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      ‘The Rehearsal’ Is an Awkward, Dazzling Ride

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      For Season 2, Nathan Fielder’s focus is commercial airline safety, hardly a typical topic for comedy. But his approach is never typical.The first season of HBO’s “The Rehearsal,” which aired in 2022, was an entrancing experiment. Created by and starring the comedian Nathan Fielder, the show began with a relatively simple but absurd premise: What if you could rehearse for events in your everyday life — like, for instance, having a difficult conversation with a friend? Eventually, the experiment turned into a large-scale simulation in which Fielder “rehearsed” raising a kid, a feat that, because of child labor rules and an accelerated timeline, involved a rotating cast of child actors.The second season premieres on Sunday, anticipated by the question: How is Fielder is going to top that first brilliantly uncomfortable season? His answer is to turn his attention to the world of commercial airline safety, and what results is both sidesplitting and one of the most stressful television watching experiences in recent memory.The season revolves around Fielder’s personal research into the causes of aviation disasters — a premise he admits isn’t particularly ripe for a comedy. (“So far, I was failing,” he narrates in what is perhaps the show’s first joke. “We were over 10 minutes into this episode with zero laughs.”) He has concluded that a primary cause of crashes is a lack of communication in the cockpit, where the second-in-command feels too intimidated to press his or her concerns with the captain.Fielder’s solution? Getting the pilots to open up through his rehearsal methods involving professional actors. But in Fielder’s universe, nothing is that straightforward.Working with real pilots and building a full-size replica of a Houston airport terminal, Fielder takes bizarrely hilarious detours. One involves a singing competition called “Wings of Voice.” Another uses oversize puppets to examine the life of the “Miracle on the Hudson” pilot Chesley Sullenberger.Fielder’s life-or-death subject is distressingly topical, but “The Rehearsal” is interested in more than aviation. It is a study of human behavior and the masks people wear, investigating the psychology not only of the pilots but also of the actors Fielder employs and, ultimately, of Fielder himself.Fielder draws from his own life more than ever — including in references to his other shows “Nathan for You” and “The Curse” — all while keeping the audience guessing about how much of what he is showing us is just a character. But his typically deadpan persona takes on new weight here. “The Rehearsal” remains one of the best comedies out there, but what’s at stake is no joke. More

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      Stephen Colbert Defends PBS and NPR Against Trump’s Defunding Plan

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      Colbert said both public media entities are “already operating on a shoestring budget — Daniel Tiger can’t even afford to wear pants.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.‘Bert and Ernie Have Wives Now’Earlier this week, the Trump administration announced plans to rescind $1.1 billion in federal funding from NPR and PBS.On Wednesday, Stephen Colbert worried that both public media entities are “already operating on a shoestring budget — Daniel Tiger can’t even afford to wear pants.”“And with the administration calling the shots, it could mean changes to public programming. So NPR fans, get ready for ‘Fresh Air’ to become ‘Cough Cough,’ and PBS fans can look forward to ‘Sesame Street: Bert and Ernie Have Wives Now.’” — STEPHEN COLBERT“The White House says PBS funding does not ‘align with the Trump administration’s priorities,’ including a PBS program from 2022 about a transgender woman who comes out to members of their bowling league in Ohio. OK, well I get that, ’cause America can’t be allowed to find out that trans people bowl. Because then, other trans bowlers might bowl as well, and if the bowling alleys allow — the pins are women, the pins clearly are women, and the balls are boys, if you use two balls, and then, and then, and then where do the fingers go? I’m not sure where that — and the bowling shoe spray turns my feet into women? I don’t … What would the problem be?” — STEPHEN COLBERTThe Punchiest Punchlines (Round Trip Edition)“So the plan, as I understand it, I’m sure we’ll get more details, is if you’re an undocumented immigrant, Trump wants you to go home, but if you’re good at home, he will get you back into the country. They will fly you out of the country and then bring you back. Who came up with this plan, Spirit Airlines?” — JIMMY KIMMEL“You know, usually when Trump offers an immigrant money and plane tickets to go away, it’s because he’s getting divorced. Melania is like, ‘Am I eligible for this?’” — JIMMY KIMMEL“[imitating Trump] I mean, what can we do? America is a gentle, passive giant that would never put pressure on a sovereign nation. Now, then, Denmark, suck on these tariffs and gimme-gimme Greenland.” — STEPHEN COLBERTWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      In ‘Your Friends & Neighbors,’ the Watches Steal the Show

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      “Your Friends & Neighbors” strives to comment on the vacuousness of wealth while simultaneously glorifying the spoils of being really, really rich.It appeared as if Jon Hamm were, once again, selling us something.Mr. Hamm, who has lent his assertive baritone to Mercedes-Benz ads, an American Airlines spot and a Super Bowl intro, was this time on television enumerating the merits of an expensive wristwatch. Only this time, it wasn’t for an ad. It was a scene from the first episode of “Your Friends & Neighbors,” by Apple TV+, a new soft satire of the financially fortunate.“The Patek Philippe Nautilus sealed 18-karat white-gold blue sunburst dial, water-resistant up to 30 meters,” Mr. Hamm intoned in voice-over, as graphics whizzed across the screen noting the watch’s 2.3-millimeter thickness and other wonky specs. Up flashed the price of this timepiece: $70,110 at retail, but around $169,000 on the resale market.In the show’s first episode, Andrew Cooper, a hedge fund titan who is played by Mr. Hamm and goes by the nickname Coop, finds himself unceremoniously out of a job. With a shriveling bank account and a money-burning lifestyle, he turns to robbing his well-off neighbors.His first target is the Patek. As Coop pulls the watch from a cubbyhole of similar timepieces, he treats viewers to a data-dense recap of what makes the watch so special — and, by extension, so worth stealing.“Like the ads say, you never actually own a Patek Philippe,” Mr. Hamm says in character. “You merely look after it for the next generation.”In the series, Mr. Hamm plays Andrew Cooper, a hedge fund titan who ends up stealing from friends after losing his job.Apple TV+We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Government Cheese’ Review: Moving on Up, to the Surreal Side

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      The comedy, starring David Oyelowo, straddles a border between the pioneering Black sitcoms of the 1970s and dreamy modern dramedies like “Lodge 49.”Hampton Chambers, the would-be patriarch played by David Oyelowo in the Apple TV+ series “Government Cheese,” bears some resemblance to a classic sitcom dad. He has moved on up, finding a home in a tidy San Fernando Valley suburb for his wife and two sons and striving to keep them there. He is obsessed with taking family photos. He cajoles his rebellious younger son into a weekend fishing trip at a nearby lake, with predictably comic results.But what distinguishes Hampton, and “Government Cheese,” are the ways in which he departs from the stereotype. The fishing trip is a cover for a nighttime burglary. The photos are exculpatory evidence. He owes a debt to a local criminal clan of seven thuggish French Canadian brothers. His George Jefferson cockiness is cracked by fissures of guilt, fear and regret; he pleads with Yahweh for forgiveness.That might make Hampton sound like a Walter White (“Breaking Bad”) or a Marty Byrde (“Ozark”), losing his way under pressure. But “Government Cheese,” which premiered on Tuesday with three of its 10 episodes, is indeed a comedy, if a barbed and mysterious one; it straddles a border between the pioneering Black sitcoms of the 1970s (it’s set in 1969) and the fable-like dramedies of the streaming era, particularly “Lodge 49,” a show it strongly evokes. (There is also some “Fargo” in it, at the darker end.)“Absurdism” and “surrealism” are the words Apple TV+ has applied most liberally in the show’s publicity materials. American comedy very rarely commits to these qualities, though. What “Government Cheese” really offers is something softer and more common: a mildly sardonic, artfully presented magical realism.Hampton is in prison for petty fraud when the show starts, about to be paroled. He comes home to find that his family has been hijacked by the ’60s. One son, Einstein (Evan Ellison), is a soft-spoken prodigy who sees his future in pole vaulting; the other, Harrison (Jahi Di’Allo Winston), is a budding radical who wears a Billy Jack hat and identifies with the Chumash people. Hampton’s wife, Astoria (Simone Missick), has a job and a man on the side, and sees her husband’s return as a threat to her tentative freedoms.Hampton’s hopes of proving himself and keeping his family together are pinned to a gizmo he invented in the prison machine shop, a self-sharpening drill. (It isn’t clear whether it actually works.) In his way are the comically violent Prévost brothers, as well as the everyday difficulties of being out of place, as an ex-con and a Black man, in both suburban Los Angeles and the aerospace industry. That’s why he reluctantly puts the drill to use as a safecracking tool, in league with his old friend Bootsy (a jovial Bokeem Woodbine).We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Olivia Munn’s 5 Favorite Places in Tokyo

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      The baronial manors, rolling lawns and private clubs in the fictional suburban backdrop of the new Apple TV+ series “Your Friends & Neighbors” bear little resemblance to the buzzing sidewalks, neon lights and hidden warrens of Tokyo. But for the actress Olivia Munn, who plays an outsider turned socialite on the show, her childhood years in the city helped inform the role.Ms. Munn, right, stars in the Apple TV+ series “Your Friends & Neighbors,” which premiered last week.Jessica Kourkounis/Apple TV+, via Associated PressAt age 8, Ms. Munn, now 44, moved from Oklahoma City, where she was born, to Yokota Air Base in Tokyo, along with her mom, then stepdad (an Air Force major) and four siblings. Suddenly, she was the odd kid out, “thrust into new worlds” where she became determined to find her place, she said in a recent video interview. “I really got good at observing people.”Over the better part of a decade, she explored the now Instagram-famous alleys of Omoide Yokocho, where packed, tiny restaurants served “the most amazing yakisoba”; teeming Harajuku, where “everyone dressed up like anime” on Sundays; the warren of games and gadgetry in the Akihabara electronics district, where she and her brother combed through the bins for Casio watches; and Mount Fuji, about 60 miles away but visible from the city’s high-rises, where she and her family twice hiked to the summit and were rewarded with steaming ramen and stunning views.Ms. Munn moved back to the United States at 16 and attended the University of Oklahoma before going on to a career that has included the HBO series “The Newsroom” and the superhero blockbuster “X-Men: Apocalypse.” Though she minored in Japanese, her language skills have slipped a bit, she said, but “it all comes back to me” with a little practice when she makes one of her regular trips back to Tokyo.Ms. Munn is married to the comedian John Mulaney, and they have two young children.Krista Schlueter for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Kids, Inc.

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      A pair of documentaries are calling attention to the dangers of child influencer content. But regulation can be difficult in an industry that blurs the line between work and home.The scenes leave a pit in your stomach. In Netflix’s “Bad Influence: The Dark Side of Kidfluencing,” two early teenagers are pressured to kiss by adults — a parent and a videographer — on camera. Hulu’s “The Devil in the Family: The Ruby Franke Story” shows the dramatic footage of Franke’s 12-year-old son showing up at a neighbor’s door with duct tape markings around his ankle, asking them to call police.The pair of documentaries, released this year, shine a light on the perils of child-centered online content. “Bad Influence” examines claims of abuse and exploitation made by 11 former members of the teen YouTube collective “The Squad” against Tiffany Smith — who ran the YouTube channel, which drew two million subscribers — and her former boyfriend Hunter Hill. Both denied the allegations, and the suit was settled for a reported $1.85 million last year.Ruby Franke, a mother of six, pleaded guilty to four counts of aggravated child abuse in 2023 after denying her children adequate food and water and isolating them as she built a family YouTube channel that amassed nearly 2.5 million subscribers before it was taken down. She will serve up to 30 years in prison.Concerns about the treatment of child entertainers have abounded since the days of Judy Garland and through last year’s “Quiet on Set: The Dark Side of Kids TV,” in which former Nickelodeon actors described performing under harmful and sexually inappropriate conditions. Less examined is the working world of child influencers, who are now speaking out about the harsh, unsafe or emotionally taxing constraints of being broadcast by their parents.Viewers may be tempted to ask, “Aren’t there laws against this?”“We have pretty documented evidence of the troubling pipeline for Hollywood and child actors, but we don’t have nearly similar numbers for child influencers, primarily because the phenomenon of influencing is so young,” said Chris McCarty, the founder and executive director of Quit Clicking Kids, an organization dedicated to stopping the monetization of minors. “A lot of the kids are too young to even really fully understand what’s going on, let alone, like, actually speak out about their experiences.”Child entertainer laws — which in some cases make provisions for minors’ education, set limits on working hours and stipulate that earnings be placed in a trust — regulate theatrical industries. The world of content creators, where an account with a sizable following can generate millions of dollars a year for creators, is largely unregulated.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Late Night Revels in Harvard’s Rejection of Trump’s Demand

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      “I don’t usually root for Harvard, because they’re Harvard. They’ve got everything. It’s like rooting for Jeff Bezos to win the lottery,” Ronny Chieng said on “The Daily Show.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.What, Like It’s Hard?On Monday, the Trump administration announced it would freeze $2.2 billion in multiyear grants to Harvard after the private university refused to implement requested changes to its hiring, admissions and curriculum.Ronny Chieng adopted a Boston accent on Tuesday’s “Daily Show” to express that Harvard was fighting back “wicked hard.”“We finally found a force more powerful than Trump’s hatred: Harvard’s love of sending rejection letters.” — RONNY CHIENG“Hey, Trump administration, now you’re just like the rest of us because you just got rejected by Harvard.” — STEPHEN COLBERT“And who better to determine what colleges should and should not be doing than the man who had to shell out $25 million in penalties for running a fraudulent university he named after himself?” — JIMMY KIMMEL“My money’s on Harvard. I grew up in the ’80s — I’ve seen ‘Revenge of the Nerds.’ I know who wins these things.” — JIMMY KIMMEL“But, look, I don’t usually root for Harvard, because they’re Harvard. They’ve got everything. It’s like rooting for Jeff Bezos to win the lottery.” — RONNY CHIENG“The only thing I’ll say in Donald Trump’s defense is that Matt Damon went to Harvard, so they obviously don’t care too much about merit.” — JIMMY KIMMELThe Punchiest Punchlines (Tax Day Edition)“So today’s Tax Day or, as Hunter Biden calls it, any other day of the week.” — GREG GUTFELD“If you’re watching this live, you have 20-ish minutes to get your taxes in before the deadline. And if you’re an IRS worker, you have recently been fired. I’m sorry about that.” — STEPHEN COLBERT“Folks, as I mentioned before, it’s Tax Day or, as billionaires call it, ‘What?’” — STEPHEN COLBERT“Does anyone even work at the IRS anymore? Do we even have to? Our IRS office downtown — they turned it into a Spirit Halloween store.” — JIMMY KIMMELThe Bits Worth WatchingThe actor Finn Wolfhard reflected with Colbert on 10 years of filming “Stranger Things” ahead of the Netflix show’s final season, on Tuesday’s “Late Show.”What We’re Excited About on Wednesday NightNo stranger to late night, David Letterman will appear on Wednesday’s “Everybody’s Live with John Mulaney.”Also, Check This OutThe bombing of a federal building in Oklahoma City, on April 19, 1995, remains the deadliest domestic terror attack in U.S. history.Jim Argo/USA Today NetworkThe National Geographic docuseries “Oklahoma City Bombing: One Day in America” recounts the experiences of individuals affected by the attack on the Alfred P. Murrah Federal Building 30 years ago. More

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      Wink Martindale, Popular and Durable Game Show Host, Dies at 91

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      He was involved in more than 20 game shows, most memorably as the host of “Gambit” and “Tic-Tac-Dough” in the 1970s and ’80s.Wink Martindale during a taping of the game show “Debt” in 1997.Nick Ut/Associated PressWink Martindale, a radio personality who became a television star as a dapper and affable host of game shows like “Gambit” and “Tic-Tac-Dough” in the 1970s and ’80s and “Debt” in the ’90s, died on Tuesday in Rancho Mirage, Calif. He was 91.Nashville Publicity Group, which represented him, announced his death in a statement.A veteran of the game show circuit, Mr. Martindale was involved in more than 20 shows, either as a producer or host.His first game show, in 1964, was “What’s This Song,” in which contestants paired with celebrities to identify tunes for cash prizes. The show was short-lived, as were many others he experimented with.“Gambit” was based on the card game blackjack, and “Tic-Tac-Dough” combined trivia with the classic puzzle game tic-tac-toe. In “Debt,” the prize was the main focus: Contestants would arrive with bills for credit cards, car payments or student loans, which would be paid off if they answered a series of questions correctly.As a vocalist, Mr. Martindale recorded about 20 single records and seven albums. His 1959 spoken-voice narrative recording, “Deck of Cards,” sold more than a million copies, earning him a gold record, a designation by the Recording Industry Association of America for records that sold 500,000 copies or more. “Deck of Cards” also brought him an appearance on the Ed Sullivan variety show, where he told the tale of a young American soldier in North Africa who is arrested and charged with playing cards during a church service.Mr. Martindale received a star on the Hollywood Walk of Fame in 2006 and was one of the first inductees into the American TV Game Show Hall of Fame in 2007.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More