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    Falling in Love With Nora Ephron

    Ilana Kaplan’s new coffee table book pays tribute to the godmother of the modern rom-com.“I’ll have what she’s having.”There are few writers whose voices have been so indelibly stamped on our psyches that they can be conjured up with just one line. Nora Ephron, the godmother of the modern rom-com, is one of them (even if she didn’t take credit for the line in question).Her spiky heroines, epistolary romances, cable knit sweaters and explorations of intimacy and heartbreak transformed American cinema, giving rise to a generation of screenwriters and directors who have striven to follow in her oxford-clad footsteps (not to mention the swarms of fans for whom films like “You’ve Got Mail” and “When Harry Met Sally” are annual viewing traditions, bookending that sepia-tinged, pencil-shaving-scented season known as “Nora Ephron Fall”).Meg Ryan in a climactic scene in “When Harry Met Sally,” one of Ephron’s many films that took women — their neuroses and their desires — seriously.Columbia Pictures, via Everett CollectionRyan and Rosie O’Donnell in “Sleepless in Seattle.” The movie is as much a celebration of their characters’ friendship as of romantic love.TriStar PicturesIlana Kaplan explores this legacy in NORA EPHRON AT THE MOVIES (Abrams, $50) — a tribute, despite its title, not just to Ephron’s screen work but also to her essays, plays and searingly autobiographical novel, “Heartburn.”Each of them gets a chapter here, as do the fastidious enthusiasms that illuminate them all: Ephron’s love of language, her eye for fashion and her devotion to food. This is a woman, Kaplan explains, who turned ordering a piece of pie into an art form and whose version of a postcoital cigarette, in “Heartburn,” was an in-bed bowl of homemade spaghetti carbonara.Ephron’s passions — for language, fashion, food — infused her work.Katherine Wolkoff/Trunk ArchiveShe also drew on her personal heartbreaks, particularly in her novel, “Heartburn,” and its subsequent film adaptation, which starred Meryl Streep as an Ephron-esque food writer.Paramount, via Everett CollectionStanley Tucci and Meryl Streep in “Julie and Julia,” Ephron’s final film.Jonathan WenkEphron’s clarity of voice gave her work a steely backbone, bolstered by a screwball wit. She did not invent the meet-cute, the swoony set piece or the friends-to-lovers trope, but she made them so thoroughly her own that you’d be forgiven for thinking she did. Above all else, she took women seriously — their desires and neuroses, their careers, their friendships, their great beating hearts.Whatever she wrote about, we wanted what she was having. More

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    ‘Strategic Love Play’ Review: A Slightly Dark, Not-Quite-Romantic Comedy

    In this first-date comedy, Michael Zegen and Heléne Yorke play people who might just be willing to settle for each other.There comes a time in some adults’ dating lives when the search for love slides down the priority list, and with it the pesky urge to be particular about who might qualify as life-partner material.What’s far more vital, suddenly, is simply to couple up — less as a bulwark against the world than as a defense against the paired-off friends who fret about your singleness. So what if you and your new plus-one aren’t besotted with each other? At least you’re not alone.This is where Jenny (Heléne Yorke) and Adam (Michael Zegen) find themselves in “Strategic Love Play,” Miriam Battye’s slightly dark, not-quite-romantic comedy at the Minetta Lane Theater in Greenwich Village. Directed by Katie Posner for Audible Theater and Chase This Productions, it unfolds over the course of a single rocky date.For both Jenny and Adam, who evidently matched on an app, the prospect of having a default person to stand with the next time they go to a barbecue is a potently soothing thought. Which is maybe why they persevere through this awkward first encounter in a charmingly lit bar, where sconces hang on the bare brick walls. (The set is by Arnulfo Maldonado, lighting by Jen Schriever.)Reserved and wary of Jenny’s big personality, Adam wants to bolt pretty much immediately, while Jenny is the kind of person who reacts to silence by trying to rile things up, get a reaction, be outrageous. From his rigid posture, his lack of interest is clear, but she is all about leaning in.“Two-drink minimum,” she stipulates, meaning he’d better not leave before then. “Anything less would be — rather unmerciful.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    7 Books Like ‘Heartstopper’ to Read After You Binge Season 3 on Netflix

    Earnest love stories by Rainbow Rowell, TJ Klune and Talia Hibbert will tug at your heartstrings while grappling with real, often dark, issues.Break out the heart eyes and rugby kits: The much-anticipated third season of the gushingly earnest teen romantic dramedy “Heartstopper” arrives on Netflix on Oct. 3.The show, based on the best-selling graphic novel series by Alice Oseman, follows Nick Nelson, a golden retriever of a rugby player, and Charlie Spring, a sensitive drummer, who meet-cute one day in homeroom. They and their friends cover every stripe of the L.G.B.T.Q. rainbow. They’re also goofy and anxious and smart and exuberant, all of the things teenagers are as they discover love and attraction for the first time. The show deals frequently with difficult issues — bullying, eating disorders, gender dysphoria, housing insecurity — while also painting an effervescent picture of adolescence that, in a homage to the comics, is sprinkled with hearts and fireworks.There are five volumes of “Heartstopper” — plus two spinoff novellas and a stand-alone novel, “Solitaire,” about Charlie’s prickly, fan-favorite older sister — available to read while you wait for a sixth book (and a potential fourth season). But if you’ve already blown through Oseman’s oeuvre and are craving more young adult love stories that grapple with darker themes, these books are for you.I’d like a grounded, heartfelt love storyAristotle and Dante Discover the Secrets of the UniverseBy Benjamin Alire SáenzWhen we first meet Aristotle Mendoza, he is 15, bored and miserable, staring down another summer in El Paso. Then he meets Dante Quintana, who teaches Ari how to swim at the community pool. Their friendship blooms from there, growing out of comic books, bus rides and heated debates about the literary merits of Joseph Conrad.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘Love Is Blind’: Body Language Expert Offers Clues for Season 7

    As Season 7 begins, an expert says figuring out a participant’s motivation is both an art and a science.Grab a golden goblet. The Netflix series “Love Is Blind” is back, with the first episode of its seventh season having been released on Wednesday, with the host Nick Lachey learning what a situationship is. The series that inspired drinking games (take a sip every time someone says the phrase “genuine connection”) — and is both a reality show and a social experiment — set up shop in Washington, D.C., this time to help 29 singles find love.The premise, of course, is that the singles can’t see whom they are dating because of a glowing blue wall between them intended to eliminate all of the superficial things that might get in the way of love. Once a couple decides to get engaged, they see each other for the first time and attempt to make their relationship work, with all of the complications that phones, work and physical attraction bring.Over the past few seasons, the nagging question concerning the show’s participants was: Are they here for love or for clout? (The recent season, “Love Is Blind: U.K.,” was hailed by many as a return to the show’s original vibe, for its generally emotionally healthy and low-drama cast.)CC Rice, a voice teacher, associate professor and energy reader who posts body language breakdowns of the show under the social media handle @guidedinspiration, says that figuring out a participant’s motivation is both an art and a science.“‘Love is Blind’ is this incredible opportunity to see people in private,” she said. “I’m listening for all of the cues: What do they bring up? Where do they look while they’re speaking? Are they avoidant? Are they trying to connect?”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    5 Books to Read After Watching ‘Nobody Wants This’

    These romance novels feature cross-cultural connections, charming banter and plenty of heart.There’s a long history in Hollywood of cross-cultural rom-coms — films and TV shows such as “Keeping the Faith,” “Bend It Like Beckham” and “The Nanny” that mine clashing traditions to find hilarity and heart. Colliding heritages naturally lend themselves to moments of comedic gold: Just think of a nonplused Andrea Martin in “My Big Fat Greek Wedding” reassuring John Corbett’s vegetarian leading man, “That’s OK: I make lamb.”The series “Nobody Wants This,” which premieres on Netflix on Sept. 26, is the latest entry into this oeuvre. Joanne (Kristen Bell) is an agnostic, sex-positive podcast host with a history of toxic relationships; Noah (Adam Brody — Mr. Chrismukkah himself, no stranger to interfaith high jinks) is a pot-smoking rabbi with a fiercely protective mother who spends his free time playing basketball with the Matzah Ballers. Their story is as much about the universal awkwardness and hilarity of a budding romance as it is about the complex differences in their worldviews.Interfaith and cross-cultural romances are nothing new in the literary sense, either. If you’re craving more stories about clever people drawn together by chemistry and circumstance who also face the difficult work of navigating disparate backgrounds, these romance novels have got you covered.I think hot rabbis may be the new hot priestsThe Intimacy ExperimentBy Rosie DananNaomi Grant is a bisexual adult film actress with a master’s degree who runs a successful online sex-ed platform; she wants to expand into live seminars, but she’s having trouble finding an institution to support her. Enter Ethan Cohen, an unconventional (and very attractive) straight rabbi who invites Naomi to teach a course on human sexuality and relationships at his synagogue — a gamble aimed at reaching more young Jewish people and saving his dwindling congregation.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Why an Asian American Reporter Wanted to Write About Romance

    Hollywood has portrayed Asian American men in unflattering ways for decades. One Culture reporter aimed to bring the uncomfortable conversations out of group chats, and into The Times.There is a scene in the 2023 film “Past Lives” in which Nora Moon, the protagonist, calls Hae Sung Jung, her childhood friend, “really
masculine, in
this
way
I
think
is
so
Korean.”When I first heard that dialogue, I remember jolting to attention. It felt like the movie was going out of its way to label an Asian man as manly. I had never heard that kind of talk on the big screen before.And, if I’m being honest, it made me, a Korean American man, feel good.I knew there was more I wanted to unpack, and doing so falls into my jurisdiction as a reporter on The New York Times’s Culture desk. So I was delighted when The Times’s Projects and Collaborations team asked me if I’d be interested in writing about the representation of Asian American men — and specifically their romantic roles — onscreen.Asian and Asian American men have been emasculated and marginalized for decades on American screens, and I wanted to chronicle the modest, but meaningful, shift happening right now. The article, which was published online today alongside visuals from Ricardo Nagaoka, explores how roles available to Asian and Asian American actors have evolved, especially over the last few years.I spoke to almost two dozen Asian Americans: Mostly actors, writers and directors, but also scholars, historians and everyday people. I needed to understand how laws and immigration policy — and especially pop culture — had shaped America’s view of Asian men. And I was interested in how the years of unflattering Hollywood portrayals made Asian and Asian American men feel.Surveys from the 2000s and 2010s had concluded that Asian men, along with Black women, were at the bottom of the racial romantic hierarchy when it came to dating in real life. And the frustration felt by Asian American men in that realm has at times manifested itself in misplaced toxicity, anger and resentment — particularly toward Asian women.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘Love Island USA’ Reunion: 5 Biggest Takeaways

    After a chaotic and fun season, even more drama unfolded on social media in the weeks that followed. This Peacock special broke everything down.This summer’s season of “Love Island U.S.A.” has been the most popular of the franchise so far. And, if it feels like everyone is talking about it, it’s because they probably are — during the second week of July, this show was the most watched streaming original series in the U.S., according to Luminate, an entertainment data tracking service. That means it outranked “The Bear.”Because of the season’s popularity, it made sense for the show to have its first ever reunion special. Hosted by Ariana Madix, whose training included being grilled by Andy Cohen during her many “Vanderpump Rules” reunions, the show featured 25 Islanders — both OGs and Casa Amor — discussing not only what went on during the season but also all the messy drama that has unfolded on social media in the weeks after the show aired.Here are the five biggest takeaways from the reunion.Full footage of the firepit vote between Serena Page, Olivia Walker, Leah Kateb and Kaylor Martin is revealed.One of the biggest and longest running dramas in the villa this season had to do with the dumping of Andrea Carmona. At the time, Carmona was coupled up with Rob Rausch, who had just gotten out of a couple with Leah Kateb.A handful of the women in the villa had to decide whom to dump between Carmona, Nicole Jacky or JaNa Craig.The decision to send Carmona home caused many fights, including one during which Martin and Walker told Rausch that Kateb had been the one pushing to send Carmona home — and this information discouraged Rausch from recoupling with Kateb. Kateb maintained that she “tried to take a back seat” in the decision making.Throughout and following the season, viewers asked on social media why the show didn’t just air the entire unedited footage of the four women making the decision, instead of allowing a seemingly endless “he-said-she-said.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    5 Takeaways from the ‘Love Island U.S.A.’ Season 6 Reunion

    After a chaotic and fun season, even more drama unfolded on social media in the weeks that followed. This Peacock special broke everything down.This summer’s season of “Love Island U.S.A.” has been the most popular of the franchise so far. And, if it feels like everyone is talking about it, it’s because they probably are — during the second week of July, this show was the most watched streaming original series in the U.S., according to Luminate, an entertainment data tracking service. That means it outranked “The Bear.”Because of the season’s popularity, it made sense for the show to have its first ever reunion special. Hosted by Ariana Madix, whose training included being grilled by Andy Cohen during her many “Vanderpump Rules” reunions, the show featured 25 Islanders — both OGs and Casa Amor — discussing not only what went on during the season but also all the messy drama that has unfolded on social media in the weeks after the show aired.Here are the five biggest takeaways from the reunion.Full footage of the firepit vote between Serena Page, Olivia Walker, Leah Kateb and Kaylor Martin is revealed.One of the biggest and longest running dramas in the villa this season had to do with the dumping of Andrea Carmona. At the time, Carmona was coupled up with Rob Rausch, who had just gotten out of a couple with Leah Kateb.A handful of the women in the villa had to decide whom to dump between Carmona, Nicole Jacky or JaNa Craig.The decision to send Carmona home caused many fights, including one during which Martin and Walker told Rausch that Kateb had been the one pushing to send Carmona home — and this information discouraged Rausch from recoupling with Kateb. Kateb maintained that she “tried to take a back seat” in the decision making.Throughout and following the season, viewers asked on social media why the show didn’t just air the entire unedited footage of the four women making the decision, instead of allowing a seemingly endless “he-said-she-said.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More