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    What ‘Wicked’ Has to Say About Our Current Political Moment

    By breaking the story into two movies, the emphasis in “Part One” shifts to a nation’s potential decline into authoritarianism. Sound familiar?In the big-screen adaptation of “Wicked,” Elphaba (Cynthia Erivo) uses magic to defend her sister and unwittingly destroys a courtyard mural of the Wizard at Shiz University. When her outburst shatters the wall, it also unearths an image that has been intentionally covered up: the school’s original founders, animal professors whose ability to speak, teach humans, and organize politically posed a threat to the Wizard’s autocratic reign.This surprising fact is revealed early on, but as I watched it, I realized Elphaba’s discovery came too late.As a repeat viewer of Broadway’s “Wicked,” I’m usually fascinated by how the story’s retrospective lens encourages us to sympathize with Elphaba, who eventually will become the Wicked Witch of the West. Her rich back story — she’s a perennial outsider and highly empathetic person — has forced me to rethink my assumptions about her and reflect on how easily I accepted L. Frank Baum’s own prejudices and his representation of her as a one-dimensional villain in his novel, “The Wizard of Oz.”But, unlike the stage version, which tracks Elphaba as a young adult to her fateful encounter with Dorothy, the movie delves even more into Elphaba’s biography. It follows her to Shiz University, where she ends up rooming with her frenemy, Galinda, later renamed Glinda (Ariana Grande), whose jealousy of Elphaba’s magical powers leads to conflict. The film ends at the characters’ climactic midpoints. “If Part One is about choices,” the director, Jon M. Chu, recently told Entertainment Weekly, “Part Two is about consequences.”But for now that also means the story remains unresolved. At the end of the Broadway version, there’s relief in the surprise ending when we learn that the Wicked Witch was far kinder than we gave her credit for and that she successfully challenged the Wizard’s dominance.Instead, onscreen, Elphaba is left suspended in midair (on her broom), made a scapegoat by the Wizard (Jeff Goldblum) as the Shiz professor Madam Morrible (Michelle Yeoh), falsely warns the people of Oz about an enemy who must be captured. Madam Morrible goes even further, blasting on the loudspeaker, “Her green skin is but an outward manifestorium of her twisted nature. This distortion! This repulsion! This wicked witch!”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    After Her Oscar Win, Will Michelle Yeoh Get to Lead Again?

    The historic victory should mean opportunities to star again, but too often after such milestones, Hollywood doesn’t find central roles for women of color.We’re conditioned to think of an Oscar win as the endpoint to a journey. For some actors, holding that trophy is the realization of a dream held since childhood. For others, it’s the culmination of a well-deserved comeback.But what happens after that win? In our eagerness to treat Oscar victories as career capstones, do we pay too little attention to the opportunities that are supposed to come afterward, yet often don’t?I’ve been mulling that over since Sunday night, when Michelle Yeoh took the best actress Oscar for “Everything Everywhere All at Once.” It happened at the 95th edition of the Academy Awards, the kind of big, tantalizing milestone that prods you to contemplate what has come before, and Yeoh’s win proved especially historic: The first Asian star to win best actress, she was greeted onstage by Halle Berry, the first Black woman to have pulled off that feat.Asking Berry to announce the winner with Jessica Chastain (the previous year’s winner) was a gamble twice over. If Yeoh had lost to one of her four competitors — all of whom were white women — the ensuing photo op would have served as a stark example of a best-actress category that has been hostile to women of color for 95 years. And though Berry has returned to the Oscars several times since her 2002 win for “Monster’s Ball,” it has always been as a presenter and never as a nominee. To see her there is to be reminded that an Oscar win carries no guarantees when an actress is already liable to receive fewer scripts and career opportunities than her white counterparts.So though Yeoh’s triumph was a long time coming, and I teared up as she addressed “all the little boys and girls who look like me watching tonight,” I also found myself worrying that it won’t be enough. The people in the Dolby Theater looked awfully proud of themselves after Yeoh’s win, but if they really want to do right by her, they have to keep writing lead roles for 60-year-old Asian actresses; otherwise, it’s just empty back-patting.That, after all, was the real breakthrough of “Everything Everywhere,” Yeoh told me in October. We were at an awards event where, flanked by the “Everything Everywhere” directors Daniel Kwan and Daniel Scheinert, she reminisced about a Hollywood career that had mostly been filled with supporting parts.“Look, I’ve been very blessed — I’ve continuously worked, and I’ve worked with great directors,” she said. “But for the first time, I’m No. 1 on the call sheet, thanks to these guys. I do meaningful roles, like in ‘Crazy Rich Asians’ and ‘Shang-Chi,’ but it was not my movie.”Yeoh said she hoped that “Everything Everywhere” would not be a one-off, but more than a year after the film’s release, it’s unclear when, or if, she will have another lead film role. Coming projects — including the big-screen musical “Wicked,” the third “Avatar” movie, and the ensemble mystery “A Haunting in Venice” — all consign her to supporting parts. Though she is a headline-making superstar who led the hip studio A24 to its biggest ever worldwide hit, Yeoh is still too often treated as additional casting rather than the main event.“Even you, Michelle Yeoh — on the top of the world — has struggled to find the right roles,” Kwan told her when we met in October. “I think that has taken a lot of people by surprise.”Yeoh laughed ruefully. “I read scripts and it’s the guy who goes off on some big adventure — and he’s going off with my daughter!” she said. “I’m like, no, no.”Few Hollywood movies are conceived with a woman over 50 as the central character, and the ones that are greenlit tend to offer those leads to a triumvirate of white women: Meryl if she’s older, Cate if she’s younger and Tilda if she’s weirder. To ensure that Yeoh can be first on the call sheet again, filmmakers must think more creatively, as Kwan and Scheinert did when they revamped “Everything Everywhere” for Yeoh after conceiving the film as a Jackie Chan vehicle. (And while they’re at it, can they find something juicy for last year’s best supporting actor, Troy Kotsur, similarly a boundary breaker — with “CODA,” he became the first deaf man to win an acting Oscar — who has been seen in little since?)As momentum in the best-actress race swung from the “Tár” star Cate Blanchett to Yeoh over the last few weeks of awards season, I kept hearing a common refrain from voters: While Blanchett already had two Oscars and would surely be nominated again — she has eight nominations overall — this could be Yeoh’s only chance at gold. Though I understand the practicality of that argument, I hope those voters understand that their job isn’t done simply because of how they marked their ballot. Yeoh’s Sunday-night win is a big one, but the real victory will come when the lead roles that had long eluded her grasp start to become commonplace. If Hollywood can make that so, then instead of an endpoint, Yeoh’s historic Oscar will serve as a long-needed new beginning. More

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    Michelle Yeoh Makes Oscar History as First Asian to Win Best Actress

    Michelle Yeoh won the best actress Oscar at Sunday night’s ceremony for her role as a beleaguered wife, mother and laundromat owner whose life is turned upside down when she is thrown into multiple parallel universes in A24’s genre-bending hit “Everything, Everywhere All at Once.” The victory makes her the first Asian star to win best actress in the 95-year history of the Academy Awards.“For all the little boys and girls who look like me watching tonight, this is a beacon of hope and possibilities,” she said in accepting her award. “This is proof that dreams — dream big, and dreams do come true. And ladies, don’t let anybody tell you you are ever past your prime. Never give up.”This was her first Oscar nomination and win after a venerated career that toggled between action-heavy roles (“Crouching Tiger, Hidden Dragon”) and performances of regal self-containment (“Crazy Rich Asians”). Tonight, she beat out Andrea Riseborough (“To Leslie”), Cate Blanchett (“Tar”), Michelle Williams (“The Fabelmans”) and Ana de Armas (“Blonde”).Yeoh’s biggest competition came from Blanchett, who won the best actress trophy at the BAFTAs but saw her path to the winner’s circle narrow after Yeoh’s historic win at the SAG Awards, where she became the first Asian star to win the guild’s best actress prize for a film.All season long, Yeoh has spoken of the obstacles she and other Asian performers have faced in Hollywood. After the Oscar nominations were unveiled in January, she told The Times, “Of course, I’m over the moon, but I feel a little sad because I know we know there have been amazing actresses from Asia that come before me, and I stand on their shoulders.” She added, “I hope this will shatter that frigging glass ceiling to no end, that this will continue, and we will see more of our faces up there.”Here’s the full text of her acceptance speech on Sunday:Thank you. Thank you. For all the little boys and girls who look like me watching tonight, this is a beacon of hope and possibilities. This is proof that dreams — dream big, and dreams do come true. And ladies, don’t let anybody tell you you are ever past your prime. Never give up.I wouldn’t be standing here tonight without the Daniels [directors of “Everything Everywhere”], without A24, without my amazing cast and crew, without everyone who was involved with “Everything Everywhere All at Once.” I have to dedicate this to my mom, all the moms in the world. Because they are really the superheroes. And without them, none of us will be here tonight. She’s 84. And I’m taking this home to her. She’s watching right now in Malaysia, K.L., with family and friends. I love you guys. I’m bringing this home to you. And also my extended family in Hong Kong, where I started my career. Thank you for letting me stand on your shoulders, giving me a leg up so that I can be here today. And to my godchildren, to my sisters, all of them, to my brothers. Oh God. To my family, thank you. Thank you.Thank you to the Academy. This is history in the making. Thank you. More

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    How to Watch the Oscars 2023: Date, Time and Streaming

    A guide to everything you need to know for the 95th annual Academy Awards on Sunday night.It’s looking like the year of “Everything Everywhere All at Once.”The sci-fi smash from the directing duo Daniel Kwan and Daniel Scheinert has already swept the top prizes at the four major Hollywood guild awards, and the only other films to ever do that — “Argo,” “No Country for Old Men,” “Slumdog Millionaire” and “American Beauty” — all went on to win the best picture Oscar.But! It’s the academy, and there’s always at least one surprise. Will Steven Spielberg spoil the Daniels’ bid for best director with his semi-autobiographical tale, “The Fabelmans”? Will Michelle Yeoh beat Cate Blanchett for best actress? Will Angela Bassett, who’s nominated for best supporting actress for her performance in “Black Panther: Wakanda Forever,” bring home the Marvel Cinematic Universe’s first acting Oscar? There’s sure to be drama.Among about 50 stars lined up to present trophies are Ariana DeBose, Florence Pugh and Jonathan Majors. (Another key question: Will DeBose reprise her viral BAFTAs musical rap?)Here’s what you need to know:What time do the festivities start?The ceremony begins at 8 p.m. Eastern, 5 p.m. Pacific. On television, ABC is the official broadcaster. Online, if you have a cable login, you can watch via abc.com/watch-live/abc, or if you’re an ABC subscriber, via the ABC app. For cord-cutters, there’s also Hulu + Live TV, Sling TV, YouTube TV or Fubo, all of which require subscriptions, though many are offering free trials.Is there a red carpet?Well, there will be star arrivals, but they will be treading a champagne-colored carpet. To watch, head to the E! network beginning at 1 p.m. Eastern, 10 a.m. Pacific if you’re in the mood for some preshow celebrity spotting. (ABC will also have champagne-carpet coverage beginning at 1 p.m. Eastern, which you can watch live on its website, with no sign-in required.)Is there a preshow?The official Academy Awards preshow, “On the Red Carpet Live: Countdown to Oscars 95,” airs on ABC from 1 to 4 p.m. Eastern, 10 a.m.-1 p.m. Pacific (and will be available to stream on the ABC News Live website beginning at 1:30 p.m. Eastern, 10:30 a.m. Pacific until the start of the Oscars).Then, also on ABC, Ashley Graham, Vanessa Hudgens and Lilly Singh will host the “Countdown to the Oscars” lead-in show, which will offer a behind-the-scenes look at the big night, beginning at 6:30 p.m. Eastern, 3:30 p.m. Pacific.The Run-Up to the 2023 OscarsThe 95th Academy Awards will be presented on March 12 in Los Angeles.Trying to Fix the Oscars: Acceptance speeches on TikTok? They’re part of an urgent effort to win back viewers.Oscars Fashion: A Versace runway show was a fitting start to the series of extravagant days that represent the unholy marriage between Hollywood and fashion: Oscars weekend.Inside the Oscars Campaigns: Despite the big show of sealed envelopes, Oscars voting is a highly contingent, political process. Here’s how the quest for awards-season glory got so cutthroat.Reading Suggestion: A new book that tracks the history of moviedom’s biggest night examines the glamour, societal changes and bloopers embodied in 95 years of step-and-repeat.Who will be hosting?Jimmy Kimmel will return for his third round as M.C. after previously guiding the ceremonies in 2017 (the “Moonlight”-“La La Land” mix-up year) and 2018.Who will be presenting?Three of last year’s acting winners — Jessica Chastain, DeBose and Troy Kotsur — as well as Riz Ahmed, Halle Bailey, Samuel L. Jackson, Dwayne Johnson, Michael B. Jordan, Majors, Janelle Monáe, Deepika Padukone, Pugh and Questlove.Will Will Smith be there?Smith, who took home last year’s best actor statuette for his performance as the father of Venus and Serena Williams in the biopic “King Richard,” was barred from the Oscars and other academy events for 10 years after he slapped the comedian Chris Rock at the 2022 ceremony. (Rock recently joked about the explosive moment on a live Netflix show.)Will Jennifer Coolidge be there?It feels like she should be, right? But alas, no. (Or, at least, not that we know of!)What should you watch for?After considerable backlash from industry professionals following last year’s decision to pretape eight of the competitive categories, all 23 categories will be awarded live this year.And there are a number of milestones to keep an eye out for: Yeoh could become the first Asian star to win best actress for her performance as the multiverse-surfing mother in “Everything Everywhere All at Once,” if she can hold off Blanchett’s ambitious conductor in “Tár.” If Spielberg, 76, wins best director for “The Fabelmans,” he would become the oldest winner in the category. And if John Williams, 91, wins best original score for “The Fabelmans,” he would become the oldest person to win a competitive Oscar.Is anyone close to an EGOT?Viola Davis became the 18th member of the club of overachievers who have an Emmy, a Grammy, an Oscar and a Tony Award after she won a Grammy for the audiobook of her memoir, “Finding Me.” But sadly, none of the nominees have the chance to join her on Sunday.Who do we think will win?“Everything Everywhere All at Once” received the most nominations — 11, including best picture, actress (Yeoh), supporting actor (Ke Huy Quan) and supporting actress (Jamie Lee Curtis and Stephanie Hsu) — and there’s a very real possibility that it could win, well, everything everywhere all at once. The odds-making site Vegas Insider currently has it as the runaway favorite, distantly trailed by Martin McDonagh’s drama “The Banshees of Inisherin” and the German war film “All Quiet on the Western Front,” each of which earned nine nominations.Our Projectionist columnist, Kyle Buchanan, thinks Yeoh has the edge over Blanchett, and that Brendan Fraser, who underwent a full-body transformation to play an obese professor in “The Whale,” will triumph over the “Elvis” star Austin Butler.In the supporting categories, Quan is a virtual lock for supporting actor, but Buchanan is predicting Kerry Condon of “Banshees” for supporting actress. See his complete list of predictions here.What’s this I’ve heard about Andrea Riseborough?Ah, yes, the tale of this year’s surprise (understatement) best actress nominee involved a social media blitz on her behalf by a cadre of movie stars, snubs of Danielle Deadwyler in “Till” and Viola Davis in “The Woman King,” and an academy review of the campaign on her behalf. (The verdict? She’s clear — for now.) Here’s an explainer.I only have time to watch one film before ceremony. Which one should I choose?To get the most bang for your buck, we’d recommend “Everything Everywhere All at Once.” (Or just hop into the multiverse and watch all of the nominees simultaneously.) If you’re short on time, Sarah Polley’s female-focused drama “Women Talking” is the shortest of the best picture nominees, at 1 hour 44 minutes. Of course, “The Banshees of Inisherin” and “Triangle of Sadness” have an X factor in their favor: the donkey quotient. If you face a time crunch, you’ll want to save “Avatar: The Way of Water,” which stretches past the three-hour mark, for another day; you’re already committed to watching a three-hour-plus broadcast on Sunday night! (Then again, what better day than Oscars Sunday to devote more than a third of your waking hours to film?)OK, I watched “Everything Everywhere All at Once” — and wait, what was that ending?Here’s an explainer.Who is that Oscar statuette supposed to be a likeness of?It’s said to be modeled after the Mexican filmmaker and actor Emilio Fernández (who, the story goes, posed in the buff).Why are they called the Oscars, again?It’s said that when the longtime academy employee Margaret Herrick first saw the statuette in the 1930s, she remarked that it reminded her of her Uncle Oscar — a nickname for her second cousin Oscar Pierce.I’m hosting an Oscars party this year. What delicious food should I make?You can’t go wrong with loaded nachos, cheese straws or dipped chocolate anything. Feeling fancy? Try our caviar potato chips and lemon cream recipe.I need some joy in my life. What’s the quickest way to get it?Follow Ke Huy Quan on Instagram. More

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    SAG Awards 2023: Complete List of Winners, Led by ‘Everything Everywhere All at Once’

    The film took the top prize, as well as lead actress and two supporting trophies. “Abbott Elementary” and “The White Lotus” were named the top TV shows.The Screen Actors Guild handed its top award for outstanding cast on Sunday night to “Everything Everywhere All at Once,” the hit sci-fi comedy that recently dominated the Directors and Producers Guild Awards and now appears to be a strong best picture front-runner at the Oscars. Three of the four individual acting trophies went to “Everything Everywhere” cast members, too.But will they also prevail with Oscar?The safest bet to repeat is “Everything Everywhere” comeback kid Ke Huy Quan, who won the supporting-actor trophy from SAG and has been collecting statuettes in that category all season. During Sunday’s show, which aired live on YouTube and will stream exclusively on Netflix next year, the 51-year-old Quan delivered his most touching speech yet.After rising to fame as a child actor in popular films like “The Goonies” and “Indiana Jones and the Temple of Doom,” Quan found few roles available for Asian actors and moved behind the camera, working in stunt choreography. Still, he paid his SAG dues every year, hoping and biding his time for the resurgence he’s finally experiencing.“To all those at home who are watching, who are struggling and waiting to be seen,” Quan said, “please keep on going because the spotlight will one day find you.”In an upset victory, Quan’s co-star Jamie Lee Curtis won the supporting-actress statuette over Golden Globe winner Angela Bassett (“Black Panther: Wakanda Forever”) and BAFTA winner Kerry Condon (“The Banshees of Inisherin”), suggesting that this may be the season’s most fluid acting race.“I know you look at me and think nepo baby, and I totally get it,” said a thrilled Curtis. “But the truth of the matter is I’m 64 years old and this is just amazing!”Later in the night, “Everything Everywhere” leading lady Michelle Yeoh won a crucial best-actress prize over “Tár” star Cate Blanchett, whom she acknowledged as a titan from the stage.“Thank you for giving me a seat at the table because so many of us need this,” Yeoh told the crowd. “We want to be seen and we want to be heard, and tonight you have shown us that it is possible.”Though the SAGs have honored Asian performers from TV shows, Yeoh was the first Asian woman to win best actress in a movie category, and Quan was the first Asian male actor to win for movies as well.The only film actor to win who didn’t hail from “Everything Everywhere” was Brendan Fraser, who mounted a best-actor comeback with his transformational performance in “The Whale.” Though “Elvis” star Austin Butler earned best-actor prizes at BAFTA and the Golden Globes, Fraser wasn’t expected to win at the latter show, since he had publicly accused the former Globes head Philip Berk of groping him in 2003 and had said he wouldn’t attend the ceremony. (Berk denied the accusation.)Like many of the night’s winners, Fraser spoke about the ups and downs of a Hollywood career: “I’ve rode that wave lately, and it’s been powerful and good,” he said, “and I’ve also had that wave smash me right down to the ocean floor.”SAG’s track record with the Oscars is suggestive but spotty. Last year, all four SAG winners triumphed at the Oscars and Jessica Chastain’s SAG win for “The Eyes of Tammy Faye” helped her vault to the front of a wide-open best-actress category. But the year before that, only two of the four SAG winners repeated at the Oscars.But the strongest takeaway from this year’s SAG ceremony is that “Everything Everywhere,” which cost only $14.3 million and took in more than $100 million worldwide, is almost certainly headed for a best-picture victory: Of the films that earned top honors at the DGAs, the PGAs and the SAGs — that is, all three major guilds — only Ron Howard’s “Apollo 13” (1995) failed to go the distance with Oscar.When the season began, the “Everything Everywhere” directors Daniel Scheinert and Daniel Kwan were surprised that their quirky film was generating awards chatter. But with two weeks left until Hollywood’s biggest night, the real surprise would be if anything but “Everything Everywhere” becomes the Oscars’ ultimate victor.Here’s the complete list of SAG winners:FilmOutstanding Cast“Everything Everywhere All at Once”Actor in a Leading RoleBrendan Fraser, “The Whale”Actress in a Leading RoleMichelle Yeoh, “Everything Everywhere All at Once”Actor in a Supporting RoleKe Huy Quan, “Everything Everywhere All at Once”Actress in a Supporting RoleJamie Lee Curtis, “Everything Everywhere All at Once”Stunt Ensemble in a Movie“Top Gun: Maverick”TelevisionEnsemble in a Comedy Series“Abbott Elementary”Ensemble in a Drama Series“The White Lotus”Actor in a Comedy SeriesJeremy Allen White, “The Bear”Actress in a Comedy SeriesJean Smart, “Hacks”Actor in a Drama SeriesJason Bateman, “Ozark”Actress in a Drama SeriesJennifer Coolidge, “The White Lotus”Actor in a TV Movie or Limited SeriesSam Elliott, “1883”Actress in a TV Movie or Limited SeriesJessica Chastain, “George & Tammy”Stunt Ensemble in a TV Series“Stranger Things”SAG Life Achievement AwardSally Field More

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    SAG Awards 2023: Complete List of Winners

    Will “Everything Everywhere All at Once” take the top prize as it did at the Producers Guild Awards the night before?“Everything Everywhere All at Once” won the top prize at the Producers Guild Awards on Saturday night. Will it win again at the Screen Actors Guild Awards? And will that movie’s lead, Michelle Yeoh, take the SAG for best actress, or will that honor go to Cate Blanchett for “Tár”?Those are the biggest questions heading into the SAGs tonight. But we’re also keeping an eye on the supporting actress category. Will Angela Bassett, who won the Critics Choice for her turn as Queen Ramonda in “Black Panther: Wakanda Forever,” prevail or will it be the BAFTAs’ choice, Kerry Condon from “The Banshees of Inisherin”? Or could Stephanie Hsu from “Everything Everywhere” sneak in?You can watch the ceremony, being held at the Fairmont Century Plaza in Los Angeles and airing on Netflix’s YouTube channel starting at 8 p.m. Eastern time, 5 p.m. Pacific, or check back here as we post live updates of the winners’ list. More

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    ‘All Quiet on the Western Front’ Leads BAFTA Nominees

    The German-language movie received 14 nods and will compete for best film against the likes of “Everything Everywhere All at Once” and “The Banshees of Inisherin.”“All Quiet on the Western Front,” a German-language movie set on the battlefields of World War I, emerged on Thursday as the surprise front-runner for this year’s British Academy Film Awards, Britain’s equivalent of the Oscars.“All Quiet,” a Netflix-backed movie about the futility of war, secured 14 nominations for the awards, commonly known as the BAFTAs. Those included best film, where it is up against four higher-profile titles including “Everything Everywhere All at Once,” a sci-fi adventure starring Michelle Yeoh as a laundromat owner who traverses universes; and “The Banshees of Inisherin,” Martin McDonagh’s dark comedy about two friends who fall out while living on a small island, both of which received a total of 10 nominations.Also competing for the main BAFTA prize is Baz Luhrmann’s “Elvis” biopic and “Tár,” Todd Field’s drama starring Cate Blanchett as a conductor accused of sexual harassment.On its release in Britain, critics gave the Edward Berger-directed “All Quiet” rave reviews. Kevin Maher, writing in The Times of London, said that the movie was “more visceral, more spectacular and certainly more harrowing” than any previous adaptation of Erich Maria Remarque’s 1929 novel of the same title. “See it on the biggest screen possible. Then watch it again on Netflix,” Mr. Maher added.American critics were less effusive. Ben Kenigsberg, reviewing the movie for The New York Times, said that it “aims to pummel you with ceaseless brutality, and it’s hard not to be rattled by that.”Steven Spielberg Gets Personal in ‘The Fabelmans’The director’s latest movie, starring Michelle Williams, focuses on Sammy Fabelman, a budding filmmaker who is a lot like Spielberg himself.Review: “The Fabelmans” is “wonderful in both large and small ways, even if Spielberg can’t help but soften the rougher, potentially lacerating edges,” our critic writes.Michelle Williams: With her portrayal of Mitzi, Sammy’s mother, the actress moves from minor-key naturalism to more stylized performances.Judd Hirsch: The actor has been singled out for his rousing performance in the film. It’s the latest chapter in a career full of anecdotes.Making ‘The Fabelmans’: In working on this semi-autobiographical movie, Spielberg confronted painful family secrets and what it means to be Jewish in America today.The 14 nods for “All Quiet” is the highest number of BAFTA nominations for a movie not in the English language, tied with Ang Lee’s 2000 action film “Crouching Tiger, Hidden Dragon,” according to BAFTA officials.Michelle Yeoh, left, and Jing Li in “Everything Everywhere All at Once,” directed by Dan Kwan and Daniel Scheinert.Allyson Riggs/A24Most of the nominations for “All Quiet” are in technical categories. But Berger also secured a best director nomination. He will compete for that award against the directors of “Banshees of Inisherin” (McDonagh), “Tár”(Field) and “Everything Everywhere All At Once” (Dan Kwan and Daniel Scheinert). Park Chan-wook, the director of “Decision to Leave,” about a policeman who falls in love with a suspect, also secured a best director nod, as did Gina Prince-Bythewood for “The Woman King,” about the women soldiers of the precolonial Kingdom of Dahomey in West Africa. Prince-Bythewood is the only female director among the nominees.There was one upset among the best director nominees: Steven Spielberg didn’t get a nod for “The Fabelmans,” his semi-autobiographical tale of a budding filmmaker coping with a fractious home life, which won him best director at last week’s Golden Globes.The BAFTA nominations, which were announced in a YouTube broadcast, have long been seen as a bellwether for the Oscars because there is overlap between their voting bodies. Nominations for this year’s Academy Awards are scheduled to be unveiled on Tuesday and “All Quiet on the Western Front” has been tipped as a potential nominee in the best picture category.In recent years, the BAFTA organizers has made efforts to widen the diversity of nominees, including requiring voters to watch a variety of movies before they can make their selections.Last year, that led to several unexpected nominees in the best acting categories, many from low-budget British movies. But there are fewer upsets this year. The best actress nominees include Blanchett for “Tár,” Viola Davis for “The Woman King,” Yeoh for “Everything Everywhere All at Once” and Emma Thompson for her role in “Good Luck to You, Leo Grande,” in which she plays a widow who hires a prostitute.They will compete for that prize against Danielle Deadwyler for her role as Emmett Till’s mother in “Till” and Ana de Armas for “Blonde,” in which she plays Marilyn Monroe.The best actor category sees Austin Butler, the Golden Globe-winning star of “Elvis,” up against Colin Farrell, for his role in “The Banshees of Inisherin,” and Brendan Fraser, for his transformation into an obese, grief-stricken writing instructor in “The Whale.” Also nominated are the rising Irish star Paul Mescal, for his role as a young father taking his daughter on holiday in “Aftersun,” Daryl McCormack, for playing the prostitute in “Good Luck to You, Leo Grande,” and Bill Nighy, for “Living,” about a bureaucrat given a life-changing medical diagnosis.Whether the nominations for “All Quiet” translate into trophies will be revealed on Feb. 19, when the BAFTA winners are scheduled to be announced in a ceremony at the Royal Festival Hall in London. More