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    William Link, Co-Creator of ‘Columbo’ and ‘Murder, She Wrote,’ Dies at 87

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeHoliday TVBest Netflix DocumentariesAdvertisementContinue reading the main storySupported byContinue reading the main storyWilliam Link, Co-Creator of ‘Columbo’ and ‘Murder, She Wrote,’ Dies at 87With his writing partner, Richard Levinson, Mr. Link helped shape the crime-drama genre on television for decades.William Link at his office in 2010. With his writing partner, he created the TV series “Mannix,” “Murder, She Wrote” and “Columbo.” Credit…Bob Chamberlin/Los Angeles Times, via Getty ImagesJan. 5, 2021, 2:56 p.m. ETWilliam Link, a prolific screenwriter who created classics of American television like “Columbo” and “Murder, She Wrote,” doing so in a writing partnership with a friend from junior high school that lasted nearly 40 years, died on Dec. 27 in Los Angeles. He was 87.His wife, Margery Nelson, confirmed the death, at a hospital.Mr. Link’s stories about unkempt detectives and persistent private eyes shaped the mystery and crime-drama television genre. With his partner, Richard Levinson, he also created shows like “Mannix,” “Jericho” and “Blacke’s Magic.”“Murder, She Wrote” starred Angela Lansbury as a mystery writer who solves crimes in the fictional Maine town of Cabot Cove. Network executives were initially skeptical of the idea of a female protagonist who wears reading glasses.But after they were sold on it, the series became one of the longest-running in television history and remains in syndication today. (Peter S. Fischer was also credited as a creator.)Angela Lansbury in “Murder, She Wrote,” which Mr. Link created with Richard Levinson and Peter S. Fischer.Credit…Corymore ProductionsAnother Link-Levinson production, “Tenafly,” starring James McEachin, was one of the first detective series to feature a Black lead actor.Their television movies also broke ground: “That Certain Summer” (1972), a drama that generated wide publicity, starred Martin Sheen as a divorced father who struggles to reveal his homosexuality to his 14-year-old son. “My Sweet Charlie” (1970), adapted from a novel and play by David Westheimer, depicted the friendship that forms between a Black New York lawyer (Al Freeman Jr.), who is falsely accused of murder, and a white pregnant teenager (Patty Duke), whom he encounters while on the run in Texas. The movie brought Mr. Link and Mr. Levinson an Emmy Award for outstanding writing in a drama.“Each time out, we tried to do something that hadn’t been seen before,” Mr. Link told The New York Times in 1987. “Something that would touch an emotional or social chord.”He met Mr. Levinson in junior high school in Philadelphia in 1946. After discovering that they both liked detective stories, they hit it off. “I was told to find a tall guy who liked to do magic and read mysteries,” Mr. Link told The Philadelphia Inquirer in 1987, “and he was told, ‘There’s a short guy who reads mysteries and does magic.’”They began writing radio scripts and stories together as they discussed their mutual admiration of the director Billy Wilder. After graduation, they both attended the Wharton business school at the University of Pennsylvania.They sold their first short story, to Ellery Queen’s Mystery Magazine, in 1954. When Mr. Link was drafted into the Army and sent to Germany in the late 1950s, they continued collaborating on stories by airmail. In the 1960s, they decided to try their luck in Hollywood.As they started writing episodes for shows like “Alfred Hitchcock Presents” and “The Fugitive” and creating their own, like “Mannix,” they became a prolific unit: rising early, brewing coffee and pounding out scripts to send to studios. (Mr. Link paced while Mr. Levinson typed.)They first brought the scruffy Lieutenant Columbo to life in a 1960 episode of the anthology series “The Chevy Mystery Show.” He appeared again in a play by Mr. Link and Mr. Levinson and later in a television movie they wrote, “Prescription: Murder.” The “Columbo” series, starring Peter Falk, began airing on NBC in 1971 and ran until 1978. The pair won an Emmy for their work, and the show was later revived on ABC.The first episode of the “Columbo” series, titled “Murder by the Book,” was directed by a 25-year-old Steven Spielberg. (In it, one member of a mystery writing team kills the other.)“Bill was one of my favorite and most patient teachers, and, more than anything, I learned so much from him about the true anatomy of a plot,” Mr. Spielberg said in a statement. “I caught a huge break when Bill and Dick trusted a young, inexperienced director to do the first episode of ‘Columbo.’”Mr. Link with Peter Falk, who portrayed the detective in “Columbo.” Mr. Link said of the character: “He’s a regular Joe: He’s the kind of guy you sit down, have a drink, a cup of coffee with.”William Theodore Link Jr. was born on Dec. 15, 1933, in Philadelphia and was raised in Elkins Park, a suburb. His mother, Elise (Rorecke) Link, was a homemaker. William Sr. was a textile broker who grew up in Hell’s Kitchen.Bill enjoyed drawing comic strips and began writing short mystery stories while still a boy. He and his Cub Scout friends recited his tales into a wire recorder and acted them out as if they were plays.“He loved reading Variety as a boy,” Ms. Nelson, his wife and only immediate survivor, said. “In Los Angeles, babies come out of the womb reading Variety, but he was probably the only kid in Philly reading Variety regularly in the 1940s.”Mr. Link graduated from Cheltenham High School in the early 1950s and earned a bachelor’s degree from Wharton in 1956. He married Ms. Nelson, an actor, in 1980.Mr. Levinson, who was a three-pack-a-day smoker, died of a heart attack in 1987. Afterward, Mr. Link experienced writer’s block and began seeing a psychiatrist to process the loss of his friend. The death led to his writing the television movie “The Boys” (1991), which starred John Lithgow and James Woods as two writers who develop a long partnership.“I had never written by myself; I had a fear I couldn’t write solo,” Mr. Link told The Philadelphia Inquirer that year. “I wrote the whole script in eight days. It usually took Dick and me a month. It poured out, like automatic writing. I felt like Dick was still in the room with me.”Mr. Link wrote well into his 80s, waking up early each morning to put words onto the page, and he contributed stories to Ellery Queen’s Mystery Magazine. In 2010, he published a book of original short stories about Lieutenant Columbo, bringing his best-known television character back to life years after the rumpled detective had been retired from the screen.In an interview with Mystery Scene Magazine at the time, Mr. Link reflected on the lasting adoration that people have for his cigar-chomping creation.“He’s a regular Joe,” he said. “He’s the kind of guy you sit down, have a drink, a cup of coffee with. He’s the regular working-class guy — who’s got a brilliant mind but doesn’t really tout it, you know? He’s humble, even to the murderer! And people identify with that. They like that.”AdvertisementContinue reading the main story More

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    The Artists We Lost in 2020, in Their Words

    #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storyThe Artists We Lost in 2020, in Their WordsGabe Cohn, Peter Libbey and Dec. 22, 2020, 5:00 a.m. ETIt’s always difficult to lose a favorite actor or a beloved musician. But in 2020, a year of crisis upon crisis, some of those losses were especially painful, brought on by a pandemic that killed hundreds of thousands of people in the United States alone. The artists on this list could help us better understand the time we’re living through, or at least help us get through it with a smile or cathartic cry. Here is a tribute to them, in their own words.Chadwick BosemanCredit…Magdalena Wosinska for The New York Times“When I dared to challenge the system that would relegate us to victims and stereotypes with no clear historical backgrounds, no hopes or talents, when I questioned that method of portrayal, a different path opened up for me, the path to my destiny.”— Chadwick Boseman, actor, born 1976 (Read the obituary.)Ann ReinkingCredit…Jack Mitchell/Getty Images“It’s crucial to know where the work stops and your life begins.”— Ann Reinking, dancer, born 1949 (Read the obituary.)Larry KramerCredit…Sara Krulwich/The New York Times“I don’t consider myself an artist. I consider myself a very opinionated man who uses words as fighting tools.”— Larry Kramer, writer, born 1935 (Read the obituary.)Luchita HurtadoCredit…Anna Watson/Camera Press, via Redux“When that first photograph was taken of Earth from space and you saw this little ball in blackness … I became aware of what I felt I was. I feel very much that a tree is a relative, a cousin. Everything in this world, I find, I’m related to.”— Luchita Hurtado, artist, born 1920 (Read the obituary.)Sean ConneryCredit…Bob Haswell/Express, via Getty Images“If you start thinking of your image, or what the mysterious ‘they’ out there are thinking of you, you’re in a trap. What’s important is that you’re doing the work that’s best for you.”— Sean Connery, actor, born 1930 (Read the obituary.)Little RichardCredit…Eloy Alonso/Reuters“I’m not conceited — I’m convinced.”— Little Richard, singer, born 1932 (Read the obituary.)Alex TrebekCredit…Alamy“My life has been a quest for knowledge and understanding, and I am nowhere near having achieved that. And it doesn’t bother me in the least. I will die without having come up with the answers to many things in life.”— Alex Trebek, TV host, born 1940 (Read the obituary.)Othella DallasCredit…Beda Schmid“Dancing and singing is all I always wanted. Doing what you want makes you happy — and old.”— Othella Dallas, dancer, born 1925 (Read the obituary.)Eddie Van HalenCredit…Ebet Roberts/Redferns, via Getty Images“All I know is that rock ’n’ roll guitar, like blues guitar, should be melody, speed and taste, but more important, it should have emotion. I just want my guitar playing to make people feel something: happy, sad, even horny.”— Eddie Van Halen, guitarist, born 1955 (Read the obituary.)Ennio MorriconeCredit…Paul Bergen/EPA, via Shutterstock“In my opinion, the goal of music in a film is to convey what is not seen or heard in the dialogue. It’s something abstract, coming from afar.”— Ennio Morricone, composer, born 1928 (Read the obituary.)Diana RiggCredit…Valery Hache/Agence France-Presse — Getty Images“The older you get, I have to say, the funnier you find life. That’s the only way to go. If you get serious about yourself as you get old, you are pathetic.”— Diana Rigg, actress, born 1938 (Read the obituary.)Helen ReddyCredit…Herb Ball/NBC Universal, via Getty Images“I would like to thank God because she makes everything possible.”— Helen Reddy, singer, born 1941 (Read the obituary.)Jerry StillerCredit…Suzanne DeChillo/The New York Times“Laughter is the answer to all the pain I experienced as a kid. When I’m not doing it, it all gets eerie and weird. I am only left with the memories that inhabit me that can only be knocked out by hearing laughter.”— Jerry Stiller, comedian, born 1927 (Read the obituary.)Christiane Eda-PierreCredit…Keystone/Hulton Archive, via Getty Images“I have never had any support, I have not been encouraged by anyone, it is not in my character or the customs of my family. I made myself on my own, thanks to my work.”— Christiane Eda-Pierre, singer, born 1932 (Read the obituary.)Milton GlaserCredit…Robert Wright for The New York Times“I am totally a believer in the idea that style is a limitation of perception and understanding. And what I’ve tried in my life is to avoid style and find an essential reason for making things.”— Milton Glaser, designer, born 1929 (Read the obituary.)CristinaCredit…Ebet RobertsMy life is in a turmoilMy thighs are black and blueMy sheets are stained so is my brainWhat’s a girl to do?— Cristina, singer, born 1956 (Read the obituary.)Adam SchlesingerCredit…Ebet Roberts/Redferns, via Getty Images“I’d rather write about a high school prom or something than write about a midlife crisis, you know?”— Adam Schlesinger, songwriter, born 1967 (Read the obituary.)Anthony ChisholmCredit…Sara Krulwich/The New York Times“I’m an actor. I can play a lizard, anything. I’ve worked in ‘nontraditional’ theater. I did ‘Of Mice and Men.’ Played Slim. The great Joe Fields did a Willy Loman. We as actors want to act.”— Anthony Chisholm, actor, born 1943 (Read the obituary.)Olivia de HavillandCredit…Julien Mignot for The New York Times“I would prefer to live forever in perfect health, but if I must at some time leave this life, I would like to do so ensconced on a chaise longue, perfumed, wearing a velvet robe and pearl earrings, with a flute of champagne beside me and having just discovered the answer to the last problem in a British cryptic crossword.”— Olivia de Havilland, actress, born 1916 (Read the obituary.)Krzysztof PendereckiCredit…Rafal Michalowski/Agencja Gazeta, via Reuters“Listening to classical music is like reading philosophy books, not everybody has to do it. Music is not for everybody.”— Krzysztof Penderecki, composer, born 1933 (Read the obituary.)Helen LaFranceCredit…Bruce Shelton, via Associated Press“If I do something somebody likes, well, I’m satisfied because somebody liked what I did, but I don’t think it’s important.”— Helen LaFrance, artist, born 1919 (Read the obituary.)Kirk DouglasCredit…Associated Press“If I thought a man had never committed a sin in his life, I don’t think I’d want to talk with him. A man with flaws is more interesting.”— Kirk Douglas, actor, born 1916 (Read the obituary.)Aileen Passloff, leftCredit…Nina Westervelt for The New York Times“I was strong and tireless and full of passion and loved dancing as deeply as one could ever love anything.”— Aileen Passloff, dancer, born 1931 (Read the obituary.)Kenny RogersCredit…Wally Fong/Associated Press“I love my wife, I love my family, I love my life, and I love my music.”— Kenny Rogers, singer, born 1938 (Read the obituary.)Peter BeardCredit…Shawn Ehlers/WireImage, via Getty Images“An artist who goes around proclaiming that the art he’s making is art is probably making a serious mistake. And that’s one mistake I try not to make.”— Peter Beard, artist, born 1938 (Read the obituary.)Charley PrideCredit…Bettmann Archive, via Getty Images“What we don’t need in country music is divisiveness, public criticism of each other, and some arbitrary judgment of what belongs and what doesn’t.”— Charley Pride, singer, born 1934 (Read the obituary.)Elizabeth WurtzelCredit…Suzanne DeChillo/The New York Times“The way I am is that I put everything I have into whatever I’m doing or thinking about at the moment. So it’s not right when people say I’m self-absorbed. I think I’m just absorbed.”— Elizabeth Wurtzel, author, born 1967 (Read the obituary.)Leon FleisherCredit…Steve J. Sherman“I was driven, if anything, even harder by all of my successes. There was always more to attain, and more to achieve, and more musical depths to plumb, and lurking behind it all, the terrifying risk of failure.”— Leon Fleisher, pianist, born 1928 (Read the obituary.)Zoe CaldwellCredit…Patrick A. Burns/The New York Times“I know the business of acting is sharing an experience, provoking an emotion. I don’t want to use the world love. It’s an abused word, hackneyed. But the truth is that I love to act in the theater.”— Zoe Caldwell, actress, born 1933 (Read the obituary.)Louis Johnson, leftCredit…Marbeth“I am a dancer who loves dance, any kind of dance. In choreographing, I don’t think of dance as ballet, modern or anything, just dance.”— Louis Johnson, dancer, born 1930 (Read the obituary.)Terrence McNallyCredit…Fred R. Conrad/The New York Times“I like to surprise myself. I’ve always been attracted to projects where I don’t know how they’re going to turn out. If I ever evince bravery in my life, it tends to be at a keyboard.”— Terrence McNally, playwright, born 1938 (Read the obituary.)Jean ErdmanCredit…Jack Mitchell/Getty Images“I found myself involved with the dance as a child in Hawaii. We’d have picnics on the sand and get up and do hulas. I didn’t even know what I was talking about at the time, but I wanted to create my own theater.”— Jean Erdman, dancer, born 1916 (Read the obituary.)Bill WithersCredit…Jake Michaels for The New York Times“I’m not a virtuoso, but I was able to write songs that people could identify with. I don’t think I’ve done bad for a guy from Slab Fork, West Virginia.”— Bill Withers, singer, born 1938 (Read the obituary.)ChristoCredit…Andrea Frazzetta for The New York Times“I am allergic to any art related to propaganda. And everything: commercial propaganda, political propaganda, religious propaganda — it is all about propaganda. And the greatness of art, like poetry or music, is that it is totally unnecessary.”— Christo, artist, born 1935 (Read the obituary.)John le CarréCredit…Charlotte Hadden for The New York Times“I’m horrified at the notion of autobiography because I’m already constructing the lies I’m going to tell.”— John le Carré, author, born 1931 (Read the obituary.)Mirella FreniCredit…Karin Cooper/Washington National Opera“Life nails you to something real in the falsehood of the stage. I have always felt a connection between daily life and art. I’ve always known where the stage door was, to get in and get out. Some others get lost in the maze. My reality has been my key.”— Mirella Freni, singer, born 1935 (Read the obituary.)Ming Cho LeeCredit…Robert Caplin for The New York Times“I’ve been criticized for doing very Brechtian design, but when I go to a play or an opera, I love getting involved rather than just looking at it. I prefer a total theatrical experience to an analytical experience.”— Ming Cho Lee, theater designer, born 1930 (Read the obituary.)Lynn SheltonCredit…Stuart Isett for The New York Times“You can pick up a camera. The technology is there. You can get your friends together and you can make a movie. You should do it. Now.”— Lynn Shelton, director, born 1965 (Read the obituary.)Nick Cordero, center.Credit…Sara Krulwich/The New York Times“The producer kept telling me: ‘Get tough. Get mean. Get angry.’ But I’m a nice guy. I’m Canadian.”— Nick Cordero, actor, born 1978 (Read the obituary.)Toots HibbertCredit…Michael Putland/Getty Images“You have got to be tough. Don’t just give up in life. Be strong, and believe in what you believe in.”— Toots Hibbert, singer, born 1942 (Read the obituary.)Regis PhilbinCredit…Karsten Moran for The New York Times“I want people to enjoy what I do, and understand what I’m doing is for their enjoyment. And that’s all I can ask for.”— Regis Philbin, TV host, born 1931 (Read the obituary.)Mary Higgins ClarkCredit…Tony Cenicola/The New York Times“Let others decide whether or not I’m a good writer. I know I’m a good Irish storyteller.”— Mary Higgins Clark, author, born 1927 (Read the obituary.)Irrfan KhanCredit…Chad Batka for The New York Times“No one could have imagined I would be an actor, I was so shy. So thin. But the desire was so intense.”— Irrfan Khan, actor, born 1967 (Read the obituary.)Betty WrightCredit…Paul Bergen/Redferns, via Getty Images“As long as you keep yourself in love with people, you can transcend time.”— Betty Wright, singer, born 1953 (Read the obituary.)John Prine Credit…Kyle Dean Reinford for The New York TimesWhen I get to heavenI’m gonna take that wristwatch off my armWhat are you gonna do with timeAfter you’ve bought the farm?— John Prine, musician, born 1946 (Read the obituary.)AdvertisementContinue reading the main story More

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    Will a Famous Critic’s Desk Cure My Writer’s Block?

    AdvertisementContinue reading the main storySupported byContinue reading the main storyWill a Famous Critic’s Desk Cure My Writer’s Block?Seeking inspiration from Vincent Canby’s Gothic trestle table.Vincent Canby, a film critic who later also reviewed theater, at The New York Times in 1969. Not shown: Mr. Canby’s personal desk, which the author would acquire in 2020.Credit…The New York TimesDec. 17, 2020, 11:34 a.m. ETBecause of the pandemic, I have Vincent Canby’s desk. Millions of witty words must have drummed from his fingertips where I now slouch, stalled and mostly unproductive, without deadlines to drive me.During a 35-year career at The New York Times that ended in 2000, Mr. Canby wrote thousands of reviews and profiles, plus novels and plays in his spare time. Just look at the adjective in the headline of his Times obituary, published 20 years ago: “Vincent Canby, Prolific Film and Theater Critic for The Times, Is Dead at 76.” His byline even appeared nearly three years after his death, an advance 3,212-word obituary of Bob Hope, painting him as “a fast-talking wiseguy, a quaking braggart, an appealing heel with a harmless leer and a ready one-liner.”It’s a lot to live up to. Could his desk help straighten my spine, get me back in the game?My friend Ridgely Trufant, whose mother was Mr. Canby’s first cousin, inherited his estate, including his personal desk: six feet long, chocolate-hued with gargoyle legs and brawny, clawed feet. A rail of timber embellished with chiseled rosettes supports the structure, so it’s actually called a trestle table, Google tells me.The author’s temporary desk, courtesy of a friend who was related to Mr. Canby.Credit…James KnappI have scrutinized its undersides, crannies and shallow drawer with a flashlight and found no identifying markers other than a strip of masking tape on the left side labeled “6755.” The lot number or price Mr. Canby paid for it? Ridgely doesn’t know, but suspects her cousin bought it in the 1960s or ’70s when he lived in Brooklyn Heights, and Atlantic Avenue was lined with antique shops.I found a photo online of Mr. Canby posed at the desk in 1980, an ashtray to the right of his typewriter. I’ve framed it, so he’s here to challenge me, his eyes contemplating something in the distance, his smile a little skeptical. By this time he had settled into a roomy apartment on the Upper West Side, where he put up Ridgely when she came to the city to be a dancer.In the mid-1980s, Ridgely and I met at Perretti Italian Café on Columbus Avenue, where we were both waitresses. Mr. Canby, at the height of his career as a film critic, would sometimes visit the restaurant. As a cinephile and aspiring writer, I revered his opinion, and he was curious about mine, never treating me like a peon because my job involved an apron. His erudite, lucid film reviews drove me to haunt now-bygone theaters like the Thalia, the Beekman, the Plaza, the 57th Street Playhouse, the 68th Street Playhouse, and Lincoln Plaza Cinemas.In 1967, Mr. Canby, right, visited Frank Sinatra on set during the filming of “The Detective.” The next year, he panned it.Credit…Neal Boenzi/The New York TimesSince all movie houses went dark in March, the Criterion Channel has served as my personal theater, its vintage offerings leading me to reread scores of Mr. Canby’s reviews before I ever dreamed of possessing his desk. We don’t always agree, but they hold up, lively and illuminating as ever.In 1993, he switched to the theater beat. He often took Ridgely as his guest when reviewing shows, and Perretti’s was a convenient stop on his way home. His longtime girlfriend, Penelope Gilliatt, had died that year, at 61. Another prolific writer, her short stories, profiles and film criticism had appeared in The New Yorker, her screenplay for “Sunday, Bloody Sunday” was nominated for an Oscar, and she wrote five novels.Ridgely said Mr. Canby deeply loved Penelope, but at Perretti’s he was adroit at masking his grief, charming and quick to laugh. He sat in the smoking section and started with a vodka on the rocks. He had a trim physique and dressed like a dapper newspaperman in a tweed jacket with elbow patches, Oxford shirt buttoned just so, his short gray hair neatly parted.One night in particular endeared him to me. I can see him at Table 3, looking up and asking me how I was.Terrible, I told him. I had moved to New York from Arkansas to be a writer and didn’t have to be at work until 4 o’clock and yet had written nothing that day.“You are a real writer!” he declared, jutting his brown cigarette at me. “That’s exactly how I feel if a day goes by and I haven’t written anything. Just lousy.”I was a waitress at Perretti’s for 13 years. The restaurant’s health care plan was invaluable as I advanced my freelance writing career, covering the entertainment world, restaurants and travel. When the restaurant closed in 1998, I hung up my apron, and doggedly got enough assignments to write full time.Those gigs were consistent until this March, when restaurants and travel shut down. I used to wonder what I might accomplish — a novel, a biography, a play, a sellable screenplay — if I didn’t have constant deadlines. It turns out I’m teeming with ideas, but without an editor checking in on me, I lack focus.Other productive writer friends have expressed similar chagrin. A tweet from David Wondrich struck a chord, likening these unnatural days to “writing with a head full of molasses and fireflies.”In the first few months of the shutdown, I, like many other New Yorkers, found purpose in decluttering the apartment, culling books and getting rid of obsolete bank statements, press materials and embarrassing screenplays. Some of my aborted creative writing projects made me cringe, while others made me tilt my head, thinking, Not so bad. Why hadn’t I tackled another draft?Maybe it was the lack of a real, official desk that left me uninspired. In 22 years of being a professional writer, I had never put much thought into my work space. Until this year, I wrote on a slab of wood propped up by two black file cabinets.The coronavirus changed that. In August, I found myself on a Zoom chat that included Ridgely. She lives in a one-bedroom apartment in the West Village, where she had recently committed herself to multiple virtual movement classes taught by yogis, choreographers and tango taskmasters around the world. Her living room had become a dance studio, with one big problem.“I’ve got to get rid of Vin’s desk,” she said.My hand shot up.Credit…James KnappThe Canby desk is a gem. I spent most of an afternoon rubbing its broad tabletop with beeswax polish and plugged away with a toothbrush to gouge the lint from legs bulging with cartoonish round eyes, libertine tongues and feathery toes. Curious about its provenance, I emailed photographs of it to antique shops and auction houses, but got no definitive answer other than that it was probably made in Europe in the mid- to late-19th century.I do know one thing: The desk should stay in the Canby family. I have retooled my will to leave it to Ridgely or her survivors. In the meantime, here I sit, rebuilding my writing life sentence by sentence. I just got an unexpected assignment for 3,000 words. The deadline is calling me back to work, and the desk feels like an old friend here to help.AdvertisementContinue reading the main story More

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    John le Carré Film and Television Adaptations Available to Stream

    #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main story9 Great John le Carré Adaptations to StreamFrom the beginning, his novels of Cold War espionage and moral ambiguity attracted leading actors and filmmakers. Here are nine that can be streamed.Alexander Skarsgard and Florence Pugh in “The Little Drummer Girl,” an AMC series based on the John le Carré thriller.Credit…Jonathan Olley/AMCPublished More

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    Who’s Who in ‘Mank’: A Guide to the Real-Life Players

    #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best MoviesBest TV ShowsBest BooksBest TheaterBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storyWho’s Who in ‘Mank’: A Guide to the Real-Life PlayersThe Netflix drama about the making of “Citizen Kane” features characters based on Hollywood writers, studio executives and others. Here’s what they were really like.The MGM executives Louis B. Mayer (Arliss Howard) and Irving G. Thalberg (Ferdinand Kingsley) in “Mank.”Credit…NetflixBy More

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    August Wilson, American Bard

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeHoliday TVBest Netflix DocumentariesTo accompany this essay, the Baltimore-based artist Jerrell Gibbs painted “Portrait of August Wilson” (2020), exclusively for T.Credit…Courtesy of Mariane Ibrahim. Photo by Joseph HydeSkip to contentSkip to site indexArts and LettersAugust Wilson, American BardPerhaps no playwright has asserted the richness and complexity of everyday Black lives and language so deeply. Now, two screen projects affirm his legacy for new audiences.To accompany this essay, the Baltimore-based artist Jerrell Gibbs painted “Portrait of August Wilson” (2020), exclusively for T.Credit…Courtesy of Mariane Ibrahim. Photo by Joseph HydeSupported byContinue reading the main storyBy More

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    2 Major Movies and a Life Shadowed by Pain and Perfectionism

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusClassic Holiday MoviesHoliday TVBest Netflix DocumentariesAdvertisementContinue reading the main storySupported byContinue reading the main story2 Major Movies and a Life Shadowed by Pain and PerfectionismKemp Powers is the co-director of “Soul” and screenwriter of “One Night in Miami,” but his collaborators may not know just how much of himself is in those films.“I’ve had a year that writers, creatives in Hollywood don’t get to have, ever,” Kemp Powers said.Credit…Texas Isaiah for The New York TimesBy More