Eliana Willis

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    How Kara Young, a Tony-Winning Actress, Spends Her Sundays

    Kara Young spends a rare day off brunching with her family in Harlem and popping into beauty supply stores along 125th Street.Many actors have to leave their support systems behind when they set out to follow their Broadway dreams.But Kara Young, a Tony Award-winning actress who grew up on the west side of Harlem — and lives just three blocks from where she was born — has been able to share her success with the community that raised her.Ms. Young, whose parents immigrated from Belize, attended elementary school and high school in Spanish Harlem, the neighborhood on the east side of Manhattan known for its Puerto Rican culture. “It’s a super beautiful community,” she said.“But at the same time,” she added, “I recognize that I’ve been privileged to be able to stay in the community I grew up in. Gentrification is real.”It was at the 92nd Street Y, she said, that she first became hooked on theater. Her older brother, Klay, was taking a mime class as part of an after-school program — and a 5-year-old Ms. Young knew she wanted in.Soon she was performing with the other students around Manhattan, and “that set off my imagination,” she said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Jimmy Fallon Makes His Broadway Debut in “All In”

    The “Tonight Show” host is performing in the new comedy “All In,” which features a starry cast. “It’s a dream,” he said.Four days a week, Jimmy Fallon performs for a TV audience of millions of people as the host of NBC’s “The Tonight Show.” But stepping onto the stage of the Hudson Theater in front of about 1,000 theatergoers made him nervous in a whole new way.“When you have too much time to think about it, you overthink it,” Fallon said after making his Broadway debut in “All In: Comedy About Love” on Tuesday night. “It’s exhilarating, it’s exciting and it’s exhausting,” he added, in a post-performance interview in his dressing room. “Even though I don’t really even do much.”Fallon, backstage with one of his co-stars, Lin-Manuel Miranda.Graham Dickie/The New York Times“All In,” short comedic segments based on stories written by Simon Rich and directed by Alex Timbers, features a rotating cast of brand-name actors who tend to hold scripts since they don’t have much time to rehearse.Fallon, 50, who on Tuesday night shared the stage with Lin-Manuel Miranda, Aidy Bryant and Nick Kroll (plus a band led by the married couple the Bengsons), will only appear for eight performances. But it still amounts to his Broadway debut. Which is a big deal for a kid from Saugerties, N.Y., who grew up captivated by the Tony Awards on television — and the Milford Plaza Hotel’s “Lulla-BUY of Broadway” commercials.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Putting His Father’s Final Words Onstage, With a Little Ambivalence

    The Portuguese director Tiago Rodrigues’s latest show, “No Yogurt for the Dead,” is based on his dying father’s scribbles but resists sharing much emotion.A terminally ill writer goes into the hospital. Aware that it will be his final stay, he holds onto a notebook, declaring to his family that he is working on his last article.When his son opens the notebook in the wake of the writer’s death, however, all he finds are illegible scribbles and a mysterious title: “The Dead Don’t Eat Yogurt.”When the son in this story is the renowned director and playwright Tiago Rodrigues, there is a good chance the notebook will still end up becoming art. His father, the Portuguese journalist Rogério Rodrigues, apparently knew it, too. In “No Yogurt for the Dead,” which premiered Thursday at the Belgian playhouse NTGent ahead of a European tour, he tells his son: “No one could ever tell you anything interesting about anything at all without it ending up in one of your plays.”Rodrigues, who has been the director of France’s Avignon Festival since 2022, has a knack for turning intimate stories into stirring theater. One of his longest-running productions, “By Heart” (2013), pays tribute to his grandmother by teaching audience members a poem; in recent years, he has also explored the real-life struggles of others, as with the humanitarian workers of “Insofar as the Impossible.”“No Yogurt for the Dead” is the sixth installment in NTGent’s “History(ies) of Theater” series, which was started in 2018 by Milo Rau, then the director of the playhouse. Rodrigues’s play leans much further into autofiction than his work typically does, yet feels somewhat ambivalent about it. In a short introduction, with the house lights still on, the Belgian actress Lisah Adeaga, who plays a nurse, explains that “the writer of this play” — as she refers to Rodrigues — opted to “imagine” what his father’s final article might have been like.Throughout the show, Brás, left, and Manuela Azevedo swap beards, and the roles of son and father: Shortbeard and Longbeard.Michiel DevijverWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    HBO Ends Partnership With ‘Sesame Street’

    The venerable children’s series must find a new home after about a decade on HBO and its streaming service, Max. Old episodes will be available through 2027.“Sesame Street” is relocating.Sesame Workshop, the nonprofit company that makes the venerable children’s educational program, is looking for a new distribution partner after Warner Bros. Discovery decided not to renew its agreement to air new episodes of the show on HBO and its streaming platform, Max.Max said the decision was part of a broader corporate shift away from children’s programming. The 55th season of “Sesame Street” — featuring Big Bird, Elmo, Cookie Monster and other colorful Muppets — will be the last to arrive on Max, in January. Old episodes will remain available through 2027.“Based on consumer usage and feedback, we’ve had to prioritize our focus on stories for adults and families,” a Max spokesman said. “And so new episodes from ‘Sesame Street,’ at this time, are not as core to our strategy.”Sesame Workshop partnered with HBO in 2015, granting the premium cable outlet a nine-month window of exclusivity for new episodes. Under the agreement, the episodes were later broadcast for free on PBS, which has aired “Sesame Street” since 1970.The deal provided a significant cash infusion for Sesame Workshop, which expanded its production schedule to 35 episodes a year from 18. It is unclear which platform might pick up the series, but contenders could include Apple TV+ (which aired three seasons of “Helpsters,” another Sesame Workshop children’s series), Netflix and Amazon.“We will continue to invest in our best-in-class programming and look forward to announcing our new distribution plans in the coming months,” a spokesman for Sesame Workshop said in a statement.Sesame Workshop and HBO have been accused of contributing to inequality by allowing families who can afford premium cable to get new episodes of the show before others. In 2022, nearly 200 episodes of the show were pulled from Max.“HBO is holding hostage underprivileged families from having access to timely first-run episodes of perhaps the single most educational children’s franchise in the history of electronic media,” Tim Winter, who was then the president of the Parents Television Council, said in a statement in 2019. More

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    Chappell Roan, Kai Cenat, Shannon Sharpe Are Among Our Breakout Stars of 2024

    Audacious, original and wielding a clear vision, the stars who rose to the top in 2024 pushed boundaries and took bold, even risky, choices. Here are 10 artists who shook up their scenes and resonated with fans this year.Pop MusicChappell RoanIt’s almost incomprehensible to think that last year, Chappell Roan still had time to work as a camp counselor.It’s not that she hadn’t been pursuing pop. Her debut album, “The Rise and Fall of a Midwest Princess,” was released in 2023. One of its now-hit singles “Pink Pony Club” was released back in 2020.But it was this year that all the pieces coalesced: Her album hit No. 2 on the Billboard 200 album chart and No. 1 in album sales; her extravagant drag-inspired persona, 1980s-influenced pop sound, soaring vocals and edgy performances have become wildly viral; she outgrew her tour plans; and her dance-along anthem “Hot to Go!” was even featured in a Target ad and played at sporting events.All the while, her lyrics tackle queer issues frankly. Her track “Good Luck, Babe!” — about a relationship between two women that collapses because one is, as Roan has put it, “denying fate” — was one of the biggest hits of the summer.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘Virgin River,’ ‘Laid’ and More: What to Watch on TV This Week

    Watch how “The Ultimatum,” “Laid” and “Virgin River” test relationships in different ways. Get into the holiday spirit with Josh Groban.Between streaming and cable, there is a seemingly endless variety of things to watch. Here is a selection of TV shows and specials that air or stream this week, Dec. 16 to Dec. 22. Details and times are subject to change.Roses are red, violets are blue. What if I don’t want to marry you?Instead of couples counseling, some people use the reality show “The Ultimatum” as an outlet to tell their partners what aspects of their relationship they aren’t happy with. The process is really anything but simple: one person in the relationship issues the other an ultimatum — they either need to get married or break up. From there, they separate, start canoodling with other people and choose a different match to start a “trial marriage.” After that, they either reassess their original decision or stick to it. Though it is by no stretch of the imagination a successful model for solving relationship problems, it does make for great television. The finale is airing this week, and the whole season will be available to binge-watch. Streaming Wednesday on Netflix.In most romantic comedies, before committing to love, the heroine has to ask herself, “Am I the one causing the problems?” In “Laid,” Ruby (Stephanie Hsu) finds herself asking that question but for a different reason: She discovers that the people she slept with are dying in odd and unclear ways. And now she must track down her past lovers to stop the mysterious cycle. Cue Taylor Swift: “It’s me, hi, I’m the problem, it’s me.” Streaming on Peacock on Thursday.From left: Nicola Cavendish, Gwynyth Walsh, Christina Jastrzembska, Teryl Rothery and Zibby Allen in “Virgin River.”NetflixAfter five long seasons of rooting for Mel (Alexandra Breckenridge) and Jack (Martin Henderson), the time is finally here. The sixth season of “Virgin River” will follow all the pre-wedding festivities for the happy couple, including the bachelor and bachelorette parties and the rehearsal dinner. But as Mel and Jack are settling down, it just means that everyone else’s love lives are getting more topsy-turvy. Streaming on Netflix on Thursday.Light up the Christmas tree and turn on the amp’Tis the season to watch Gracie Abrams, SZA and Benson Boone sing their hits in a holiday-themed show. For the 10th year, iHeart Radio Jingle Ball tour has been making its way around the country and bringing a special to TV so you can join in on the fun at home. Wednesday at 8 p.m. on ABC.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Tales of Messy Romances, Plus 6 Things to Watch on TV This Week

    Watch how “The Ultimatum,” “Laid” and “Virgin River” test relationships in different ways. Get into the holiday spirit with Josh Groban.Between streaming and cable, there is a seemingly endless variety of things to watch. Here is a selection of TV shows and specials that air or stream this week, Dec. 16 to Dec. 22. Details and times are subject to change.Roses are red, violets are blue. What if I don’t want to marry you?Instead of couples counseling, some people use the reality show “The Ultimatum” as an outlet to tell their partners what aspects of their relationship they aren’t happy with. The process is really anything but simple: one person in the relationship issues the other an ultimatum — they either need to get married or break up. From there, they separate, start canoodling with other people and choose a different match to start a “trial marriage.” After that, they either reassess their original decision or stick to it. Though it is by no stretch of the imagination a successful model for solving relationship problems, it does make for great television. The finale is airing this week, and the whole season will be available to binge-watch. Streaming Wednesday on Netflix.In most romantic comedies, before committing to love, the heroine has to ask herself, “Am I the one causing the problems?” In “Laid,” Ruby (Stephanie Hsu) finds herself asking that question but for a different reason: She discovers that the people she slept with are dying in odd and unclear ways. And now she must track down her past lovers to stop the mysterious cycle. Cue Taylor Swift: “It’s me, hi, I’m the problem, it’s me.” Streaming on Peacock on Thursday.From left: Nicola Cavendish, Gwynyth Walsh, Christina Jastrzembska, Teryl Rothery and Zibby Allen in “Virgin River.”NetflixAfter five long seasons of rooting for Mel (Alexandra Breckenridge) and Jack (Martin Henderson), the time is finally here. The sixth season of “Virgin River” will follow all the pre-wedding festivities for the happy couple, including the bachelor and bachelorette parties and the rehearsal dinner. But as Mel and Jack are settling down, it just means that everyone else’s love lives are getting more topsy-turvy. Streaming on Netflix on Thursday.Light up the Christmas tree and turn on the amp’Tis the season to watch Gracie Abrams, SZA and Benson Boone sing their hits in a holiday-themed show. For the 10th year, iHeart Radio Jingle Ball tour has been making its way around the country and bringing a special to TV so you can join in on the fun at home. Wednesday at 8 p.m. on ABC.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘Dune: Prophecy’ Season 1, Episode 5 Recap: Mother Inferior

    A sister with history shows up at the emperor’s palace. Not everyone is pleased. Nor should everyone be.Season 1, Episode 5: ‘In Blood, Truth’It is a time of revelations. In this week’s episode of “Dune: Prophecy,” character after character learns some shattering truth about another — or the audience is clued in to something previously unknown about a familiar face. It’s about time, too. In a show this focused on plot and lore, at times to its dramatic detriment, the characters involved in both deserve a real turn in the spotlight.The first mystery to be solved is the question of Constantine Corrino’s parentage. As the emperor’s son from outside his marriage, he enjoys a privileged place at court but not his father’s respect. Only his sister, Princess Ynez, recognizes his potential; after all, as a child, he volunteered to come with her when she was kidnapped by rebels, just to protect her. That shows some mettle.Clearly, he got it from his mother. This turns out to be a member of Valya and Tula’s inner circle from their rebellious youth, Sister Francesca (now played as an adult by Tabu). Having traveled to the imperial capital on Mother Superior Valya’s request, she seeks to shore up Constantine’s position by maneuvering him into commanding the emperor’s fleet. Sure, he is wildly underqualified, but when has that ever stopped an autocrat from saying, “You’re hired”?Meanwhile, the imperial sword master and undercover rebel agent, Kieran Atreides, narrowly escapes discovery by Desmond and his crack forces. During a sweep of the city’s underworld, they storm the nightclub owned by Kieran’s Fremen ally from Arrakis, Mikaela, for being a known rebel hot spot. It’s a move the rebels have been waiting for: Mother Superior Valya, the real authority to whom Sister Mikaela answers, has instructed her to booby-trap the place with explosives. Mikaela and Kieran escape and blow the place sky high … but Desmond survives. Rather conveniently, he also finds Mikaela’s Sisterhood robe, proving a link between the sisters and the rebels.There’s still the pesky problem of Emperor Javicco and his disrespect for Constantine to resolve. Even as Francesca reluctantly — or “reluctantly”? — rekindles her romance with the emperor, Constantine lucks into discovering Kieran’s involvement in last week’s rebel plot to blow up the palace. Whether this is because of unseen meddling by Francesca or because of ludicrously poor operational security by Kieran is unclear, but as with Desmond’s discovery of Mikaela’s robe, pivotal evidence falls right into key characters’ hands with some dubious regularity on this show.Regardless, Kieran is carted off to the suspensor cells, and Constantine gets his big promotion. That this only drives his sister, Ynez, closer to her Atreides lover is beside the point.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More