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      Police in China Detain Canadian Pop Star Kris Wu on Suspicion of Rape

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      Kris Wu, a 30-year-old celebrity, is the most prominent figure in China to be held over #MeToo allegations.The police in Beijing said Saturday they had detained Kris Wu, a popular Canadian Chinese singer, on suspicion of rape amid a #MeToo controversy that has set off outrage in China.The police did not provide details of their investigation into Mr. Wu. But it comes several weeks after an 18-year-old university student in Beijing accused him of enticing young women like herself with the promise of career opportunities, then pressuring them into having sex.Known in China as Wu Yifan, Mr. Wu, 30, is the most prominent figure in China to be detained over #MeToo allegations.He rose to fame as a member of the Korean pop band EXO, then started a successful solo career as a model, actor and singer. Though he denied the allegations when they first surfaced, they set off an uproar that led at least a dozen companies, including Bulgari, Louis Vuitton and Porsche, to sever ties with the singer.The Chaoyang District branch of the Beijing police said in a statement on social media on Saturday night that it had been looking into accusations posted online that Mr. Wu “repeatedly deceived young women into sexual relations.” It said that Mr. Wu had been detained while the criminal investigation continued.Mr. Wu’s accuser, Du Meizhu, has said publicly that when she first met Mr. Wu in December last year, she was taken by the singer’s agent to his home in Beijing for work-related discussions. She said that she was pressured to drink cocktails until she passed out, and later found herself in his bed.They dated until March, according to her account of the events, when he stopped responding to her calls and messages. She has also said she believed that he targeted other young women.Mr. Wu’s lawyer did not immediately respond to requests for comment. Ms. Du could not be reached.It was not immediately clear if the police were specifically investigating Ms. Du’s claims. In a statement in July, the police had released what appeared to be preliminary findings about Ms. Du’s allegations. The police had said Ms. Du had hyped her story “to enhance her online popularity,” an assessment that was criticized by her supporters as victim shaming.The outpouring of support for Ms. Du was a sign that the country’s nascent #MeToo movement continues to grow despite the government’s strict limits on activism and dissent. After Ms. Du spoke out, her supporters flooded the social media pages of several brands, threatening boycotts if they did not drop their partnerships with Mr. Wu, a campaign that quickly forced the companies to distance themselves from him.The accusations have triggered a heated debate on issues like victim-shaming, consent and abuse of power in the workplace — concepts that had rarely featured in mainstream discussions before the #MeToo movement went global.The authorities in China often discourage women from filing sexual misconduct complaints, and sexual assault or harassment survivors are frequently shamed and even sued for defamation. Censorship and limits on dissent have also stymied efforts among feminist activists to organize, even as trolls are given cover to spew abuse.Yet the high-profile nature of the controversy made Ms. Du’s allegations impossible to ignore for Chinese authorities, who are always on the lookout for what they deem to be potential sources of social unrest.The police announcement, posted on the country’s popular Weibo social media platform, immediately started trending, drawing more than six million likes.Lu Pin, a New York-based feminist activist, said the detention of Mr. Wu was a major step forward for the #MeToo movement in China.“Regardless of what the motivation of the police may have been, just the fact that he was detained is huge,” Ms. Lu said.“For the last three years, a number of prominent figures have faced #MeToo accusations but nothing ever happened to them,” Ms. Lu said. “Now with Wu Yifan, #MeToo has finally taken down someone with real power in China — it has shown that no matter how powerful you are, rape is not acceptable.”The detention of Mr. Wu comes amid a broader government crackdown on the entertainment industry.In recent years, Chinese authorities have moved aggressively to clean up the industrywide problem of tax evasion and to cap salaries for the country’s biggest movie stars. In June, the country’s internet watchdog began a crackdown on what it called the country’s “chaotic” online celebrity fan clubs, which the government has come to see as an increasing source of volatility in public opinion.The People’s Daily, the mouthpiece of the ruling Communist Party, depicted Mr. Wu’s detention as a warning to celebrities that neither fame nor a foreign citizenship would shield them from the law.“A foreign nationality is not a talisman. No matter how famous one is, there is no immunity,” the propaganda outlet wrote. “Remember: The higher the popularity, the more you must be self-disciplined, the more popular you are, the more you must abide by the law.” More

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      in Television

      Her Book Described Bringing Bill Cosby to Justice. Then He Was Freed.

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      Months before Andrea Constand’s memoir about the Cosby case and its aftermath was set to be published, a Pennsylvania Court overturned his conviction for assaulting her and released him.Andrea Constand was taking what she has described as a step toward healing: 16 years after naming Bill Cosby in a lawsuit as the man who had sexually assaulted her, and three years after he was convicted and sentenced to prison for the crime, she was ready to tell her story in a memoir that is due to be published in September.The forthcoming book traces Ms. Constand’s journey from disbelieved accuser to a powerful voice in the #MeToo movement, one of dozens of women who came forward with similar accounts of abuse and misconduct by Mr. Cosby but the one who, in the words of her publisher, had “the power to bring him to justice.”But instead of having the last word, a key part of Ms. Constand’s narrative — if not her book — was rewritten Wednesday when the Pennsylvania Supreme Court freed Mr. Cosby on procedural grounds. The court did not exonerate Mr. Cosby, 83, but said that he should not have been charged because a previous district attorney had given him assurances that he would not be prosecuted.The court’s decision was “disappointing,” Ms. Constand and her lawyers said in a statement, which noted that they had not been consulted on, or even been made aware of, the closed-door prosecutorial maneuverings more than a decade ago that eventually allowed Mr. Cosby to walk out of a maximum-security prison near Philadelphia on Wednesday. And in a case once seen as a harbinger of women’s right to justice, the effect, Ms. Constand and her lawyers feared, would be to once again silence victims of assault.Andrea Constand’s Statement on Bill CosbyAndrea Constand and her legal team released a statement on Wednesday about the overturning of Bill Cosby’s conviction. Read it here.Read Document 1 pageFor other women who said that they had survived assaults or misconduct by Mr. Cosby — more than 50 have come forward — the whiplash was intense, especially for those who gave corroborating accounts in his criminal trial.“We know he’s guilty, but as far as I’m concerned, as of today, the justices that have made this decision have just enabled a criminal to go without a consequence,” Heidi Thomas, who testified that Mr. Cosby raped her in 1984, told a Denver news channel. “What message is that sending to other victims? To other perpetrators? This is one case, but the precedent they have just set is devastating.”Ms. Constand, 48, who is now a licensed massage therapist in her native Canada, has movingly described how much the Cosby case upended her life; she called her memoir “The Moment,” as in, the moment everything changed.“I’m a middle-aged woman who’s been stuck in a holding pattern for most of her adult life, unable to heal fully or to move forward,” she said in her victim impact statement before Mr. Cosby’s sentencing in 2018, describing the rippling aftereffects of the night when she said he drugged and violated her in his suburban Philadelphia mansion.At the time, in 2004, she was a 30-year-old director of operations with the Temple University women’s basketball team, and she considered Mr. Cosby, then 66, a grandfather-like friend and mentor. Their encounter — when she was literally immobilized by the pills Mr. Cosby gave her, according to her testimony — was a profound betrayal, she said.Her memoir, “The Moment,” is due to be published in September. Penguin Random House“Bill Cosby took my beautiful, healthy young spirit and crushed it,” she said in her statement to the court. “He robbed me of my health and vitality, my open nature, and my trust in myself and others.”According to several published excerpts, her book, to be released by Viking Canada, describes her history as a confident, athletic youth from Toronto turned professional basketball player in Europe, who initially connected with Mr. Cosby, a Temple alumnus and donor, over sports.Recounting the assault, first to the police and prosecutors a year after she experienced it and then in a civil suit and two criminal trials, was re-traumatizing, she has said. Lawyers for Mr. Cosby sought to portray the interaction as consensual.“The attacks on my character continued, spilling over outside the courtroom steps, attempting to discredit me and cast me in false light,” she said in her statement to the court in 2018. “These character assassinations have caused me to suffer insurmountable stress and anxiety, which I still experience today.”Writing the memoir was meant to be an act of closure — a long-delayed one. “I did not want to lose any memories to time, and believe that reflection is a necessary final step toward true healing,” she said in an interview with her publisher, according to CBC Books. “By sharing stories, we can begin to help those whose lives have been impacted by sexual violence.”Neither Ms. Constand nor a representative for Viking Canada responded to requests for comment about the status of the book.In an excerpt that was published last month in Elle, Ms. Constand describes the moment in 2005 when she learned that Bruce L. Castor Jr., who was then the district attorney in Montgomery County, Pa., outside Philadelphia, had decided not to move forward with her case.“It was yet another sharp blow in what had already been, without a doubt, the most difficult year of my life,” she wrote.It was a decision that would have unanticipated ramifications this year.Mr. Castor — who earlier this year was one of the lawyers representing President Donald J. Trump’s in his second impeachment trial — announced in a news release at the time that his investigation had found “insufficient” evidence to proceed with the case. He has since said that he assured Mr. Cosby that he would not be prosecuted to pave the way for Mr. Cosby to testify in Ms. Constand’s civil case. In depositions for the civil case, Mr. Cosby acknowledged giving quaaludes to women he was pursuing for sex.When the civil case was settled in 2006 for $3.38 million, Ms. Constand later said, she believed that “this awful chapter in my life was over at last.”But when a new district attorney decided to pursue the charges that Mr. Castor had not, Ms. Constand agreed to once again put herself on the stand, though she was shamed and exhausted by the process, she has said.It ended with his conviction in 2018, a moment that was hailed at the time as a sign that in the #MeToo era the accounts of women would be given more credence.Though her story now has an unwelcome coda, Ms. Constand appears unbowed. On Thursday, she retweeted a message from Hope, Healing and Transformation, a foundation she started last year to offer guidance and support to survivors, which will receive a portion of the proceeds from her memoir. “Your story and voice matter right now more than ever. Silence is NOT an option. BILL COSBY IS NOT INNOCENT.” More

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      in Movies

      Graeme Ferguson, Filmmaker Who Helped Create Imax, Dies at 91

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      He partnered with friends to produce stunning original technology that would give movie viewers an immersive, stadium-like experience.Graeme Ferguson, a Canadian documentarian who cocreated Imax, the panoramic cinema experience that immerses audiences into movies, and was the chief creative force of the company for years, died on May 8 at his home in Lake of Bays, Ontario. He was 91. More

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      in Movies

      Playing the Role of New York? Toronto. That View of Paris? It’s Montreal.

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      At the Venice Biennale, Canada examines its cities’ ability to stand in for television and film locations.As visitors to the 2021 Venice Architecture Biennale make their way through the broad, leafy pathways of the event’s main exhibition space, the Giardini di Castello, they will quickly notice that one of the national pavilions is wrapped almost completely in green fabric. More

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      in Theater

      Sharon Pollock, Playwright Who Explored Canada’s Identity, Dies at 85

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      Ms. Pollock was best known for dramas inspired by historical events that examined racial tensions and other volatile issues.Sharon Pollock, an oft-produced Canadian playwright who was known for works that explored Canadian history and identity at a time when few of her contemporaries were doing so, died on April 22 at her home in Calgary, Alberta. She was 85.Her daughter Lisa Pollock said the cause was cancer.Ms. Pollock’s works covered a wide range, but she was especially known for dramas inspired by historical events. Her best-known play, “Blood Relations” (1980), was a take on Lizzie Borden and the ax murders of her father and stepmother in 1892 in Massachusetts (Borden was acquitted). But most of her history-inspired plays involved events in Canada’s past.“Walsh” (1973), one of her first staged works, was about James Walsh of the North-West Mounted Police and his handling of Sitting Bull and the Sioux Indians who had come from the United States in the 1870s seeking refuge. “One Tiger to a Hill” (1980) was inspired by a 1975 hostage-taking at a prison in British Columbia.These and her many other historical works didn’t merely document an event; they used it as a jumping-off point to explore themes like racial tension. That was at the core of her “End Dream,” about a real-life 1924 case in Vancouver in which a Scottish nanny died under murky circumstances and a Chinese servant was charged. The charges were later dropped.“I am only interested in historical things if I can manipulate them,” she told The Globe and Mail of Canada when that work was given its premiere in 2000 by Theater Junction in Calgary. “I want to make something bigger than the mystery.”Anne Nothof, a professor emerita at Athabasca University in Alberta who writes frequently about Canadian drama, said Ms. Pollock viewed theater “as a means of illuminating the dark corners of apathy and ignorance” and used it to examine areas of history that were often sanitized.“In her plays, she provided multiple perspectives on historical events,” Dr. Nothof said by email. “Pollock was committed to creating a theater that responded to the past and the present, that challenged historical and personal assumptions.”Stephen Hair and Julie Orton in “Blow Wind High Water.” Staged at Theater Calgary in 2017, it was Ms. Pollock’s last new produced play.Trudie LeeMs. Pollock had a long relationship with Theater Calgary, where she was artistic director in 1984 and 1985 and where four of her plays had their premieres, including “Walsh” almost 50 years ago and her last new produced play, “Blow Wind High Water,” in 2017.Two of her plays, “Blood Relations” and “Doc” (1984), received the Governor General’s Literary Award, a top honor in Canada, and in 2012 Ms. Pollock was given the Officer of the Order of Canada designation “for her contributions to the theater as an award-winning playwright, actor, artistic director and teacher.” That same year, when the University of Calgary held a conference celebrating her, it was called simply “Sharon Pollock: First Woman of Canadian Theater.”Mary Sharon Chalmers was born on April 19, 1936, in Fredericton, New Brunswick. Her father, Dr. George Everett Chalmers, has a hospital in Fredericton named after him, and her mother, Eloise (Roberts) Chalmers, was a nurse. She was also an alcoholic; Ms. Pollock painted a stark picture of her early years in “Doc,” a play that had autobiographical elements, and she talked bluntly about her mother.“To be truthful, I didn’t like her very much,” she told The Calgary Herald in 2013. “She was an ugly drunk. She didn’t go somewhere nice and quiet and drink herself into oblivion. I always say that every statutory holiday she would try and kill herself. Eventually she succeeded. I think I was 17 when that happened.”She dropped out of the University of New Brunswick in 1955 and married Ross Pollock. But their relationship, she said, was troubled, and the marriage ended after about a decade. In 1966 she moved to Calgary with the Canadian actor Michael Ball, with whom she had a long-term relationship.From left, Amanda Dahl (Ms. Pollock’s daughter), Kate Trotter and Susan Hogan in “Doc,” a 1984 play that had autobiographical elements.George GammonShe began her theater career as an actress. In a 2008 interview with the The Calgary Herald marking the 40th anniversary of Theater Calgary, she recalled working with that company in its early years. She had especially vivid memories of the old QR Center, which was notorious for a leaky foundation.“The dressing rooms were in the basement, so in the spring you’d have about three inches of sewage and horrible water all through the dressing room areas,” she said.The seepage, she said, somehow always seemed to be worst when a production called for period costumes.“You not only had to watch your feet,” she said, “but you had to hold up these reams of skirt, or else you’d enter onstage with a kind of osmosis — water creeping up all over the edge of your clothes.”(Perhaps appropriately, a decade later “Blow Wind High Water” was part of that theater’s 50th-anniversary season. It was about a Calgary flood.)Ms. Pollock’s plays were staged at the Stratford Festival in Ontario, the Neptune Theater in Halifax and many other theaters, including the Garry Theater in Calgary, which she ran for five years in the 1990s. She also served in executive roles at Theater New Brunswick and other houses, though her strong personality sometimes led to clashes with board members.Ms. Pollock in 2017.via Theatre CalgaryStafford Arima, Theater Calgary’s current artistic director, experienced that personality when he staged her final play.“I fell instantly in like with Sharon’s no-filter way of communicating,” he said by email. “Her energy reminded me of a glorious tsunami wave that engulfed any space she inhabited — whether it was a rehearsal room or a coffee house.”In addition to her daughter Lisa, she is survived by five other children, Jennifer Pollock, Kirk Pollock, Melinda Tracey, Michele Pollock and Amanda Dahl; 12 grandchildren; and three great-grandchildren.In a “Playwright’s Note” in the program for “Blow Wind High Water,” Ms. Pollock addressed the audience in words that might well have applied to many of her plays:“I hope you’ll experience in some small way some small parts of history that have made the place you live in the place it is.” More

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      in Television

      How Canada Has Become a Pilgrimage Site for 'Schitt's Creek' Fans

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      #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeHoliday TVBest Netflix DocumentariesAdvertisementContinue reading the main storySupported byContinue reading the main storyCanada Dispatch‘Schitt’s Creek’ Fans Arrive in GoodwoodThe hamlet that was the backdrop for the hit television series Schitt’s Creek has become a pilgrimage site for fans, to the joy and consternation of locals.Chantel Lambe, 29, in front of a building in Goodwood, Ontario, that was used as the Rose Apothecary in the television show Schitt’s Creek.Credit…Brett Gundlock for The New York TimesDec. 24, 2020Updated 7:04 p.m. ETGOODWOOD, Ontario — Joe Toby was recently giving a young couple a tour of his workshop, when the man sprinkled rose petals on the concrete floor and got down on one knee.The woman was a big Schitt’s Creek fan, it turned out, and was ecstatic to get engaged in the building, which doubled as a mechanic’s garage in the series, he said.“And here I was thinking it’s just my workshop,” said Mr. Toby, a retired machine maker who uses the space to build specialty beds for disabled children. “I guess it is special.”A satire about a fabulously wealthy family that loses all its money and is forced to settle in a town the patriarch bought as a joke because of its name, Schitt’s Creek has become a cult hit for its quirky humor, haute couture costume design and the fictional town’s unlikely embrace of gay love. It won a record nine awards at the Emmys, including one for best comedy.Nowhere has its sudden popularity been felt more intensely than Goodwood, a sleepy commuter hamlet 28 miles north of Toronto that was the main location for filming over six seasons.The hamlet feels like a postcard from antiquity, with heritage homes on less than a dozen streets and farmland on either side. The last census put its population at 663 — mostly retirees and young professionals with families who commute to the city for work.Downtown Goodwood, with the building, right, that doubled as Café Tropical. The blue building served as Bob’s Garage.Credit…Brett Gundlock for The New York TimesBefore Schitt’s Creek, Goodwood’s claims to fame were decidedly more pedestrian — potatoes grown on nearby farms, and the surrounding gravel pits, which produce the raw material to build highways and downtown buildings.Now, it has become a pilgrimage site of fans, who call themselves “Schittheads” and arrive in droves to the hamlet’s main intersection to take selfies in front of the buildings that served as the series’ set. Some arrive in character, dressed as Moira, the dramatic matriarch who has named her precious wigs like children, or Alexis, the socialite daughter. They spend money at the local bakery and general store, but also peer into windows, clog parking spots, and in a few cases, walk into homes, locals say.“They are rude,” said Sheila Owen, whose house doubled for the home of the supporting character “Ronnie.” “They come and expect us to be the same people portrayed in the show — that we are hicks who are stupid.”That feeling is not universally held. Eleanor Todd, 87, got dressed up with her granddaughter to stroll up to the now-famous corner and take photos like all the tourists. It’s the busiest that intersection has been since Goodwood’s glory days, when it boasted two hotels, four general stores, a skating arena and both a cobbler and tailor. That was in 1885.“I’m getting a kick out of it,” said Ms. Todd, a former teacher who wrote and self-published the hamlet’s authoritative history, “Burrs and Blackberries from Goodwood.”Joe Toby, a retired machine maker, speaking with Schitt’s Creek fans outside his workshop, which was the set for Bob’s Garage. Credit…Brett Gundlock for The New York TimesDevelopment in the hamlet has been greatly limited because it sits on ecologically sensitive land, the Oak Ridges Moraine. As a result, it has retained its quaint smallness and avoided the sprawl afflicting so many towns in southern Ontario. That’s what attracted Schitt’s Creek creators, Eugene and Dan Levy, according to their location manager Geoffrey Smither.“They liked that feeling — here’s the town, there’s the country,” said Mr. Smither, who toured 28 small towns scouting for the perfect backdrop to the show. “None of them arise and depart like Goodwood.”When he appeared before the local township councilors to ask for a filming permit, they burst out laughing and agreed.“It was going to put us on the map,” said Bev Northeast, a former longtime councilor who lives in Goodwood.Locals says fans started to appear in 2016, a year after the show premiered on the Canadian Broadcasting Corporation, the national broadcaster, but really ramped up after Schitt’s Creek was taken up by Netflix in 2017. By the summer of 2019, two chartered buses arrived to the intersection, spilling out people in matching T-shirts and lanyards that said “SchittCon.” (That’s short for Schitt’s Creek Convention.)Schitt’s Creek, created by Eugene, left, and Dan Levy, swept the Emmy’s in September.Credit…The TV Academy and ABC Entertainment, via Associated PressBut no one was prepared for the deluge of fans that descended after Schitt’s Creek swept the Emmys in September.So many people streamed into the local bakery, Annina’s, that the owner, Marco Cassano, hired two security guards to do crowd control. Since Annie Murphy — who plays Alexis, the socialite-daughter-with-a-heart-of-gold — told the late-night talk show host Seth Meyers about the bakery’s delectable butter tarts, he’s been fielding orders from across the United States.“It’s meant I stayed open throughout Covid and kept most of my staff,” said Mr. Cassano, who catered for the crew over five seasons.Across the street, Mr. Toby was inspired, by the crush of Schittheads asking for tours of his workshop, to build a donation box by the front door. In one weekend, he raised $270 for the local hospital and historical center, he said.“For years, I was the best kept secret in Goodwood,” said Mr. Toby, 75, who is a natural storyteller and enjoys holding court. “Nobody knew what I did in here.”Samantha Kenyon, 24, center, serving customers at Annina’s. The bakeshop has seen a surge in sales since the cast member Annie Murphy talked about the store’s butter tarts on “Late Night With Seth Meyers.”Credit…Brett Gundlock for The New York TimesHe knows some of his neighbors feel differently, and in part that’s because of the pandemic. In the window of the building across the street, a residence that was transformed into a cafe for the series, a handwritten message is taped in a window: “Please stay off property during pandemic, we are immunocompromised.”At the beginning of the pandemic, the show’s co-creator Dan Levy pleaded for fans to keep away. “The towns where we shot Schitt’s Creek were so lovely and accommodating to us,” he tweeted. “Please show them the same respect. Visiting right now is a threat to the residents’ health and safety.”That didn’t stem the pilgrimage any more than the mounting layers of snow.Marilyn Leonard owns the building that for more than a century, was Goodwood’s general store. In Schitt’s Creek, it was transformed into the hipster “Rose Apothecary,” selling body milks and cat-hair scarves. Ms. Leonard decided to shut it permanently last month.“It’s too exposing for me,” said Ms. Leonard, 74, who plans to convert the space into an appointment-only gallery. “I need to stay away from people.” Marilyn Leonard inside her building, which was used for the Rose Apothecary in the show.Credit…Brett Gundlock for The New York TimesThe motel that served as the set for the family’s new residence in the series is not in Goodwood, but in Mono, about 50 miles west. One day, so many people crowded around the motel that the owner called the police.“At least 100 cars an hour were trying to get in,” said Jesse Tipping, pointing out that his motel, which hasn’t been operational for years, has garnered dozens of satirical reviews on Google maps. “ At one point, I saw somebody on the roof. They were stealing numbers off the doors, taking the welcome mats.”Mr. Tipping, who is currently selling the motel, said he asked Dan Levy about selling paraphernalia at the site. The show, however, has signed an exclusive merchandise agreement with ITV Studios in London.That means no one in Goodwood is getting rich off the sudden fame. Plans to run a Schitt’s Creek tour on the local heritage railroad were scuttered by the pandemic. The 145-year-old yellow brick town hall, which hadn’t hosted a council session in almost 50 years, would have the perfect place to host tours, conceded Dave Barton, the mayor of Uxbridge Township, which includes Goodwood. Unfortunately, the township sold the building a year ago to a couple who is converting it into a private home.“Nobody expected that Schitt’s Creek would be the most famous Canadian show in forever,” Mr. Barton said.Simona Taroni, left, and Rebecca Farronato taking a selfie in front of a motel in Mono, Ontario, which served as the Rosebud Motel from the television show Schitt’s Creek.Credit…Brett Gundlock for The New York TimesAdvertisementContinue reading the main story More