Dark and wintry days, cold nights: February is the perfect time to cuddle up with some so-called chiller theater.

Let’s start with Stephen Belber’s “Tape,” which begins with a character shoveling coke up his nose and goes on from there. In this 2000 play (adapted into a Richard Linklater movie), the friends Vince and Jon have a relationship so toxic, it could qualify as a government cleanup project. Their reunion starts with the needle in the red, then really skids off the rails. The Shared Screen company has devised its production as a live video call. Feb. 5-20; thesharedscreen.com.

Stay on the line for the Keen’s company benefit reading of Lucille Fletcher’s radio thriller “Sorry, Wrong Number,” from 1943, about a bedridden woman who is being targeted by killers — her phone is her only connection to the outside world. Marsha Mason leads the cast and Nick Abeel handles the live Foley effects. (Feb. 15 at 7 p.m.; keencompany.org.)

Finally, Patrick Page, Broadway’s favorite basso profundo, wrote and performs a solo look at theatrical bad guys in Shakespeare Theater Company’s “All the Devils Are Here: How Shakespeare Invented the Villain.” Page knows a thing or three about the subject: He has played Iago in “Othello,” Hades in “Hadestown,” the Comte de Guiche in “Cyrano de Bergerac,” the Grinch in “Dr. Seuss’ How the Grinch Stole Christmas!” and the Green Goblin in “Spider-Man: Turn Off the Dark.” Feb. 4-July 28; shakespearetheatre.org

‘The Infinite Wrench Goes Viral’

The Neo-Futurists, based in Chicago, have turned their showcase of very short plays — or thought experiments, or whatever you want to call these bite-size works — into a successful weekly virtual show. Some are animated; others are performed by live actors. One was 14 seconds long; most are around two or three minutes. The only rule seems to be that you never know what’s next. A Patreon subscription buys a 30-play show delivered on Sunday nights, with an average of 10 new plays a week. neofuturists.org

Jill Sobule’s hot-tub time machine

“F*ck7thGrade,” from the singer-songwriter Jill Sobule, may be a concert shot in an improvised drive-in, but this autobiographical show has impressive theatrical bones: Liza Birkenmeier (“Dr. Ride’s American Beach House”) wrote the book, Rachel Hauck (“Hadestown”) designed the set and Lisa Peterson (“An Iliad”) directed for City Theater, in Pittsburgh. Now the question is: Will Sobule and Robin Eaton’s musical adaptation of the movie “Times Square” ever get a full production? Through June 30; citytheatrecompany.org

Dinner with Gertrude and Lillian

Caryl Churchill’s “Top Girls” engineered a meeting between female historical figures. “Little Wars,” Steven Carl McCasland’s new play, also sticks with literary heroines. When a dinner party includes Lillian Hellman (Juliet Stevenson) and Gertrude Stein (Linda Bassett, wondrous in “Escaped Alone” at the Brooklyn Academy of Music), the conversation could get interesting. Through Feb. 14; broadwayondemand.com

For your ears only

L.A. Theater Works specializes in audio theater with startlingly good casts, and its impressive catalog keeps growing. The latest offering is Hannie Rayson’s eco-minded “Extinction,” with a cast that includes Sarah Drew and Joanne Whalley. Hankering for the days of before? Check out the last two productions Theater Works recorded in front of a live audience, early last year: a commissioned adaptation of “Frankenstein” by Kate McAll, starring Stacy Keach as the creature; and Qui Nguyen’s semi-autobiographical “Vietgone,” inspired by his Vietnamese refugee parents, and directed by Tim Dang. latw.org

Signed, sealed and, eventually, delivered

Theater — or something companies are calling theater — by mail is alive and well. Ars Nova’s “P.S.” project has been going on since November; the second season of the Artistic Stamp company’s epistolary project is underway, with a third beginning soon; and next month, Arena Stage is starting “Ken Ludwig’s Dear Jack, Dear Louise: Love Letter Experience.”

The most ambitious initiative yet may well be Post Theatrical, which encompasses 13 “mail-based theatrical experiences” from companies in the United States, Lebanon and Hong Kong. Through June 30; posttheatrical.org

‘Yorick, la Historia de Hamlet’/‘Yorick, the Story of Hamlet’

Remember Yorick, the jester whose skull plays a big part in “Hamlet”? He takes center stage in Francisco Reyes’s solo with puppets “Yorick, la Historia de Hamlet”/“Yorick, the Story of Hamlet,” presented by the Los Angeles contempory-arts center Redcat. American audiences may know Reyes from his role as Orlando in the Chilean movie “A Fantastic Woman.” In English with Spanish subtitles. Feb. 12-14; redcat.org

With songs in their heart

If you’re wondering about the back story to the French song in that Allstate commercial, it’s “Non, je ne regrette rien,” made famous by Edith Piaf. And if you missed the biopic “La Vie en Rose,” head over to Raquel Britton’s docu-concert “Piaf … Her Story … Her Songs,” brought to us by Broadway’s Best Shows and the Actors Fund. Feb. 15-18; actorsfund.org

For tunes in English, turn to Theater Forward, an organization that supports regional theater, which will offer performances by Jason Robert Brown, Kate Baldwin, George Salazar, Anika Noni Rose, Shaina Taub, Branden Noel Thomas, Taylor Iman Jones and the Bengsons for its annual benefit. Feb. 8; theatreforward.org

Clubbed Thumb’s Winterworks festival

This enterprising New York company is best known for Summerworks, a festival of new plays that has provided a launchpad for favorites like “What the Constitution Means to Me” and “Tumacho.” Now, Clubbed Thumb is opening up its developmental showcase, Winterworks, to a wider audience on platforms like YouTube, Instagram and Twitch. The shows open at regular intervals throughout February, with several livestreaming before going on-demand for a limited time. The programming is director-driven, so there should be some interesting innovations. In “Kyk hoe Skyn die Son [Look at How the Sun Shines],” for example, Keenan Tyler Oliphant writes a letter live and on-screen, while artists reimagine his memories. Other participants include Leonie Bell and Michaela Escarcega. clubbedthumb.org

Technology and its discontents

The Studios of Key West has wrangled quite the cast for Drew Larimore’s new play, “Smithtown,” which deals with the impact of technology on our lives and is made up of four interconnected monologues, read by Michael Urie, Ann Harada, Colby Lewis and Constance Shulman. Feb. 13-27; tskw.org

Tech is integrated into the very fabric of Theater Mu’s multicamera capture of “Today Is My Birthday,” by Susan Soon He Stanton, a staff writer on the HBO hit “Succession.” This Twin Cities company focuses on the Asian-American experience. And Stanton’s narratively inventive play, about a young journalist (Katie Bradley) who has fled New York to return home to Hawaii, is told through phone calls, voice mail messages and even intercom. Feb. 6-21; theatermu.org