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    A ‘Hamilton’ Star Discovers Lunatic Comedy With ‘Girls5eva’

    Renée Elise Goldsberry plays a delusional diva reuniting a girl group in a music biz satire executive produced by Tina Fey. It’s her midcareer moment.It could have happened in her early 20s, fresh from college, with a face like a cherub and lungs like a hurricane, when she booked an understudy role in a Broadway-bound show that never arrived. Or 10 years later, when she moved to Los Angeles and sang with a jazz ensemble. Or five years after that, back in New York for a run on “One Life to Live,” or in the decade following, spent bounding between plays and short TV stints. More

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    As Broadway Plans Its Return, ‘Hamilton’ Will Require Vaccines Backstage

    With 23 shows setting Broadway reopening dates, audiences can expect full crowds, masks and flexible ticketing policies. But not lower prices.As Broadway prepares for a fall reopening, the “Hamilton” producer Jeffrey Seller said he will mandate that all of his show’s employees, including the cast and the backstage crew, be vaccinated against the coronavirus.Seller is the first producer to make such a declaration publicly, and it is not clear whether any of Broadway’s many labor unions could or would challenge such an effort. Brandon Lorenz, a spokesman for the Actors’ Equity Association, said of a vaccination requirement, “That would be something we would find acceptable, as long as the employer complies with the law.”Broadway’s cast and crew work in very close quarters in tight backstage spaces, and actors onstage are extensively exposed to one another’s exhalations because they are unmasked, speak and sing loudly in proximity, dance in partnered and group configurations, and in some shows kiss or fight.Seller’s plan comes as many American colleges and universities say they will require students to be vaccinated, and employers are wrestling with whether to do the same.Broadway producers, many of whom announced resumption plans over the last week, are still figuring out details, including what safety measures will be necessary come fall. But social distancing is not expected, and ticket prices, from early reports, are not going down.Seller, who said he does not plan to require vaccination for patrons, disclosed his intentions in a joint interview with Thomas Schumacher, who as president of Disney Theatrical Productions is the producer of “The Lion King,” and David Stone, the lead producer of “Wicked,” in which the three discussed their decision to reopen their productions — all popular juggernauts — on the same night, Sept. 14.Neither Schumacher nor Stone said whether they would require vaccinations for cast or crew.The trio said they and others started talking a week or two after Broadway shut down, trading tips and comparing coping strategies. Those periodic check-ins continued for more than a year, slowly pivoting to reopening plans. Then Stone made a suggestion in a call with Seller and Schumacher: What if, instead of jockeying for position, their shows all opened on the same night?A fan photographing the display outside “Hamilton,” which is one of four Broadway shows that will raise the curtain on Sept. 14. Jutharat Pinyodoonyachet for The New York Times“The three of us recognized that by joining together, the sheer announcement would get more play, and that’s good for everybody,” Schumacher said. Seller took the idea to his creative team, which, he said, “were so strongly in support of us holding hands and going together.”So on Tuesday, “Hamilton,” “The Lion King” and “Wicked,” which are regularly among Broadway’s biggest box office draws, jointly announced that they would open on a single night — a date they chose in consultation with industry leaders and government officials and based on an assessment of when vaccination rates will be high enough, and infection rates low enough, to do so safely.They are planning staggered curtains — 7 p.m. for “Wicked” (Glinda’s opening line: “It’s good to see me, isn’t it?”); 7:30 p.m. for “The Lion King” and 8 p.m. for “Hamilton” — to allow dignitaries and journalists to stop by them all.“It made sense, and it frankly was a very effective way to communicate,” Schumacher said. “It said Broadway is coming back.”Their plan became the focal point for Broadway’s reopening, as Gov. Andrew M. Cuomo declared Sept. 14 the date on which Broadway shows would start to return at 100 percent seating capacity.But not everyone was ready to defer to the troika.“The Phantom of the Opera,” with bragging rights as Broadway’s longest-running show, barged out of the gate with the first post-Cuomo reopening announcement, slated for October. “Chicago,” which touts itself as the longest-running American musical (“Phantom” originated in Britain), crashed the Big Three party, declaring it would open on the same night, but announcing it four days earlier.“Come From Away” opted to seize some of the attention, buying a TV ad spot during the “Good Morning America” segment in which the bigger shows announced their plan. And at least one musical is still hoping to get a jump on “Hamilton,” “The Lion King” and “Wicked” by opening even earlier.But there’s no question that the trio’s collective action drew national attention to Broadway’s planned return. As the delayed 2021-22 theater season starts to take shape, 23 shows have already announced performance plans, and more are expected soon.The nine shows that have chosen to start performing in September are well-established brands confident that they can find an audience even at a time when tourism is expected to be soft. They include “Six,” which has a strong tailwind coming out of London; “American Utopia,” a return engagement for David Byrne’s sold-out dance concert; as well as “Come From Away,” “Moulin Rouge! The Musical” and another Disney production, “Aladdin.”The long-running revival of “Chicago” announced its Sept. 14 reopening ahead of three other major shows whose producers had agreed together to return on that date.Jutharat Pinyodoonyachet for The New York TimesRiskier shows and those with more niche audiences are holding off a little longer. The nonprofits that present on Broadway are waiting at least until October to get started, as are many of the new commercial productions.Even some big draws are opting to give consumers more time to get comfortable with the idea of gathering in indoor crowds: “Dear Evan Hansen,” for example, is waiting until to December to resume, and two big-budget new productions, a Michael Jackson biomusical called “MJ” and a starry revival of “The Music Man,” are aiming to open in February, although both are planning to start performances in December.What do the first round of announcements tell us about post-pandemic Broadway?Ticket-buyers are being told they will be required to wear face masks (although it’s not clear how changing advice from the Centers for Disease Control and Prevention might affect that expectation). Theaters will have upgraded HVAC systems with virus-trapping filters. Most ticketing will be digital. And theaters are reserving the right to impose a variety of safety protocols — in an explanatory note similar to that posted by other shows, “Ain’t Too Proud” says “protocols may include mask enforcement, increased cleaning and ventilation/filtration enhancements, vaccination or negative test verification, and more.”Prices, at least so far, are similar to what they were prepandemic, although premium prices are somewhat lower. The priciest seat at “Hamilton,” for example, is now $549, down from $847 before the pandemic.But it will be far easier to cancel or exchange tickets.Disney, in particular, has taken steps to make ticket-buying less onerous: The company said it would pay all Ticketmaster fees for performances through Aug. 7, 2022. (High service fees often irk consumers; a $99 ticket to “Tina,” for example, costs another $14.70 in fees.) Disney said it would also allow free ticket exchanges and refunds, and would offer package deals for those who buy seats at both “Aladdin” and “The Lion King.”How often will shows perform? The Broadway League and labor unions, concerned about the possibility of soft demand for some productions, have been discussing whether to allow shows to come back with fewer than eight performances a week, and prorated salaries.The issue remains unresolved, but a few shows are now marketing a reduced schedule. “Chicago” and “Dear Evan Hansen,” for example, are offering tickets to just five shows many weeks; “Six” is listing mostly, um, six.For the big shows, early sales have been strong, producers said. “Yesterday, we had hope,” Seller said. “Today we have confirmation.”Among the early purchasers: Claire Grimble, 51, of Belmont, Mass., who bought tickets to “Jagged Little Pill” as soon as that show, featuring the songs of Alanis Morissette, went back on sale. She said the cast album had helped her teenage daughter, who had seen the show in 2019, get through the pandemic.“We booked tickets for the first weekend it is open,” she said. “We can’t wait.” More

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    When Does the Curtain Rise on Your Favorite Broadway Shows?

    Here are the plans for 23 productions so far, including old favorites, brand-new musicals and some that were just getting started.After being closed for more than a year, Broadway is showing signs of life. Several long-running musicals, including “The Lion King” and “Wicked,” have recently announced when they will reopen this fall. Shows that were just beginning their runs, and had not yet opened, when the pandemic struck — like “Six,” “Diana” and “Mrs. Doubtfire” — have also released their plans for resuming performances. The revival of “Caroline, or Change” and the new Michael Jackson biomusical “MJ” have taken their first steps toward welcoming audiences, as well.Here is a list of announced first performance dates, and how you can buy tickets. We will update it as more announcements are made.“Chicago” at the Ambassador TheaterSept. 14; tickets on sale at Telecharge.com“Hamilton” at the Richard Rodgers TheaterSept. 14; tickets on sale at Ticketmaster.com“The Lion King” at the Minskoff TheaterSept. 14; tickets on sale at Ticketmaster.com“Wicked” at the Gershwin TheaterSept. 14; tickets on sale at Ticketmaster.com“American Utopia” at a theater to be announcedSept. 17; tickets on sale at Americanutopiabroadway.com“Six” at the Brooks Atkinson TheaterSept. 17; tickets on sale at Ticketmaster.com“Come From Away” at the Gerald Schoenfeld TheaterSept. 21; tickets on sale at Telecharge.com“Aladdin” at the New Amsterdam TheaterSept. 28; tickets on sale at Ticketmaster.com“Moulin Rouge! The Musical” at the Al Hirschfeld TheaterSept. 24; tickets on sale May 19 at Seatgeek.com“Caroline, or Change” at Studio 54Oct. 8; non-subscription tickets on sale July 28 at Roundabouttheatre.org“Tina: The Tina Turner Musical” at the Lunt-Fontanne TheaterOct. 8; tickets on sale at Ticketmaster.com“Ain’t Too Proud” at the Imperial TheaterOct. 16; tickets on sale at Telecharge.com“Jagged Little Pill” at the Broadhurst TheaterOct. 21; tickets on sale at Telecharge.com“Mrs. Doubtfire” at the Stephen Sondheim TheaterOct. 21; tickets on sale at Telecharge.com“The Phantom of the Opera” at the Majestic TheaterOct. 22; tickets on sale at Telecharge.com“Trouble in Mind” at the American Airlines TheaterOct. 29; non-subscription tickets on sale July 28 at Roundabouttheatre.org“Flying Over Sunset” at the Vivian Beaumont TheaterNov. 4; ticket sales date not yet announced“Diana” at the Longacre TheaterDec. 1; tickets on sale at Telecharge.com“MJ” at the Neil Simon TheaterDec. 6; tickets on sale May 18 at Ticketmaster.com“Dear Evan Hansen” at the Music Box TheaterDec. 11; tickets on sale at Telecharge.com“Company” at the Bernard B. Jacobs TheaterDec. 20; tickets on sale at Telecharge.com“The Music Man” at the Winter Garden TheaterDec. 20; ticket sales date not yet announced“Birthday Candles” at the American Airlines TheaterMarch 18, 2022; ticket sales date not yet announced More

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    Broadway Shows Announce Reopening Plans

    Broadway Shows Announce Reopening PlansMichael Paulson�� Waiting on BroadwayTimothy A. Clary/Agence France-Presse — Getty ImagesThis morning, three of the biggest recent hits on Broadway — “Hamilton,” “The Lion King” and “Wicked” — announced plans to resume performances.Here’s what else to know → More

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    Lessons From Oz: How Australian Theater Gives Broadway Hope

    AdvertisementContinue reading the main storySupported byContinue reading the main storyLessons From Oz: How Australian Theater Gives Broadway HopeCheck in with “Frozen,” “Come From Away,” “Moulin Rouge!” and “Harry Potter and the Cursed Child” in Offstage, our digital series about theater during the pandemic.“Frozen” fans entering the Capitol Theater in Sydney. Credit…Matthew Abbott for The New York TimesMarch 8, 2021Updated 4:29 p.m. ETTheater is up and running … in Australia.“Frozen” is onstage in Sydney, and “Come From Away” and “Harry Potter and the Cursed Child” are running in Melbourne. And there’s more to come: “Hamilton” opens later this month in Sydney, and “Moulin Rouge! The Musical” is gearing up for an August bow in Melbourne.How are they managing to perform when most of the theater world is dark? And what, if anything, do the Australian productions portend for a resumption of theater in New York, London, and everywhere else?That’s the subject of the next episode of Offstage, a New York Times digital series about theater during the pandemic. It airs at 7 p.m. Eastern on Thursday, April 29 (that’s 9 a.m. on Friday, April 30 in Sydney), and is free to Times subscribers.We’ll be talking with actors about what it’s like to perform at this time, and with producers about challenges faced and lessons learned. Plus, the casts of “Frozen” and “Come From Away” will sing.We’d love for you to join us. You can RSVP here.And if you missed the earlier episodes of Offstage, or just want to see them again, they’re all archived here.AdvertisementContinue reading the main story More

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    Broadway Is Dark. London Is Quiet. But in Australia, It’s Showtime.

    #masthead-section-label, #masthead-bar-one { display: none }The Coronavirus OutbreakliveLatest UpdatesMaps and CasesRisk Near YouVaccine RolloutNew Variants TrackerAt the Capital Theater in Sydney, easing pandemic restrictions have allowed for performances of the musical “Frozen.” “It’s great to be out,” one audience member said.Credit…Matthew Abbott for The New York TimesBroadway Is Dark. London Is Quiet. But in Australia, It’s Showtime.Temperature-taking robots, scanning codes for contact tracing, and generous refund policies are helping shows like “Frozen,” “Come From Away” and “Hamilton” get back onstage.At the Capital Theater in Sydney, easing pandemic restrictions have allowed for performances of the musical “Frozen.” “It’s great to be out,” one audience member said.Credit…Matthew Abbott for The New York TimesSupported byContinue reading the main storyDamien Cave and Published More

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    Bumps on the Road From Broadway to Hollywood

    #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storycritic’s notebookBumps on the Road From Broadway to HollywoodNot for decades have so many plays and musicals been turned into movies. But even in the best of the new crop, a lot gets lost in translation.David Byrne, center, with musicians and dancers in Spike Lee’s filmed version of the critically acclaimed Broadway show “American Utopia.”Credit…David Lee/HBODec. 18, 2020, 5:00 a.m. ETA moment I barely noticed in the 2019 Broadway production of David Byrne’s “American Utopia” jumped out at me with new resonance in Spike Lee’s film of the show for HBO.That was when Byrne, in his introduction to the song “Everybody’s Coming to My House,” described hearing it performed by students at the Detroit School of Arts. Without altering a word or note, the high schoolers had turned the number, which in Byrne’s original version comes off as an anxious monologue about being inundated by otherness, into a joyful choral invitation.“I kind of liked their version better,” Byrne says, apparently amazed by the material’s mutability: The song was the same yet had “a completely different meaning.”I knew what he meant; after all, I was watching an even more elaborate translation, in which a concert staged like a Broadway musical was turned into a live-capture television film for cable. And though Lee’s slick and exuberant adaptation includes plenty of shots of the audience at the Hudson Theater bopping to the beat and dancing in the aisles, it was now, like “Everybody’s Coming to My House,” the same yet totally different.Theater lovers are getting familiar with that feeling. These days, it seems like everybody’s coming to our house — and walking off with the furniture. Not for decades have we seen so many Broadway shows, whether musicals (“Hamilton,” “The Prom”) or plays (“What the Constitution Means to Me,” “The Boys in the Band,” “Outside Mullingar,” “Ma Rainey’s Black Bottom”) or unclassifiable offerings like “American Utopia,” taken up by Hollywood, squeezed through the camera lens and turned into film.The squeeze is certainly subtler now than it used to be. Lyrics are seldom butchered to avoid offense as they once were; I expect that Steven Spielberg’s version of “West Side Story,” scheduled for release in Dec. 2021, will restore Stephen Sondheim’s original rhyme for “buck,” which had to be altered for the 1961 film.Nor are innumerable songs dumped like dead plants from fire escapes anymore. (The 1966 movie version of “A Funny Thing Happened on the Way to the Forum” dropped at least half of Sondheim’s 14 numbers.) Musicals — and, in a way, plays too — are now being filmed because of their music, not in spite of it. More