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    Thomas J. McCormack Dies at 92; Transformed St. Martin’s Press

    He turned “an insignificant trade house” into a powerhouse, publishing best sellers like “The Silence of the Lambs” and “All Creatures Great and Small.”Thomas J. McCormack, an iconoclastic chief executive and editor who transformed St. Martin’s Press into a publishing behemoth with best-selling books like “The Silence of the Lambs” and “All Creatures Great and Small” and its own mass-market paperback division, died on Monday at his home in Manhattan. He was 92.The cause was heart failure, his daughter, Jessie McCormack, said.The few props that Mr. McCormack employed from the 18th floor of the Flatiron Building in Manhattan — an ancient adding machine, his cigar and the daily tuna sandwich that substituted for the typically well-lubricated publishers’ lunch — belied a rare fusion of marketing savvy, which enabled him to buy future best-sellers, and editorial scrupulousness, which led him to make good books even better.During his tenure as chairman, chief executive and editor in chief of St. Martin’s, Publishers Weekly called him “one of the great contrarians of publishing, who believed, against the publishing grain, in volume at all costs.”Mr. McCormack, the magazine said, had turned St. Martin’s “from an insignificant trade house on the brink of bankruptcy to a quarter-billion-dollar powerhouse with one of the most extensive lists in the business.”Mr. McCormack in the 1980s. His advice to fellow editors: Do no harm. Their most vital attribute, he said, was sensibility.via McCormack FamilyIn book publishing, where executives have customarily shied from innovation, Sally Richardson, publisher-at-large of Macmillan, St. Martin’s parent company, said of Mr. McCormack in 1997: “He was never afraid to zig when the industry zagged.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    What Ethan Hawke’s ‘Wildcat’ Gets Right About Flannery O’Connor

    Those familiar with her menagerie of grotesques, her views of Southern society, her tortured faith and inner contradictions will get what his film is doing.Nobody’s ever really known what to do with Mary Flannery O’Connor. They didn’t know when she was alive, and they haven’t known since she died in 1964, at 39, after years of battling through lupus to write her nervy, weird stories about Southerners, sin, religion and the God to whom she prayed so fervently. Her mother, Regina, with whom O’Connor lived for the last third of her life in Milledgeville, Ga., once asked her daughter’s publisher, Robert Giroux, if he couldn’t “get Flannery to write about nice people.” He couldn’t. Not that he would try.O’Connor in 1959 on the steps of her home in Milledgeville, Ga. She’s a patron saint to writers who explore the fault lines between religion and belief, transgression and salvation.Floyd Edwin Jillson/ Atlanta Journal- Constitution Via Associated PressThe screen adaptations of O’Connor’s work have not quite captured her essence either, though some attempts have been more successful than others. A telling instance comes in “The Life You Save,” a 1957 TV adaptation of her short story “The Life You Save May Be Your Own,” starring Gene Kelly in his first small-screen role. He plays Tom T. Shiftlet, a one-armed vagrant who talks a woman into taking him on as her handyman, then marries her mute, deaf daughter, Lucynell. Tom and Lucynell drive off toward their honeymoon and then, at a diner, as Lucynell naps on the counter, Tom makes his getaway. In the story, Tom picks up a hitchhiker, who insults him before leaping out of the car, and Tom just keeps driving away. In the TV version, however — presumably to avoid offending viewers’ delicate sensibilities — Tom has a change of heart, returning to the diner to retrieve Lucynell after all.That kind of moment would never have made it into an O’Connor story. She saw the episode, and “the best I can say for it is that conceivably it could have been worse,” she said. “Just conceivably.” (It paid for a new refrigerator for her and Regina.) She was not interested in writing tales of cheap redemption, or those that dramatize a change of heart that brings about a pasted-on happy ending, even if they’d have sold a lot better. Her stories are full of darker things, the “action of grace in territory held largely by the devil,” as she put it. A traveling Bible salesman steals a dour intellectual woman’s false leg. A young man berates his mother for her backward views on race until she has a stroke. A family on the way to a vacation is murdered by a roving serial killer. A pious woman beats the hell out of her reprobate husband after he gets a giant tattoo of Jesus on his back.“Wise Blood,” John Huston’s 1979 adaptation of O’Connor’s 1952 novel of the same name, comes much closer to her uncomfortable tales of uncomfortable grace. The book was adapted by Benedict and Michael Fitzgerald, sons of Robert and Sally Fitzgerald, close friends of O’Connor (she lived with them for a while, and they edited “Mystery and Manners,” her 1969 collection of lectures and essays). “Wise Blood” is the story of a somewhat unhinged veteran named Hazel Motes (Brad Dourif), the grandson of a traveling preacher, who returns to his Tennessee home and tries to spread an antireligious gospel, only to discover he can’t quite get away from God. The Fitzgeralds chose Huston to direct in part because he, like Motes, was an avowed atheist, and they thought that’s what O’Connor would have wanted: a director who wasn’t afraid to skewer the pieties of her native South. But on the last day of shooting, Huston turned to Benedict Fitzgerald and said, “I’ve been had.” He realized he hadn’t managed to tell an atheist’s story at all. He’d told O’Connor’s story, and that meant it was soaked in hideous divine grace.Brad Dourif as a somewhat unhinged veteran trying to spread an antireligious gospel in “Wise Blood.”Anthea FilmWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘Gutenberg!’: A Guide to the Inventor Behind the Broadway Musical

    “Gutenberg! The Musical!,” a comic meta-musical about two talentless dolts pitching a show about the father of the printing press, wraps up its limited Broadway run on Jan. 28.Written by Scott Brown and Anthony King and starring Josh Gad and Andrew Rannells (reprising their “Book of Mormon” buddy act), the show has drawn mixed reviews and strong box-office returns. But even before it opened, its mere existence on Broadway sent book and library nerds vibrating with anticipation and a bit of disbelief.There have also been grumblings from some traditionalists (of the rare book, not the Rodgers and Hammerstein, variety), along with some resignation. Well, why not a musical about Johannes Gutenberg? If Broadway can turn a semi-overlooked founding father like Alexander Hamilton into a household name and cultural hero, why should the guy whose invention helped jump-start mass literacy throw away his shot?Rannells with Josh Gad, left, in the musical, which reunited the pair onstage for the first time since they starred in “The Book of Mormon” over a decade ago. Sara Krulwich/The New York TimesHamilton had some big fat biographies on his side. But as Gad’s character in the show notes, Wikipedia (correctly) declares records of Gutenberg’s life “scant.”Here is a primer for those who, even after seeing the show, might be left wondering: “Guten-Who?”What do we actually know about Johannes Gutenberg?We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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    Britney Spears escribió sus memorias con otros autores. Entérate aquí

    El libro de la estrella del pop es una obra colectiva. Otros tres autores participaron.“Si me sigues en Instagram, pensabas que este libro iba a estar escrito con emojis, ¿no?”, escribe Britney Spears al final de su libro de memorias, La mujer que soy.Britney Spears ha declarado que completar el libro publicado hace poco —un relato de su periplo desde Luisiana hasta la cima de las listas de éxitos del pop y una tutela que le negó el control de su carrera y sus finanzas— requirió una enorme cantidad de terapia. Y para llevar la historia al papel, contó con la ayuda de “colaboradores”, como ella los llama en los agradecimientos del libro.“Ustedes saben quiénes son”, escribe sin dar nombres.Según dos personas cercanas al proyecto, que hablaron bajo condición de mantener su anonimato porque no estaban autorizadas a declarar públicamente, tres escritores —todos autores de éxito por derecho propio— colaboraron de manera significativa con el libro de memorias de Spears.Ada Calhoun, autora de cuatro libros de no ficción, entre ellos Also a Poet: Frank O’Hara, My Father, and Me, ayudó a crear el primer borrador, dijeron las dos personas. Sam Lansky, exeditor de la revista Time, autor del libro de memorias The Gilded Razor y de la novela Broken People, fue el siguiente en unirse al proyecto. El libro se completó con la ayuda de Luke Dempsey, un escritor fantasma y editor que ha publicado libros bajo su propio nombre y trabajó con Priscilla y Lisa Marie Presley en Elvis by the Presleys.Ada Calhoun fue parte del equipo que le brindó ayuda a Spears con sus memorias.Laurel Golio para The New York TimesEs práctica habitual que los famosos colaboren de cerca con autores de probada valía cuando deciden contar su vida, afirmó David Kuhn, codirector ejecutivo de la agencia literaria Aevitas Creative Management.“¿Cuánta gente crees que trabaja en un libro de memorias presidenciales, o en uno de los libros de Michelle Obama?”, preguntó Kuhn, que ha representado al autor ganador del premio Pulitzer Liaquat Ahamed y a la comediante Amy Schumer. “Porque si eres Michelle Obama, parte de lo que creo que pedirás de tu colaborador o de tus editores son diferentes perspectivas de diferentes lectores”.“Podrías querer la opinión de una persona de 30 años”, añadió, “porque quieres que los de la generación milénial se sientan identificados con el libro. Puede que quieras que un editor masculino ofrezca su perspectiva, porque quieres que atraiga en la medida de lo posible a un público masculino, además del público femenino más obvio”.Así pues, la creación de La mujer que soy no fue muy distinta de la de éxitos pop contemporáneos, que suelen contar con aportes de numerosos colaboradores.La columna Page Six del New York Post fue la primera en informar, en febrero de 2022, la noticia del “gran acuerdo” para el libro de memorias de Spears. Fue adquirido por Gallery Publishing Group, un sello de Simon & Schuster que ha llevado a muchos artistas y personalidades a las listas de los más vendidos, entre ellos Chelsea Handler, Tiffany Haddish, Olivia Newton-John y Omarosa Manigault Newman.Spears agradeció a “colaboradores” en sus memorias sin aportar nombres. Gallery Books, vía Associated PressUna de las principales personas implicadas en la adquisición, según tres personas con conocimiento de la operación, fue Cait Hoyt, agente literaria de CAA, quien es mencionada en los agradecimientos del libro. Otra figura clave fue el abogado Mathew Rosengart, socio del bufete Greenberg Traurig, que ayudó a Spears a librarse de la tutela en 2021. (Hoyt y Rosengart no hicieron comentarios).Tras la firma del acuerdo, Spears viajó a Maui, un viaje que documentó en Instagram. Mientras estaba allí, escribió extensamente sobre su vida en cuadernos y se reunió con Calhoun para una serie de entrevistas largas, dijeron las dos personas cercanas al proyecto. El borrador que Calhoun ayudó a elaborar se completó en primavera, poco antes de que Spears se casara con el actor y entrenador personal Sam Asghari en una ceremonia en su casa de Los Ángeles. (Calhoun no respondió a las peticiones de comentarios).A Spears le pareció en un momento que la voz del libro no se parecía lo suficiente a la suya, según una persona cercana al proyecto. Entonces apareció Lansky, cliente de Hoyt, cuyos dos libros fueron publicados por Gallery.Los antecedentes de Lansky parecen haberlo hecho idóneo para el proyecto. Hace una década, escribía para el sitio web musical Idolator, donde ejercía de “apologista residente de Taylor Swift, entusiasta de las divas y monstruo del sarcasmo”. En su libro de memorias, The Gilded Razor, dice sentirse “atrapado en algún lugar entre un niño y un adulto: lo bastante adulto como para hacer las cosas bien de vez en cuando, pero lo bastante joven como para no saber que eso no siempre sería suficiente”.Esas palabras también podrían describir a Spears, que empezó a trabajar en el mundo del espectáculo a los 10 años y lanzó la canción “I’m Not a Girl, Not Yet a Woman” a los 20. Antes de sumergirse en el proyecto, Lansky hizo otra ronda de entrevistas con ella a través de Zoom y por teléfono, dijeron las dos personas. (Lansky no hizo comentarios). Sam Lansky, autor de dos libros, trabajó en las memorias el verano pasado. Jeff Spicer/Getty Images para Atlantis The RoyalEn otoño, Dempsey se unió al proyecto, aseguraron las personas. Una colaboradora constante durante todo el proceso fue Lauren Spiegel, editora de Gallery que fue responsable del libro éxito en ventas de Anna Kendrick, Scrappy Little Nobody. (Dempsey y Spiegel no hicieron comentarios).Spears solo ha concedido una entrevista a la revista People con motivo de la publicación de La mujer que soy. No describe los pormenores de ser autora por primera vez, pero tiene claro por qué decidió contar su historia.“Por fin llegó la hora de alzar la voz y hablar claro, y mis seguidores merecen oírlo directamente de mí”, señaló. “No más conspiraciones, no más mentiras: solo yo como dueña de mi pasado, presente y futuro”.Jacob Bernstein es reportero de la sección Styles. Además de escribir perfiles de diseñadores de moda, artistas y celebridades, ha centrado gran parte de su atención en temáticas LGBT, la filantropía y el mundo del diseño de muebles. Más de Jacob Bernstein More

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    How Britney Spears Wrote ‘The Woman in Me’

    Three authors helped Britney Spears get her life story on the page.“If you follow me on Instagram, you thought this book was going to be written in emojis, didn’t you?” Britney Spears asks at the end of her memoir, “The Woman in Me.”She has said that completing the recently published book — an account of her journey from Louisiana to the top of the pop charts and on to a conservatorship that denied her control of her career and finances — required an enormous amount of therapy. And to get the story on the page, she had the help of “collaborators,” as she called them in the book’s acknowledgments.“You know who you are,” she writes, without naming names.According to two people close to the project, who spoke on the condition of anonymity because they were not authorized to speak publicly, three writers — all successful authors in their own right — made significant contributions to Ms. Spears’s memoir.Ada Calhoun, the author of four nonfiction books, including “Also a Poet: Frank O’Hara, My Father, and Me,” helped create the first draft, the two people said. Sam Lansky, a former editor at Time magazine who wrote the memoir “The Gilded Razor” and the novel “Broken People,” was the next to join the project. The book was completed with the assistance of Luke Dempsey, a ghostwriter and editor who has published books under his own name and worked with Priscilla and Lisa Marie Presley on “Elvis by the Presleys.”Ada Calhoun was among those who lent a hand to Ms. Spears’s memoir.Laurel Golio for The New York TimesIt is common practice for celebrities to work closely with proven authors when they decide to tell their life stories, said David Kuhn, the co-chief executive of the literary agency Aevitas Creative Management.“How many people do you think work on a presidential memoir, or one of Michelle Obama’s books?” said Mr. Kuhn, who has represented the Pulitzer Prize-winning author Liaquat Ahamed and the comedian Amy Schumer. “Because if you’re Michelle Obama, part of what I imagine you might want from your collaborator or your editors are different perspectives from different readers.“You might want a 30-year-old’s opinion,” he added, “because you want millennials to relate to the book. You might have a male editor offer his perspective, because you want it to appeal as much as possible to a male audience, as well as the more obvious female audience.”The creation of “The Woman in Me” was thus not unlike that of contemporary pop hits, which typically rely on the contributions of numerous collaborators.The New York Post’s Page Six column first reported the news of the “bombshell deal” for Ms. Spears’s memoir in February 2022. It was acquired by Gallery Publishing Group, a Simon & Schuster imprint that has taken many entertainers and personalities to the best-seller lists — among them Chelsea Handler, Tiffany Haddish, Olivia Newton-John and Omarosa Manigault Newman.Ms. Spears thanked “collaborators” in the acknowledgments section of her memoir without naming names.Gallery Books, via Associated PressA principal person involved in the acquisition, according to three people with knowledge of the deal, was Cait Hoyt, a literary agent at CAA, who is thanked in the book’s acknowledgments. Another key figure was the lawyer Mathew Rosengart, a partner at the firm Greenberg Traurig, who helped Ms. Spears extricate herself from the conservatorship in 2021. (Ms. Hoyt and Mr. Rosengart had no comment.)After the deal was signed, Ms. Spears traveled to Maui, a trip she chronicled on Instagram. While there, she wrote extensively about her life in notebooks and met with Ms. Calhoun for a series of lengthy interviews, the two people close to the project said. The draft Ms. Calhoun helped put together was completed in the spring, shortly before Ms. Spears married the actor and personal trainer Sam Asghari in a ceremony at her home in Los Angeles. (Ms. Calhoun did not reply to requests for comment.)Ms. Spears came to believe that the book’s voice did not sound enough like her own, according to a person close to the project. In came Mr. Lansky, a client of Ms. Hoyt’s whose two books were published by Gallery.Mr. Lansky’s background seems to have made him a good fit for the project. A decade ago, he wrote for the music website Idolator, where he served as the “resident Taylor Swift apologist, diva enthusiast, and snark monster.” In his memoir, “The Gilded Razor,” he writes of being “caught somewhere between a child and adult — grown up enough to get things right from time to time but still young enough not to know that wouldn’t always be enough.”Those words might also describe Ms. Spears, who started working in show business at age 10 and released the song “I’m Not a Girl, Not Yet a Woman” at 20. Before diving into the draft, Mr. Lansky did another round of interviews with her over Zoom and by phone, the two people said. (Mr. Lansky had no comment.)Sam Lansky, the author of two books, worked on the book last summer.Jeff Spicer/Getty Images For Atlantis The RoIn the fall, Mr. Dempsey came aboard, the people said. A constant collaborator throughout the process was Lauren Spiegel, an editor at Gallery who edited Anna Kendrick’s best-selling book, “Scrappy Little Nobody.” (Mr. Dempsey and Ms. Spiegel had no comment.)Ms. Spears has given only one interview timed to the publication of “The Woman in Me,” with People magazine. She does not describe the nuts and bolts of being a first-time author, but is clear on why she decided to tell her story.“It is finally time for me to raise my voice and speak out, and my fans deserve to hear it directly from me,” she said. “No more conspiracy, no more lies — just me owning my past, present and future.” More

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    A Britney Spears Book Tour: No TV, No Podcasts, Lots of Instagram

    The singer, who has not given a face-to-face interview since 2018, has avoided traditional public appearances for “The Woman in Me,” which is still finding audiences.In the run-up to the release of his blockbuster autobiography earlier this year, Prince Harry sat down with “60 Minutes” — and “CBS Mornings,” “ABC News Live,” “The Late Show With Stephen Colbert” and others. Paris Hilton did “The View” and spoke with the BBC. Kerry Washington appeared on NPR’s “Fresh Air” and “Good Morning America.” Arnold Schwarzenegger opted for Kelly Clarkson and Howard Stern.But for Britney Spears, the endlessly sought after and speculated about pop star who released her memoir, “The Woman in Me,” this week, there was mostly Instagram.To gin up excitement about one of the most anticipated celebrity memoirs of the year, there were prerelease excerpts in People magazine, but no face-to-face interviews, which Spears has avoided since 2018, when she was still in the conservatorship that strictly controlled her life and career. (In the book, Spears writes of mentioning the arrangement in a 2016 interview, only to have it edited out.)Now legally cleared to do and say what she pleases, however, Spears has held back, essentially throwing out the playbook for promoting a celebrity tell-all. The singer and her team are instead letting the book do the talking, with its gossipy nuggets and condemnations of the 13-year conservatorship feeding a steady churn of press coverage and social media chatter.Her reluctance to be interviewed, stemming in part from a distrust sowed by decades of insensitive coverage, does not seem to have affected early sales: The book reached No. 1 on Amazon’s best-seller list; complete sales data will not be available until next week. But the lack of any significant promotional or public appearances by Spears, 41, has been obvious to professionals in the worlds of publishing and public relations.In seeking a less public life, Spears has spoken about the constant attention of the paparazzi. Bauer-Griffin/GC Images, via Getty Images“This is completely out of the ordinary,” said Eleanor McManus, a former booking producer for CNN’s “Larry King Live” who now works as a crisis manager. McManus said she was watching TV on Monday morning to find out which shows would be teasing a conversation with Spears. “I was thinking, ‘Who got the first interview?’” she said, before realizing that the answer was “no one.”“The only time you recommend not doing interviews is if you can’t control what the subject would say, or if what he or she would say would damage their brand,” she added.But some experts suggest Spears’s robust social media following may be all she needs for a successful book launch. At a time when celebrity memoirs are booming, subjects may not need to engage with traditional media as they once did if they have a substantial audience of their own, said Madeleine Morel, an independent literary agent who represents ghostwriters.“The whole thing is about the size of your platform,” Morel said. “Can you bring an audience to a book?”Spears is indeed known for communicating these days almost exclusively through her free-associative and often cryptic social media posts. Her most significant commentary on “The Woman in Me” has come not in Vogue, with Oprah or even a cheeky appearance on “Saturday Night Live” but via social media, where she has shared messages about the book that were alternately grateful, scarred and conflicted to her more than 100 million followers across platforms.It’s not like the traditional media was not interested. Spears said in a since-deleted voice message posted to Instagram last year that after her conservatorship was terminated in late 2021, she had been approached by all manner of outlets.“I have offers to interviews with Oprah and so many people, lots and lots of money, but it’s insane,” she said. “I don’t want any of it.”A representative for Spears declined to comment and the memoir’s publisher, Gallery Books, an imprint of Simon & Schuster, did not respond to requests for comment about their nontraditional strategy to secure promotion.So far, Spears’s traditional media engagement has been limited to the excerpts in People magazine — including the bombshell that Spears had an abortion during her relationship with Justin Timberlake — accompanied by emailed quotes attributed to the singer and a cover photo, which captured Spears smiling on a beach in Tahiti, sourced to “Britney Brands” rather than a photographer for the magazine.The publisher also helped to organize an international rerelease of the 2002 movie “Crossroads,” starring Spears. That rollout has featured interviews by its director, Tamra Davis, who has generated her own wave of news tidbits about Spears.A scene from the 2002 movie “Crossroads,” starring Spears.In Spears’s own recent comments on the book, she has chided the media for focusing on her past, though the memoir is essentially a retelling of her life story.“I don’t like the headlines I am reading … that’s exactly why I quit the business 4 years ago !!!,” she wrote on Instagram. “My motive for this book was not to harp on my past experiences which is what the press is doing and it’s dumb and silly !!! I have moved on since then !!!”She went on to briefly deactivate her account, only to return soon after with a picture of a cake that said “See you in hell.” On the book’s release day, she shared a single promotional post reading: “My story. On my terms. At last.” (She later deleted the post from Instagram.)Most celebrities with books to sell still combine more old-fashioned media appearances, like the “Today” show and the late-night circuit, with a dedicated social media strategy and newer, friendly outlets like the podcasts Armchair Expert and On Purpose With Jay Shetty, the lifecoach and influencer.The actress Jada Pinkett Smith, who released a memoir this month, did all of the above, plus more. Her deluge of media appearances even became the subject of a joke on “S.N.L.”“Sorry if I seem a little tired,” said the comedian Ego Nwodim, who played Pinkett Smith. “I’ve been on the ‘Today’ show 14 times in three days.”The writer Neil Strauss, who has worked on books with Mötley Crüe, Marilyn Manson and Jenna Jameson, said that celebrities could run the risk of making themselves bigger than the book with overexposure. “Sometimes by talking about it, you can only hurt it,” he said, adding that Spears “seems like she has a lot of trauma around the media.”In her memoir, Spears describes the press as having been unfairly focused on her body as a rising pop sensation and on her fitness as a mother during a series of public struggles in 2007 and 2008 that ultimately led to her father, James P. Spears, being granted control of her personal life and finances.She wrote that she felt exploited in 2003, when her father and her management organized an interview with Diane Sawyer following her breakup with Timberlake. “It was completely humiliating,” Spears writes. “I wasn’t told what the questions would be ahead of time, and it turned out they were 100 percent embarrassing.”Spears, left, in an interview with Diane Sawyer. The singer writes in her memoir that the conversation, which focused on her breakup with Justin Timberlake, was “humiliating.”ABCStrauss, the celebrity collaborator, said, “She’s just analyzed and scrutinized beyond the level that any human should have to be.” Still, he acknowledged, echoing others in the industry, it was “highly unusual” for someone of Spears’s stature to do no interviews. Even Bob Dylan, a notorious media antagonist for most of his career, promoted his memoir in 2004.Paul Bogaards, a veteran book publicist who has led campaigns for best-selling memoirs by Bill Clinton and Andre Agassi, said that the power of a celebrity speaking publicly about their book tends to be greater than the media mining it for a news story.“Once they’re out there in the world talking about their book, it becomes a 24-7 coverage-palooza,” Bogaards said, adding that most publishers required contractual agreements about promotion. “You want them to be visible in a significant way,” he added. “It’s hard to defend taking on a multimillion dollar advance in the absence of those kinds of agreements.” (Published figures put the price tag for Spears’s memoir, which was announced last year, between $12.5 million and $15 million.)Another major selling point for celebrity memoirs tends to be the subject’s own voice on the audiobook edition, but in this case, Spears has largely opted out as well. In a short introduction to the audiobook version of “The Woman in Me,” Spears said she had chosen to read only a short snippet of her 275-page book because the process of reliving its contents had been “heart-wrenching.” Apart from a minute and a half, the rest of the book’s five-plus hours is read by the actress Michelle Williams.Spears’s most loyal fans see no issue in her letting the work speak for itself. For years, the mantra for many supporters has been “leave Britney alone,” especially after the singer upbraided fans earlier this year for calling the police with concerns about her well-being when she temporarily deactivated her Instagram account. She voiced her objections again last month when another emergency call was made in response to a video of her dancing with what appeared to be kitchen knives. (Spears said they were props.)“A lot of the sentiment in the book are these instances where she was forced to do things against her will,” said Jordan Miller, the founder of the Spears fan site BreatheHeavy.com, which helped start the “Free Britney” campaign that brought more public attention to conservatorship.“It’s cool that she’s going in the opposite direction of what the status quo is in terms of conventional promotion,” he added. “It’s like, ‘Here are my words, you can read these. Here are the photos that I want you to see. I’m going to have approval of all of this.’ In the context of everything that’s gone on, that is super refreshing.”But a celebrity memoir with an eye-popping purchase price may need to reach more than just superfans in order to be seen as a phenomenon worth its investment, experts said.“It’s going to be a major release, but I think that they could be doing more to make it a real moment that sticks around,” said Anthony Bozza, an author who has written books with Slash, Tracy Morgan and Artie Lange.If not, he added, “You’re just going to be a blip in the cycle.” More

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    Ann Napolitano’s New Novel, “Hello Beautiful,” Is the 100th Pick of Oprah’s Book Club

    Ann Napolitano toiled in obscurity for years. Novels went unpublished; agents turned her down. She found recognition with “Dear Edward.” Then came the call: “Hello Beautiful” was the 100th pick for what is arguably the most influential book club in the world.Listen to This ArticleTo hear more audio stories from publications like The New York Times, download Audm for iPhone or Android.Maybe it was fate, maybe it was the meddling of a higher power with a wicked sense of humor. Either way, Ann Napolitano was taking out the garbage when Oprah Winfrey called to tell her that her novel, “Hello Beautiful,” is the 100th selection for what is arguably the most influential book club in the world.Napolitano was so afraid of losing the connection that she stood stock-still in the tiny vestibule of her Park Slope apartment building, clutching her bag of trash, for the duration of the 27-minute call.To be clear, we’re talking about Oprah’s Book Club — the O.G. reading group, trusty launching pad to the best-seller list and sourdough starter for dozens of iterations, celebrity sponsored and otherwise. Yes, Booktok is nipping at Winfrey’s heels, especially where young readers are concerned, but her endorsement is still a golden ticket.In the 26 years since Oprah’s Book Club announced “The Deep End of the Ocean” as its inaugural pick, the literary world has adjusted to the internet, electronic readers, smartphones and social media. Imprints closed, publishing houses consolidated, bookstores sprouted coffee shops and stopped selling CDs — and, through it all, the club established itself as a force, burnishing the careers of Wally Lamb, Cheryl Strayed, Lalita Tademy, Uwen Akpam, Isabel Wilkerson and Ta-Nehisi Coates, to name a few.Its machinations are still shrouded in mystery. Boxes of anointed books arrive at stores the day before a title’s publication date, to reduce the risk that customers will catch a glimpse of the club’s signature seal on a cover. Authors, agents and publishers are asked to sign nondisclosure agreements.“Hello Beautiful,” Napolitano’s fourth novel, came out Tuesday from The Dial Press and Winfrey announced it as her 100th book club selection on “CBS Mornings.” Only now, almost five months after Napolitano’s conversation with Winfrey, can the author share the news with her sons, who are 13 and 15.So how did “Hello Beautiful” land on Winfrey’s radar? And what was it like for Napolitano to get the nod? The short answers are simple and obvious (It’s a great book! She was thrilled!), but the expanded versions prove the equalizing power of a good story.Sitting in front of a lush Hawaii hillside that looked like a fake Zoom background but definitely wasn’t, Winfrey talked about the challenge of finding her 100th pick. The symbolic weight of it was on her mind. She wanted to find a book that would engage “every different sector of the population,” one she could recommend from an “authentically enthusiastic space.”“I went through many, many, many books, reading two and three at a time,” Winfrey said, projecting her familiar voice over the sound of rowdy bird song.“We’re separated from the world by our own edges,” Charlie Padavano says to one of his daughters in “Hello Beautiful.” He continues, “We’re all interconnected, and when you see that, you see how beautiful life is.”“I continue to choose what I love,” said Winfrey, pictured here with Ta-Nehisi Coates, author of “The Water Dancer,” her 81st pick. “I continue to be motivated by what touches my own spirit, what I think is going to allow people to sense a vulnerability in the characters, in whatever the narrative is, that opens the aperture for greater possibility for people.”Michele Crowe/CBS via Getty ImagesNone of the candidates had the universal appeal Winfrey was looking for.The vast majority of prospective titles go through a vetting process after publishers and agents present them to the book club, but “Hello Beautiful” took an unusual path. Winfrey’s friend, Richard Lovett, co-chairman of Creative Artists Agency, mentioned that Michelle Weiner, the co-head of CAA’s books department, had a novel she thought Winfrey would be interested in.“Every time somebody suggests that, it’s never true. It’s never something I actually want to read,” Winfrey said. “I was like, OK, send it to me.”She devoured “Hello Beautiful” on a rainy day in front of her fireplace, curled up with a blanket and her dog. She said, “I was like 30 pages in and said, OK, this is the book. You cannot read it without being opened. It just opens you in ways you didn’t know were closed.”The novel follows four sisters — Julia, Sylvie, Cecilia and Emeline Padavano — through decades of love, loss and (major) secret keeping. One falls in love with another’s ex-husband and the fallout is as complicated as you’d expect; somehow Napolitano persuades you to leave judgment at the door. The prevailing message is about the indomitability of family.“Not since Jo and Meg and Amy and Beth have we seen sisters like this, with this kind of connection, and written so vividly that you feel like you’re in that home,” Winfrey said. “You’re experiencing life with them. I am telling you, the ending? I mourned. What an extraordinary writer Ann is.”“It financially changed our lives,” Napolitano said of the sale of “Dear Edward” in a heated auction. “We bought a bed. That was the only thing we bought. My husband and I needed a new bed; my bed was from my parents’ house. I was 46 years old.”Elinor Carucci for The New York TimesThe iconic talk show host isn’t your average bookworm, but when she starts talking about what it’s like to fall in love with a novel —“Something starts whispering to me,” Winfrey said, “and I want to know more and I want to know more and I want to know more.” — it’s hard to tell the difference.“What I’m always trying to do is allow people to be lifted by the story somehow, and to see themselves — the people they know, their life — and come away feeling more connected,” Winfrey said. “Ann is one of those authors who’s able to do that without wearing it on her sleeve, without putting it out there in such a way that you feel preached to.”Napolitano’s third book, “Dear Edward,” was a best seller, a Read With Jenna pick and the basis for an 10-episode Apple TV + series starring Connie Britton. The book has sold nearly 400,000 copies.But until “Dear Edward” sold in a 10-imprint auction in 2018, Napolitano’s career was rife with rejection and disappointment. She wrote two novels that never sold. Her father was so concerned about her prospects that he paid for a full-day career test that flagged her potential as a park ranger.Napolitano struggled with depression. After being turned down by 80 agents, she signed with one who, sadly, died a few years later. She juggled a series of jobs — teaching, editing, corporate and educational writing, working as a personal assistant for Sting and Trudie Styler — while carving out short windows of time for her novel in progress. She couldn’t afford child care. At one point, Napolitano and her husband, Dan Wilde, had no health insurance. Her second published book, “A Good Hard Look,” (2011) took seven years to write, and “Dear Edward” (2020) took eight.“I’ve always had low expectations,” Napolitano said during an interview in a conference room at Random House. “Everything went so slowly or badly that all I wanted was a chance to do it again. I have to keep writing. I wasn’t ever counting on success.”Getting the call from Winfrey was, she said, “one of the most exciting things that’s ever happened to me in my life. I felt like I went into full menopause because my whole body system was just adrenalized and it was so crazy.”Napolitano was both tickled and horrified that, while she was reeling from the news, Winfrey launched into a series of questions about her writing process: “In that moment I was like, This is mean! That Oprah Winfrey thinks she can call you and expect you to have an intelligent conversation with her with no warning!”Napolitano started working on “Hello Beautiful” during the early days of the pandemic lockdown. “I was trying to find connection and love, and I needed that house with those loud sisters,” she said. “It really did feel like I needed this book.”Elinor Carucci for The New York TimesShe remembered how, at the end of their phone call, Winfrey said, “Writers are my rock stars and you’re a rock star.” Still shaky with disbelief, Napolitano unloaded her trash and walked a block to feed the meter in a two-hour parking lot. It was Oct. 20, 2022, the eve of her 51st birthday, the kind of crisp afternoon that lights Brooklyn like a movie set.Napolitano’s agent, Julie Barer, and her editor, Whitney Frick, had already heard from Winfrey’s team and were waiting for Napolitano to get the news. “I was running to my kids’ school and Julie texted me and said, ‘She called Ann!’ And I knew exactly what that meant,” said Frick, who is vice president, editor in chief at The Dial Press. “It’s really fun when good things happen for good people.”Barer, who is a partner at The Book Group, said,“Ann is extremely humble and hardworking. She’s no drama. She has an enormous heart and a tremendous capacity for compassion, and I think she brings that to her writing — about the messiness of relationships, and about forgiveness and empathy. It’s not like she’s Pollyanna; she’s not saying it’s all going to be great. Just that it’s going to be OK, and we’re in it together.”The three of them celebrated with a three-way chat. Then Napolitano finally went home and told her husband — who never second-guessed her writing career, even during lean times — why it had taken her so long to dispose of the garbage.“Ann walked in wearing a coat and said, ‘Oprah Winfrey just called me on my phone,’” Wilde recalled in an email. “Her eyes were wide with adrenaline, a contrast from her default steadiness. The first thought that came to mind was ‘Yeah, that makes sense.’”He’d seen how “Hello Beautiful” had overtaken Napolitano. Writing “Dear Edward,” she’d said, had been like entering a separate world, happily, then leaving when she felt like it. The Padavano sisters took a different approach: they occupied Napolitano, demanding attention, bringing their saints, their coffee and their chaos.“It was a very intense experience,” Napolitano said. “The story raced out of me. It was like holding onto the fender of a car, being banged across town.”Napolitano started “Hello Beautiful” in April 2020, the loneliest chapter of the pandemic, a time of fear and isolation. It was also the month her father died.“We weren’t able to see him when he was dying and we weren’t able to gather, like so many people,” Napolitano said. “I was trying to find connection and love, and I needed that house with those loud sisters. It really did feel like I needed this book.”Winfrey echoed a version of the same sentiment. “I felt less alone because of books during that period of being isolated,” she said, describing how, “as a girl growing up in Mississippi and Milwaukee, all the times I felt so removed and not valued, it was books — “A Tree Grows in Brooklyn,” in particular — that made me feel that I was connected to the world.”She went on, “And so, in the beginning was the word. The power of the word to help transform our own emotions and our own belief in what’s possible for us? I don’t think anything transcends that.”Audio produced by More