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      Lily Gladstone on Her History-Making Oscar Nomination

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      Lily Gladstone shed a few tears when she heard Jack Quaid read her name in the best actress Oscars category on Tuesday morning. “I didn’t expect that I would cry the way that I did,” she said. But it was nothing compared with the reaction of her parents.“It definitely turned on the waterworks,” said Gladstone, who stars as Mollie Burkhart, an Osage woman whose white husband is part of a murderous conspiracy in the Martin Scorsese epic “Killers of the Flower Moon.” She was calling from Pawhuska, Okla., shortly after watching the Oscar nominations announcement on FaceTime with her parents.After all, it’s not every day that you’re nominated for your first Oscar — or that you become the first Native American person to be nominated for a competitive acting Academy Award.“It’s something that I wasn’t sure I would see in my career, in my lifetime,” said Gladstone, 37, who has Blackfeet and Nez Percé heritage. “I hope that it just means that people start caring more and learning more about these histories.”Gladstone isn’t the first Indigenous artist up for best actress — Keisha Castle-Hughes (“Whale Rider,” 2003) and Yalitza Aparicio (“Roma,” 2018) were also nominated in the same category — but she is the first from the United States. The folk singer Buffy Sainte-Marie is considered the first Indigenous person to win an Oscar (for best song, “Up Where We Belong” from “An Officer and a Gentleman” in 1983), but her heritage has recently been disputed. And in 2019, Wes Studi, who is Cherokee American, was given an honorary Oscar for “his indelible film portrayals and for his steadfast support of the Native American community.”Gladstone has had a busy month: On Jan. 7, she became the first Indigenous person to win a Golden Globe for best actress, delivering a powerful speech in which she spoke a few lines in the Blackfeet language. She also picked up a best actress win from the New York Film Critics Circle, as well as nominations from the Critics Choice Awards and the Screen Actors Guild.“I’m hopeful because of the way things are trending now: We’re telling our own stories, or we have a really heavy hand in shaping how stories about us are told,” she said.“Killers,” based on the nonfiction book by David Grann, was reconceived early on to focus on the relationship between Mollie and her husband, Ernest (Leonardo DiCaprio), who conspires with his uncle (Robert De Niro) to kill her relatives in a bid to seize her family’s oil-rich Oklahoma land.Gladstone in the film opposite Leonardo DiCaprio. Apple TV+Since the film was released in October, critics have singled out Gladstone. Anthony Lane, writing in The New Yorker, heralded her as “unmistakably the movie’s most compelling presence.” Gladstone grew up acting in plays staged by a traveling children’s theater on the Blackfeet reservation in northwestern Montana. She landed a breakthrough role in Kelly Reichardt’s 2016 indie, “Certain Women,” that raised her profile considerably, but “Killers,” with its reported $200 million budget and A-list cast, vaulted her into hyperspace.In a 15-minute interview, Gladstone shared what she hoped her nomination portends for the industry, how she first became interested in studying the Blackfeet language, and what people who discovered her in “Killers of the Flower Moon” should watch her in next. These are edited excerpts from the conversation.Congratulations!Thank you. It was great every time the film got a nod, but the one that really got me was Robbie Robertson [for best original score for “Killers of the Flower Moon”]. Getting to watch that nomination come in with my dad was really special, because my dad introduced me to Robbie Robertson as a musician, which was the whole reason I even knew who Martin Scorsese was as a filmmaker. My dad told me about their friendship and, as a 10-year-old, I remember him saying, “You know, one day he’s going to make his Indian movie because of his friendship with Robbie.” So it was cool to remind him of that. Seeing how touched my folks were — that was everything.What has it been like to receive such copious recognition from the industry after years of struggling to find parts that weren’t insulting or exploitative?It’s time that Native characters based upon living incredible women like Mollie Kyle be given the heart of these films. “Killers of the Flower Moon” was an opportunity to restore a place onscreen for Native women that history has excluded us from. So to have Mollie and her sisters and her mother and her community be characters that, just by being who they are onscreen, are changing people’s stereotypes and contextualizing moments in history that maybe make the present make a little bit more sense — it’s long overdue.You had the chance to speak with Mollie Burkhart’s granddaughter, Margie. What was something she shared about Mollie that surprised you or that you incorporated into the character?What a caring mother she was. Margie shared that when her dad, Cowboy, would have chronic ear infections and earaches, Mollie would blow tobacco smoke in his ears, which is something a lot of elders do back home where I’m raised, too. And Margie herself is so smart and grounded, and loving. At our first meeting, her body language, her intonation and the way I could see thoughts turning over in her head went into how I shaped Mollie. Her observational wry humor, the intelligence, the ability to read what’s going on in the room, the warmth all stood out. I know that those things are inherited from family, so I feel like the biggest clues to who Mollie would have been is the way that she’s echoed in her grandchildren.You spoke a few lines in the language of your people, the Blackfeet tribe, after your historic win at the Golden Globes. When and how did you become interested in studying Blackfeet?Growing up on my reservation, I picked it up. I’m not fluent. One of the first sentences we learn how to construct is how to introduce yourself to a group of people. You say your Blackfeet name, and then you also tell everybody where you’re from, which people you come from, which is what I did at the Globes. I wouldn’t have been up on that stage if it weren’t for how early in my life my community identified my gift and my love for acting. Performing and telling stories has always been synonymous with my very name; I’ve always been encouraged to do this, in whatever form it takes. There were a lot of years where acting was a means of teaching and teaching about our history, specifically, the Native American boarding school experience.After my speech at the Globes, it was moving to see the response from Blackfeet people on TikTok and Facebook. One family had recorded their little girl, who is learning Blackfeet along with English, and when she heard me speaking, she started talking back in Blackfeet to the screen, and then when I was done speaking, she went, “Soōkaapii,” which means “It’s good.” Like, “That was good.” That just broke my heart wide open.Do you have any favorites among the nominated films?I’m ecstatic to see the love for “American Fiction.” And to see Danielle Brooks hold it down for the entirety of “The Color Purple” — she’s unbelievable. And Sandra [Hüller’s] work, oh my God. And then people I’ve been watching for years — being in conversations, in rooms alongside Annette Bening has been mind-blowing and so touching. I’m stoked for everybody.Though “Killers’ was your breakout role, you have a film, TV and theater résumé that spans more than a decade. Any recommendations for what people should watch you in next?Definitely stream “Reservation Dogs” — and not just my episodes! It’s an incredible, incredible series; each episode is so full, so funny, so heartbreaking. There’s a reason that it’s been named the best show by so many publications. “The Unknown Country” is another one that shows the way the performances of the incredible Indigenous actors in “Killers of the Flower Moon” have helped shift paradigm and break stereotypes for people.And then, I can’t share it yet, but sometime in the not-too-distant future, people will be able to see “Fancy Dance,” which is the absolute best film to watch in tandem with “Killers of the Flower Moon.” It’s the same land, the same issues, exactly 100 years later, and how they’ve manifested into the modern age. It’s an incredible love story between an aunt and her niece and a display of matrilineal resilience and love and survival. I’m so excited that people will be able to access it soon.Fans have said they want to see you in a Marvel role. What is your dream role?I have to acknowledge my little, cute, roly-poly, chunky 5-year-old self who wanted nothing more in the world than to be an Ewok. We’re in the age of C.G.I., so I think if Ewoks are brought back, it has to be handcrafted the way it was in the late ’70s, early ’80s. So, if not an Ewok, something to do with their preservation as an incredible little group of — I guess you can call them people. More

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      What Will Be Nominated for Oscars Next Week, and What Won’t?

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      While “Oppenheimer,” “Barbie” and “Killers of the Flower Moon” are likely to do well, the directors race is hardly set and other categories are open, too.When it comes to predicting the Oscars, you ultimately have to go with your gut … and mine is in a state of agita.That’s what happens when there are simply too many good movies and great performances to all make the cut: Even the hypothetical snubs I’m about to dole out have me tied up in knots.Which names can you expect to hear on Tuesday, when the Oscar nominations are announced? Here is what I project will be nominated in the top six Oscar categories, based on industry chatter, key laurels from the Golden Globes and Critics Choice Awards, and the nominations bestowed by the Screen Actors Guild, Producers Guild of America and Directors Guild of America. Well, all of those things, and my poor, tormented gut.Best PictureLet’s start with the safest bets. “Oppenheimer,” “Barbie” and “Killers of the Flower Moon” scored top nominations from the producers, directors and actors guilds last week and I expect each film to earn double-digit Oscar nominations. “The Holdovers” and “Poor Things” are secure, too: Though they didn’t make it into SAG’s best-ensemble race, both films boast lead actors who’ve won the Golden Globe and Critics Choice Award. If this were an old-school race, these would be the five nominees.But there are five more slots to fill, and I project the next three will go to “Past Lives” and “American Fiction,” passion picks with distinct points of view, as well as “Maestro,” the sort of ambitious biopic that Oscar voters are typically in the tank for. I’m also betting that the French courtroom drama “Anatomy of a Fall” and the German-language Holocaust drama “The Zone of Interest” find favor with the academy’s increasingly international voting body. (Even the Producers Guild, which so often favors big studio movies over global cinema, found room to nominate that pair.)There are still a few dark horses that hope to push their way into this lineup, like “The Color Purple,” “May December,” “Society of the Snow” and “Origin.” But I suspect these 10 are locked and loaded.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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      Paul Giamatti, Bradley Cooper, Da’Vine Joy Randolph and More Celebrities at the National Board of Review gala

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      The stars were among the 17 honorees at the annual National Board of Review gala, as awards season ramps up.On a not-at-all red carpet inside Cipriani 42nd Street in Midtown Manhattan on Thursday night, Da’Vine Joy Randolph was glowing.“The fact that these people actually even seen my work is just mind-blowing,” said the actress, a star of “The Holdovers,” who was being honored with the National Board of Review’s best supporting actress prize at its annual film awards gala, just days after she had won her first Golden Globe on Sunday for her role in the film.A few feet away on the gray carpet was Celine Song, who came to accept the prize for best directorial debut for “Past Lives.” She was sporting a tuxedo jacket, a long skirt and a bow tie.“Because the movie is so personal, any time somebody connects to the film, I always feel less lonely; I feel very seen and understood and embraced,” said Ms. Song, who based the romantic film partly on her own experience with a childhood friend.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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      See Golden Globes Winners Celebrate Their Big Moment

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      What Winning a Golden Globe Looks LikeLily Gladstone, Paul Giamatti, Billie Eilish and stars from “Succession,” “Beef” and “The Bear” are captured in their moments of glory.The Los Angeles-based photographer Erik Carter was backstage at the Beverly Hilton Hotel on Sunday, where he photographed Golden Globes winners for The Times.Best Performance by an Actress in a Supporting Role in any Motion PictureDa’Vine Joy Randolph, ‘The Holdovers’“I hope I’ve helped you all find your inner Mary. Because there’s a little bit of her in all of us.” — Da’Vine Joy Randolph, in her acceptance speech. She played Mary, the mourning mother, in Alexander Payne’s “The Holdovers.”Best Television Series, Musical or Comedy‘The Bear’From left: Abby Elliott, Jeremy Allen White, Lionel Boyce, Ayo Edebiri, Liza Colón-Zayas (foreground), Ebon Moss-Bachrach, Matty Matheson and Edwin Lee Gibson.“There are so many people I probably forgot to thank. Oh, my God, all of my agents’ and managers’ assistants! To the people who answer my emails. Y’all are real ones. Thank you for answering my crazy, crazy emails.” — Ayo Edebiri, in her acceptance speech for best actress in a TV comedy.Best Original Song, Motion PictureBillie Eilish and Finneas, ‘What Was I Made For?,’ from ‘Barbie’“It was exactly a year ago, almost, that we were shown the movie and I was very, very miserable and depressed at the time. Writing that song kind of saved me a little bit. A year later and here we are, and it’s really surreal. I feel incredibly, incredibly lucky and grateful.” — Billie Eilish, in her acceptance speech.Best Performance by an Actress in a Motion Picture, DramaLily Gladstone, ‘Killers of the Flower Moon’“This is for every little rez kid, every little urban kid, every little Native kid who has a dream, who is seeing themselves represented.” — Lily Gladstone, in her acceptance speech.Best Performance by an Actor in a Limited Series, Anthology Series or Motion Picture Made for TelevisionSteven Yeun, ‘Beef’Best Motion Picture, Musical or Comedy‘Poor Things’From left, the director Yorgos Lanthimos, Emma Stone, Willem Dafoe, Ramy Youssef and Mark Ruffalo.Best Performance by an Actor in a Motion Picture, Musical or ComedyPaul Giamatti, ‘The Holdovers’Best Performance by an Actress in a Limited Series, Anthology Series or Motion Picture Made for TelevisionAli Wong, ‘Beef’“I really need to thank the father of my children and my best friend, Justin, for all of your love and support. It’s because of you that I’m able to be a working mother.” — Ali Wong, in her acceptance speech.Best Performance by an Actress in a Television Supporting RoleElizabeth Debicki, ‘The Crown’Best Performance by an Actor in a Television Series, DramaKieran Culkin, ‘Succession’“Thanks to ‘Succession,’ I’ve been in here a couple of times. It’s nice, but I sort of accepted I’m never going to be onstage, so this is a nice moment.” — Kieran Culkin, in his acceptance speech. More

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      Best and Worst Moments From the 2024 Golden Globes

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      Lily Gladstone made history, Jo Koy did not. And dressing on a theme proved a hit. These were just some of the highs and lows.The Golden Globes had a lot to prove Sunday night. It was the award show’s return to a primo broadcast time slot after a series of scandals over finances and lack of diversity upended what used to be known as the biggest party of the year in Hollywood. Now privately owned with a greatly expanded pool of voters, the Globes were making a bid for relevance. Did that bid succeed? Well, it helped that this was the first major televised ceremony since the writers’ and actors’ strike brought Hollywood to a halt, and stars and studios looking to goose their Oscar chances turned out after some skipped last year’s event. Then again, this wasn’t the liveliest show. Here are the highs and lows as we saw them.Most Historic Win: Lily GladstoneIn a momentous triumph, Lily Gladstone became the first Indigenous person to win a Golden Globe for best actress, for her turn in “Killers of the Flower Moon” as an Osage woman whose family members are killed in a plot to take their fortune. Gladstone, whose background is Blackfeet and Nez Perce, was only the second Native actress to receive recognition from the Globes: Irene Bedard was nominated in 1995 for “Lakota Woman: Siege at Wounded Knee,” a television movie.After receiving a standing ovation, an overcome Gladstone spoke a few lines in the Blackfeet language, “the beautiful community nation that raised me, that encouraged me to keep going, keep doing this,” she explained in English.“I’m so grateful that I can speak even a little bit of my language,” she added later, “because in this business, Native actors used to speak their lines in English, and then the sound mixers would run them backwards to accomplish Native languages on camera.” She dedicated the award to “every little rez kid” who had a dream. — Esther ZuckermanLeast Suspenseful Rivalry: ‘Oppenheimer’ vs. ‘Barbie’The presenter Oprah Winfrey, far right, watches as the “Oppenheimer” team accepts best drama. From left, Robert Downey Jr., Matt Damon, Emma Thomas, Ludwig Goransson, Florence Pugh, Christopher Nolan and Cillian Murphy. Sonja Flemming/CBSIn the end, the great “Barbenheimer” face-off was a complete fizzle. “Oppenheimer,” with eight nominations, won five trophies — best drama, director, actor, supporting actor and score. After sitting on the sidelines for most of the night, “Barbie,” the ceremony’s most-nominated film, with nine nods, finally got in the game with a win in the rather meaningless category of best blockbuster (“cinematic and box office achievement”). “Barbie” got a second prize in the form of best song, which was kind of a no-brainer because the film’s tunes filled three of the category’s six slots. Time to rev up that Oscar campaign, Babs! — Brooks BarnesBest Looks: Stars Dressing on a ThemeFrom left, Oprah Winfrey, Margot Robbie and Taylor Swift.Getty ImagesJust in case anyone forgot about the “Barbie” effect of last year, which turned entire crowds pink, Margot Robbie managed to out-“Barbie” her own red carpets past in a sequined slither of hot pink Armani paired with a bristling pink tulle boa, all of it inspired by the 1977 Superstar Barbie.As it turned out, however, that was just the beginning of the on-theme dressing. Oprah Winfrey wore Louis Vuitton in the color purple, in honor of — you guessed it — “The Color Purple,” for which she served as a producer. And Taylor Swift wore glimmering Gucci in the sort of bright leafy shade that evoked nothing so much as the color of money and made it impossible to forget just how much green her Eras Tour has generated.Together they made for a more interesting trend than the traditional strapless frocks that also proliferated. (The best of those being Elle Fanning’s vintage Balmain and Rosamund Pike’s not-quite-vintage 2019 Dior: if you’re going to go with the classics, might as all go back to the source). And the theme dressing added a new dimension to the brand-marketing machine that the red carpet has become. — Vanessa FriedmanFlattest Monologue: Jo KoyThe host, Jo Koy, onstage at the Beverly Hilton ceremony.Sonja Flemming/CBSI had high hopes for Jo Koy, the 52-year-old Filipino American comedian who is only the second Asian American to host the Golden Globes. (Sandra Oh was the first, in 2019.) But Koy’s opening monologue felt like a highlight reel of mortifying moments. From a weird joke about being attracted to a plastic Barbie to one about the “Killers of the Flower Moon” filmmakers stealing the plot, Koy’s jokes met an icy reception from the audience. To be fair, he had barely any time to prepare. “I got the gig 10 days ago!” he said from the stage. “You want a perfect monologue?” It’s a shame, but Koy’s jokes will probably end up being best remembered for the memes they inspire on social media. — Christopher KuoFlattest Joke: Koy Riffing on Taylor SwiftWhy you gotta be so mean? The host’s jokes did not really improve as the night went on.“We came on after a football doubleheader,” Koy said as the ceremony returned from its first commercial break. “The big difference between the Golden Globes and the N.F.L.? On the Golden Globes, we have fewer camera shots of Taylor Swift.”Koy seemed to swallow the word “camera” as he said it. And when the actual camera, on cue, panned to Swift, she appeared deeply unamused, her lips pursed, her eyes stern as she sipped a drink.It is true that Swift has been shown many, many times on N.F.L. telecasts since she began showing up at Kansas City Chiefs games to cheer on the team’s tight end, Travis Kelce.But Koy’s joke, at the expense of perhaps the most famous person in a room full of famous people, fell flat again. So flat, that he muttered, “Sorry about that.” — Matt StevensMost Historic Double Win: Steven Yeun and Ali Wong of ‘Beef’Steve Yeun and Ali Wong with their trophies for “Beef.”Robyn Beck/Agence France-Presse — Getty ImagesThey may have gone head-to-head in a bitter feud that crossed 10 episodes of “Beef,” the Netflix road rage comedy that gained a huge online fandom last year, but Ali Wong and Steven Yeun both left the Globes on Sunday with statuettes in hand, as the first actors of Asian descent to win honors for a limited series or TV movie. First, Wong won best actress in the category and delivered an emotional acceptance speech, thanking her ex-husband and children for making it possible for her to be a working mother in Hollywood. A few minutes later, Steven Yeun won best actor in the same category. How do we order up a sophomore outing for Amy and Danny? — Sarah BahrBest Speech With a Twist: YeunThe most entertaining speeches take us on a ride. That’s what Yeun did when he won for actor in a limited series. He started out with a serious and vulnerable tone, saying, “The story I usually tell of myself to myself is one of isolation and, like, separateness.” But then he threw in a twist, saying that once he climbed onto the stage he realized that — wait, that inner monologue “feels a lot like the plot to ‘Frozen.’” It was unexpected yet heartfelt, a joke for his daughter. — Brooks BarnesBest Speeches With a Dose of Honesty: Kieran Culkin and Robert Downey Jr.Kieran Culkin accepting his “Succession” trophy.Sonja Flemming/CBSRobert Downey Jr. accepting his best supporting actor award.Sonja Flemming/CBSAwards show speeches tend to be mash-ups of gushing adjectives meant to communicate maximum gratitude — “amazings” and “incredibles” aplenty — but a couple of actors were refreshingly measured in their delight. This isn’t the Oscars, after all. Winning for his role as Roman Roy in “Succession,” Kieran Culkin told the audience, simply, “This is a nice moment for me.” And when Robert Downey Jr. stepped up to the microphone, he deflected applause for his supporting performance in “Oppenheimer” by addressing the prescription medication powering his nonchalance onstage: “Yeah, yeah, I took a beta blocker,” he said, “so this is going to be a breeze.” — Julia JacobsBiggest Upset: Best Screenplay for ‘Anatomy of a Fall’The previous group of Golden Globe voters could always be counted on to give us a few unpredictable wins, and though they weren’t always welcome swerves, they at least lent the night a charge of anything-could-happen frisson. That feeling was hard to come by this year, thanks to a series of respectable, safe choices, though the unexpected triumph of “Anatomy of a Fall” in the screenplay category certainly woke up the ballroom: In years past, Globe voters almost certainly would have chosen a starrier pick like “Barbie” or “Oppenheimer,” and it was fun to get a worthy upset. — Kyle BuchananWorst Award: The Cinematic and Box Office Achievement GlobeGreta Gerwig, left, and Margot Robbie enjoy their “Barbie” win.Sonja Flemming/CBSThe Globes added a new box-office trophy this year, with nominees required to have earned at least $150 million (or, as the guidelines put it, “commensurate digital streaming viewership”). The whole thing is a little silly, especially in a year in which two huge hits — “Barbie” and “Oppenheimer” — were also popular with critics and nominated for many awards. Is it an effort to revive the academy’s widely derided attempt to add a best popular film category to the Oscars? Or just to get more A-listers in the room (including, yes, Taylor Swift)?Entertainment plaudits are basically made up of vibes and campaigning, meant to create heated discussions. But if there’s anything in movies that’s impossible to argue with, it’s box office receipts and clicks. So what was the undisputed biggest box office achievement in 2023? “Barbie.” Who won this new Globe? “Barbie.” Who else could it have been? — Alissa WilkinsonBest Writers’ Revenge: A Script ‘Written’ by Studio ExecutivesDaniel Kaluuya, left, Hailee Steinfeld and Shameik Moore at the Globes.Sonja Flemming/CBSPerhaps as an ode to the recently settled Hollywood writers’ strike, the presenters Daniel Kaluuya, Hailee Steinfeld and Shameik Moore announced they would introduce the best screenplay nominees with words written by studio executives — although given the dry, stilted language, the script may well have been generated by ChatGPT.“I am relatable,” Steinfeld intoned. “I am enjoy the Golden Globes.”“I do agree,” Moore said.“As do I,” Kaluuya agreed.At least the “executives” generated a few laughs.— Jonathan AbramsLeast Satisfying Reunion: ‘Suits’What is a “Suits” reunion without Meghan Markle? The law-firm drama that has found unprecedented success on Netflix more than a decade after its debut deserved a moment in the sun just for the sheer number of viewers it accrued in recent months. And I’m sure actors Gabriel Macht, Patrick J. Adams, Gina Torres and Sarah Rafferty were thrilled to present the award for best drama series. But where was Meghan, Duchess of Sussex, who was a star of the show and played a key character? She doesn’t live very far from the Beverly Hilton, where the ceremony was held. “Suits” fans had to be thrilled that their beloved cast was alive and well, but without Meghan, can you really call it a reunion? — Nicole SperlingMost Improved Angle: Shots of the Audience Behind the PresentersAmerica Ferrera and Kevin Costner were among the presenters shot from different angles.Sonja Flemming/CBSKeeping things interesting visually during an awards show can be a challenging task. Talking heads. Nominees. Award. Speech. Rinse. Repeat. But on Sunday night, the producers mixed it up by pulling a simple reversal and shooting some of the presenters with the audience in the background. It changed the feel while allowing us at home to peek behind some of the presenters during the more boring banter to check out the celebrities behind them. Who’s paying attention? Who can’t be bothered? One drawback was that the lighting didn’t always favor the presenters at these varying angles. But overall, it felt fun and gave a little jolt to the proceedings. — Mekado MurphyMost Surprising (Apparent) Spoiler: ‘Anatomy of a Fall’“Anatomy of a Fall” took home two Globes for its taut dissection of the frictions in a marriage, exposed when a wife is put on trial and accused of pushing her husband to his death at their home in the French Alps. Under the scrutiny of a court and the couple’s preteen son, Sandra (Sandra Hüller), defends herself as viewers are left to plumb the evidence for signs of whether her husband’s death resulted from an assault, an accidental fall or his own leaping.But as she accepted the award for best screenplay for the film, written with her husband, Arthur Harari, Justine Triet maybe revealed what her script did not. Describing their thinking when they completed the script, she said: “OK we are having a lot of fun but it’s radical and dark, nobody’s going to see this movie. It’s too long, they talk all the time, there’s no score — a couple fighting, suicide, a dog vomiting. I mean, come on.” The (accidental?) disclosure of the manner of death seemed out of step for one of the creators of a film so meticulously built to leave audiences guessing. — Elena BergeronBest and Worst Reinvention: The Globes ThemselvesWith the Globes trying to claw their way to semi-legitimacy, this was a perfectly reasonable attempt, but it all felt perfunctory.High: Intro segments tend toward the cringey at every awards show, and there were plenty of awkward moments here, too, but there were some bright spots: Keri Russell and Ray Romano’s fun repartee, Andra Day and Jon Batiste’s giggly banter and especially Kristen Wiig and Will Ferrell’s goofy dance bit. Ferrell’s signature outburst — “The Golden Globes have not changed!” — was probably the biggest laugh of the night.Low: Kind of everything? The whole ceremony had sort of a blah energy. The speeches were all fine, but none was especially wild. The biggest shock came when the broadcast included what sounded like glasses clattering to the floor. — Margaret Lyons More

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      Golden Globe Awards Takeaways: ‘Oppenheimer’ and ‘Succession’ Win Big

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      The 81st Golden Globes kicked off Hollywood’s awards season on Sunday in a chaotic and sloppy manner, with the host, Jo Koy, delivering a train wreck of a monologue, winners alternately seeming to take the ceremony seriously and not at all, and prizes going to a wide array of films and television shows.“Oppenheimer,” which entered the ceremony with eight nominations, emerged as the movie to beat in the coming Oscar race, winning five Globes, including for best drama, Christopher Nolan’s directing and Cillian Murphy’s acting. “Barbie,” “The Holdovers” and “Poor Things” also won notable movie awards.Here are the other main takeaways:The most nominated film, “Barbie,” which received citations in nine categories, won two Globes, including the one for best cinematic and box office achievement, a newly created prize. Its other victory was for best song.HBO’s “Succession” was the top television winner, as expected. The show collected Globes for best drama, actress (Sarah Snook), actor (Kieran Culkin) and supporting actor (Matthew Macfadyen).“Poor Things,” a surreal science-fiction romance, won best movie, comedy or musical. Emma Stone, the film’s star, received the Globe for best comedic actress, while Paul Giamatti (“The Holdovers”) received the statuette for best comedic actor.Lily Gladstone won the Globe for best actress in a drama for her performance in “Killers of the Flower Moon,” becoming the first Indigenous person to win the award.Da’Vine Joy Randolph (“The Holdovers”) was honored as best supporting actress. Robert Downey Jr. (“Oppenheimer”) won best supporting actor.Netflix’s “Beef” and FX’s “The Bear” each won three Globes. “Beef” was named best limited series, and Ali Wong and Steven Yeun collected Globes for their acting in the show. “The Bear” won the trophy for best comedy and two of its stars, Ayo Edebiri and Jeremy Allen White, were honored for their performances.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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      Lily Gladstone Becomes First Indigenous Person to Win a Golden Globe for Best Actress

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      In a history-making triumph, Lily Gladstone has become the first Indigenous person to win a Golden Globe for best actress, said a spokesman for the organization that hands out the awards.Gladstone played Mollie Burkhart, an Osage woman whose family members are murdered as part of a plot to take their fortune, in Martin Scorsese’s “Killers of the Flower Moon.” Gladstone, whose background is Blackfeet and Nez Perce, is only the second Native actress to receive any recognition from the Globes: Irene Bedard was nominated in 1995 for “Lakota Woman: Siege at Wounded Knee,” a television movie.After an ovation, an overcome Gladstone spoke a few lines in the Blackfeet language, “the beautiful community nation that raised me, that encouraged me to keep going, keep doing this,” she explained in English. She also thanked her director and co-stars, including Leonardo DiCaprio and Robert De Niro, then dedicated the award to “every little rez kid” who had a dream.Here’s her speech:“I love everyone in this room right now, thank you. I don’t have words. I just spoke a bit of Blackfeet language, the beautiful community nation that raised me, that encouraged me to keep going, keep doing this. To my mom, who even though she’s not Blackfeet worked tirelessly to get our language into our classroom, so I had a Blackfeet language teacher growing up.“… I’m so grateful that I can speak even a little bit of my language, which I’m not fluent enough here, because in this business Native actors used to speak their lines in English and then the sound mixers would run them backwards to accomplish Native languages on camera. This is an historic one. It doesn’t belong to just me. I’m holding it right now, I’m holding it with all my beautiful sisters in the film and my mother [in the film], Tantoo Cardinal.“… Thank you, thank you Marty, thank you Leo, thank you Bob. You are all changing things. Thank you for being such allies. Thank you, Eric [Roth, the co-screenwriter], thank you Chief Standing Bear … and the Osage Nation.“… This is for every little rez kid, every little urban kid, every little Native kid who has a dream, who is seeing themselves represented and our stories told by ourselves in our own words with tremendous allies and tremendous trust with and from each other. Thank you all so much.Whether Gladstone is the first Indigenous person to win a Globe overall, that is unclear. The singer Buffy Sainte-Marie, who has said she was born to an Indigenous woman, won a Golden Globe in 1983 for the song “Up Where We Belong” from the movie “An Officer and a Gentleman.” But her heritage has recently been disputed.There have been other Indigenous nominees. This year, the late musician Robbie Robertson, who was Mohawk and Cayuga, was nominated for original score for “Killers.” (He lost to Ludwig Göransson for “Oppenheimer.”) Going further back, Chief Dan George was nominated for the 1970 comic western “Little Big Man” and Adam Beach for the 2007 television adaptation “Bury My Heart at Wounded Knee.”“Killers,” based on the nonfiction book by David Grann, was reconceived early on to focus on the relationship between Mollie and her husband, Ernest (Leonardo DiCaprio), who is engaged in the conspiracy to kill her relatives. More

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      Lily Gladstone on ‘Killers of the Flower Moon’

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      In college, Lily Gladstone studied the history of Native American actors in Hollywood. Now, she’s making it.The 37-year-old actress has been checking off all sorts of awards-season firsts thanks to “Killers of the Flower Moon,” the Martin Scorsese-directed period drama in which she plays Mollie Burkhart, an Osage woman whose relatives are systematically murdered by her husband (Leonardo DiCaprio) and his uncle (Robert De Niro) in a bid to seize her family’s oil-rich Oklahoma land. If Mollie is the movie’s conscience, Gladstone is its center of gravity: Even when she shares scenes with A-listers like DiCaprio and De Niro, the film bends to her.That portrayal has so far earned Gladstone a best-actress win from the New York Film Critics Circle and nominations from the Golden Globes and Critics Choice Awards, and major nods from the Screen Actors Guild and the Academy Awards are likely to come in the weeks ahead. In the run-up to those ceremonies, Gladstone has been a hotly pursued presence for round tables and events on both coasts, and she’s taken to those opportunities with such command — using her platform to amplify other Native voices and concerns — that you’d never know that she wasn’t used to this, or that for a long time, she was hesitant to engage with Hollywood at all.“There’s a handful of people who love film that have been aware of my career for a while, but this has been like being shot out of a cannon,” Gladstone said, tracing the far-flung route that has led her to all those awards-show ballrooms. “My dad’s a boilermaker, my mom was a teacher. I was raised on a reservation, went to public school. It’s a very normal, sort of working-class upbringing in one way, and in another way, I’m just a rez girl.”Onscreen, Gladstone has the profile and indomitable presence of a 1940s film star. In person, when we met last month at a rooftop restaurant in Beverly Hills, Gladstone was more approachable but every bit as striking, with vivid brown eyes that her father once warned her were eminently readable. He said this mostly to dissuade her from telling lies, but he was right: When we feel for Mollie, it’s because of the fear and righteous indignation that Gladstone can convey in just a look.She also has a wry sense of humor, glimpsed in some of the Scorsese film’s lighter moments, and an ability to punctuate her conversation topics and awards-season speeches with an impressive command of history and facts. “Lily is a big nerd wrapped up in this very giving, curious person,” said the director Erica Tremblay, whose film “Fancy Dance” starred Gladstone. “If you’re at a dinner party with Lily, you’re going to find yourself talking about physics and bumblebees — and when I say she’ll be talking about physics, she’ll be talking about some very specific theory that Lily will know the mechanics of inside and out.”Awards season has meant perks like being interviewed by her favorite actress, Cate Blanchett. “I’m hugging myself right now,” Gladstone said. “I know your readers can’t see that.”Thea Traff for The New York TimesAt an Elle event in December celebrating women in Hollywood, Gladstone was honored alongside the likes of Jennifer Lopez, America Ferrera and Jodie Foster, but she particularly sparked to meeting the academic Stacy L. Smith, whose University of Southern California think tank, the Annenberg Inclusion Initiative, had recently issued a report about Native American representation in Hollywood. After analyzing 1,600 films released from 2007 to 2022, Smith found that the amount of speaking roles for Native American actors was virtually nil, less than one quarter of 1 percent of all the roles cataloged.A leading role like Gladstone’s in a film the size of “Killers” isn’t just unusual, it’s unprecedented, so much so that Smith subtitled her report, “The Lily Gladstone Effect.” Gladstone can hardly wrap her head around that recognition. “It’s the kind of paper that if I were a student now taking the same class, I would be citing in my studies,” she said.For DiCaprio, Gladstone has more than earned the plaudits. “To see her rise to this occasion and be somebody that’s so formidable as far as understanding the depth of her own industry and Native American history, it’s an incredible moment to be a part of,” he said in a phone call. “I’m just glad to be next to her.”To tout his co-star, DiCaprio has been a willing participant in the sort of red-carpet photo opportunities and awards-season parties he’d normally eschew. “It’s insane,” Gladstone said. “It’s like I’m trotting this mythical creature around, out and about, and he’s doing so of his own volition.” The ante was upped even further when Gladstone learned that her favorite actress, Cate Blanchett, would conduct a Q. and A. with her after “Killers” screened in London. “I’m hugging myself right now, I know your readers can’t see that,” she told me.Gladstone acknowledged that sometimes, the intensity of the awards-season spotlight can feel overwhelming. “I can’t speak from the heart if I’m not connected to what’s real about all this,” she said. In those moments, she endeavors to carry her community forward with her: “I know that all of this attention on me right now means so much more than just me.”In other words, don’t expect Gladstone to come out of this experience transformed into a demanding Hollywood diva, as so many have before her. She can’t be bowled over, onscreen or off.“I’ve talked to a lot of people who know Lily Gladstone and have been friends with her for a long time and seen this journey, and she is so steadfast and so immovable in terms of her values and her core,” Tremblay said. “I think she’ll be exactly the same, but with fancier clothes.”Gladstone is “so formidable as far as understanding the depth of her own industry and Native American history,” her “Killers” co-star Leonardo DiCaprio said.Apple TV+AS A CHILD growing up on the Blackfeet Reservation in northwestern Montana, there was one week that Gladstone looked forward to all year, when the Missoula Children’s Theater would roll up in a little red truck, construct a set out of P.V.C. pipes and cloth backdrops, and cast local kids in a production that the whole community would come out to see at the end of the week. “I was bullied a lot when I was a kid, partly because I was just goofy,” Gladstone said. “But that one week a year is when I was cool.”In the group’s production of “Cinderella,” the young Gladstone decided to play her ugly stepsister as if she were Roseanne Barr, studying how to walk and talk like the comedian. It was a lightning-strike moment when she realized that a little bit of craft could go a long way.“Somebody picked up on that in the audience and said, ‘She’s funnier than Roseanne,’” Gladstone said. “And my parents reminded me that somebody there from our community said, ‘We’re going to see her at the Oscars one day,’ just from that.”Performing has always been Gladstone’s true north, the place to which her inner compass is most attuned. She remembers watching “Return of the Jedi” at 5 and feeling such a strong desire to be an Ewok that she knew someday, she’d be on the other side of the screen. Similarly obsessed with “The Nutcracker,” Gladstone signed up for ballet, which she assumed would be the big performative outlet in her life until the body shaming became too tough to take: “Not just weight, but things like, ‘Your middle toe is too long,’” she said. “I’m like, ‘Hey, my grandma gave me that middle toe!’”But even in ballet class, instructors told her she was a natural-born actress, less concerned with nailing movements than with communicating a character. In her teenage years, when Gladstone’s family moved from Montana to the sometimes alienating suburbs of Seattle, she plunged fully into performance, acting in off-campus plays and auditioning for independent films. During her senior year, fellow students voted her “Most Likely to Win an Oscar.” They could already tell that acting was something she lived and breathed.“It gave me an identity when my identity was forming and reforming,” she said. “Being known as an actress felt good even when I wasn’t working, even before I got my SAG card, when people asked what I did: ‘Yeah, I’m working at Staples right now, but I’m an actress.’”In her 20s, many of Gladstone’s actor friends moved to New York or Los Angeles, but she was reluctant to follow suit. “I knew if I came to L.A. and was doing audition after audition, it would be really difficult for me,” she said. “And I knew how easily my love of ballet had been shot down by these boxes that I couldn’t fit in, so I was like, ‘I’m going to protect this a little bit.’”The boxes in Hollywood can be pernicious, and Gladstone is still wary of them. “I know myself and I know I’m difficult to cast,” she said. “I’m kind of ‘mid’ in a lot of ways.” Gladstone hastened to add that she didn’t mean “mid” like meh, dismissively as Gen Z uses it. Instead, she meant the word quite literally. She is in-between, hard to place, neither this nor that. Part of it is that she’s mixed-race: Her father is Blackfeet and Nez Perce, her mother white. But there is another part, too.“It’s kind of being middle-gendered, I guess,” said Gladstone, who uses both “she” and “they” pronouns. “I’ve always known I’m comfortable claiming being a woman, but I never feel more than when I’m in a group of all women that I’m not fully this either.”Kelly Reichardt’s 2016 indie “Certain Women” proved a breakthrough moment for Gladstone.Jojo Whilden/IFC FilmsShe recalled a heartfelt moment at Elle’s Women in Hollywood event when Jodie Foster told the nonbinary “The Last of Us” actor Bella Ramsey that the room was full of supportive sisters. “That’s wonderful and that’s true,” Gladstone said, but afterward she went up to Ramsey to “introduce myself and let them know, ‘You also have siblings here, too.’”Instead of moving to Hollywood, where she might have been prodded into walking a narrower path, Gladstone spent her postgraduate years in Montana, doing theater and renting out basements with like-minded performers just to make something. Working in independent films and Native-centric productions allowed her to qualify for the Screen Actors Guild without ever having to move her home base, and a breakthrough role in Kelly Reichardt’s 2016 indie “Certain Women” raised her profile considerably. Still, the mega-budgeted “Killers of the Flower Moon” represents a comparative quantum leap: Though Gladstone was unsure about coming to Hollywood, in the end, Hollywood came to her.It’s a heady thing to go from semi-known to perceived on a major scale, as Gladstone found out during the film’s mammoth Cannes Film Festival premiere in May, when photos of her walking the red carpet with DiCaprio were beamed all over the world. But the actual premiere of “Killers” in October provided an unexpected respite, since the actors’ strike at the time prevented Gladstone from promoting it.A silver lining was the number of Osage people who instead spoke at the movie’s premiere, enjoying the sort of red-carpet moments that would have typically gone to the film’s striking actors. Watching them discuss and debate “Killers” reminded Gladstone that she was raised to listen to her elders, and the strike-imposed silence provided the perfect opportunity to collect her thoughts and reflect.“There’s a level of ego that is wrapped up with being a public person speaking for other people, and a level of ego it takes being an actor, too,” she said. “So I think it was a real gift to be able to sit there and have another reminder that this is way bigger than me.”She spent the film’s opening day on a picket line in Times Square, marching back and forth in the rain near the New York headquarters of Paramount Pictures, the studio that distributed “Killers” with Apple. “It was a little bit of my contrarian nature to choose Paramount that day,” Gladstone admitted with a grin. Later, while dining at an Italian restaurant in the city, a couple sitting next to her asked if she was Lily Gladstone from “Killers of the Flower Moon.” It was the first time she felt permission to own it.“I was like, ‘Yes, I am. Today, I am Lily Gladstone.’” Months later, recounting the story, she was still beaming.“If you’re at a dinner party with Lily, you’re going to find yourself talking about physics and bumblebees,” said Gladstone’s “Fancy Dance” director, Erica Tremblay.Thea Traff for The New York TimesIF GLADSTONE IS nominated for a best actress Academy Award on Jan. 23, she’ll be the first Native American contender in that category. With a win, she’d become the first Native performer to earn a competitive acting Oscar.Still, it’s one thing for Hollywood to celebrate underrepresented actors, and a whole other thing to actually provide for them afterward. Academy members were moved to vote for recent winners like Troy Kotsur (“CODA”) and Ke Huy Quan (“Everything Everywhere All at Once”) in part because of their inspiring personal narratives, but follow-up projects on par with their winning films can be hard to come by. DiCaprio hopes that Gladstone’s breakthrough year will finally change things.“I think she realizes that this really is a historical moment,” he said. “I know she has a plethora of other stories that she wants to tell, and I want her to be given those opportunities.”Whatever this season has in store, Gladstone is ready to make the most of it. At a recent Academy Museum gala, the Oscar-winning actress Jennifer Connelly asked to meet Gladstone and wondered whether the demands of campaigning had already run her ragged. Gladstone was surprised to find herself replying that so far, she was doing just fine: “Maybe it says something about me that I’m kind of enjoying all of this right now.”The wider world appears invested in her success, too. After “Killers” received a standing ovation at Cannes, a clip of Gladstone’s moved reaction to the applause earned millions of views. Why does she think that video went viral, with so many excited commenters predicting the Oscar glory that now appears within reach?“I think people root for folks that come up from the grass roots having this global-stage moment, this dream coming true,” she said. “That’s something that I wish on everybody at some point in their lives, in whatever form that takes, and also for Native people.”Gladstone confessed that she had watched the Cannes clip “about a thousand times” since the premiere: “It’s a moment of transcendence that was wonderful to have captured.” But the moment was about more than just her own time in the spotlight: She recalled the way her Native co-star William Belleau let out a whooping war cry during the ovation and how the applause for the women playing her sisters — Cara Jade Myers, JaNae Collins and Jillian Dion — prompted Gladstone to let out a trilling lele. It wasn’t just a celebration. It was a release.“Whatever that oppressive system is that sometimes develops with colonial governments, that moment of transcendence for all of us, those are the healing moments,” Gladstone said. “Those are the ones that show people very clearly that we’re still here and we’re excellent. We’ve survived and we’re just soaring now.” More