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The sequence is emblematic of a significant shift in how Asian languages are featured in American film and TV. Just a few years ago, when his Korean dark comedy “Parasite” won the 2020 Golden Globe for Best Foreign Language Film, the writer and director Bong Joon Ho ribbed Americans for their aversion to “the one-inch-tall […] More
HBO’s series is not just a good story. It’s a sharp piece of film criticism.HBO has long defined itself in contrast to mainstream television — “It’s not TV,” as the slogan goes — but in many ways its history is one of revising and responding to the movies. “The Sopranos” updated the mafia movie (and its characters quoted, and were influenced by, films like “The Godfather”). “Game of Thrones” dirtied up the high-fantasy genre; “Deadwood” the Western; “Watchmen” the superhero story.But the network has never given us its longform version of, or rebuttal to, one Hollywood staple: the Vietnam War movie (unless one counts the alternative history aspects of “Watchmen”). Until now, with “The Sympathizer,” Park Chan-wook’s kinetic and darkly hilarious adaptation (with the co-showrunner Don McKellar) of the novel by the Vietnamese American author Viet Thanh Nguyen.The seven-episode series is many things. It’s an exploration of dual identity: The protagonist, known only as the Captain (Hoa Xuande), is a half-French, half-Vietnamese communist double agent planted as an aide to the General (Toan Le), a leader of the South Vietnamese secret police. It’s a spy thriller, a satire of colonialism and its many faces — many of them Robert Downey Jr.’s — and an exploration of the complications of love and memory.But it’s also an intense dialogue and argument with the movies. It is simultaneously its own Vietnam War movie, bold, inventive and sometimes bloody, as well as a pointed, detailed work of movie criticism.In “The Sympathizer,” which began airing in April, the movies are a continuation of war by other means. Its fixation on film begins early. Retelling his story in a postwar re-education camp — the framing device for the series — the Captain recalls watching the vicious interrogation of a communist agent on the stage of a movie theater, where the marquee sign for “Emmanuelle” is coming down, and the one for Charles Bronson’s “Death Wish” is hoisted into place. Even in Hollywood’s dream vision, beauty gives way to an American pointing an oversized gun.“Hollywood” is a metonym for America in “The Sympathizer”; it is the country’s front door, its export and its weapon. The Captain’s C.I.A. contact, Claude (Downey), lectures his “protégé” (who he is unaware is a communist) about American pop culture, expounding to him about the Isley Brothers and the Herbie Hancock score for “Death Wish.” Later, Claude tells him about the C.I.A.’s interest in keeping tabs on film directors: “As long as we can keep them within the nebulous bounds of humanism but with no actionable political ideology, they’re completely harmless.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More
Hoa Xuande had only one Hollywood credit when he was chosen to lead this starry HBO adaptation of a prize-winning novel. He needed all the encouragement he could get.Some three months into shooting “The Sympathizer,” Robert Downey Jr. sat Hoa Xuande down. He had something to show him.“I remember Rob walking in — he had this cheeky grin,” Xuande recalled on a recent afternoon in Los Angeles. A teaser trailer for the HBO series, an adaptation of Viet Than Nguyen’s Pulitzer Prize-winning novel, had just been cut. Downey, who is the show’s executive producer and plays multiple roles in it, saw definitive proof of a star-making turn in “The Sympathizer.” He wanted Xuande, the star in question, to see it too.“There’s only one time that I’ve had this experience before, and it’s when I saw the teaser that we brought to Comic-Con for ‘Iron Man,’” Downey said. Seeing himself onscreen in the Iron Man suit was what finally convinced Downey that he had done justice to a daunting role.“And because I’d had that experience,” he said, “I knew that he needed it.”In many ways, Xuande (pronounced Shawn-day) did. A 36-year old Vietnamese Australian actor who had one Hollywood credit to his name, he still wasn’t sure he was the right choice to lead a series with such an impressive pedigree: an HBO adaptation of an acclaimed novel, produced by the Oscar-winning art-house studio A24, directed by the revered Korean auteur Park Chan-wook and co-starring a screen legend in Downey. He needed all the encouragement he could get.“I made him watch it six times,” Downey said.Based on the novel of the same name, “The Sympathizer” stars Xuande as a double agent and Robert Downey Jr., right, in multiple roles.Hopper Stone/HBOSeeing himself in the trailer had finally quieted his doubts, Xuande said, over lunch at a Venice restaurant. He had flown in from his home base in Sydney hours earlier and had barely settled into Downey’s spare live-work space, where Xuande sometimes stays.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More
