, via Getty Images“What we don’t need in country music is divisiveness, public criticism of each other, and some arbitrary judgment of what belongs and what doesn’t.”— Charley Pride, singer, born 1934 (Read the obituary.)Elizabeth WurtzelCredit…Suzanne DeChillo/The New York Times“The way I am is that I put everything I have into whatever I’m doing or thinking about at the moment. So it’s not right when people say I’m self-absorbed. I think I’m just absorbed.”— Elizabeth Wurtzel, author, born 1967 (Read the obituary.)Leon FleisherCredit…Steve J. Sherman“I was driven, if anything, even harder by all of my successes. There was always more to attain, and more to achieve, and more musical depths to plumb, and lurking behind it all, the terrifying risk of failure.”— Leon Fleisher, pianist, born 1928 (Read the obituary.)Zoe CaldwellCredit…Patrick A. Burns/The New York Times“I know the business of acting is sharing an experience, provoking an emotion. I don’t want to use the world love. It’s an abused word, hackneyed. But the truth is that I love to act in the theater.”— Zoe Caldwell, actress, born 1933 (Read the obituary.)Louis Johnson, leftCredit…Marbeth“I am a dancer who loves dance, any kind of dance. In choreographing, I don’t think of dance as ballet, modern or anything, just dance.”— Louis Johnson, dancer, born 1930 (Read the obituary.)Terrence McNallyCredit…Fred R. Conrad/The New York Times“I like to surprise myself. I’ve always been attracted to projects where I don’t know how they’re going to turn out. If I ever evince bravery in my life, it tends to be at a keyboard.”— Terrence McNally, playwright, born 1938 (Read the obituary.)Jean ErdmanCredit…Jack Mitchell/Getty Images“I found myself involved with the dance as a child in Hawaii. We’d have picnics on the sand and get up and do hulas. I didn’t even know what I was talking about at the time, but I wanted to create my own theater.”— Jean Erdman, dancer, born 1916 (Read the obituary.)Bill WithersCredit…Jake Michaels for The New York Times“I’m not a virtuoso, but I was able to write songs that people could identify with. I don’t think I’ve done bad for a guy from Slab Fork, West Virginia.”— Bill Withers, singer, born 1938 (Read the obituary.)ChristoCredit…Andrea Frazzetta for The New York Times“I am allergic to any art related to propaganda. And everything: commercial propaganda, political propaganda, religious propaganda — it is all about propaganda. And the greatness of art, like poetry or music, is that it is totally unnecessary.”— Christo, artist, born 1935 (Read the obituary.)John le CarréCredit…Charlotte Hadden for The New York Times“I’m horrified at the notion of autobiography because I’m already constructing the lies I’m going to tell.”— John le Carré, author, born 1931 (Read the obituary.)Mirella FreniCredit…Karin Cooper/Washington National Opera“Life nails you to something real in the falsehood of the stage. I have always felt a connection between daily life and art. I’ve always known where the stage door was, to get in and get out. Some others get lost in the maze. My reality has been my key.”— Mirella Freni, singer, born 1935 (Read the obituary.)Ming Cho LeeCredit…Robert Caplin for The New York Times“I’ve been criticized for doing very Brechtian design, but when I go to a play or an opera, I love getting involved rather than just looking at it. I prefer a total theatrical experience to an analytical experience.”— Ming Cho Lee, theater designer, born 1930 (Read the obituary.)Lynn SheltonCredit…Stuart Isett for The New York Times“You can pick up a camera. The technology is there. You can get your friends together and you can make a movie. You should do it. Now.”— Lynn Shelton, director, born 1965 (Read the obituary.)Nick Cordero, center.Credit…Sara Krulwich/The New York Times“The producer kept telling me: ‘Get tough. Get mean. Get angry.’ But I’m a nice guy. I’m Canadian.”— Nick Cordero, actor, born 1978 (Read the obituary.)Toots HibbertCredit…Michael Putland/Getty Images“You have got to be tough. Don’t just give up in life. Be strong, and believe in what you believe in.”— Toots Hibbert, singer, born 1942 (Read the obituary.)Regis PhilbinCredit…Karsten Moran for The New York Times“I want people to enjoy what I do, and understand what I’m doing is for their enjoyment. And that’s all I can ask for.”— Regis Philbin, TV host, born 1931 (Read the obituary.)Mary Higgins ClarkCredit…Tony Cenicola/The New York Times“Let others decide whether or not I’m a good writer. I know I’m a good Irish storyteller.”— Mary Higgins Clark, author, born 1927 (Read the obituary.)Irrfan KhanCredit…Chad Batka for The New York Times“No one could have imagined I would be an actor, I was so shy. So thin. But the desire was so intense.”— Irrfan Khan, actor, born 1967 (Read the obituary.)Betty WrightCredit…Paul Bergen/Redferns, via Getty Images“As long as you keep yourself in love with people, you can transcend time.”— Betty Wright, singer, born 1953 (Read the obituary.)John Prine Credit…Kyle Dean Reinford for The New York TimesWhen I get to heavenI’m gonna take that wristwatch off my armWhat are you gonna do with timeAfter you’ve bought the farm?— John Prine, musician, born 1946 (Read the obituary.)AdvertisementContinue reading the main story More