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      'Friends Reunion': How the Sitcom Helps People Learn English

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      Language teachers say the show is a near-perfect amalgam of easy-to-understand English and real-life scenarios that feel familiar even to people who live worlds away from the West Village.True or false: In the television show “Friends,” Monica Geller was invited to Rachel Green’s wedding.The question is part of an English lesson for international students in San Jose, Calif., that is based entirely on the show’s pilot episode. It was designed by Elif Konus, a teacher from Turkey who once binge-watched “Friends” to improve her own English.The class, and the teacher’s TV habits, illustrate an international phenomenon that emerged in the 1990s and has endured across generations: Young people who aren’t native English speakers appear to enjoy learning the language with help from the hit sitcom.Seventeen years after the final “Friends” episode, students and educators say that the show, still seen widely in syndication around the world, works well as a learning resource. The dad jeans and cordless telephones may look dated, but the plot twists — falling in love, starting a career and other seminal moments in a young person’s life — are still highly relatable.“It’s really entertaining compared to other sitcoms, and it addresses universal issues,” Ms. Konus, 29, said by telephone from her home in Monterey, Calif. “The themes, if you ask me, speak to everyone.”Over the years, several prominent celebrities have said that they learned English from “Friends.” The list includes Jürgen Klopp, the German soccer coach who helms Liverpool in the English Premier League; a number of Major League Baseball players whose first language is Spanish; and Kim Nam-joon, the leader of the South Korean pop group BTS.“I thought I was kind of like a victim at that time, but right now, I’m the lucky one, thanks to my mother,” Mr. Kim, who performs under the stage name RM, told the television host Ellen DeGeneres in 2017. “She bought all the seasons.”The “Friends” reunion episode that premiered Thursday on HBO Max included a cameo by the members of BTS and scenes from the show that had been translated into French, Japanese and Spanish. Fans around the world, from Ghana to Mexico, also reminisced about how the show helped them cope with personal dilemmas or tragedies.‘“Friends” just seems to have the magic something.’Measuring the popularity of “Friends” as a teaching resource is an inexact science because so many people watch it outside of formal classrooms. But educators, academic studies and page-view data suggest that the show still has a wide following among English-language learners.“I’ve been on YouTube for 13 years and I have not been posting ‘Friends’ content the whole time,” said Rachel Smith, the founder of the learning site Rachel’s English, based in Philadelphia. “But I’ve definitely never sensed that the time for it has passed.”In one apparent sign of that, “Friends”-based learning videos that Ms. Smith posted in 2019 have received significantly more views per day on average — 839 — than those featuring other shows or movies, she said. After the United States, the most popular markets for her videos as a whole are Vietnam, India, Brazil, Japan, the Philippines and South Korea.Other seminal American TV shows can serve a similar learning function, Ms. Smith said, but they tend to be too particular for nonnative English speakers. The humor in “Seinfeld” is a bit too gritty and New York-specific, for example, while “The Big Bang Theory” could come across as too much of a “scientific nerd thing.”“Other shows do work,” she said. “‘Friends’ just seems to have the magic something that is even more attractive.”Fans and educators on three continents echo the sentiment, saying that “Friends” is a near-perfect amalgam of easy-to-understand English and real-life scenarios that feel familiar even to people who live worlds away from Manhattan’s West Village.Kim Sook-han, 45, known in South Korea for her YouTube videos about teaching herself English, said that the show helped her understand the basics of American culture, including which holidays are celebrated in the United States, as well as how people there deal with conflicts between friends and family members.“My favorite character is Monica because I think we have similar personalities,” she added. “She is very meticulous and clean and always insists on using a coaster because she hates when a cup leaves water stains on a table.”A few fans said they could pinpoint precisely when and where they saw “Friends” for the first time.Ms. Konus was teaching English at a military academy in Ankara, Turkey, six years ago when she noticed that her roommate kept laughing while watching “Friends” on a laptop. Ms. Konus began watching “nonstop,” she said, and learned far more about English than she had in years of grammar-based classes.Jamie Ouyang, 30, discovered the show during her last year of high school in south-central China when she bought a box set in her hometown, Changsha, for about $15. She was hooked from the first episode, in which Rachel, played by Jennifer Aniston, meets the other characters in a wedding dress after abandoning her groom at the altar.Ms. Ouyang, who attended college in Ohio and now works as a film producer in Beijing, said that “Friends” gave her the confidence to make small talk with Americans. It was comforting, she added, to see Rachel make grammatical errors on her résumé.“But Rachel also grew a lot: She did well at her job and found her own path,” Ms. Ouyang said. “Over time, I noticed that people stopped teasing her about her grammar. I paid close attention to that.”Language teaching has changed in recent years.“Friends” may have endured as a teaching tool in part because the internet has made it accessible to new generations of fans. YouTube, especially, allows nonnative speakers to watch clips without having to, say, buy pirated DVDs under a bridge, as Ms. Ouyang did in China 12 years ago.Another reason, said Ángela Larrea Espinar, a professor in the department of English studies at the University of Córdoba in Spain, is that people who teach foreign languages have gradually shifted over the last two decades from a “communicative” approach that emphasizes grammar to one that encourages cross-cultural understanding and reflection.“Culture is a difficult thing to teach, and if you rely on textbooks what you get is stereotypes,” she said.To avoid the textbook trap, Ms. Konus, the English teacher in California, built lesson plans around the sitcom’s 1994 pilot episode. In addition to the question about whether Monica, played by Courteney Cox, was invited to Rachel’s wedding (answer: false), there are exercises that ask students to analyze scenes, idioms and character motivations.Why, for example, does Rachel breathe into a paper bag? And what does Monica mean when she tells Joey Tribbiani, played by Matt LeBlanc, to “stop hitting on” her friend? (Answers: “She is scared of her decision about living on her own” and, “to try to start a conversation with someone that you are interested in.”)Ms. Konus said that her students — who are from Brazil, China, Colombia, Japan, South Korea and Turkey — generally like the “Friends” lessons and end up binge-watching the show on their own. They also slip lines from it into conversation, including Joey’s signature “How you doin’?” greeting, and mimic the depressive way in which David Schwimmer’s character, Ross Geller, says “Hi.”After one class, a Turkish student observed that her teacher’s English sounded not quite native, but also “not Turkish.” Ms. Konus said she took the comment as high praise.How, the student asked, could one hope to reach the same level of English proficiency?“Just watch ‘Friends’ and try to imitate the characters,” Ms. Konus told her. “You’ll get there.”Amy Chang Chien More

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      BTS Fans Mobilize to Denounce Anti-Asian Jokes Targeting the Boy Band

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      A global outcry fueled by a sketch on a Chilean comedy show reflected a growing sensitivity to racist, particularly anti-Asian, speech.A parody on Chilean television of the Korean boy band BTS prompted an international backlash over the weekend, illustrating the power of the group’s many fans and a heightened sensitivity around the world to racist, particularly anti-Asian, speech.In a short sketch on the show “Mi Barrio,” which aired Saturday on the Mega Channel in Chile, comedians satirized the South Korean supergroup, mocking the Korean language and associating the band’s members with the North Korean dictator, Kim Jong-un.Asked to introduce themselves, the actors portraying the band’s members gave their names as “Kim Jong-Uno,” “Kim Jong-Dos,” “Kim Jong-Tres,” “Kim Jong-Cuatro” and “Juan Carlos.” Asked to say something in Korean, one comedian spoke in accented gibberish.Fans of BTS are legion and fiercely loyal. They quickly came to the band’s defense and linked the jokes to wider issues of anti-Asian racism and xenophobia that have flared since the coronavirus surfaced last year in China.Propelled by these ardent supporters, who call themselves Army, the group has made record-breaking runs at the top of the Billboard charts, released platinum-selling singles and won countless awards around the world. The group boasts the most-ever engagements on Twitter and the most video views in 24 hours on YouTube.While using their power and numbers to promote and defend the group, BTS fans have also demonstrated themselves to be a powerful bloc on other issues. Last year, Korean pop music fans coordinated to embarrass President Donald J. Trump by inflating ticket requests at a campaign rally.At a time of increased anti-Asian rhetoric and violence across the internet and around the world, “Mi Barrio” quickly became the target of a larger antiracism campaign. The trading card company Topps faced a similar backlash last week after releasing Garbage Pail Kids cards that were intended to mock the band but were widely perceived as racist and tone deaf.Not confined to Spanish-language social media and BTS fan accounts, outrage about the “Mi Barrio” episode quickly spread across the web, with the hashtag #RacismIsNotComedy becoming the No. 1 trending topic on Twitter in the United States on Sunday night. It was an indication that thousands of people were discussing the term at the same time.“There is NOTHING funny about racism, especially in a time where Asian hate crimes have been rampant around the world. This is disgusting,” wrote one Twitter user.A Chilean BTS fan account with 150,000 followers pushed people to register a formal complaint against “Mi Barrio” with the country’s National Television Council, calling on the regulator to “ensure that racist attitudes and stereotypes are eliminated from Chilean television.”In a statement posted to its Instagram account on Sunday, “Mi Barrio” struck a conciliatory, if not wholly contrite, tone. “We will continue to improve, learn, listen and strengthen our intention: to bring entertainment to families.”BTS has not officially commented on the Chilean episode, but in a statement released in March about increased attacks against Asians, the group said, “We recall moments when we faced discrimination as Asians. We have endured expletives without reason and were mocked for the way we look. We were even asked why Asians spoke in English.”“We stand against racial discrimination. We condemn violence. You, I and we all have the right to be respected,” the message concluded. “We will stand together.”That statement, released on Twitter, has been liked more than two million times. More

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      2021 Grammys Red Carpet Fashion Goes Big

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      #masthead-section-label, #masthead-bar-one { display: none }The Grammy AwardsliveGrammys UpdatesWinners ListThe HighlightsHow to WatchAdvertisementContinue reading the main storyGrammy Awards Live Updates: Megan Thee Stallion Wins Best New ArtistGrammys fashion goes live and over-the-top.March 14, 2021, 7:50 p.m. ETMarch 14, 2021, 7:50 p.m. ETMegan Thee Stallion arrives at the 63rd annual Grammy Awards.Credit…Kevin Mazur/Getty Images for The Recording AcademyIt’s been awhile since we’ve actually seen the strutting, preening, over-the-top fashion show that is an awards season red carpet. After all, even before the pandemic hit, there was some rethinking going on, as female performers in particular started demanding not to be simply reduced to what they wore. So when the Grammy powers that be announced they were going to figure out how to bring the whole shebang back — well, it was not entirely clear what that would mean.At least until the E! hosts provided the answer. “Drama!” shrieked Brad Goreski. “Epic!” said Lilly Singh. “A traffic jam of glam!” said Guiliana Rancic.Exclamation points aside, they weren’t that far off. The first quasi-live mega-awards red carpet since Covid-19 began was like a fashion primal scream. It was also kind of fun. Who wants restraint when we’ve all been constrained? Doja Cat summed it up when she showed off a Roberto Cavalli gown that involved a leather motorcycle jacket unzipped to the waist and then somehow spliced into a showgirl skirt of neon green and black feathers.“I like something that’s kind of out there,” she said in her red carpet interview. “I feel like I’ve been kind of toned down before this.”Doja Cat.Credit…Jordan Strauss/Invision, via Associated PressNoah Cyrus.Credit…Jordan Strauss/Invision, via Associated PressBTS during the E! Grammys live red carpet.Credit…E!“Toned-down” was not a word anyone would have used (BTS in hip monochrome Louis Vuitton suiting aside). Phoebe Bridgers came as a bejeweled Thom Browne skeleton, with a full set of bones embroidered on a black gown. Noah Cyrus was a walking tower of whipped cream in exploding ivory Schiaparelli couture. Cynthia Erivo did her best imitation of liquid mercury in Vuitton sequins. Dua Lipa was a crystal Versace butterflyMegan Thee Stallion channeled a gigantic neon orange supernova in a strapless Dolce & Gabbana column with a steroid-fueled bow on the back, complete with train.“I wanted to look like a Grammy,” she said, of the dress. “I manifested this.”She wasn’t the only one. Suddenly, costumes that once might have provoked eye rolls and cynicism seemed like a courageous refusal to let the last year win. And the red carpet, which was increasingly dismissed as a mere marketing tool, has a whole new role.AdvertisementContinue reading the main story More

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      Grammys Lineup 2021: Taylor Swift, BTS, Billie Eilish and More

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      AdvertisementContinue reading the main storySupported byContinue reading the main storyTaylor Swift, BTS and Megan Thee Stallion Will Perform at the GrammysThe awards show next Sunday night will feature a mix of live and taped appearances shot in downtown Los Angeles.From left: Taylor Swift, Megan Thee Stallion and Dua Lipa are among the artists announced as performers for the 63rd annual Grammy Awards.Credit…Dia Dipasupil/Getty Images For Iheartmedia, Rich Fury/Getty Images For Visible, Kevin Winter/Getty Images For DcpPublished More

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      How to Stream New Year’s Eve: 25 Shows From Pop, Jazz and Beyond

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      #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storyHow to Stream New Year’s Eve: 25 Shows From Pop, Jazz and BeyondIt isn’t too late to make (cheap!) plans to welcome 2021 with music. A host of concerts will be streaming around the globe and major stars will take the stage on TV.Jennifer Lopez will headline “Dick Clark’s New Year’s Rockin’ Eve With Ryan Seacrest” on ABC.Credit…Kevin Winter/Getty ImagesOlivia Horn, Elysa Gardner and Dec. 30, 2020THE AVETT BROTHERS If your appetite for sentimentality hasn’t been sated by holiday films, this may be the livestream for you. In their strummy folk-rock vernacular and tidy close harmonies, the brothers Scott and Seth Avett sing earnest songs about love and family. A slew of special guests — including Willie Nelson, Brandi Carlile, Norah Jones and Loudon Wainwright III — will bolster the star power of this New Year’s Eve performance (the 17th edition of an annual Avett tradition). At 8 p.m. Eastern, nugs.tv. Tickets start at $40. (Olivia Horn)THE BEST OF RADIO FREE BIRDLAND The pay-per-view virtual concert series has brought live-to-tape performances to pandemic-weary cabaret fans since April. To finally welcome a new year, it will present a compilation of them — all captured on the Birdland Theater stage with three cameras and no audience members — featuring Broadway and cabaret favorites such as Sierra Boggess, Reeve Carney, Nikki Renée Daniels, Darius de Haas, Telly Leung, Eva Noblezada, Laura Osnes, Christopher Sieber and Billy Stritch. Streaming on demand from Dec. 31 to Jan. 3; tickets are $10 at events.BroadwayWorld.com. (Elysa Gardner)Justin Bieber will take the stage to perform a full concert for the first time in more than three years.Credit…ABC, via Agence France-Presse — Getty ImagesJUSTIN BIEBER For a pop star, Justin Bieber has become a reluctant performer — often withdrawn when he does appear onstage, and prone to canceling shows altogether. With the pandemic (so far) sparing him the obligation of touring in support of his latest album, “Changes,” this livestreamed show is Bieber’s first full concert in more than three years. The sultry R&B of “Changes” trends mellower than much of his earlier work, making it a suitable soundtrack for an evening in. At 11 p.m. Eastern, justinbiebernye.com. Tickets are $25 (free for T-Mobile customers). (Horn)BIG HIT LABELS’ 2021 NEW YEAR’S EVE LIVE Owing to the success of their crown jewel, BTS, Big Hit has contributed substantially to K-pop’s growing global footprint. Their artist roster, which includes lesser-known (in the U.S., anyway) groups like Gfriend and Nu’est, will join forces for this concert, live from Korea. BTS’s past collaborators Halsey, Lauv and Steve Aoki have been tapped to expand the program’s international reach with a collaboration on the so-called “Global Connect Stage.” At 7:30 a.m. Eastern, on the Weverse shop app. The basic ticket option is sold out, but multiview packages are available for about $48. (Horn)BUD LIGHT SELTZER SESSIONS PRESENTS NEW YEAR’S EVE 2021 Post Malone’s ubiquitous, post-genre pop songs can be bacchanalian (for the New Year’s that we want) or brooding (for the New Year’s that we’re getting). At this virtual shindig, streaming live from Las Vegas, he’ll perform a selection with support from Saweetie, the cheeky rapper whose popularity has surged on the back of consecutive TikTok hits. The comedian Lilly Singh will host, with additional performances from Jack Harlow and Steve Aoki. At 10:30 p.m. Eastern, budlight.com/nye and on Bud Light’s Instagram, Facebook, Twitter and YouTube. (Horn)BTS will cap a big year by performing at its label Big Hit’s New Year’s extravaganza. Credit…Agence France-Presse/Mtv, via Getty Images‘DICK CLARK’S NEW YEAR’S ROCKIN’ EVE WITH RYAN SEACREST 2021’ If the ball drops in Times Square and no one is around to see it, does 2020 actually end? Despite the absence of the usual crowds, Ryan Seacrest and his fellow hosts, the actors Lucy Hale and Billy Porter, will be on hand to capture the ball’s descent from One Times Square, with Ciara hosting a sister celebration in Los Angeles. Machine Gun Kelly, Miley Cyrus, Megan Thee Stallion, Cyndi Lauper and more will perform; Jennifer Lopez is the evening’s headliner. At 8 p.m. Eastern, on ABC. (Horn)‘CNN’S NEW YEAR’S EVE’ Andy Cohen, who co-hosts this broadcast with Anderson Cooper, described it as “an authentic experience” (a year ago, that authenticity manifested with a peer-pressured Cooper struggling through tequila shots on air). This holiday, the pair will be freewheeling masters of ceremony for a lineup of performers and special guests that includes John Mayer, Patti LaBelle, Kylie Minogue, the Goo Goo Dolls, Jon Bon Jovi and Carole Baskin, of “Tiger King” fame. At 8 p.m. Eastern, on CNN. (Horn)CLUB CUMMING’S NYE BLOWOUT For those willing to brave the elements for a live experience, the East Village night spot is offering an outdoor celebration in a socially distanced setting, hosted by Kareem McJagger. The 5:30 and 7:30 p.m. seatings will include a light dinner, with entertainment provided by the burlesque queen Dirty Martini; Emma Craig, channeling Dolly Parton; and Michael T channeling David Bowie; along with the singers Antony Cherry and Militia Vox, the Richard Cortez Trio, “boylesquer” Richard JMV, the drag squad the Covid Destroyers and the Club Cumming Band. At Club Cumming, Manhattan; clubcummingnyc.com, $80. (Gardner)Saweetie will join Post Malone and other pop stars for a Bud Light Seltzer Sessions event.Credit…Vivien Killilea/Getty Images for Boohooman#DANCEAWAY2020 Clear some floor space and consider carb-loading before tuning into this marathon livestream, a 20-plus-hour dance party bringing together an intercontinental lineup of electronic D.J.s. From Melbourne, the longtime techno kingpin Carl Cox will book end the show with sets at 7 a.m. Eastern on Thursday and 3 a.m. on Friday. Other notables on the bill include Honey Dijon (live in Berlin), Tokimonsta (in Los Angeles) and Nicole Moudaber (in Barbados). At 7 a.m. Eastern, on Beatport’s Twitch, YouTube and Facebook. (Horn)NATALIE DOUGLAS The 12-time Manhattan Association of Cabarets Award winner will once again use her supple wit and soulful warmth to kiss today goodbye, this time with an assist from technology. For “A Virtually Natalie New Year 2020,” kicking off at 9 p.m., Douglas and her longtime music director Brian Nash will offer songs old and new, and take requests via Facebook and YouTube. In lieu of a cover charge, viewers are asked to simply pay what they can, at Venmo or PayPal. Streaming live at facebook.com/natalie.douglas.nyc and youtube.com/nataliedouglasmusic. (Gardner)ESCHATON NYE: THE DISSOLUTION The vibe of this interactive theater piece should hover somewhere between spooky cabaret and escape room. Originally conceived as an in-person experience, the Eschaton project nimbly pivoted to digital in the spring, maximizing Zoom rooms’ functionality by presenting a suite of interconnected virtual performance spaces, through which guests can meander. The organizers encourage festive attire. At 11 p.m. Eastern, tickettailor.com. Tickets start at $25. (Horn)Tokimonsta will play music from Los Angeles as part of the 20-plus-hour dance party #DanceAway2020.Credit…Timothy Norris/Getty ImagesHIROMI Among jazz musicians, pianists were among the best equipped to handle the doldrums of isolation this year — there’s a lot you can do with 88 keys, and the piano is the rare instrument that’s often performed solo in a jazz context. Over the past two decades, Hiromi has honed her own relationship to the instrument’s vast possibilities. Last year she released a redoubtable solo album, “Spectrum,” and she had just finished a tour promoting it when the coronavirus struck. She’s likely to draw from that material this week, as she does a run of solo shows at the Blue Note Tokyo; on New Year’s Eve, in a nod to her North American audiences, she will perform a livestream from there at 11 p.m. Eastern Standard Time. Passes are $20 at bluenotelive.com. (Giovanni Russonello)JASON ISBELL AND THE 400 UNIT Widely regarded as one of Music City’s great storytellers, Jason Isbell writes deftly about world-weary, embattled characters; his songs strike a tone befitting a year that has left many worse for wear. In May, Isbell celebrated the release of his new album with a livestreamed show at an empty Brooklyn Bowl in Nashville, with accompaniment from his wife, the singer-violinist Amanda Shires. For the holiday, the pair will return, this time with the full band in tow. At 9 p.m. Eastern, fans.live. Ticket packages start at $25; day of, they jump to $30. (Horn)THE JUNGLE SHOW This blues supergroup, anchored by ZZ Top’s Billy Gibbons, convenes annually for a New Year’s show at Antone’s Nightclub in Austin, Tex. Gibbons and his compatriots — including the singer-guitarists Jimmie Vaughan and Sue Foley — will forgo an in-person audience to keep the tradition alive this year, delivering rollicking guitar riffs from the empty club via livestream. At 8 p.m. Eastern, jungleshow.tv. Ticket packages start at $25. (Horn)KISS Never ones to skimp on the theatrics, the glam rock titans are plotting to break world records with the pyrotechnics display that will accompany their show at the Atlantis in Dubai. Tune in for hedonistic guitar anthems and, inevitably, a glimpse of Gene Simmons’s tongue. At 12 p.m. Eastern, kiss2020goodbye.com. Ticket packages start at $40. (Horn)The cabaret star Natalie Douglas is asking patrons only to pay what they can for her New Year’s show.Credit…Walter McBride/Getty ImagesMET STARS LIVE IN CONCERT: NEW YEAR’S EVE GALA After scraping together an ambitious at-home gala just weeks into the pandemic — quite the achievement, with only a couple of mishaps — the Met Opera has leveled up the production value on their digital programs. Their year-end celebration is set to broadcast on location at a neo-Baroque theater in Augsburg, Germany, with performances by the sopranos Pretty Yende and Angel Blue and the tenors Javier Camarena and Matthew Polenzani. At 4 p.m. Eastern, metopera.org. Tickets are $20. (Horn)‘NBC’S NEW YEAR’S EVE 2020’ Carson Daly hosts NBC’s addition to the crowded New Year’s prime time market, welcoming musical guests including Chloe x Halle, Gwen Stefani, Blake Shelton, Sting, Bebe Rexha and Doja Cat. At 10 p.m. Eastern, on NBC. (Horn)NEW YEAR’S QUEENS: GOODBYE 2020! Sixteen alumnae of “RuPaul’s Drag Race” comprise the lineup for this New Year’s glitterfest, with hosting duties split between Alaska, Bob the Drag Queen, Katya, Miz Cracker, Peppermint and Trixie Mattel. Can’t get enough? Season 13 of “Drag Race” premiers on New Year’s Day. At 6 p.m. Eastern, sessionslive.com/NewYearsQueens. Ticket packages start at $49. (Horn)PINK MARTINI’S ‘GOOD RIDDANCE 2020’ For most people not named Kardashian, long-distance trips became an untenable risk this year; lucky for Pink Martini, globe-trotting through music — and traveling back to supposedly simpler times — has always been its stock in trade. A little big band that achieved worldwide renown in the late 1990s, its wide repertoire consists of old show tunes, cabaret fare, romantic songs from around the world and original compositions that sound like all of the above. On New Year’s Eve, Pink Martini will present a streaming holiday concert, filmed in its hometown Portland, Ore., that will be broadcast twice: once at 9 p.m. Paris time, and again at 9 p.m. Eastern Standard Time. Streaming passes can be purchased for $15 at ourconcerts.live, and can be used to watch the show at any point for the next 48 hours. (Russonello)The pianist Hiromi will perform a livestreamed show from Blue Note Tokyo.Credit…David Wolff/Patrick, via RedfernsCHRIS POTTER Since the 1990s, Chris Potter has been among jazz’s most casually fearsome saxophonists, and left entirely to his own devices during quarantine, he has proved just how deep his virtuosity goes: This month he released “There Is a Tide,” a slinky, coolly funky album for which he recorded every instrument — overdubbing saxophones, clarinets, flutes, bass, drums, guitars and keyboards. Potter has played New Year’s Eve at the Village Vanguard for the past two years, and this week he’ll return to the club for livestream performances on Dec. 31 and Jan. 1, at 8 p.m. each time. There will be no live audience, but he’ll be accompanied by a stellar quartet of longtime associates: David Virelles on piano, Joe Martin on bass and Marcus Gilmore on drums. Tickets cost $10 at villagevanguard.com. (Russonello)KT SULLIVAN AND RUSS WOOLLEY KT Sullivan, the ebullient cabaret veteran and champion, and the producer Russ Woolley will present “What Are You Doing New Year’s Eve?,” a benefit for the Mabel Mercer Foundation, featuring the jazz pianist Jon Weber and the singer and pianists Eric Yves Garcia and Larry Woodard. The virtual festivities, taped live and streaming at 10 p.m., will include a countdown to midnight with champagne, noisemakers and masks. The stream is free of charge, though donations for the fund-raiser are appreciated. At mabelmercer.org. (Gardner)LUCINDA WILLIAMS When she started her own label in 2014, this roots-rock rebel was clear on her artistic mission: To do whatever she wanted. Lately, what she wants is to play covers. In an ongoing virtual concert series that supports independent music venues, Lucinda Williams has devoted full sets to greats like Tom Petty and Bob Dylan. For the sixth and final installment of the series, which coincides with the holiday, she’ll pay tribute to the Rolling Stones. At 8 p.m. Eastern, boxoffice.mandolin.com. Tickets start at $20. (Horn)Lucinda Williams will conclude her covers series with a show devoted to the Rolling Stones.Credit…Jeff Spicer/Getty ImagesYANDEL GOODBYE 2020 This O.G. reggaetonero helped forge a path that artists like J Balvin have followed to mammoth crossover success. With his performing partner Wisin, Yandel came up with the first wave of international reggaeton stars in the early 2000s; two decades after their debut, the pair remain prominent voices in the genre, both together and individually. Their plans for a Vegas-style residency at the Coliseo de Puerto Rico this month were, of course, scrapped. Instead, Yandel will offer fans this free virtual concert, broadcast live from Miami. At 8 p.m. Eastern, on Yandel’s YouTube channel and the app LaMusica. (Horn)YOUTUBE’S HELLO 2021 Lest any one New Year’s special feel too boilerplate, YouTube’s in-house content studio is producing five different, regionally specific variations, each carried by (mostly) local talent. The “Americas” version will offer urbano courtesy of J Balvin and Karol G, modern country from Kane Brown and disco pop from Dua Lipa. On triple duty, Lipa also features in the U.K. special alongside the pop singer Anne-Marie and the shapeshifting rapper AJ Tracey, and in the Indian edition, alongside the comedian Zakir Khan and the rapper Badshah. At 10:30 p.m. Eastern, on YouTube Originals’ channel. (Horn)JOHN LLOYD YOUNG The Tony Award-winning star of “Jersey Boys” — both the original Broadway production and Clint Eastwood’s 2014 screen adaptation — has in recent years parlayed his affinity for pop and R&B classics into a busy cabaret career. To ring in 2021, John Lloyd Young will lend his robust, rangy voice to such material along with originals and perhaps a show tune or two. Young’s live-streamed, hourlong set, beginning at 11 p.m. Eastern, will be followed at 12:15 a.m. Eastern with a V.I.P. after-party and interview, with the singer answering audience questions submitted in advance. From Feinstein’s at Vitello’s, Los Angeles (and available On Demand for a limited time after the event); 818-769-0905, feinsteinsatvitellos.com, $30 plus $5 for the V.I.P. experience. (Gardner)AdvertisementContinue reading the main story More

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      How Pop Music Fandom Became Sports, Politics, Religion and All-Out War

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      #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storyThe Great ReadHow Pop Music Fandom Became Sports, Politics, Religion and All-Out WarOn social media this year, the stan was ascendant, fueling commercial competition, trolling and other arcane battles. How did we get here?Superfans’ antics reached the mainstream this year, but have operated at a constant hum since the internet helped turn pop music loyalty into a 24-hours-a-day job.Credit…Son of Alan/Folio ArtDec. 25, 2020, 5:00 a.m. ETBenjamin Cordero, a high school student from western New York, has a thing for pop divas, but especially Lady Gaga.Previously a casual fan of whatever was on the radio, Cordero was converted when the singer performed during the Super Bowl halftime show in 2017, and in the bountiful time since — which included “A Star Is Born” — his devotion has only grown.Earlier this year, as Lady Gaga prepared to release her latest album, “Chromatica,” Cordero joined Twitter, the current hub of pop superfandom, where he dedicated his account to all things Gaga. He tweeted thousands of times during the pandemic, often in dense lingo and inside jokes, along with hundreds of his fellow travelers, known as Little Monsters — internet friends whom he calls his “mutuals.”But these days, in these circles, joy and community are rarely enough. There are also battles to be waged and scores to be settled with rival groups or critics. And for Cordero, that meant trolling Ariana Grande fans.In October, with “Chromatica” having registered as a modest hit, Grande’s own new album, “Positions,” leaked online before its official release. Cordero, who liked Grande well enough but found her new music to be lacking, shared a link to the unreleased songs, much to the consternation of Grande fans, who worried that the bootlegged versions would damage the singer’s commercial prospects.Taking on the role of volunteer internet detectives, Grande fans proceeded to spend days playing Whac-a-Mole by flagging links to the unauthorized album as they proliferated across the internet. But Cordero, bored and sensing their agita, decided to bait them even further by tweeting — falsely — that he’d subsequently been fined $150,000 by Grande’s label for his role in spreading the leak. “is there any way I can get out of this,” he wrote. “I’m so scared.” He even shared a picture of himself crying.“They were rejoicing,” Cordero recalled giddily of the Grande fans he’d fooled, who spread the word far and wide that the leaker — a Gaga lover, no less — was being punished. “Sorry but I feel no sympathy,” one Grande supporter wrote on Reddit. “Charge him, put him in jail. you can’t leak an album by the world’s biggest pop star and expect no consequences.”This was pop fandom in 2020: competitive, arcane, sales-obsessed, sometimes pointless, chaotic, adversarial, amusing and a little frightening — all happening almost entirely online. While music has long been intertwined with internet communities and the rise of social networks, a growing faction of the most vocal and dedicated pop enthusiasts have embraced the term “stan” — taken from the 20-year-old Eminem song about a superfan turned homicidal stalker — and are redefining what it means to love an artist.On what is known as Stan Twitter — and its offshoots on Instagram, Facebook, TikTok, Tumblr and various message boards — these devotees compare No. 1s and streaming statistics like sports fans do batting averages, championship wins and shooting percentages. They pledge allegiance to their favorites like the most rabid political partisans or religious followers. They organize to win awards show polls, boost sales and raise money like grass roots activists. And they band together to pester — or harass, and even dox — those who may dare to slight the stars they have chosen to align themselves with.“These people don’t even know who we are, but we spend countless days and months defending them from some stranger on the internet,” said Cordero, who later revealed his Grande prank, gaining nothing but the ability to revel in the backlash.“When someone says something about Lady Gaga that’s negative, a little bit of yourself inside is hurt,” he explained of his own loyalty. “You see yourself in your favorite artists — you associate with them, whether it’s just the music or it’s their personality. So when someone insults your favorite artist, you take that as a personal insult, and then you find yourself spending hours trying to convince someone in China that ‘Born This Way’ was her best album.”“It’s definitely a playing field to us,” Cordero said. “We throw them in the ring, they battle it out, we cheer them on.”This year — one in which so much of everyday life was confined to virtual spaces because of the coronavirus — such antics garnered mainstream attention when fans of the K-pop group BTS targeted President Trump (and donated to Black Lives Matter) or when Taylor Swift supporters spit venom at those critics who thought her new album was anything less than perfect. Recently, NBC was forced to apologize after fans of Selena Gomez revolted in reaction to an off-color joke about the singer in a reboot of “Saved by the Bell.”But these battles also occurred at a near-constant clip on a smaller scale, in large part because of the incentives of the platforms where we now gather.In the past, “the media that we had didn’t facilitate these huge public spaces where attention is a commodity,” said Nancy Baym, an author and researcher who has studied fan behavior online since the 1990s. “There’s been this very long process of fans gaining cultural attention, gaining influence, and recognition of how to wield that influence, and now we’re seeing it more because media are at a point where it’s really putting it out there in front of us.”Before destinations like Twitter, YouTube and Spotify — where numbers and what’s trending are central to the interface — there were self-selecting mailing lists, bulletin boards, Usenet news groups, fan sites and official URLs, where Grateful Dead or Prince fans could gather to digitize lyrics, sell tickets or trade tapes.The availability of analytics, including sales figures and chart positions, has helped transform fandom into something quantifiable.Credit…Son of Alan/Folio Art“It was more about the community within — connecting with other fans of the same artist — and wasn’t as competitive,” Baym said. “In some ways it was competitive, but it was more, ‘How many times have you seen them live?’”In the early 2000s, Myspace in many ways marked a turning point, presaging an era of social media in which fans could connect directly with artists in a way they hadn’t before, causing some people to become more hostile, abusive or entitled, Baym said. At the same time, “American Idol” pitted fandoms against one another in the form of a popular vote, and what were once more insular conversations among enthusiasts began oozing outward.Matthew James, 22, who started the nostalgic blog Pop Culture Died in 2009 when he was 15, recalled when music forums like ATRL or LiveJournal communities like Oh No They Didn’t! were a temporary escape. “You would log in after your day at school or work, and you had that small window of time on the internet,” he said. “Even 10 years ago, it was still confined to these corners — you could really distance yourself very easily. Now that is not possible since everything has been moved from separate websites to these centralized social media platforms.”“With iPhones and everything, we’ve seen that small window of time you could be a fan turn into 24/7,” James added. “People never log off.”Paul Booth, a professor of media studies at DePaul University, researches how people use popular culture for emotional support and pleasure. In an interview, he noted that in the last decade, “It’s gone from a general understanding that there are people out there that call themselves fans, but we don’t really know who they are or what they do to, ‘I’m a fan, you’re a fan, everyone’s a fan.’ It’s absolutely become everyday discussion.”“Before, those people existed, but they were meeting in the basement yelling at each other,” he said. “Now they’re meeting on Twitter and yelling at each other, and everyone can see it.”While early stereotypes about fanatics focused on possessed, shrieking teeny-boppers or stalkers and killers, from Mark David Chapman to “Misery” and Yolanda Saldivar, fans were taken more seriously as a subculture in the late 1990s and 2000s, when they were seen as creators themselves, spawning zines, fan fiction and YouTube montages.But with the rise of internet-first congregations like Beyoncé’s BeyHive, Justin Bieber’s Beliebers and Nicki Minaj’s Barbz in the 2010s, an evangelical fervor became a prerequisite and the word “stan,” used as both a noun and a verb, continued to gain prominence and even positive connotations.“It’s a reclamation of the negative term as a badge of honor — ‘I am a stan because I feel so much for this artist,’” Booth said.As the politicization of the internet ratcheted up after Gamergate in 2014, fan groups increasingly adopted the tactics of troll armies from 4chan and Reddit, working in large anonymous groups — often behind celebrity avatars that broadcast fealty — to bend online conversation to their will. And unlike admirers of “Star Wars” or Marvel properties, which are more sprawling narrative fandoms, music fans — like supporters of Bernie Sanders or President Trump — are often investing in a single individual, making things even more personal.“It all boils down to emotions, which is something we don’t take seriously enough in our culture,” Booth said. “When people are passionate about something to the point that they’re identifying with it, and it becomes part of who they are — whether it’s a political party, a political person or celebrity — they’re going to fight.”They’re also going to buy. As artists have come to recognize their direct influence over swaths of their online public — sometimes siccing them on detractors, or at least failing to call them off — they have also come to rely on their constant consumption, especially in the streaming era.“You might have a local” — stan slang for a casual fan — “buy a record,” said Cordero, the Lady Gaga loyalist. “But a person on Stan Twitter probably bought that record 10 times, streamed a song on three separate playlists and racked up hundreds and hundreds of plays.”He added: “It’s basically promotion, free labor — we’re practically chained against the wall with our phones.” (Lady Gaga recently advertised “Chromatica”-branded cookies as an “Oreo Stan Club.”)In addition to fueling a merchandise boom, these pop fans have taken it upon themselves to learn the rules governing the Billboard charts and the streaming platforms that provide their data, hoping to maximize commercial impact for bragging rights.“Shall we tighten up our muscles and get ready for a long march?” asks the “Ultimate ARMY Streaming Guide” posted to one fan site for BTS, whose faithful call themselves Army. Tips include to avoid bulk buying (“there is usually a purchase limit or it will count as one purchase only”); to compile playlists instead of looping tracks (“it will appear as a bot”); and to not put the songs on mute (“Don’t worry, you can plug in earphones if you’re planning to stream the whole day!”).The guide was written by a BTS fan named Avi, who is 26 and lives in Jakarta, Indonesia. She went “down the rabbit hole” after seeing the boy band perform at the American Music Awards in 2017, she said, and found community in the fandom. In addition to gathering online, Avi and her fellow BTS fans like to get together in person to celebrate the members’ birthdays from afar, buying them a cake, posing for pictures and making charitable donations in their name.“I’ve never seen anyone insincere when it comes to BTS,” Avi said in an interview. “No one is forcing us to do anything. It feels like we’re promoting BTS, but we are also promoting our own voices, our own struggles, our own hope for a better world.”By running up the group’s numbers, landing them atop various charts and trending-topic lists, the fans hope to inspire curiosity in others to check out BTS and take in the group’s messages of self-love. “I think of it as my own voice,” Avi said. “What I do for BTS, it’s not for them. I’m doing it with them.”But some see these relationships between fans and idols as parasocial ones — largely one-sided interactions with mass-media figures that masquerade as friendship — and worry about the long-term mental health effects of such devotion.Haaniyah Angus, a writer and former teenage stan who has written about her experiences in the subculture, noted that standom was “very heavily dependent on capitalism and buying” in a way that convinced consumers, on behalf of “really rich people,” that “their win is your win.”“For me and a lot of people I knew, a lot of it stemmed from us being very lonely, very depressed and anxious being like, ‘I’m going to forget what I’m going through at the moment and I’m going to focus on this celebrity,’” she said.This dynamic often served to stamp out dissent within the ranks, which was once seen as a crucial component of fandom.“I don’t think that toxic fandom is synonymous with stan culture,” said Booth, the fan studies researcher. “But I think one of the dangers of stan culture — that is, the danger of a group of fans who are so passionate about something that they’ll shut down negative comments — is that it can often shut down much-needed conversations where our media and celebrities let us down.”AdvertisementContinue reading the main story More