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    Jeremy Allen White Wins His First Emmy for ‘The Bear’

    The year of “The Bear” continues. Jeremy Allen White, who last week won his second Golden Globe for his performance as the driven chef Carmy, added his first Emmy to his trophy case on Monday night, for best actor in a comedy. (Because this year’s ceremony was delayed by the writers’ and actors’ strikes, White was recognized for his performance in Season 1 of the show; his Golden Globe was for Season 2.)“I love this show so much,” White said in his acceptance speech. “It filled me up; it gave me a passion.”“Thank you to all those who have stayed close to me, especially in this past year,” he added. “Thank you for believing in me when I had trouble believing in myself.”In “The Bear,” White, 32, plays a former rising star of the New York culinary scene who inherits a sandwich shop in Chicago from his dead brother. He has earned widespread acclaim for his raw performance.His character was the emotional heart of the show’s first season, which became a surprise hit during the summer of 2022 despite its grubby milieu and the absence of A-listers in the cast. (Among the praise: its realistic depictions of restaurant work, grief and Chicago.)The series, an FX production for Hulu, was also nominated for best comedy and has already been renewed for a third season. In winning the best actor Emmy, White unseated Jason Sudeikis, who had earned back-to-back wins in the category for his performance in the first two seasons of the Apple TV+ comedy “Ted Lasso” and had been nominated again for that show’s third and final season. More

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    Emmy Winners: Updating List

    The list of winners for the 75th Emmy Awards.[Follow live updates of the Emmy Awards here.]The 75th Emmy Awards will be held at 8 p.m. Eastern on Monday, broadcast live on Fox and streamed live on Hulu + Live TV, YouTube TV, Sling TV and other services. (It will also be available to watch on Hulu beginning Tuesday.) Anthony Anderson, who has been nominated for numerous Emmys for his ABC sitcom “black-ish,” which ended in 2022, is hosting the show, which will be held at the Peacock Theater in Los Angeles.The ceremony, originally scheduled for September, was postponed because of the simultaneous Hollywood writers’ and actors’ strikes, one of the longest labor crises in the history of the entertainment industry. In September, the Writers Guild of America reached a deal with entertainment companies; SAG-AFTRA, the union representing tens of thousands of actors, followed suit, reaching a deal in November. Now the awards show will go on.If last week’s Golden Globes was any prediction of how the Emmys will go, the best comedy competition will be fierce — “Abbott Elementary,” “The Bear,” “Ted Lasso” and “Wednesday” are among the nominees — while HBO’s “Succession,” which earned 27 nods for its final season, is expected to dominate in the drama categories.Beyond “Succession,” HBO — which also scored nominations for “The White Lotus,” “The Last of Us” and “House of the Dragon” — has solidified itself as the network to beat. “The Last of Us” already won the most Creative Arts Emmys, which were given earlier this month, with eight awards; “The Bear,” “Wednesday” and “The White Lotus” all received four and “Succession” nabbed one. Also on Monday, the late-night category will see a winner other than John Oliver for the first time since 2015.The list below will be updated throughout Monday night’s ceremony.These are this year’s Emmy winners so far.Documentary or Nonfiction Series“The 1619 Project” (Hulu)Documentary or Nonfiction Special“Still: A Michael J. Fox Movie” (Apple TV+) More

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    Joyce Randolph, Last of the ‘Honeymooners,’ Is Dead at 99

    Joyce Randolph, who played Trixie Norton, the wife of a guffawing, rubber-limbed sewer worker forever mired in a blowhard neighbor’s get-rich-quick schemes and other hazards of life on the classic 1950s sitcom “The Honeymooners,” died on Saturday at her home in Manhattan. She was 99. Her son, Randy Charles, confirmed her death.She was the last survivor of a cast of four that dominated the Saturday night viewing habits of millions in the golden age of live television, and for decades afterward on rerun broadcasts and home video. Jackie Gleason (Ralph Kramden) died in 1987; Audrey Meadows (Ralph’s wife, Alice) in 1996; and Art Carney (Ed Norton) in 2003.Jackie Gleason, Art Carney, Audrey Meadows and Ms. Randolph in a scene from 1954. While her character was less developed than the others, Ms. Randolph was revered by aficionados as the last link to a show that had a cultlike following.CBSIn an age when status symbols in a gritty Brooklyn tenement were telephones, television sets and refrigerators, the Kramdens had none on a bus driver’s $62 a week. Reflecting America’s working-class experience, they struggled for a better life, shared disappointments and had fun, even if there was no uranium mine in Asbury Park and no market for glow-in-the-dark wallpaper, no-cal pizza or “KramMar’s Delicious Mystery Appetizer,” which turned out to be dog food.As Trixie, Ms. Randolph played the upstairs wife who crossed her arms and commiserated with her best friend, Alice, over addlepated husbands who somehow got drunk on grape juice, found a suitcase of the mob’s counterfeit cash, invented a “handy” kitchen tool that could “core a apple” and, after waiting all year for the convention of their International Order of Friendly Raccoons, took the wrong train.While her character was less developed than the others, Ms. Randolph was revered by aficionados as the last living link to the inspired lunacy of a show that had a cultlike following, with fan clubs, esoteric trivia contests and memorabilia sales. At a 1984 Long Island meeting of the Royal Association for the Longevity and Preservation of the Honeymooners, or RALPH, one could buy a size-52 bus driver’s uniform or a coveted Trixie apron.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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    Peter Crombie, Actor Known for ‘Seinfeld’ Appearances, Dies at 71

    Crombie was perhaps best known for playing “Crazy” Joe Davola on the hit television sitcom.Peter Crombie, the actor who was probably best known for playing the role of “Crazy” Joe Davola on five episodes of the hit television sitcom “Seinfeld,” died on Wednesday in a health care facility in Palm Springs, Calif. He was 71.Crombie had been recovering from unspecified surgery, said his ex-wife, Nadine Kijner, who confirmed his death.In his role as Davola, Crombie played a temperamental character who stalks Jerry — a semi-fictionalized version of the comedian Jerry Seinfeld — and develops a deep hatred of him.Tall and lanky, Crombie’s character had a flat, borderline menacing affect and an unblinking 1,000-yard stare. In the series, he also stalked the tough New Yorker Elaine, in one case plastering a wall of his apartment with black-and-white surveillance photos of her.Aside from his part in “Seinfeld,” Crombie also had roles in the movies “Seven” (1995), “Rising Sun” (1993) and “Born on the Fourth of July” (1989), among other acting television and movie credits.Crombie was born on June 26, 1952, and grew up in a neighborhood outside of Chicago.His father was an art teacher, and his mother taught home economics, Ms. Kijner said. Crombie trained at the Yale School of Drama before moving to New York.Crombie and Kijner met in Boston in the late 1980s before marrying in 1991. Though they divorced after about six years of marriage, the two remained friends.“He was like a rock,” she said. “He was someone you could always call and lean on.”Kijner said Crombie is survived by a brother, Jim. She said Crombie stepped back from acting around 2000, and worked on his other passion, one of which was writing.The comedian Lewis Black commemorated Crombie on social media, calling him a “wonderful actor” and an “immensely talented writer.”“More importantly he was as sweet as he was intelligent and I am a better person for knowing him,” Mr. Black wrote.Larry Charles, a “Seinfeld” writer, also mourned Mr. Crombie.“His portrayal of Joe Davola managed to feel real and grounded and psychopathic and absurd and hilarious all at the same time,” Mr. Charles wrote on social media. “This was a juxtaposition I was always seeking on my Seinfeld episodes and reached a climax of sorts with ‘The Opera.’ Seinfeld was a sitcom that could make you uncomfortable and no guest actor walked that line better than Peter.” More

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    What Inspires Peter Capaldi: Vermeer, ‘Demon Copperhead,’ ‘The Wire’

    Seeing “A Maid Asleep” at the Met, he said, “without wishing to sound pretentious about it, it was the first picture that I developed a relationship with.”Sometimes it pays to stick close to home.The more Peter Capaldi heard as his wife, the producer Elaine Collins, and the writer Paul Rutman hashed out the story line for the new Apple TV+ thriller “Criminal Record,” the more he hinted that he was their man.They cast him as Daniel Hegarty, a veteran detective on the police force, who has a murky past. As Rutman wrote the script, Capaldi’s voice and face were front and center.“That’s the first time that has really happened to me,” said Capaldi, whose adversary, June Lenker — a younger detective contending with misogyny and racism within the force — is played by Cush Jumbo. “I know that that’s who they’re visualizing, so I was able to respond to the material from quite an early date.”Capaldi also had to veil his emotions, a rather tall order for an actor who starred as the 12th Doctor in “Doctor Who.”“I had to hide what was really going on, but at the same time, you still have to have something going on,” he said in a video interview from London, before chatting about the Scottish artist John Byrne and walking in the footsteps of the Romans. “You can’t just sit there.”These are edited excerpts from the conversation.1Vermeer’s ‘A Maid Asleep’Without wishing to sound pretentious about it, it was the first picture that I developed a relationship with. I was in New York doing a show and perhaps going through some melancholic times and carousing too much and enjoying Broadway, but not really that happy myself. So I would often go to the Met and sit and look at that picture if I was feeling anxious. There was a spirit of wisdom and calmness that reached out.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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    Paul Giamatti, Bradley Cooper, Da’Vine Joy Randolph and More Celebrities at the National Board of Review gala

    The stars were among the 17 honorees at the annual National Board of Review gala, as awards season ramps up.On a not-at-all red carpet inside Cipriani 42nd Street in Midtown Manhattan on Thursday night, Da’Vine Joy Randolph was glowing.“The fact that these people actually even seen my work is just mind-blowing,” said the actress, a star of “The Holdovers,” who was being honored with the National Board of Review’s best supporting actress prize at its annual film awards gala, just days after she had won her first Golden Globe on Sunday for her role in the film.A few feet away on the gray carpet was Celine Song, who came to accept the prize for best directorial debut for “Past Lives.” She was sporting a tuxedo jacket, a long skirt and a bow tie.“Because the movie is so personal, any time somebody connects to the film, I always feel less lonely; I feel very seen and understood and embraced,” said Ms. Song, who based the romantic film partly on her own experience with a childhood friend.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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    Clive Owen Takes on ‘Monsieur Spade,’ Inspired by Bogart

    In an early scene in “Monsieur Spade,” a new six-part series from AMC, the American detective Sam Spade, played by Clive Owen, is lying on his side, grimacing as a doctor examines his nether regions. “Best prostate of the morning,” the doctor says cheerfully, snapping off his rubber gloves. Then he motions Spade his office to tell him he has emphysema and must stop smoking.Spade, the behatted and inscrutable hero of Dashiell Hammett’s novel “The Maltese Falcon,” getting a prostate check, and quitting smoking?Yes indeed. The new series, written by Scott Frank (“The Queen’s Gambit”) and Tom Fontana (“Homicide”), is set in 1963, some 20 years after the events of John Huston’s 1941 film, in which Humphrey Bogart played Spade. This time, the detective retired and living in the village of Bozouls in the South of France.When viewers meet Spade, he is living quietly in the South of France, mourning his wife.Jean-Claude Lother/AMCIn a flashback at the start of the first episode, we learn that Spade was hired to bring a girl, Teresa, to her father in Bozouls. Mission unsuccessful: Her father is missing. But Spade does meet a wealthy, glamorous widow, Gabrielle (Chiara Mastroianni), who asks him to stay and take on another job.The pair fall in love and marry, and when we meet Spade, he is a widower who has inherited Gabrielle’s beautiful house, swimming pool, vineyards and wealth. He is living quietly, still mourning Gabrielle (who we see in frequent flashbacks), speaking bad French and rather liked by the insular locals, until — naturally! — the past comes back to make trouble.“This genre has always been catnip for me,” said Frank, who also directed the show, in a recent joint interview with Fontana. But when he was approached about creating a show based on Spade, Frank said, he initially turned it down, because he had another Hammett project in mind.Then he had a thought: “What happens to these Bogart-esque guys when they get old.” He contacted Fontana, who suggested setting the series in the aftermath of the Algerian War, a conflict between France and the Algerian National Liberation Front that ended in 1962 with Algeria, a French colony, winning independence.At that time, “there was tension and a dark cloud” over France, Frank said. “It raises the question: Who is French and who isn’t? And then we have Sam Spade wrestling with his identity, his old life, his new life.”Owen, dapper in a dark suit and crisp white shirt during a recent interview at a London hotel, said that the role of Spade felt like a gift. “I am a huge lover of noir, a huge Bogart fan,” he said. “I have an original ‘Maltese Falcon’ poster on my wall.”Owen talked to Frank, he added, “about the older Sam Spade, how he would play with the idea of the macho guy, the smoker. But in essence we are embracing the source material.” He paused. “I didn’t get to wear the hat much, though.”Owen said he prepared for the role by “reading and rereading” Dashiell Hammett’s short stories and novels.Alice Zoo for The New York TimesFrank and Fontana certainly created a convoluted plot worthy of Hammett. Six nuns are murdered at the local convent, which houses an orphanage that is home to the now-teenage Teresa (Cara Bossom), the girl who Spade brought to Bouzols. The murders seem to concern a mysterious little boy from Algeria who everyone is trying to find, and the plot is threaded with church and state conspiracies, Algerian and World War II subplots, and is populated by a memorable cast of characters: a sardonic police chief (Denis Ménochet); Teresa’s devilishly villainous father, Philippe (Jonathan Zaccaï); and the obligatory femme fatale, Marguerite (Louise Bourgoin), a chanteuse who co-owns a bar with Spade.Owen’s dryly imperturbable performance is also a homage to Bogart, whose performances he adores, he said. In preparing for the role, as well as “reading and rereading” Hammett’s short stories and novels, Owen “drowned in Bogart,” he said. He recalled telling the director, “Don’t freak out, I am not going to do a bad imitation, but I am going to do it based on Bogart’s intonations.”What is interesting, Owen added is that “you think Bogart is laconic, but he is superfast and nimble, and the key thing was to fly through these beautiful rhythmic speeches, flick them out like it’s the easiest thing.”Though he speaks French in the show, Owen said he had not previously spoken the language, and learned it phonetically (with an American accent) for the show. “I found it hard,” he said. “I have so much respect for actors who perform in another language.”Bourgoin, who plays Marguerite, said in a telephone interview that “like every French person who discovers an American writing about France, I was afraid there would be anachronisms, clichés. But not at all: It’s so credible.”The cast of “Monsieur Spade,” including Denis Ménochet, second from left, as a local police chief, Jonathan Zaccaï, third from left, as the villainous father of Teresa, and Louise Bourgoin, far right, as a femme fatale who co-owns a bar with Spade.AMCIn an obligatory nod to a love interest, Marguerite and Spade’s platonic relationship is infused with a little sexual spice. But the relationship between Spade and the adolescent Teresa, who has grown up at the convent, is the emotional heart of the tale.“She has lived a life of relative solitude, never had a familial environment and grew up in a frosty religious setting without anyone she loved,” said Bossom, who plays the character. “It has hardened her into a person who doesn’t show honest emotion, or not without great difficulty.” (Remind you of anyone?) As the show progresses, Bossom added, Teresa begins to emulate Spade’s speech patterns.“I think the more time he spends with her, the more he sees she is a bit of a chip off the old block,” Owen said with a laugh.Frank said he had been keen not “to do pretty Provence” nor to emulate “the off angles and dark shadows you have in typical film noir”; he was more influenced by the strong compositions and color palettes of 1960s and ’70s French films like “La Piscine” and “Le Cercle Rouge.” The whole idea, he said, “is that Sam is living a tranquil life.”Will there be more of Monsieur Spade in retirement? “If the show does well, I definitely have other ideas, “Frank said. Maybe Owen will get another opportunity to wear the hat. More