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    ‘Spirited Away’ Review: Impressed, but Not Transported

    A stage production of the beloved Studio Ghibli movie is big on spectacle, but rarely grabs the heart.There’s big, and then there’s “Spirited Away,” a show on a scale that few theater productions attempt.Adapted from the venerated Studio Ghibli film by Hayao Miyazaki, the British director John Caird’s stage iteration was first seen in Miyazaki’s native Japan in 2022 and has now traveled to the London Coliseum — the West End’s largest theater — where it runs through Aug. 24.Performed in Japanese, with many of the original cast members along for its British premiere, the production has size, sweep and opulence to spare. Length, too: At just over three hours, the stage version runs nearly an hour longer than the film. I can’t remember a foreign-language production given such a long run on a London stage — which itself speaks to the international cachet of this title.What’s missing, though, is human connection. The story of “Spirited Away” gets lost amid the spectacle, and, exciting though it is to watch, the show rarely grabs the heart.The show arrived in London after a run in Japan in 2022.Johan PerssonBoth the stage and screen versions introduce so many characters that you sometimes need a road map to keep track. Aficionados of the material will note the brilliance with which characters are brought to three-dimensional life by the genius puppet designer, Toby Olié, and his hard-working team.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Five Places to Visit in Toronto, With Eugene Levy

    As you might guess from the title of Eugene Levy’s latest series — “The Reluctant Traveler” — he’s a guy who’s happy to stay put.The show, now in its second season on Apple TV, follows Mr. Levy, a 77-year-old comedy legend known for his roles in “Waiting for Guffman,” “American Pie,” “Schitt’s Creek” and more, as he defies his anxieties about airports, heights, temperatures, textures and vast swaths of the animal kingdom. With great consternation, he leaves his comfort zone — Canada, as he often reminds viewers — to shadow an expert moose caller in Sweden, herd 600 sheep through a German resort town and politely avoid an octopus aboard a Greek trawler.Mr. Levy, 77, was raised in Hamilton, Ontario, about 40 miles from Toronto, but has called Toronto home since he got his big break in a 1972 theater production of “Godspell.”Heather Sten for The New York TimesRaised in Hamilton, Ontario, about 40 miles southwest of Toronto, Mr. Levy got his big break in 1972 alongside Martin Short, Gilda Radner, Victor Garber, Andrea Martin and Paul Shaffer in a celebrated production of “Godspell” at Toronto’s Royal Alexandra Theater. He has since called the city — and one historic, leafy neighborhood — home.“Rosedale is a residential area that is right in the heart of Toronto,” he told me over coffee at Tavern on the Green, in New York, where he’d joined the cast of the fourth season of “Only Murders in the Building.” With new skyscrapers going up “a mile a minute” in Toronto, he said, the scene from our table in Central Park looked a little like his view from Rosedale. He and his wife, Deborah Divine, are neighborhood loyalists — Avant Goût, a local bistro, has been their go-to for decades — but spots in other areas rank high, too.Here are five of Mr. Levy’s favorite places in Toronto.Terroni Bar Centrale is in Summerhill, a neighborhood bordering Rosedale, where Mr. Levy and his wife, Deborah Divine, live.Eugen Sakhnenko for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Late Night Reacts to the Worm in R.F.K. Jr.’s Brain

    “This explains everything, and nothing,” Stephen Colbert said about the presidential hopeful’s newly reported parasite.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Food for ThoughtThe presidential hopeful Robert F. Kennedy Jr. said during a 2012 deposition that doctors told him a parasite had eaten part of his brain.“This explains everything, and nothing,” Stephen Colbert said on Wednesday.“I just want to say to any R.F.K. Jr. fans who might be watching, do not despair. Just because he has sworn in a deposition that he has parasitic brain damage doesn’t mean he’s going to drop out, because Bobby Kennedy Jr. does not know the meaning of the word ‘quit’ — ’cause that information was in the part of the brain that the worm ate.” — STEPHEN COLBERT“His family’s like, ‘It is true, but it still doesn’t explain why he’s like that.’” — JIMMY FALLON“And this is strange: Instead of using dewormer, he injected himself with a Covid vaccine.” — JIMMY FALLON“Apparently, the worm was giving him all his ideas, like in ‘Ratatouille.’” — JIMMY FALLON“I don’t know what’s worse — that R.F.K. Jr. had a worm that was eating his brain or that his brain is so poisoned that it killed the worm.” — JORDAN KLEPPER“Cause of death: starvation.” — STEPHEN COLBERT“For a guy who seems to believe doctors are con artists trying to scam you into getting a vaccine, he sure did get to one fast when a worm started eating his brain.” — JIMMY KIMMEL“The inside of his head is basically the movie ‘Dune,’ but you should definitely vote for him.” — JIMMY KIMMEL“The New York Times today published a report on independent presidential candidate Robert F. Kennedy Jr.’s health issues, including a dead worm in his brain. Or as that’s known in Libertarian circles, a running mate.” — SETH MEYERSThe Punchiest Punchlines (Kristi Noem’s Press Tour Edition)“Former President Trump said that South Dakota governor Kristi Noem has had a ‘rough couple of days.’ Said Noem, ‘Who said ‘ruff’?” — SETH MEYERS“Yeah, she needs more bad press like she needs a hole in her dog.” — SETH MEYERSWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘Bodkin’ Review: Crime in a Small Town? Send in the Podcasters

    This Netflix series is about a true-crime podcast but plays more like a mopey murder show.There are worse shows to imitate than “Only Murders in the Building,” and perhaps “Bodkin,” premiering Thursday on Netflix, would be better if it had tried. It too is about the creation of a true-crime podcast, set in an enclave where quirky conflicts simmer for decades. It too pokes fun at the inanity of some podcasts, and it tries to weave a comedic pep into its pathos.But “Bodkin,” created by Jez Scharf and executive produced by Barack and Michelle Obama, among others, takes more inspiration from mopey foreign murder shows. It has that common pervasive dampness along with plenty of clannish townspeople who resent these nosy Nellies poking around where they have no business. None! [Cue the jangling of the bells hung above the doorway in a quaint shop.]Yes, there is a spooky local festival, and yes, the town’s top pastime is keeping dark secrets. No one asks direct questions, nor can anyone speak for long without drifting into a dreamy parable. The show is set in the present day, but the surroundings feel ancient.Our town here is Bodkin, a (fictional) Irish village where years ago, during the annual celebration of Samhain (a Gaelic proto-Halloween), three people disappeared. Now our podcasters are on the case: Gilbert (Will Forte), a mostly cheery American with some successful podcasts under his belt; Dove (Siobhan Cullen), a Dublin-raised, London-based reporter who perceives this assignment as a banishment; and Emmy (Robyn Cara), the eager research assistant who tolerates their shabby treatment. Gilbert is vaguely dopey but ingratiating. Dove is so sour she could pickle a sociopath. To the show’s credit, at least they do not hook up with each other.Dove says that true-crime stories aren’t real journalism, and while we’re led to believe she is an ace reporter, she seems unfamiliar with one of the core aspects of news gathering: earning the trust of potential sources. She is surly and rude to nearly everyone she meets. She breaks into a library after hours just because she’s impatient. Back in London, she had promised to protect a whistle-blower’s identity, but his name leaked somehow, and he later killed himself. This arc never fully meshes with the rest of the show, and it plays out mostly in terse phone calls. But everything with Dove is so one-note, it’s hard to see the specifics of her disrespect. Similarly, Gilbert’s money trouble and failing marriage — more phone calls — feel like tacked-on inventions rather than enriching character depth.Will there ever be a show in which a female journalist doesn’t sleep with a source or subject? The search continues. Emmy falls for the local tech wunderkind and Dove for the sharp funeral director. Gilbert too becomes awfully enmeshed, befriending Seamus (David Wilmot), a local fisherman with a, yes, fishy past. Forte and Wilmot have the most interesting chemistry in the show: Gilbert is eager for good sound bites and Seamus loves to pontificate, but their deeper purposes are at odds. Neither can fully mask his prickly distrust, but both are desperate for the connection anyway. It’s a dangerous, fruitful combo.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Jimmy Kimmel Wants the Dirty Details From Stormy Daniels

    The host disagreed with a judge who said Daniels could skip some of the specifics of her encounter with Donald Trump. “Some of us are trying to host a show here, OK?”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.A Stormy Day in CourtStormy Daniels took the stand to testify in former President Donald Trump’s criminal trial on Tuesday. Jimmy Kimmel called it “a very Stormy day for everyone’s favorite former president.”“The prosecution today called their star witness — their porn star witness.” — JIMMY KIMMEL“Stormy Daniels took the stand this morning and, for Donald, I can only imagine, the nervous farting was off the charts.” — JIMMY KIMMEL“Even the judge was pumped. He was like, ‘Please welcome to the stand, Stormy Daniels!’” — JIMMY FALLON“The judge said Stormy could testify about her sexual relationship with Trump, but also said, ‘We don’t need to know the details.’ And see, now that’s where I have to object. Yes, we do need to know the details. Some of us are trying to host a show here, OK?” — JIMMY KIMMEL“Ahead of Stormy Daniels’s testimony today in former President Trump’s criminal hush-money trial, one of the prosecutors told Judge Juan Merchan that Daniels will not describe Trump’s genitalia because it would violate the gag order.” — SETH MEYERS“She said they had sex in the missionary position, and that Trump told her she reminded him of his daughter. Feels like we should lock him up just for that, right?” — JIMMY KIMMEL“During former President Trump’s criminal hush-money trial, adult film star Stormy Daniels testified that she and Trump had sex ‘in missionary position.’ ‘Don’t even think about it!’ shouted Judge Merchan to the sketch artist.” — SETH MEYERSThe Punchiest Punchlines (Honeybunch Edition)“Adult film star Stormy Daniels testified today in former President Trump’s criminal hush-money trial. So Trump technically slept with her again.” — SETH MEYERS, referring to reports of Trump falling asleep during the trial“During former President Trump’s criminal hush-money trial, adult film star Stormy Daniels testified that she spanked Trump with a rolled-up magazine that had his face on the cover. And I think it’s weird that the hotel even had a copy of ‘Bankruptcy Aficionado.’” — SETH MEYERSWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Ian Gelder, ‘Game of Thrones’ Actor, Dies at 74

    He played Kevan Lannister, the brother of feared patriarch Tywin, and was diagnosed with bile duct cancer five months ago.Ian Gelder, the British actor who capped his half-century career by appearing in the hit series “Game of Thrones” as Kevan Lannister, brother of feared patriarch Tywin Lannister, died on Monday. He was 74.His death was announced by his husband, fellow actor Ben Daniels, who said in a social media post that Mr. Gelder had been diagnosed with bile duct cancer in December. Mr. Gelder’s agent, Daniel Albert, also confirmed his death.Over a 50-year career in television, film and theater, Mr. Gelder appeared in the beloved British sci-fi show “Doctor Who” and its spinoff “Torchwood,” as well as in a television adaptation of “His Dark Materials,” the trilogy of fantasy novels by Philip Pullman.He appeared in 12 episodes of “Game of Thrones” as Kevan Lannister, starting in the first season when his character was a military adviser for his older brother, Tywin, as the House Lannister battled House Stark.He reprised the role in the fifth season as a player in the power struggle that resulted from Tywin’s death. Kevan Lannister was killed off at the end of the sixth season alongside many other characters when Cersei Lannister blew up the Sept of Baelor.Born June 3, 1949, Mr. Gelder began appearing in television shows in the 1970s, including “New Scotland Yard” and “Edward the King.” He also starred in theater productions such as “Gods and Monsters” and “Titus Andronicus” at London’s Globe Theater.He and Mr. Daniels started dating in 1993, when they were both cast in the play “Entertaining Mr. Sloane,” according to IMDb. Mr. Daniels appeared in “The Crown” and a 2016 television adaptation of “The Exorcist.”Information about Mr. Gelder’s survivors was not immediately available.His final TV appearance was this year, on an episode of “Father Brown.” More

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    The Tony Nominee Starring in Alicia Keys’s ‘Hell’s Kitchen’ on Broadway

    Maleah Joi Moon almost gave up on theater. Now, in her first professional role, the “Hell’s Kitchen” star is a Tony nominee.Maleah Joi Moon has come a long way in a short time.Just a few years ago, she was a theater kid in suburban New Jersey, listening to her dad’s Alicia Keys records, starring in a high school production of “Rent,” waiting outside a Broadway stage door hoping to meet the cast of “Waitress.”Now, at 21, she’s a Tony nominee for her Broadway debut as the star of the new Alicia Keys musical, “Hell’s Kitchen,” which opened last month. That means she is working alongside the people she had just been fangirling — getting vocal advice and the occasional breakfast with Keys; honing her acting instincts with the show’s director, Michael Greif, who directed “Rent” 28 years ago; and learning to manage an eight-show week from Shoshana Bean, the actress she stage-doored in “Waitress,” who has taken Moon under her wing while portraying her mother.Moon’s confident performance — smoky voice, headstrong attitude, gestural dance moves — has caught the attention of critics. “Sensational,” Elisabeth Vincentelli declared in The New York Times. For Vulture, Jackson McHenry called her both “a great discovery” and “a virtuoso.” And Adam Feldman of Time Out went for wordplay: “With apologies to astronomers: Moon is a star.”“It’s surreal and it’s ridiculous and crazy and insane and all the things,” Moon told me as we stood in Shubert Alley, just under a digital marquee featuring her atop a piano, not far from the stage door where she now signs autographs for her own fans. “But my inner child — the one that wanted to be Nala on Broadway — is like, this is aligned. It’s divine alignment. I wouldn’t be here if it wasn’t meant.”Moon is dancing a delicate dance in “Hell’s Kitchen,” sort of playing Alicia Keys and sort of not. The show is about a few formative months in the life of Ali, a 17-year-old girl chafing under her mother’s vigilance, hooking up with a street musician and discovering a gift for piano. It is a fictionalized remix of Keys’s own childhood chapters, but it is partly Moon too — she has been with the show through developmental workshops and an Off Broadway production, and her personality and physicality, as well as her very recent adolescence, inform those of her character.“Hell’s Kitchen,” a semi-autobiographical Alicia Keys musical, was nominated for 13 Tony Awards.Sara Krulwich/The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Robert Downey Jr. to Make Broadway Debut in Ayad Akhtar Play

    The Oscar-winning actor will star as an A.I.-curious author in “McNeal,” starting performances in September at Lincoln Center Theater.Robert Downey Jr., who earlier this year won an Academy Award, will make his Broadway debut this fall in “McNeal,” a new drama by the Pulitzer-winning playwright Ayad Akhtar.The play is about a gifted novelist with a difficult family life and a potentially problematic interest in artificial intelligence. Downey will play the writer.The production is being staged by Lincoln Center Theater, one of four nonprofits with Broadway houses, at its Vivian Beaumont Theater. Previews are to begin Sept. 5, and the opening is scheduled for Sept. 30.“McNeal” will be directed by Bartlett Sher, a resident director at Lincoln Center Theater and a Tony winner for “South Pacific.”Downey, 59, has been a prolific and enormously successful film actor, overcoming significant challenges (he had a long battle with substance abuse and served time in prison on drug charges). He has built a career that has been lucrative (he starred as Iron Man in multiple Marvel movies) and acclaimed (he won the Oscar for best supporting actor for a widely praised performance as Lewis Strauss, a government official, in “Oppenheimer”).His stage experience is limited — his one Off Broadway credit, “American Passion,” opened and closed on the same date in 1983 — and he said in a statement, “It’s been 40 years since I was last on ‘the boards,’ but hopefully I’ll knock the dust off quick.”Akhtar is a playwright and a novelist with an appetite for complex and thorny subjects whose previous plays have explored finance and Islam. He has had a long relationship with Lincoln Center Theater, which first produced his Pulitzer-winning play, “Disgraced,” on its Off Off Broadway stage, and also presented his plays “The Who & The What” Off Off Broadway and “Junk” on Broadway.Akhtar is also working on a musical: He is one of the book writers for a stage adaptation of the film “La La Land” that is now in development. More