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What Will Be Nominated for Oscars Next Week, and What Won’t?

While “Oppenheimer,” “Barbie” and “Killers of the Flower Moon” are likely to do well, the directors race is hardly set and other categories are open, too.

When it comes to predicting the Oscars, you ultimately have to go with your gut … and mine is in a state of agita.

That’s what happens when there are simply too many good movies and great performances to all make the cut: Even the hypothetical snubs I’m about to dole out have me tied up in knots.

Which names can you expect to hear on Tuesday, when the Oscar nominations are announced? Here is what I project will be nominated in the top six Oscar categories, based on industry chatter, key laurels from the Golden Globes and Critics Choice Awards, and the nominations bestowed by the Screen Actors Guild, Producers Guild of America and Directors Guild of America. Well, all of those things, and my poor, tormented gut.

Let’s start with the safest bets. Oppenheimer,” Barbie and Killers of the Flower Moon scored top nominations from the producers, directors and actors guilds last week and I expect each film to earn double-digit Oscar nominations. The Holdovers and Poor Things are secure, too: Though they didn’t make it into SAG’s best-ensemble race, both films boast lead actors who’ve won the Golden Globe and Critics Choice Award. If this were an old-school race, these would be the five nominees.

But there are five more slots to fill, and I project the next three will go to Past Lives and American Fiction,” passion picks with distinct points of view, as well as Maestro,” the sort of ambitious biopic that Oscar voters are typically in the tank for. I’m also betting that the French courtroom drama Anatomy of a Falland the German-language Holocaust drama The Zone of Interest find favor with the academy’s increasingly international voting body. (Even the Producers Guild, which so often favors big studio movies over global cinema, found room to nominate that pair.)

There are still a few dark horses that hope to push their way into this lineup, like “The Color Purple,” “May December,” “Society of the Snow” and “Origin.” But I suspect these 10 are locked and loaded.

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Source: Movies - nytimes.com


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