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      Andrea Constand on Her Memoir and Cosby's Overturned Conviction

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      The call came just before noon.Andrea Constand had returned to her downtown Toronto apartment after walking her dog Maddy in a nearby park, when the Montgomery County district attorney’s office rang. Stand by, she was told, a ruling on Bill Cosby’s appeal could be handed down soon by the Pennsylvania Supreme Court.By this day, June 30, Constand, the woman whose account of sexual assault had led to the conviction of the man once known as America’s Dad was finding ways to move past the trauma that the trial had brought to her daily life. She had sold her apartment, was moving to the countryside north of the city and preparing to publish a memoir, “The Moment,” to detail her singular experience with Cosby and the criminal justice system.Though more than 50 women had accused Cosby of sexual misconduct, including assault, prosecutors had — for a variety of reasons — only successfully brought criminal charges in her case. And now Cosby was in prison far away, serving a three- to 10-year sentence in Pennsylvania after having been found guilty of three counts of aggravated indecent assault.He had already lost an appeal. The dust once kicked up by the trial, by the verdict, by the media attention, by the focus on her case as a breakthrough “moment” for the #MeToo era, had largely settled.About an hour later, the phone rang again.“Andrea,” said Kate Delano, the district attorney’s director of communications, “the Supreme Court has vacated his conviction.”It is perhaps an understatement to say that for Constand, and many others, the decision came as a shock. Cosby would not only be freed: The court also ruled he could not be tried again. Constand said she found it deeply unsettling that Cosby, still a man of means and influence, was out of prison, unconstrained and able to contact her and others.“I had a lump in my throat,” Constand, 48, said in a rare in-depth interview last month near her new home north of Toronto. “I really felt they were setting a predator loose and that made me sick.”Bill Cosby with his lawyers outside his home in a Philadelphia suburb after being released from prison.Mark Makela/ReutersConstand’s reaction to the court decision and her long experience with the case are detailed in the memoir, which is to be released Tuesday.Within minutes of the second call, Constand drove off, heading with her 22-year-old niece to her sister’s home outside Toronto, a trip that had been planned before the afternoon became untethered by the ruling. From the car, she spoke by phone with the two former prosecutors who had helped lead the case against Cosby, Stewart Ryan and Kristen Gibbons Feden. They explained that Cosby would no longer be officially designated as a sexually violent predator, a status that requires lifetime public registration and community notification — something that had afforded Constand special comfort.Andrea Constand said she has no regrets about pursuing the case, despite the court’s decision. “Society paid attention,” she said. Angela Lewis for The New York TimesAt her sister’s house, she watched on television as Cosby got out of a car at his home near Philadelphia, the mansion where, she had testified, Cosby assaulted her after giving her a sedative in 2004. From her sister’s back porch, she worked over the phone with her two lawyers, Bebe H. Kivitz and Dolores M. Troiani, to put out a statement expressing their disappointment.Her phone was otherwise blowing up with calls from friends and other women who had accused Cosby of sexual assault. Kevin R. Steele, the district attorney who had overseen the prosecution, had called earlier to say the decision did not take away from what she had achieved.Still she worried, she said, that other women might find it too hard to come forward now. “It was not just me,” she said, “it was the message that it would send to the rest of the world and other survivors, to say, why should I fight for justice, when it ultimately gets stripped down. It won’t matter.”The first trial in her case had ended with a hung jury. Cosby’s defense team insisted his encounter with Constand had been consensual. For the second trial, prosecutors were allowed to introduce testimony from five additional women who, like Constand, said that Cosby had drugged and sexually assaulted them.When the jury in the second trial found him guilty in 2018, many thought that, were there to be any appellate ruling, it would likely focus on whether it had been prejudicial to allow the women from other incidents to testify — evidence that prosecutors said showed a pattern of abuse.The book is being released on Tuesday.Penguin Random HouseBut the Pennsylvania Supreme Court ruled on different grounds, finding that the district attorney had been bound by what a predecessor had called a promise he made never to charge Cosby in the case. The predecessor said he had made the promise to persuade Cosby to testify in a subsequent civil action, which Cosby settled by paying Constand $3.38 million. During his testimony in the civil case, Cosby acknowledged giving women quaaludes as part of an effort to have sex with them, a statement that the June ruling said had been unfairly introduced at the 2018 trial.Constand does not mince her words when it comes to the Pennsylvania Supreme Court. She blames it for undoing all the work she and others had done to bring Cosby to justice and for “putting him on the street.”“After a few deep breaths, I just felt this is not my problem,” she said. “Now it made me feel the shame is on the Supreme Court. It’s not on me anymore.”The Pennsylvania Supreme Court said in its decision that it was upholding an important safeguard: Cosby’s due process rights had been violated. Its ruling was meant to prevent dangerous prosecutorial overreach.Constand said that for days after the decision she fielded emails, texts and phone calls from people who were irate about the ruling. Many were from women who say they too were assaulted by Cosby and who had viewed the 2018 guilty verdict as justice for themselves. Some were now her friends. “They were devastated, they were so angry,” she said.The book, just weeks from its release date, had to be updated. A publisher’s note described the ruling and said Cosby’s conviction had been overturned “on a procedural issue.”Constand and supporters celebrated after Cosby was found guilty in April 2018.Pool photo by Mark MakelaThe statement Constand had devised with her lawyers was added as were about 400 words to describe her reaction to the court’s decision.“We cannot let moments of injustice quiet us,” she wrote. “We must speak up again and again and again — until we arrive at a moment of real change.”The case accounts for roughly two-thirds of the 240-page book. Constand takes readers inside her tussles with defense attorneys, who cast her as a disappointed lover in the first trial and a gold digger in the second. She describes the connections she felt with jurors, the long stays in hotel rooms, the stress and the sacrifices her family had to make.She got through it, she writes, with the help of her poodles, her spirituality and tattoos that give her strength. (The word “truth” is displayed across the top of her chest, a large phoenix on her back.)The book spends some time on her childhood in Canada, her years as a basketball player at the University of Arizona and playing professionally in Italy. It also delves into her relationships and coming out as gay.The memoir discusses other parts of Constand’s life, such as her success as a high school and college basketball player.Ron Bull/The Toronto Star, via Associated In the memoir, Constand describes herself as “wearied and weathered by what happened to me” and writes that Cosby had robbed a joyful young woman, the product of a nourishing family and happy childhood, of her smile. During an interview with The New York Times, she credited her faith for sustaining her and talked of starting a new chapter of her life.Constand started the book, helped by a co-writer, Meg Masters, more than a year before the court’s June decision, at the start of the pandemic lockdown, as a way to get closure.“The healer in me knew I had to dive back into everything again and really try to remember and it was really chilling for me at times,” she said. “Trauma is not wired for you to remember. It’s wired for you to forget.”During the writing, she got Covid-19 and was sick on her couch in Toronto for six weeks with “an elephant on my chest.” The experience, the encounter with her own mortality, propelled her to finish the book.“I thought it was important to write the story for other survivors who had stories, too,” she said. “I wanted to be a symbol of hope to them. That their stories matter. And their stories are important.”Despite the court’s decision, she said the years of hard work were by no means wasted. Cosby, now 84, served nearly three years in prison, she pointed out. Publicity from the case helped change attitudes. Women were encouraged to come forward. People believed them when they did. Several of the Cosby accusers helped with successful legislative efforts to extend or eliminate states’ statutes of limitations in sexual assault cases.“There were so many victories along the way,” she said. “Society paid attention.”In her memoir, Constand writes that Cosby had robbed a joyful young woman, the product of a nourishing family and happy childhood, of her smile. Angela Lewis for The New York TimesSince the court’s decision, Cosby has said he wants to re-emerge as a truly public personality, which Constand would have to contend with. He has taken to social media to proclaim the ruling a vindication of his innocence, an overstatement of the decision, which found he had not been given a fair trial, but did not exonerate him.But he still has 3.2 million Twitter followers, and the day after the decision he posted a clip of Constand talking about the night she said she was assaulted. It was paired with a statement that took issue with media reporting on his case.Constand said the posting showed a man emboldened by his new freedom who was trying to use it to damage her reputation.On the same day, she retweeted a post from her sexual abuse support foundation that said “Bill Cosby is not innocent.”But, otherwise, after a modest amount of publicity associated with her book, she said she intends to regain her privacy. She is not planning a book tour and said she wants to focus on her massage therapy business, which was hurt by the pandemic, and a nonprofit foundation she started, Hope Healing and Transformation. It provides resources for survivors of sexual assault, such as a library to help understand trauma, connections to lawyers and a platform for writing their stories. Some of the proceeds from her memoir are going to the foundation.She says it was her destiny to take on Cosby, in what was a “David and Goliath situation.”But would she do it again?Prosecutors are examining the possibility of appeal. If they won, the Pennsylvania Supreme Court’s decision to block a third trial could be overturned. And Constand said she might put herself through another trial if asked, but it would be a difficult decision and she would have to consult her family.“Yeah, I would do it all over again,” she said. “If it was to do the right thing. I would do anything, as long as it was for the right reason.”Whatever happens, she says, the fact that Cosby walked free should not change what the case achieved.“I hope it doesn’t deter anybody,” she said. “I hope people will still find their voices. I hope that they don’t look at his freedom as a reason not to come forward. Quite the contrary, I hope they feel if Andrea can do it, I can do it.” More

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      R. Murray Schafer, Composer Who Heard Nature’s Music, Dies at 88

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      He delved into the relationship between sound and the environment. Many of his compositions incorporated the music of the natural world.R. Murray Schafer, a Canadian composer and writer who brought the concept of the “soundscape” to widespread recognition and pioneered the field of acoustic ecology — the relationship between sound, people and the environment — died on Aug. 14 at his home near Peterborough, Ontario. He was 88. The cause was dementia, his wife and collaborator, the mezzo-soprano Eleanor James, said.Mr. Schafer was already an inventive avant-garde composer when he began researching the relationship between sound and the environment in the late 1960s. He had joined a noise abatement society but disagreed with its treatment of noise as a negative phenomenon.“The sounds of the environment were changing rapidly, and it seemed that no one was documenting the changes,” he recalled in his 2012 memoir, “My Life on Earth and Elsewhere.” “Where were the museums for disappearing sounds? What was the effect of new sounds on human behavior and health?”With funding from UNESCO and the Donner Canadian Foundation, Mr. Schafer formed the World Soundscape Project at Simon Fraser University in British Columbia. His team of researchers compiled information about noise bylaws, conducted interviews about sounds of the past and tallied car horns honking at street intersections around the world.“It’s quite the task for people to understand that listening can be a very active and inspiring activity,” the composer Hildegard Westerkamp, who was a researcher for the project, said in an interview. “A socially conscious ear, and a culturally conscious ear, and a politically conscious ear — that’s all the legacy that he has given to us.”In 1977, Mr. Schafer published “The Tuning of the World,” a treatise on acoustic ecology, which has influenced generations of scholars and musicians. Drawing on poetry, biology and myth, the book provides a history of the world through its soundscapes while offering instructions in “ear cleaning” and sound walks to reconnect readers with their sonic environments.His immersion in environmental listening changed his compositional interests. In 1979, he composed “Music for Wilderness Lake,” in which 12 trombonists played around the shore of a small lake at dusk and dawn; floating on a raft, Mr. Schafer conducted them with colored flags.Such experiments formed the basis for “Patria,” a cycle of 12 theatrical works composed over 40 years that mingles world mythologies. In one installment, audience “initiates” chant in ancient Egyptian as part of an overnight performance; another of the works unfolds as a carnival.For the cycle’s epilogue, a “co-opera,” several dozen participants have for more than 30 years made a weeklong pilgrimage each August to Ontario’s Haliburton Forest and divided into clans to create collaborative theatrical rituals.Mr. Schafer at the Haliburton Wilderness Reserve in Canada, the site of a performance in 2005. “The world is a huge musical composition that’s going on all the time,” he said, “without a beginning and presumably without an ending.” Steve Payne for The New York TimesRaymond Murray Schafer was born July 18, 1933, in the Lake Huron city of Sarnia, Ontario, to Harold Schafer, an accountant for an oil company, and Belle Anderson Rose. He was born blind in one eye and, following a pair of operations at age 8, was given a glass eye, for which he was bullied in school in Toronto. He took piano lessons starting at 6 but was intent on being a painter.Discouraged by others from pursuing a career in art because of his eye condition and failing out of high school, Mr. Schafer ended up at the University of Toronto’s Royal Conservatory of Music, where he studied with the composer John Weinzweig and attended classes taught by the media theorist Marshall McLuhan.Already a keen intellectual, he preferred reading Rousseau to practicing piano; he angered one choir director by perusing art books during rehearsal. After several such incidents, he was thrown out of the school (though it later awarded him an honorary doctorate).Intent on studying composition in Vienna, Mr. Schafer worked as a deckhand on an oil tanker to raise travel funds. He roamed Europe — interviewing British composers for the Canadian Broadcasting Corporation, learning medieval German, attending a folk music conference in Romania — without a clear plan for his musical future.In Italy, Mr. Schafer convinced Ezra Pound to allow him to revive the poet’s little-known opera, “Le Testament de Villon,” which became a major BBC broadcast in 1962. (Pound gave him an envelope containing his final series of “Cantos” and asked him to deliver it to T.S. Eliot in London.)On his return to Toronto, Mr. Schafer in 1962 co-founded the innovative concert series Ten Centuries, which presented new and rarely heard music.As his career picked up, he answered requests for new works with irreverence, composing “Son of Heldenleben,” a parodic riff on the tone poem by Richard Strauss, and “No Longer Than Ten (10) Minutes,” in which an orchestra tunes up, a conductor walks on and offstage, and the players crescendo each time the audience tries to applaud. His 1966 “Requiems for the Party-Girl,” written for the mezzo-soprano Phyllis Mailing, is a darkly virtuosic monodrama in which a woman sings of her impending suicide.Mr. Schafer married Ms. Mailing in 1960, and they divorced in 1971. His second marriage, to Jean Reed, from 1975 to about 1999, also ended in divorce. He married Ms. James in 2011 after a long partnership. Along with her, he is survived by his brother, Paul.Mr. Schafer began his research on soundscapes after joining the faculty at Simon Fraser University in 1965. He also invented a radical approach to teaching, calling it “creative music education.” In a series of influential booklets, he provided exercises to encourage children’s creativity, asking them to “bring an interesting sound to school” or hum along with a tune that they had heard on a street corner.Alongside the mythic theater of “Patria,” Mr. Schafer composed more conventional scores, among them 13 string quartets and “Letters from Mignon,” a neo-Romantic song setting of love letters written to him by Ms. James. His genre-spanning oratorio “Apocalypsis” was first performed with a cast of more than 500 in 1980; it received a triumphant, career-capping revival at the Luminato Festival in Toronto in 2015.In a 2009 short film directed by David New, Mr. Schafer offers philosophical musings on listening amid the snowy soundscape outside his home, a remote farmhouse in the Indian River area in southern Ontario.“The world is a huge musical composition that’s going on all the time, without a beginning and presumably without an ending,” he said.“We are the composers of this huge, miraculous composition that’s going on around us. We can improve it, or we can destroy it. We can add more noises, or we can add more beautiful sounds. It’s all up to us.” More

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      With #MeToo Case Against Kris Wu, China Hits Out at Celebrities

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      The detention of Kris Wu, a popular Canadian singer, has been hailed as a rare victory for the movement. But Beijing, wary of social activism, has cast it as a warning to celebrities.China’s ruling Communist Party has seized on the high-profile detention of a Canadian Chinese pop singer in Beijing on suspicion of rape to deliver a stark warning against what it regards as a social ill: celebrity obsession.In less than a month, the pop singer Kris Wu, 30, has gone from being one of China’s biggest stars, with several lucrative endorsements and legions of young female fans, to perhaps the most prominent figure in the country to be detained over #MeToo allegations. The police said over the weekend that Mr. Wu was being investigated after weeks of public accusations of sexual wrongdoing against him, though officials provided few details.Born in China and raised partly in Canada, Mr. Wu rose to fame as a member of the Korean pop band EXO, before striking out on his own as a singer and actor. He built a huge following in China with his manicured good looks and edgy swagger. He amassed endorsement deals with many domestic and international brands, including Bulgari and Louis Vuitton.Mr. Wu has not been formally charged, but his career in China has already taken a big hit. After mounting public pressure, more than a dozen brands cut ties with him. His Weibo social media account, where he had over 51 million followers, was taken down shortly after the news of his detention. His songs have also disappeared from Chinese music platforms.Chinese women’s rights activists have hailed the detention as a rare victory for the country’s fledgling #MeToo movement. But the Communist Party’s official news outlets have largely cast the investigation into Mr. Wu as proof that the party, led by Xi Jinping, one of its most hard-line leaders in decades, defends the interests of ordinary people.Guo Ting, a gender studies scholar at the University of Hong Kong, said, “Xi has tried to reinvent the party as the legitimate party for the people and the party of Chinese socialism for the people.” By going after Mr. Wu, she added, the party is “targeting the so-called rich and powerful, while evading the real kind of gray area of that wealth and power within the party elite.”Mr. Wu on the runway during a Louis Vuitton show in Shanghai last August. Before the allegations, Mr. Wu had several lucrative endorsements.Lintao Zhang/Getty ImagesWhen the accusations against Mr. Wu first emerged weeks ago, the party’s propaganda outlets largely stayed quiet. But after his detention, they put out commentaries and news reports hailing it as a lesson to celebrities.“Wu Yifan has money, he’s handsome and he has the status of being a ‘top star,’” read a commentary in The Global Times, a Communist Party-run newspaper, referring to the singer by his Chinese name. “Perhaps he thought that ‘sleeping with women’ was his advantage, maybe even his privilege.”“But on this precise point he has made a mistake,” the newspaper noted.Some of the rhetoric noted that foreign citizenship did not place celebrities beyond the reach of the law, pointing in part to continuing tensions between China and Canada as well as rising anti-Western sentiment among Chinese.CCTV, China’s state broadcaster, said in a commentary, “No one has a talisman — the halo of celebrity cannot protect you, fans cannot protect you, a foreign passport cannot protect you.”The state news media’s approach reflects the Chinese government’s recent crackdown on the entertainment industry and the culture of celebrity worship that Beijing has accused of leading the country’s youth astray. The authorities have stepped up censorship, cracked down on the widespread practice of tax evasion within the industry and ordered caps on salaries for the country’s biggest movie stars.Concerns about the outsize influence of celebrities on the country’s youth reached a peak in May when fans supporting contestants in a boy band competition spent huge sums of money buying — then apparently dumping — yogurt drinks to vote for their favorite idols. The government promptly issued regulations aimed at cracking down on what they called “chaotic” online fan clubs and their “irrational” behaviors. The authorities on Monday said they had already taken down thousands of “problematic groups” as part of an ongoing effort to address “bad online fan culture.”The authorities “are concerned about the impact on the youth,” said Bai Meijiadai, a lecturer at Liaoning University in northeastern China who studies fan culture. “They want to see the youth studying and working, not spending excessive amounts of money to chase stars.”Mr. Wu, too, had an army of fans eager to open their wallets to bolster his image by buying albums and even making donations to charities in his name. He has also sought to use his influence to pressure his critics into silence, according to his accuser and a producer of a popular showbiz program.The producer, Xiao Wei, said his show, “Xiu Cai Kan Entertainment,” had been compelled to remove a video it had posted online in which its hosts criticized Mr. Wu after the allegations of sexual misconduct had emerged. Mr. Xiao said the short-video platform Douyin had told the program that they had been contacted by Mr. Wu’s lawyers.An Elle magazine cover featuring Mr. Wu, at a newsstand in Beijing on Sunday. The government in China has accused the culture of celebrity worship of leading the country’s youth astray.Ng Han Guan/Associated Press“This is an age of stars, fans and traffic,” Mr. Xiao said in an interview. “Money has become the only criterion to success — this is not right.”.css-1xzcza9{list-style-type:disc;padding-inline-start:1em;}.css-3btd0c{font-family:nyt-franklin,helvetica,arial,sans-serif;font-size:1rem;line-height:1.375rem;color:#333;margin-bottom:0.78125rem;}@media (min-width:740px){.css-3btd0c{font-size:1.0625rem;line-height:1.5rem;margin-bottom:0.9375rem;}}.css-3btd0c strong{font-weight:600;}.css-3btd0c em{font-style:italic;}.css-w739ur{margin:0 auto 5px;font-family:nyt-franklin,helvetica,arial,sans-serif;font-weight:700;font-size:1.125rem;line-height:1.3125rem;color:#121212;}#NYT_BELOW_MAIN_CONTENT_REGION .css-w739ur{font-family:nyt-cheltenham,georgia,’times new roman’,times,serif;font-weight:700;font-size:1.375rem;line-height:1.625rem;}@media (min-width:740px){#NYT_BELOW_MAIN_CONTENT_REGION .css-w739ur{font-size:1.6875rem;line-height:1.875rem;}}@media (min-width:740px){.css-w739ur{font-size:1.25rem;line-height:1.4375rem;}}.css-9s9ecg{margin-bottom:15px;}.css-uf1ume{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-box-pack:justify;-webkit-justify-content:space-between;-ms-flex-pack:justify;justify-content:space-between;}.css-wxi1cx{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-flex-direction:column;-ms-flex-direction:column;flex-direction:column;-webkit-align-self:flex-end;-ms-flex-item-align:end;align-self:flex-end;}.css-12vbvwq{background-color:white;border:1px solid #e2e2e2;width:calc(100% – 40px);max-width:600px;margin:1.5rem auto 1.9rem;padding:15px;box-sizing:border-box;}@media (min-width:740px){.css-12vbvwq{padding:20px;width:100%;}}.css-12vbvwq:focus{outline:1px solid #e2e2e2;}#NYT_BELOW_MAIN_CONTENT_REGION .css-12vbvwq{border:none;padding:10px 0 0;border-top:2px solid #121212;}.css-12vbvwq[data-truncated] .css-rdoyk0{-webkit-transform:rotate(0deg);-ms-transform:rotate(0deg);transform:rotate(0deg);}.css-12vbvwq[data-truncated] .css-eb027h{max-height:300px;overflow:hidden;-webkit-transition:none;transition:none;}.css-12vbvwq[data-truncated] .css-5gimkt:after{content:’See more’;}.css-12vbvwq[data-truncated] .css-6mllg9{opacity:1;}.css-qjk116{margin:0 auto;overflow:hidden;}.css-qjk116 strong{font-weight:700;}.css-qjk116 em{font-style:italic;}.css-qjk116 a{color:#326891;-webkit-text-decoration:underline;text-decoration:underline;text-underline-offset:1px;-webkit-text-decoration-thickness:1px;text-decoration-thickness:1px;-webkit-text-decoration-color:#326891;text-decoration-color:#326891;}.css-qjk116 a:visited{color:#326891;-webkit-text-decoration-color:#326891;text-decoration-color:#326891;}.css-qjk116 a:hover{-webkit-text-decoration:none;text-decoration:none;}The police investigation into Mr. Wu came weeks after a university student, Du Meizhu, now 18, accused the singer of enticing young women like herself with the promise of career opportunities, then pressuring them into having sex.Ms. Du’s public accusations were met with an outpouring of support, but also criticism from the singer’s fans, prompting debates about victim shaming, consent and abuse of power in the workplace.Some women’s rights activists saw Mr. Wu’s detention as a sign that feminist values had finally permeated the mainstream to the extent that the authorities could no longer afford to look the other way. They said they were hopeful that it would encourage more women to come forward to share their experiences and that it could lead to wider avenues for legal recourse for sexual assault survivors.“This time, progress was made very suddenly, but it was very satisfying,” said Li Tingting, a gender equality activist in Beijing. “Everyone is looking forward to what will happen in the future.”But it remained unclear if the police in Beijing were looking specifically into Ms. Du’s complaints. The authorities last month released initial findings about her allegations that said she had hyped her story to “enhance her online popularity.”Ms. Du did not respond to requests for comment. Emails to Mr. Wu’s studio and his lawyer received no response. Mr. Wu denied the allegations on his personal Weibo account last month, saying he would send himself to jail if they were true.Despite the surprise development, activists know that China’s #MeToo movement is tightly constrained by the government’s strict limits on dissent and activism. Women who have previously come forward with accusations of sexual harassment and assault against prominent men have often become targets of threats and defamation lawsuits. Feminist activist accounts and chat groups on Chinese social media sites are routinely shut down.The swift manner in which the authorities have addressed the complaints against Mr. Wu contrasts with how they responded to #MeToo accusations against Zhu Jun, a prominent television personality at CCTV, the state broadcaster. Mr. Zhu was accused by a former intern, Zhou Xiaoxuan, in 2018, of forcibly kissing and groping her in 2014 while she was working on his program, accusations that he has denied. Ms. Zhou has sued Mr. Zhu for damages, but three years later, her complaint remains unresolved.Zhou Xiaoxuan at her home in Beijing in 2018. Her #MeToo accusations against Zhu Jun, a prominent television personality at CCTV, the state broadcaster, remain unresolved.Iris Zhao/The New York TimesMr. Wu, by comparison, is not part of the party establishment.Professor Guo, of the University of Hong Kong, said, “It is still a state capitalist system and Wu Yifan is not a part of that official establishment,” adding, “His nationality and his status, I think, make it easy for the party to on one hand cut him off, while still maintaining its own legitimacy.” More

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      Police in China Detain Canadian Pop Star Kris Wu on Suspicion of Rape

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      Kris Wu, a 30-year-old celebrity, is the most prominent figure in China to be held over #MeToo allegations.The police in Beijing said Saturday they had detained Kris Wu, a popular Canadian Chinese singer, on suspicion of rape amid a #MeToo controversy that has set off outrage in China.The police did not provide details of their investigation into Mr. Wu. But it comes several weeks after an 18-year-old university student in Beijing accused him of enticing young women like herself with the promise of career opportunities, then pressuring them into having sex.Known in China as Wu Yifan, Mr. Wu, 30, is the most prominent figure in China to be detained over #MeToo allegations.He rose to fame as a member of the Korean pop band EXO, then started a successful solo career as a model, actor and singer. Though he denied the allegations when they first surfaced, they set off an uproar that led at least a dozen companies, including Bulgari, Louis Vuitton and Porsche, to sever ties with the singer.The Chaoyang District branch of the Beijing police said in a statement on social media on Saturday night that it had been looking into accusations posted online that Mr. Wu “repeatedly deceived young women into sexual relations.” It said that Mr. Wu had been detained while the criminal investigation continued.Mr. Wu’s accuser, Du Meizhu, has said publicly that when she first met Mr. Wu in December last year, she was taken by the singer’s agent to his home in Beijing for work-related discussions. She said that she was pressured to drink cocktails until she passed out, and later found herself in his bed.They dated until March, according to her account of the events, when he stopped responding to her calls and messages. She has also said she believed that he targeted other young women.Mr. Wu’s lawyer did not immediately respond to requests for comment. Ms. Du could not be reached.It was not immediately clear if the police were specifically investigating Ms. Du’s claims. In a statement in July, the police had released what appeared to be preliminary findings about Ms. Du’s allegations. The police had said Ms. Du had hyped her story “to enhance her online popularity,” an assessment that was criticized by her supporters as victim shaming.The outpouring of support for Ms. Du was a sign that the country’s nascent #MeToo movement continues to grow despite the government’s strict limits on activism and dissent. After Ms. Du spoke out, her supporters flooded the social media pages of several brands, threatening boycotts if they did not drop their partnerships with Mr. Wu, a campaign that quickly forced the companies to distance themselves from him.The accusations have triggered a heated debate on issues like victim-shaming, consent and abuse of power in the workplace — concepts that had rarely featured in mainstream discussions before the #MeToo movement went global.The authorities in China often discourage women from filing sexual misconduct complaints, and sexual assault or harassment survivors are frequently shamed and even sued for defamation. Censorship and limits on dissent have also stymied efforts among feminist activists to organize, even as trolls are given cover to spew abuse.Yet the high-profile nature of the controversy made Ms. Du’s allegations impossible to ignore for Chinese authorities, who are always on the lookout for what they deem to be potential sources of social unrest.The police announcement, posted on the country’s popular Weibo social media platform, immediately started trending, drawing more than six million likes.Lu Pin, a New York-based feminist activist, said the detention of Mr. Wu was a major step forward for the #MeToo movement in China.“Regardless of what the motivation of the police may have been, just the fact that he was detained is huge,” Ms. Lu said.“For the last three years, a number of prominent figures have faced #MeToo accusations but nothing ever happened to them,” Ms. Lu said. “Now with Wu Yifan, #MeToo has finally taken down someone with real power in China — it has shown that no matter how powerful you are, rape is not acceptable.”The detention of Mr. Wu comes amid a broader government crackdown on the entertainment industry.In recent years, Chinese authorities have moved aggressively to clean up the industrywide problem of tax evasion and to cap salaries for the country’s biggest movie stars. In June, the country’s internet watchdog began a crackdown on what it called the country’s “chaotic” online celebrity fan clubs, which the government has come to see as an increasing source of volatility in public opinion.The People’s Daily, the mouthpiece of the ruling Communist Party, depicted Mr. Wu’s detention as a warning to celebrities that neither fame nor a foreign citizenship would shield them from the law.“A foreign nationality is not a talisman. No matter how famous one is, there is no immunity,” the propaganda outlet wrote. “Remember: The higher the popularity, the more you must be self-disciplined, the more popular you are, the more you must abide by the law.” More

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      in Television

      Her Book Described Bringing Bill Cosby to Justice. Then He Was Freed.

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      Months before Andrea Constand’s memoir about the Cosby case and its aftermath was set to be published, a Pennsylvania Court overturned his conviction for assaulting her and released him.Andrea Constand was taking what she has described as a step toward healing: 16 years after naming Bill Cosby in a lawsuit as the man who had sexually assaulted her, and three years after he was convicted and sentenced to prison for the crime, she was ready to tell her story in a memoir that is due to be published in September.The forthcoming book traces Ms. Constand’s journey from disbelieved accuser to a powerful voice in the #MeToo movement, one of dozens of women who came forward with similar accounts of abuse and misconduct by Mr. Cosby but the one who, in the words of her publisher, had “the power to bring him to justice.”But instead of having the last word, a key part of Ms. Constand’s narrative — if not her book — was rewritten Wednesday when the Pennsylvania Supreme Court freed Mr. Cosby on procedural grounds. The court did not exonerate Mr. Cosby, 83, but said that he should not have been charged because a previous district attorney had given him assurances that he would not be prosecuted.The court’s decision was “disappointing,” Ms. Constand and her lawyers said in a statement, which noted that they had not been consulted on, or even been made aware of, the closed-door prosecutorial maneuverings more than a decade ago that eventually allowed Mr. Cosby to walk out of a maximum-security prison near Philadelphia on Wednesday. And in a case once seen as a harbinger of women’s right to justice, the effect, Ms. Constand and her lawyers feared, would be to once again silence victims of assault.Andrea Constand’s Statement on Bill CosbyAndrea Constand and her legal team released a statement on Wednesday about the overturning of Bill Cosby’s conviction. Read it here.Read Document 1 pageFor other women who said that they had survived assaults or misconduct by Mr. Cosby — more than 50 have come forward — the whiplash was intense, especially for those who gave corroborating accounts in his criminal trial.“We know he’s guilty, but as far as I’m concerned, as of today, the justices that have made this decision have just enabled a criminal to go without a consequence,” Heidi Thomas, who testified that Mr. Cosby raped her in 1984, told a Denver news channel. “What message is that sending to other victims? To other perpetrators? This is one case, but the precedent they have just set is devastating.”Ms. Constand, 48, who is now a licensed massage therapist in her native Canada, has movingly described how much the Cosby case upended her life; she called her memoir “The Moment,” as in, the moment everything changed.“I’m a middle-aged woman who’s been stuck in a holding pattern for most of her adult life, unable to heal fully or to move forward,” she said in her victim impact statement before Mr. Cosby’s sentencing in 2018, describing the rippling aftereffects of the night when she said he drugged and violated her in his suburban Philadelphia mansion.At the time, in 2004, she was a 30-year-old director of operations with the Temple University women’s basketball team, and she considered Mr. Cosby, then 66, a grandfather-like friend and mentor. Their encounter — when she was literally immobilized by the pills Mr. Cosby gave her, according to her testimony — was a profound betrayal, she said.Her memoir, “The Moment,” is due to be published in September. Penguin Random House“Bill Cosby took my beautiful, healthy young spirit and crushed it,” she said in her statement to the court. “He robbed me of my health and vitality, my open nature, and my trust in myself and others.”According to several published excerpts, her book, to be released by Viking Canada, describes her history as a confident, athletic youth from Toronto turned professional basketball player in Europe, who initially connected with Mr. Cosby, a Temple alumnus and donor, over sports.Recounting the assault, first to the police and prosecutors a year after she experienced it and then in a civil suit and two criminal trials, was re-traumatizing, she has said. Lawyers for Mr. Cosby sought to portray the interaction as consensual.“The attacks on my character continued, spilling over outside the courtroom steps, attempting to discredit me and cast me in false light,” she said in her statement to the court in 2018. “These character assassinations have caused me to suffer insurmountable stress and anxiety, which I still experience today.”Writing the memoir was meant to be an act of closure — a long-delayed one. “I did not want to lose any memories to time, and believe that reflection is a necessary final step toward true healing,” she said in an interview with her publisher, according to CBC Books. “By sharing stories, we can begin to help those whose lives have been impacted by sexual violence.”Neither Ms. Constand nor a representative for Viking Canada responded to requests for comment about the status of the book.In an excerpt that was published last month in Elle, Ms. Constand describes the moment in 2005 when she learned that Bruce L. Castor Jr., who was then the district attorney in Montgomery County, Pa., outside Philadelphia, had decided not to move forward with her case.“It was yet another sharp blow in what had already been, without a doubt, the most difficult year of my life,” she wrote.It was a decision that would have unanticipated ramifications this year.Mr. Castor — who earlier this year was one of the lawyers representing President Donald J. Trump’s in his second impeachment trial — announced in a news release at the time that his investigation had found “insufficient” evidence to proceed with the case. He has since said that he assured Mr. Cosby that he would not be prosecuted to pave the way for Mr. Cosby to testify in Ms. Constand’s civil case. In depositions for the civil case, Mr. Cosby acknowledged giving quaaludes to women he was pursuing for sex.When the civil case was settled in 2006 for $3.38 million, Ms. Constand later said, she believed that “this awful chapter in my life was over at last.”But when a new district attorney decided to pursue the charges that Mr. Castor had not, Ms. Constand agreed to once again put herself on the stand, though she was shamed and exhausted by the process, she has said.It ended with his conviction in 2018, a moment that was hailed at the time as a sign that in the #MeToo era the accounts of women would be given more credence.Though her story now has an unwelcome coda, Ms. Constand appears unbowed. On Thursday, she retweeted a message from Hope, Healing and Transformation, a foundation she started last year to offer guidance and support to survivors, which will receive a portion of the proceeds from her memoir. “Your story and voice matter right now more than ever. Silence is NOT an option. BILL COSBY IS NOT INNOCENT.” More

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      in Movies

      Graeme Ferguson, Filmmaker Who Helped Create Imax, Dies at 91

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      He partnered with friends to produce stunning original technology that would give movie viewers an immersive, stadium-like experience.Graeme Ferguson, a Canadian documentarian who cocreated Imax, the panoramic cinema experience that immerses audiences into movies, and was the chief creative force of the company for years, died on May 8 at his home in Lake of Bays, Ontario. He was 91. More

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      in Movies

      Playing the Role of New York? Toronto. That View of Paris? It’s Montreal.

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      At the Venice Biennale, Canada examines its cities’ ability to stand in for television and film locations.As visitors to the 2021 Venice Architecture Biennale make their way through the broad, leafy pathways of the event’s main exhibition space, the Giardini di Castello, they will quickly notice that one of the national pavilions is wrapped almost completely in green fabric. More

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      in Theater

      Sharon Pollock, Playwright Who Explored Canada’s Identity, Dies at 85

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      Ms. Pollock was best known for dramas inspired by historical events that examined racial tensions and other volatile issues.Sharon Pollock, an oft-produced Canadian playwright who was known for works that explored Canadian history and identity at a time when few of her contemporaries were doing so, died on April 22 at her home in Calgary, Alberta. She was 85.Her daughter Lisa Pollock said the cause was cancer.Ms. Pollock’s works covered a wide range, but she was especially known for dramas inspired by historical events. Her best-known play, “Blood Relations” (1980), was a take on Lizzie Borden and the ax murders of her father and stepmother in 1892 in Massachusetts (Borden was acquitted). But most of her history-inspired plays involved events in Canada’s past.“Walsh” (1973), one of her first staged works, was about James Walsh of the North-West Mounted Police and his handling of Sitting Bull and the Sioux Indians who had come from the United States in the 1870s seeking refuge. “One Tiger to a Hill” (1980) was inspired by a 1975 hostage-taking at a prison in British Columbia.These and her many other historical works didn’t merely document an event; they used it as a jumping-off point to explore themes like racial tension. That was at the core of her “End Dream,” about a real-life 1924 case in Vancouver in which a Scottish nanny died under murky circumstances and a Chinese servant was charged. The charges were later dropped.“I am only interested in historical things if I can manipulate them,” she told The Globe and Mail of Canada when that work was given its premiere in 2000 by Theater Junction in Calgary. “I want to make something bigger than the mystery.”Anne Nothof, a professor emerita at Athabasca University in Alberta who writes frequently about Canadian drama, said Ms. Pollock viewed theater “as a means of illuminating the dark corners of apathy and ignorance” and used it to examine areas of history that were often sanitized.“In her plays, she provided multiple perspectives on historical events,” Dr. Nothof said by email. “Pollock was committed to creating a theater that responded to the past and the present, that challenged historical and personal assumptions.”Stephen Hair and Julie Orton in “Blow Wind High Water.” Staged at Theater Calgary in 2017, it was Ms. Pollock’s last new produced play.Trudie LeeMs. Pollock had a long relationship with Theater Calgary, where she was artistic director in 1984 and 1985 and where four of her plays had their premieres, including “Walsh” almost 50 years ago and her last new produced play, “Blow Wind High Water,” in 2017.Two of her plays, “Blood Relations” and “Doc” (1984), received the Governor General’s Literary Award, a top honor in Canada, and in 2012 Ms. Pollock was given the Officer of the Order of Canada designation “for her contributions to the theater as an award-winning playwright, actor, artistic director and teacher.” That same year, when the University of Calgary held a conference celebrating her, it was called simply “Sharon Pollock: First Woman of Canadian Theater.”Mary Sharon Chalmers was born on April 19, 1936, in Fredericton, New Brunswick. Her father, Dr. George Everett Chalmers, has a hospital in Fredericton named after him, and her mother, Eloise (Roberts) Chalmers, was a nurse. She was also an alcoholic; Ms. Pollock painted a stark picture of her early years in “Doc,” a play that had autobiographical elements, and she talked bluntly about her mother.“To be truthful, I didn’t like her very much,” she told The Calgary Herald in 2013. “She was an ugly drunk. She didn’t go somewhere nice and quiet and drink herself into oblivion. I always say that every statutory holiday she would try and kill herself. Eventually she succeeded. I think I was 17 when that happened.”She dropped out of the University of New Brunswick in 1955 and married Ross Pollock. But their relationship, she said, was troubled, and the marriage ended after about a decade. In 1966 she moved to Calgary with the Canadian actor Michael Ball, with whom she had a long-term relationship.From left, Amanda Dahl (Ms. Pollock’s daughter), Kate Trotter and Susan Hogan in “Doc,” a 1984 play that had autobiographical elements.George GammonShe began her theater career as an actress. In a 2008 interview with the The Calgary Herald marking the 40th anniversary of Theater Calgary, she recalled working with that company in its early years. She had especially vivid memories of the old QR Center, which was notorious for a leaky foundation.“The dressing rooms were in the basement, so in the spring you’d have about three inches of sewage and horrible water all through the dressing room areas,” she said.The seepage, she said, somehow always seemed to be worst when a production called for period costumes.“You not only had to watch your feet,” she said, “but you had to hold up these reams of skirt, or else you’d enter onstage with a kind of osmosis — water creeping up all over the edge of your clothes.”(Perhaps appropriately, a decade later “Blow Wind High Water” was part of that theater’s 50th-anniversary season. It was about a Calgary flood.)Ms. Pollock’s plays were staged at the Stratford Festival in Ontario, the Neptune Theater in Halifax and many other theaters, including the Garry Theater in Calgary, which she ran for five years in the 1990s. She also served in executive roles at Theater New Brunswick and other houses, though her strong personality sometimes led to clashes with board members.Ms. Pollock in 2017.via Theatre CalgaryStafford Arima, Theater Calgary’s current artistic director, experienced that personality when he staged her final play.“I fell instantly in like with Sharon’s no-filter way of communicating,” he said by email. “Her energy reminded me of a glorious tsunami wave that engulfed any space she inhabited — whether it was a rehearsal room or a coffee house.”In addition to her daughter Lisa, she is survived by five other children, Jennifer Pollock, Kirk Pollock, Melinda Tracey, Michele Pollock and Amanda Dahl; 12 grandchildren; and three great-grandchildren.In a “Playwright’s Note” in the program for “Blow Wind High Water,” Ms. Pollock addressed the audience in words that might well have applied to many of her plays:“I hope you’ll experience in some small way some small parts of history that have made the place you live in the place it is.” More