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    Emeli Sande Leaves Record Label After Announcing Break From Social Media

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    The ‘Next to Me’ hitmaker has amicably parted ways with her record label in order to ‘take the pressure off’ while she continues to work on her next studio installment.

    Feb 17, 2021
    AceShowbiz – Emeli Sande has reportedly left her record label.
    The “Next to Me” hitmaker is said to have left EMI after a decade as she felt a lot of pressure trying to live up to the success of her 2012 debut album “Our Version of Events”, and is apparently now feeling more relaxed about her musical future.
    “Emeli and her label have decided to go their separate ways after 10 years together,” a source told Britain’s The Sun newspaper. “She had a great time and with their support she became a massive success story thanks to Our Version of Events. But her two follow-up albums haven’t had the same sales figures and it has been difficult for her.”
    “Emeli sat down with the label and decided now was the right time to do her own thing. She is hard at work on a new album. This has allowed her to take the pressure off and she is feeling very relaxed.”

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    The singer revealed in December (20) she was taking a break from social media in order to work on her new music.
    “I’m taking a break offline now to focus fully on finishing the next album and to prepare for when I can perform live for you again,” she said at the time. “I’ll see you on the other side with a whole new chapter of life, love and music to share!”
    Emeli previously admitted she “doubted” whether she should continue as a musician while battling anxiety and depression after she split from husband Adam Gouraguine in 2013, less than a year after they tied the knot.
    She said, “I doubted whether I wanted to continue being a musician. I questioned whether people wanted to hear me, because people were saying I was on TV too much. People said I was overexposed, and then I thought, ‘Maybe I don’t have a place in this music industry, and if people don’t want to hear it, what shall I do?’ ”
    “I was going through my separation, and really trying to get my head around the industry and where I sat in it. It was everything all at once, and I lost my confidence.”

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    Monsta X's I.M. Under Fire for Wearing T-Shirt With Islamic Phrase During Album Promo

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    The agency representing the South Korean musician has since apologized after he landed in hot water for wearing a T-shirt featuring a religious text when teasing his solo debut.

    Feb 17, 2021
    AceShowbiz – Monsta X rapper I.M.’s agency Starship Entertainment has issued an apology after the K-pop star caused controversy by wearing a T-shirt featuring an Islamic phrase.
    The musician had donned the shirt to tease his upcoming solo project “Duality”, with many social media users pointing out that the Arabic phrase was emblazoned on the front.
    “Tw // Islamphobia. for those who don’t know this is the bimilla on his top, it says ‘bismillahirahmanirahim’ which means ‘In the name of God, the Most Gracious, the Most Merciful,’ ” one person wrote on Twitter. “And we say it before reading the Quran. its not an aesthetic, muslims shouldn’t even have Allahname.”
    Following the backlash, Starship Entertainment removed all the images of I.M. in the top from Monsta X’s social media pages, and issued an apology via the group’s official fan cafe.

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    “We should have taken further measures to ensure that there were no religious implications in the concept photos in advance and we regret not being able to scrutinise it fully,” the statement read. “We deeply apologise to those who felt uncomfortable with our actions.”
    “(We) will make every effort to prevent a recurrence. Again, we pay and extend our sincere apologies.”
    I.M. was not the only K-pop star who angered Muslims over the use of Quranic verses in their works.
    Back in 2016, singer CL came under fire for incorporating an Islamic religious text into a song on her Hello B*tches Tour. “To anyone I have offended I sincerely apologize for my mistake,” she said back then. “What happened was my engineer sent the old version of ‘MTBD’ for this tour. I take responsibility for not realizing this sooner. My intention was never to use this version.”
    Last year in October, boyband NCT U faced backlash for using an image of a mosque and a line from Islamic prayer during their live performance.

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    Stu Block and Luke Appleton Resign From Iced Earth After Jon Schaffer's Capitol Riot Arrest

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    The heavy metal band’s co-founder is facing six federal charges, including violent entry and disorderly conduct in a Capitol building, after he was caught on camera inside the building along with pro-Trump mob.

    Feb 16, 2021
    AceShowbiz – Heavy metal band Iced Earth have lost singer Stu Block and bassist Luke Appleton in the wake of co-founder Jon Schaffer’s arrest for his alleged involvement in the attack on the U.S. Capitol.
    Schaffer is facing six federal charges, including engaging in an act of physical violence in a Capitol building, violent entry, and disorderly conduct in a Capitol building, after he was apparently caught on camera inside the Washington, D.C. building with other pro-Donald Trump mob members on January 6.
    His bandmates soon issued a statement condemning the actions of the domestic terrorists, although they did not mention Schaffer by name, but now the fall out has prompted Block and Appleton to resign from the group.
    In a statement issued via Facebook on Monday, February 15, Block explained, “I have informed Jon and his current management that I must announce my resignation from Iced Earth with immediate effect.”
    “Before I made any personal decision I needed the last few weeks to process the situation as well as respect others in our camp processing the situation. I thank you all very much for respecting this. It’s the best decision in many ways for my personal/ professional growth going forward. Time to move on, heal and prosper.”

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    “Much love and respect to you all. Don’t fret! Stay tuned for some exciting things to come! Time to embark upon a new chapter. Be good to each other.”

    At the same time, Appleton shared his own message with fans on the social media platform, “In response to recent events & circumstances, I have notified Iced Earth’s management and Jon that I will be resigning as the Iced Earth bassist with immediate effect,” he wrote.
    “I would like to thank everyone who has sent me their support and love during this difficult time. Thank you!!!”

    Their exits leave just Schaffer and drummer Brent Smedley in the Iced Earth official line-up, as guitarist Jake Dreyer has also distanced himself from the band, telling TMZ he was only employed by the group from 2016 to 2018.

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    Taylor Swift's 'Fearless' Re-Recordings to Only Be Eligible for Performance Awards at the Grammys

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    The re-recorded tracks in the ‘Love Story’ hitmaker’s reworked edition of her 2008 LP would not be allowed to be nominated for songwriting accolades, but her six brand new songs could be.

    Feb 16, 2021
    AceShowbiz – Taylor Swift’s re-recordings of her tracks from “Fearless” will be eligible for performance Grammy Awards.
    The “Love Story” star – who had previously revealed plans to release new versions of her early records after Scooter Braun’s Ithaca Holdings bought the writes to her back catalogue – is set to release a reworked edition of her 2008 LP, which comes with six brand new songs.
    And the Recording Academy has stated that the re-recorded tracks will only be allowed to be nominated for performance accolades, not songwriting awards.
    A Grammy Awards spokesperson told Billboard, “Current eligibility guidelines would allow for the new performances and albums to be eligible if they were recorded within the last five years. However, none of the older songs would be eligible for songwriting awards.”

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    However, that doesn’t apply to the six new tracks, which can be nominated for songwriting prizes as well.
    The album is available for pre-order, and a hidden message in an accompanying note suggested it could drop in April 2021.

    In a lengthy statement, she added, “Artists should own their own work for so many reasons, but the most screamingly obvious one is that the artist is the only one who really *knows* that body of work.”
    “For example, only I know which songs I wrote that almost made the Fearless album. Songs I absolutely adored, but were held back for different reasons (don’t want too many breakup songs, don’t want too many down tempo songs, can’t fit that many songs on a physical CD).”

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    Johnny Pacheco, Who Helped Bring Salsa to the World, Dies at 85

    AdvertisementContinue reading the main storySupported byContinue reading the main storyJohnny Pacheco, Who Helped Bring Salsa to the World, Dies at 85A Dominican-born bandleader and songwriter, he co-founded Fania Records, known as the Motown of Salsa.Johnny Pacheco performing in Manhattan in 2009. His company, Fania Records, was a powerhouse in Latin music. Credit…Chad Batka for The New York TimesFeb. 15, 2021, 6:51 p.m. ETJohnny Pacheco, the Dominican-born bandleader who co-founded the record label that turned salsa music into a worldwide sensation, died on Monday in Teaneck, N.J. He was 85. His wife, Maria Elena Pacheco, who is known as Cuqui, confirmed the death, at Holy Name Medical Center. Mr. Pacheco lived in Fort Lee, N.J.Fania Records, which he founded with Jerry Masucci in 1964, signed Latin music’s hottest talents of the 1960s and ’70s, including Celia Cruz, Willie Colón, Hector Lavoe and Rubén Blades. Mr. Pacheco, a gifted flutist, led the way on and off the stage, working as a songwriter, arranger and leader of the Fania All Stars, salsa’s first supergroup.From the beginning, he partnered with young musicians who were stirring jazz, rhythm and blues, funk and other styles into traditional Afro-Cuban music.By the 1970s, Fania, sometimes called the Motown of salsa, was a powerhouse in Latin music, and the Fania All Stars were touring the world. The label gave birth to combustive creative collaborations, like that between Mr. Colón, a trombonist and composer, and Mr. Blades, a socially conscious lyricist and singer; and to cult heroes like Mr. Lavoe, the Puerto Rican singer who battled drug addiction and died of AIDS-related complications at 46.Fania dissolved in the mid-1980s amid lawsuits involving royalties, and in 2005, Emusica, a Miami company, purchased the Fania catalog and began releasing remastered versions of its classic recordings.Mr. Pacheco performed in 2006 at Madison Square Garden in a concert marking his 50th anniversary in the music business, Credit…Chang W. Lee/The New York TimesJuan Azarías Pacheco Knipping was born on March 25, 1935, in Santiago de los Caballeros, in the Dominican Republic. His father, Rafael Azarias Pacheco, was a renowned bandleader and clarinetist. His mother, Octavia Knipping Rochet, was the granddaughter of a French colonist and the great-granddaughter of a German merchant who had married a Dominican woman born to Spanish colonists.The family moved to New York when Johnny was 11, and he studied percussion at the Juilliard School and worked in Latin bands before starting his own, Pacheco y Su Charanga, in 1960.The band signed with Alegre Records, and its first album sold more than 100,000 copies in the first year, becoming one the best-selling Latin albums of its time, according to his official website. It jump-started Mr. Pacheco’s career with the introduction of a new dance craze called the pachanga. He became an international star, touring the United States, Europe, Asia and Latin America.Fania Records was born out of an unlikely partnership between Mr. Pacheco and Mr. Masucci, a former police officer turned lawyer who fell in love with Latin music during a visit to Cuba.From its humble beginnings in Harlem and the Bronx — where releases were sold from the trunks of cars — Fania brought an urbane sensibility to Latin music. In New York, the music had taken on the name “salsa” (Spanish for sauce, as in hot sauce), and the Fania label began using it as part of its marketing.Guided by Mr. Pacheco, artists built a new sound based on traditional clave rhythms and the genre Cuban son (or son Cubano), but faster and more aggressive. Many of the lyrics — about racism, cultural pride and the tumultuous politics of the era — were far removed from the pastoral and romantic scenes in traditional Cuban songs.In that sense, salsa was “homegrown American music, as much a part of the indigenous musical landscape as jazz or rock or hip-hop,” Jody Rosen wrote in The New York Times in 2006 on the occasion of the reissue of the Fania master tapes — after they had spent years gathering mold in a warehouse in Hudson, N.Y.Mr. Pacheco’s first album with Celia Cruz went gold. It mixed hard-driving salsa with infectious choruses. The duo released more than 10 albums together.Credit…FaniaMr. Pacheco teamed up with Ms. Cruz in the early 1970s. Their first album, “Celia & Johnny,” was a potent mix of hard-driving salsa with infectious choruses and virtuosic performances. It soon went gold, thanks to Ms. Cruz’s vocal prowess and Mr. Pacheco’s big-band direction, and its first track, the up-tempo “Quimbara,” helped propel Ms. Cruz’s career to Queen of Salsa status.The two released more than 10 albums together; Mr. Pacheco was a producer on her last solo recording, “La Negra Tiene Tumbao,” which won the Grammy for best salsa album in 2002.Over the years, Mr. Pacheco produced for several artists and performed all over the world, and he contributed to movie soundtracks, including one for “The Mambo Kings,” a 1992 film based on based on Oscar Hijuelos’s novel “The Mambo Kings Play Songs of Love.” For the Jonathan Demme movie “Something Wild,” he teamed up with David Byrne, leader of the Talking Heads, one of his many eclectic partnerships.Mr. Pacheco, the recipient of numerous awards and honors both in the Dominican Republican and the United States, was inducted into the International Latin Music Hall of Fame in 1998. He wrote more than 150 songs, many of them now classics.For many years he spearheaded the Johnny Pacheco Latin Music and Jazz Festival at Lehman College in the Bronx, an annual event in collaboration with the college (streamed live in recent years) that provides a stage for hundreds of talented young musicians studying music in New York City schools. In addition to this wife, Mr. Pacheco’s survivors include two daughters, Norma and Joanne; and two sons, Elis and Phillip.The salsa phenomenon that Mr. Pacheco created hit a new high on Aug. 23, 1973, with a volcanic sold-out show at Yankee Stadium, where the Fania All Stars brought 40,000 fans to a musical frenzy, led by Mr. Pacheco, his rhinestone-encrusted white shirt soaked in sweat. The concert cemented the band’s, and his, legendary stature.The 1975 double-album “Fania All Stars Live at Yankee Stadium” earned the group its first Grammy nomination.Credit…Fania RecordsIn 1975, Fania released the long-awaited double album “Live at Yankee Stadium,” which, despite the name, also included material from a show at the Roberto Clemente Coliseum in Puerto Rico that had much better sound quality. The album earned the Fania All Stars their first Grammy nomination for best Latin recording.In 2004, the Library of Congress added it to the National Recording Registry.Michael Levenson contributed reporting.AdvertisementContinue reading the main story More

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    Taylor Swift's Re-Recorded 'Love Story' Eclipses Sales of Its Original Version

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    Released just after midnight on February 12, the newer version of the 2008 track off ‘Fearless’ has garnered an impressive 10,000 downloads in just 24 hours.

    Feb 15, 2021
    AceShowbiz – Taylor Swift’s newly re-recorded version of “Love Story” is outperforming the original.
    The reworked track was released just after midnight on Friday, February 12, and quickly eclipsed the original song’s sales with an impressive 10,000 downloads in 24 hours.
    Taylor re-recorded the song as part of her session to rejig her entire 2008 album “Fearless” in an effort to deprive the current owners of her masters of any profit after her music business nemesis, Scooter Braun, sold them in November 2020.
    What makes the downloads really impressive is Taylor only announced she was releasing the new version of “Love Story” on Thursday, February 11.

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    The original “Love Story”, which became a global hit for Swift, only sold 200 downloads on 12 February 2021. It has sold a total of 6.13 million downloads since it was first released 12 years ago.
    Taylor also plans to release a handful of outtakes and rarities on her “Fearless” re-release planned for April 2021 – the first of six albums she plans to revisit.
    Braun bought her masters from Taylor’s old record label in 2019 and sold them on in November.
    The defiant singer has always made it clear she would re-record and re-release all her old albums once she was legally entitled to do so. “I have now finished re-recording all of Fearless which will be coming out soon,” Taylor said on “Good Morning America” on February 12.
    “My version of ‘Fearless’ will have 26 songs on it,” she explained, “because I’ve decided to add songs from the vault, which are songs that almost made the ‘Fearless’ album, but I’ve now gone back and recorded those so that everyone will be able to hear not only songs that made the album but the songs that almost made it. The full picture.”

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    Artist of the Week: The Weeknd

    The ‘Can’t Feel My Face’ hitmaker hits a touchdown on multiple music charts following his solid live performance at the Super Bowl LV Halftime show in Tampa, Florida.

    Feb 15, 2021
    AceShowbiz – The Weeknd is riding high on the success of his Super Bowl LV halftime show performance. The 30-year-old Canadian musician returned to multiple charts following his solid gig during the football game at the Raymond James Stadium in Tampa, Florida.
    His tracks gained new traction with 385% increase in the U.S. sales and 41% surge in the streams. Songs across his entire catalog sold 36,500 copies and generated 48.9 million on-demand streams with singles “Blinding Lights” and “Save Your Tears” on the lead.
    2019’s massive hit “Blinding Lights” sit at No. 2 on Billboard Global 200, climbed up to No. 3 on Hot 100, and ruled Hot R&B/Hip-Hop Songs chart. Meanwhile, more recent single “Save Your Tears” reached the top 10 for the first time on Hot 100 since its August 2020 release.

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    On top of that, days before the highly-anticipated Super Bowl, The Weeknd broke record with his greatest hits album. “The Highlights”, released Friday before the Sunday game earlier this month, became the most streamed album of all time on Spotify.
    Despite the hurdles due to strict protocols amid the ongoing Covid-19, The Weeknd didn’t disappoint with his 13-minute live performance at the Super Bowl. The production was top notch and he wowed football fanatics with his vocal chops as he delivered a slick medley of his hit singles like “Starboy”, “The Hills”, and “Can’t Feel My Face”.
    The singer allegedly spent a whopping $7 million of his own money for the show. Nearly 100 million people around the world tuned in to watch the gig during the break at the annual football championship game between the Tampa Bay Buccaneers and the Kansas City Chiefs on February 7.
    The making of the show, which involved officials at Jay-Z’s Roc Nation firm and Jesse Collins, the first black executive producer of the event, will be unfolded in a TV documentary. Directed by Emmy nominee filmmaker Nadia Hallgren, 90-minute film “The Show” is due to debut on Showtime later this year.

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    Morgan Wallen's 'Dangerous' Is Unbeatable in Its Fifth Week at No. 1 on Billboard 200

    Meanwhile, this week’s chart sees The Weeknd’s new 18-song retrospective compilation ‘The Highlights’ debuting at No. 2 after earning 89,000 equivalent album units.

    Feb 15, 2021
    AceShowbiz – Morgan Wallen’s never-ending controversies seemingly don’t really affect his music career. His latest album “Dangerous: The Double Album” stays atop the Billboard 200 chart for a fifth consecutive week after earning 150,000 equivalent album units in the U.S. in the week ending February 11, according to MRC Data.
    Of the number, SEA units comprise 107,000 which equals to 146.38 million on-demand streams of the album’s songs. Meanwhile, album sales comprise 37,000 with the rest being in the form of TEA units. “Dangerous” marks the third album to spend five weeks atop the chart in the last 12 month, joining Taylor Swift’s “Folklore” (eight weeks) and Lil Baby’s “My Turn” (five weeks).
    The stunning album sales arrived after Wallen apologized for using an N-word in a video. Sharing a 5-minute clip last week, the country singer acknowledged, “I’m long overdue to make a statement regarding my last incident.” He added, “The video you saw was me on hour 72 of a bender and that’s not something I’m proud of either.”
    Back to this week’s chart, The Weeknd’s new 18-song retrospective compilation “The Highlights” bows at No. 2 with 89,000 equivalent album units earned. It is the highest charting greatest hits set in over a year since Blake Shelton’s 2019 album “Fully Loaded: God’s Country”. Following it up is Foo Fighters’ new studio album “Medicine at Midnight” that is launched with 70,000 equivalent album units earned.

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    The final debut in the Top 10 this week is Pooh Shiesty’s “Shiesty Season”. Marking the rapper’s first album release, the set debuts at No. 4 with 62,000 equivalent album units. Meanwhile, Lil Durk’s “The Voice” plummets from No. 2 to No. 5 after earning 49,000 equivalent album.
    Occupying No. 6 is Pop Smoke’s former leader “Shoot for the Stars Aim for the Moon” that falls three spots with 41,000 equivalent album units. Ariana Grande’s “Positions” ascends from No. 9 to No. 7 with 32,000 equivalent album units, while Juice WRLD’s “Legends Never Die” dips from No. 5 to No. 8 with 30,000 album units.
    Rounding out the Top 10 this week are Luke Combs’ “What You See Is What You Get” and Wallen’s previous album “If I Know Me”. The former is at No. 9, dropping from No. 8 in last week’s chart after earning nearly 30,000 units. As for “If I Know Me”, it closes out the Top 10 of the chart with 29,000 equivalent album units earned.
    Top Ten of Billboard 200:
    “Dangerous: The Double Album” – Morgan Wallen (150,000 units)
    “The Highlights” – The Weeknd (89,000 units)
    “Medicine at Midnight” – Foo Fighters (70,000 units)
    “Shiesty Season” – Pooh Shiesty (62,000 units)
    “The Voice” – Lil Durk (49,000 units)
    “Shoot for the Stars Aim for the Moon” – Pop Smoke (41,000 units)
    “Positions” – Ariana Grande (32,000 units)
    “Legends Never Die” – Juice WRLD (30,000 units)
    “What You See Is What You Get” – Luke Combs (nearly 30,000 units)
    “If I Know Me” – Morgan Wallen (29,000 units)

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