The filmmaker Reid Davenport raises thorny questions about how the option of medically assisted death is presented to disabled people.
Near the end of his feature debut, the self-shot “I Didn’t See You There” (2022), the director Reid Davenport expresses a wish: “I hope this is my last personal film,” he says. But “Life After,” his new documentary, couldn’t be anything but.
Davenport starts with a hook: What happened to Elizabeth Bouvia, who, beginning in 1983, was the subject of a highly publicized legal battle in California? Bouvia, who had cerebral palsy, as Davenport does, had sought to starve herself to death with medical supervision — something the courts initially did not allow.
Forty years later, Davenport can find no record of her death. Is she still alive? Has her perspective changed? His investigation is fueled in part by parallels he sees in his life. When he and his producer, Colleen Cassingham, locate Bouvia’s sisters, they learn that her trajectory was more complicated than the news media’s framing revealed.
But “Life After” also dives into broader questions about the legalization of medical assistance in death. The director makes clear that he does not oppose that choice, but he is concerned that messages of rejection from society and the economics of long-term care might push disabled people toward that end. He casts a particularly harsh spotlight on Canada’s commercialization of this issue. (“Don’t miss out on your chance to have an assisted death,” says a video that he and Cassingham watch that urges viewers to make arrangements early.) Davenport, upon learning he would qualify for assisted suicide if he lived in Canada, wonders if he would see his life differently if he didn’t have such positive support from family and friends. He has felt alienated at times, but so have many people, yet only those with disabilities are subtly encouraged to consider a state-sanctioned demise.
“Life After” doesn’t equivocate; neither does it offer easy answers. It tackles a thorny topic in a challenging way, with the tenderness, complexity and — notwithstanding Davenport’s earlier wish — the personal perspective it deserves.
Life After
Not rated. Running time: 1 hour 39 minutes. In theaters.
Source: Movies - nytimes.com
