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    Bill Withers Was a Working Man Who Became a Star

    I.

    He is 73, with a long, woolly beard, like someone’s version of Father Time. He lives in a hand-built shack with no electricity or running water, nearly eight miles up a forgotten dirt road in the Santa Cruz Mountains of California, a mile from a creek named for a long-ago settler — Waddell — who was killed by a grizzly bear. They call him a hermit, a holy man, the Unabomber. He could care less. On the night of Sunday, Aug. 16, 2020, a heat wave with temperatures well above 100 degrees brings a rolling cloud from the ocean as the old man sleeps under a canopy of redwood trees. When the lightning comes, it sizzles and snakes, consummates with dry earth.

    II.

    We all start somewhere — and end somewhere too. But how did he come to be here, feeding the jays and squirrels each day, under the redwoods? His vow of silence, one he takes in his early 30s, makes him an enigma to others, for silence is one of our great American fears. But still, he hasn’t annulled himself. He has a history too, born a middle child, to a mother of blighted artistic ambitions and a father who was a traveling salesman, with two sisters, living in a comfortable Sears Roebuck house in Columbus, Ohio. He loved camping and fishing with his father. He loved animals, rabbits first. Patiently played with his younger sister, Jill. Was gravely ill at one point and probably concussed himself after hitting a tree with his sled. He went to college and rambunctiously flunked out. He went into the military, in 1967, and was sent to Germany instead of Vietnam, growing to hate authority figures and command chains. His inheritance was an anger that kept growing; almost a substance: even now it smolders and ignites.

    III.

    By the next day — Monday, Aug. 17 — the lightning has set the grasses and underbrush on fire in the mountains around Big Basin Redwoods State Park. Within miles of these growing fires lives the old man in the remote enclave of Last Chance, in a gully beneath the ridge. He has no plumbing and stores his supplies in plastic barrels. Once a month, he rents a car in town, in Santa Cruz, to procure his supplies, including 800 pounds of seed to feed the animals, and to visit Windy, a friend’s 43-year-old daughter whom he helped raise. Until recently, she had never heard his voice as he took the vow of silence back when Jimmy Carter was president, communicating by chalkboard and jottings on paper. She has only ever known him as that wise, constant presence in her life. “The Bay Area is made up of many microclimates, and the one I am living in is particularly nice,” he tells Windy in one of his letters. “I don’t have the heat of inland or the fog of the coast. So I’ll stay here as long as possible.” The spot fires, left unfettered, now grow and begin to converge. In some places there is 50, 100 years’ worth of fuel on the ground. Though there has been no call for evacuation yet, you can smell the smoke. The forecast projects more heat and wind.

    IV.

    Booze, weed, the Sixties. Tad Jones, for that’s his name when people use it, lives in a school bus, on Sanibel Island in Florida, with a girlfriend. After they split, he lives for a time with his other sister, in her barn. His skin turns a green pallor perhaps because of “alcohol mixed with pharmacology,” as Jill puts it today. But at some point, he lifts himself up and turns himself into a seeker. He finds yoga, which helps with his scoliosis, and a guru: Baba Hari Dass, an Indian yoga master he follows to California. Like his guru, he renounces all but essential material possessions — and seemingly sex too — and takes a vow of silence. Baba Hari Dass wrote: “One who doesn’t want to possess any thing possesses every thing.”

    V.

    At first it’s hard for the Jones family to understand this retreat, his wanton rejection of American society, but he keeps repeating his mantra: He doesn’t want to inflict his anger on the world. Or his growing paranoia. “How uncalm he was,” Jill recalls. “If he was outside his realm, he was overwhelmed.” He carries a knife for protection; he’s careful to wear neutral clothing so as not to be confused for a gang member. He lets his beard grow out, until eventually it reaches his knees. He braids it and often rolls it up, then unfurls it to the surprise of new acquaintances. He lives inside the trunk of a redwood tree, in time with it, in opposition to industrial time, replicating those happy camping trips with his father. In the 1980s he moves out to Last Chance, a back-to-the-land community fed by cold springs and an August barn dance. His work here is to become part of the fauna, to enter the understory, to encode himself in nature. He writes in a letter that the skunks brush up against his legs, not once thinking to spray.

    VI.

    We could use more contemplation, more self-reflection. America — us — we could use more silence. As radical as it seems to subtract yourself from society, to cancel your own voice, and add yourself to the forest floor, the old man, it turns out, is not really radical. He likes the band Rush and the movie “The Big Lebowski.” He reads National Geographic, articles about faraway places and these extreme changes to our environment. The wind direction shifts now from the northwest to the northeast, and the fire leaps into alignment with the topography, lighting duff and branches: More than 43,000 acres are about to burn in a matter of hours.

    VII.

    Windy, who adores him, saves all his letters, which are full of advice written in his big loopy handwriting: here’s how to interact with your grandparents, here are the pros and cons of having children. (“[T]he earth doesn’t need any more people, so if you do give birth you want to give the child a reasonable chance to succeed.”) He tells her about the Mexican radio station he listens to, with the woman’s voice singing so lovely. He cracks slightly profane jokes about Donald Trump. He says he has set redwood trunks in ascending order to a little pet entrance to the shack so the cat can keep safe from predators. When he’s overrun by arthritis — his knees and shoulders and hips, walking with two metal canes — he goes to town to see the doctor, to stay with Windy. “Word is the crabs are meaty and good,” he writes her. “I am including a hunny B” — a hundred-dollar bill — “to buy the dinner.” Guinness beer too. He writes, “Remember I am speaking/talking now so don’t be shocked.”

    VIII.

    After nearly 40 years of silence, the old man starts talking again, at first to communicate with the doctors. It’s 2017, and he still swears like a sailor. Jill, his sister, speaks to him over Windy’s cellphone, and the first words out of his mouth are “How do you make this goddamn thing work?” It’s as if they’ve never missed a beat: he still has that mellifluous, bemused voice, that Midwestern accent. And that hair-trigger temper. As the fire encroaches, on that Tuesday, he buys feed for the animals in town — then returns to Last Chance. The wind is blowing, harder now, created by the fire itself, it seems. A community is its own ecosystem — like a forest — connected through pulses, half aerial, half subterranean. Every person, every cell, communicates in a chain. Still, almost no one here knows the old man’s last name. The fire conjoins and rages, from oak to oak, redwood to redwood. In the mesmerizing face of it, your own anger isn’t much. Even by 8 p.m. no evacuation order has been issued by the state. The residents of Last Chance, over 100 in all, think they’re safe. Only when the smoke blows clear does the fire marshal see wild flames from the ridge, the fine, dry leaf matter catching hot. By the time the conflagration jumps Waddell Creek, she take matters into her own hands, no longer waiting for state officials to raise the alarm, and the evacuation plan goes into effect.

    IX.

    By about 9:30 p.m., all but three people are accounted for at the gate that leads out of Last Chance. The old man — the hermit, the holy man, Unabomber — tries to drive the road out in his rented minivan, but fire suddenly blocks his way. He turns, and drives back, but now more fire blocks the back way. It’s as if napalm has been dropped on the forest, everything lit and storming. Fire personnel are nowhere to be seen. One resident spends the night in a field, fighting off rivers of sparks; another takes to a pond in his backyard, breathing out of a hose to escape the inferno. By 10:30 p.m. Last Chance has mostly burned to the ground. In the days after, only one person remains unaccounted for.

    X.

    Later comes the recovery mission. People with chain saws, an incursion to reclaim what’s left of home. Many of the redwoods are still burning inside and will die later. The old man is found — his bones, his ashes — near his two metal canes and the minivan not far from his shack, next to a scorched ravine, the fire so hot the van’s windows have been vaporized. Jill says there’s a way of seeing her brother’s demise as “terrifying” but “glorious.” “A slow, rusty death — that wouldn’t have been good for him,” she says. “It would have been awful.” After 70,000 people evacuate and nearly 1,500 structures are lost, Tad Jones ends up the only casualty of what comes to be called the CZU Lightning Complex in the most rampant fire year California has ever seen. “He burned on the ground of the place he lived,” Windy says, “the land he loved, the forest he walked through thousands and thousands of times, and he became part of it.”

    [Read an article about Tad Jones’s death.]

    Michael Paterniti is a contributing writer for the magazine and is working on a book about the discovery of the North Pole. More

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    Selena, Salt-N-Pepa, Talking Heads Among Honorees for Lifetime Achievement Awards at 2021 Grammys

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    The recipients for the upcoming Grammy Lifetime Achievement award have been officially announced by the Recording Academy, a month after the nominations were revealed.

    Dec 23, 2020
    AceShowbiz – Tragic Latin superstar Selena Quintanilla is set to posthumously join rap pioneers Salt-N-Pepa and rockers Talking Heads among the recipients of the 2021 Grammy Awards Lifetime Achievement honours.
    Also set to be feted with the Special Merit Awards are hip-hop icons Grandmaster Flash & The Furious Five, opera singer Marilyn Horne, and late jazz musician Lionel Hampton.
    Recording Academy officials have additionally named the stars selected for the Trustees Awards, with R&B legend Kenny “Babyface” Edmonds, saxophonist Benny Golson, and noted producer and engineer Ed Cherney, who lost his battle with cancer last year (19), due to be saluted for their “significant contributions… to the field of recording” while engineer Daniel Weiss has been recognised with the Technical Grammy Award.

      See also…

    “As we welcome the new class of Special Merit Award honorees, it gives us a chance to reward and recognize the influence they’ve had in the music community regardless of genre,” Harvey Mason, Jr., Interim President/CEO of the Recording Academy, shared in a statement.
    “As a music creator and music lover, I am grateful that we are able to look back at our influences and see the impact that they have made on our community. In a year where music has helped keep us together, I look forward to honoring this iconic group of music creators.”
    All of the honourees will be celebrated at a special ceremony on 31 January (21) although it’s yet to be announced if the event will be a virtual affair amid the ongoing coronavirus pandemic.
    The Class of 2020 was made up of Iggy Pop, Chicago, Public Enemy, Roberta Flack, Isaac Hayes, John Prine, and Sister Rosetta Tharpe.

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    Lady Antebellum Explain Why It Took Them So Long to Change Their Name

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    Charles Kelley, Hillary Scott, and Dave Haywood open up about their name change, admitting Black Lives Matter movement was the catalyst behind their decision.

    Dec 23, 2020
    AceShowbiz – Lady A star Charles Kelley has revealed the country band changed their name to do their bit as part of the Black Lives Matter movement.
    The group was formerly known as Lady Antebellum, but announced their decision to adopt a new moniker back in June (20) as they explained that they wanted to distance themselves from the term “Antebellum”, which has ties to the slave-owners of the Confederate South.
    However, their decision angered blues singer Anita White, who performed as Lady A, and led to a number of angry lawsuits.

      See also…

    Appearing on “The Tamron Hall Show” on Monday (21Dec20), Charles and bandmates Hillary Scott and Dave Haywood opened up about why they’d waited so long to change their name as Charles explained it was the Black Lives Matter movement gaining traction earlier this year that prompted them to take the plunge.
    “I think the word to me that resonates the most this year has been ‘blind spot.’ And I think I am so guilty of…I didn’t think about it,” he mused. “You know, we came up with the name thinking about the antebellum home…I don’t know. It’s so naive now looking back, but I think, as we’ve grown up, we all have kids now.”
    “I mean, why now? Well, we’re a lot older, we look at the world a lot different. We’re trying to leave the world a little bit better, too, for our kids and the next generation. And we want to be a part of change.”
    Hillary concurred, “We realised, you know, over the summer I think not touring and watching just this movement happen that is so needed in this country and around the world, we started to see what our part was, what part of our first steps and making a difference could be. And so our name changing was the first step.”

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    Twenty One Pilots Score Guinness World Record With 'Never-Ending' Music Video

    WENN

    Joseph Taylor and Josh Dun are celebrating as the duo landed a Guinness World Record for the longest music video following the release of their pandemic song.

    Dec 23, 2020
    AceShowbiz – Rockers Twenty One Pilots are wrapping up 2020 with a new Guinness World Record for the longest music video ever released.
    The stars created the innovative “Never-Ending” clip for their single “Level of Concern” earlier this year, calling on fans to continually submit clips for inclusion using images released as part of a global treasure hunt.
    The creations were livestreamed on YouTube as part of the promo, refreshing every three minutes, 42 seconds with new content, enabling the ever-changing video to run for 177 days straight – for a total of 4,264 hours, 10 minutes, and 25 seconds – until drummer Josh Dun physically pulled the plug on the project on 16 December.
    The impressive feat has since earned Twenty One Pilots their very own Guinness World Record.
    Celebrating the news with fans on Saturday (19Dec20), they tweeted, “Since josh accidentally pulled the plug on the never-ending video for Level of Concern, Guinness checked out the stats and declared it officially the longest video ever. congratulations, you did it (sic).”

      See also…

    Just earlier this year, one of the members Tyler Joseph sparked outrage online for seemingly making insensitive jokes while refusing to support Black Lives Matter. “You guys keep asking me to use my platforms. Feels good to dust these bad boys off,” so he wrote while showing off his new sneakers.
    He later added, “This isn’t a notes app moment. i’m doubling down on my platform tweet. It was fantastic.”
    He eventually apologized as the backlash kept coming on the internet. “My tweet wasn’t suppose to be about human rights. so in case you are wondering where i stand: Black Lives Matter,” he tried to explain himself.
    “I just wanted to take a moment to raise awareness about something else that has meant a lot to me for a long time,” he went on. “but now I see there is no room for that right now.”
    “im truly sorry if it hurt anyone,” he penned.

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    Lil Wayne Reacts to 2021 Grammy Nomination Snub: 'Am I Not Worthy?'

    WENN

    The ‘Lollipop’ hitmaker wonders whether he’s not ‘worthy’ of the 2021 Grammy Awards as he hasn’t been ‘involved or invited’ to the upcoming Biggest Night in Music.

    Dec 23, 2020
    AceShowbiz – Lil Wayne has questioned why he hasn’t been “involved or invited” to the 2021 Grammy Awards.
    The rapper took to Twitter to ask fans if there’s a reason his album Funeral, which he released in January (20), is only up for best recording package – and didn’t receive a single nomination in the general or rap categories.
    “As an artist, when I see da Grammys coming up & I’m not involved nor invited; I wonder. Is it me, my musik (sic), or just another technicality?” he wrote. “I look around w respect & wonder competitively am I not worthy?! Then I look around & see 5 Grammys looking bak at me & I go to the studio.”

      See also…

    Lil Wayne previously took home the best rap solo performance for “A Milli”, best rap song for “Lollipop”, best rap performance by a duo or group for his “Swagga Like Us” collaboration, and best rap album for “Tha Carter III” in 2008. He also took home the best rap performance Grammy in 2016 for “No Problem”.
    The “Sucker for Pain” star follows in the footsteps of The Weeknd and Ellie Goulding, who have also both expressed disappointment that their albums were not recognised in the Grammy nominations.
    Halsey was also skeptical of The Recording Academy. She insinuated that the Grammy officials took bribes. Teyana Taylor was furious as well for being overlooked this year and declared music retirement before clarifying, “I’m not quitting, I’m leveling up.”
    Meanwhile, Drake suggested it is a “great time for somebody to start something new.” He said, “I think we should stop allowing ourselves to be shocked every year by the disconnect between impactful music and these awards and just accept that what once was the highest form of recognition may no longer matter to the artists that exist now and the ones that come after.”

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    Katy Perry's 'Not the End of the World' Video Places Zooey Deschanel in a Case of Mistaken Identity

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    On the day the promo for the new single is released, the ‘Daisies’ singer and the ‘New Girl’ star get together on Instagram to exchange stories about being mistaken for the other.

    Dec 22, 2020
    AceShowbiz – Actress Zooey Deschanel has been abducted by aliens in Katy Perry’s new music video.
    The singer has recruited her celebrity lookalike to join her in the promo for “Not the End of the World”, which dropped on Monday, December 21.
    In the fun footage, Perry is shown taking her baby girl for a walk in the park, where she crosses paths with Deschanel – prompting extra terrestrials searching for the new mum to accidentally nab the “New Girl” star instead.
    Deschanel desperately tries to convince the aliens she is not actually Perry, before giving up and playing along, dressing up in a variety of the pop star’s famed costumes and wigs, including her whipped cream bra from the California Gurls visual, as she learns the other-worldly visitors had actually saved her from their plan to destroy Earth.
    The actress eventually manages to save the planet – by pulling the plug on their Internet – and celebrates by performing “Not The End of the World” for Perry’s alien fans.
    [embedded content]

      See also…

    The stars teamed up to discuss the fun project on Instagram on launch day, as they exchanged stories about being mistaken for the other.
    “For so long, we’ve had this funny friendship, because obviously people think we look alike,” Perry said, as Deschanel exclaimed, “I’ve had full conversations with people where they think I was you!”

    However, Perry then confessed to once pretending to be the Elf actress to enjoy the celebrity perks of life in Los Angeles.
    “When I first got to L.A., I went to the club a lot, and I wanted to get into the club, and I had no money, and no clout,” she shared. “I had nothing. Sometimes I would pose as you to get into the club.”
    The news wasn’t a complete surprise to Deschanel, who replied, “Well, I know this. People would say, ‘I saw you,’ but I’m such a goody-two-shoes (I didn’t tell them)!”

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    The Artists We Lost in 2020, in Their Words

    #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storyThe Artists We Lost in 2020, in Their WordsGabe Cohn, Peter Libbey and Dec. 22, 2020, 5:00 a.m. ETIt’s always difficult to lose a favorite actor or a beloved musician. But in 2020, a year of crisis upon crisis, some of those losses were especially painful, brought on by a pandemic that killed hundreds of thousands of people in the United States alone. The artists on this list could help us better understand the time we’re living through, or at least help us get through it with a smile or cathartic cry. Here is a tribute to them, in their own words.Chadwick BosemanCredit…Magdalena Wosinska for The New York Times“When I dared to challenge the system that would relegate us to victims and stereotypes with no clear historical backgrounds, no hopes or talents, when I questioned that method of portrayal, a different path opened up for me, the path to my destiny.”— Chadwick Boseman, actor, born 1976 (Read the obituary.)Ann ReinkingCredit…Jack Mitchell/Getty Images“It’s crucial to know where the work stops and your life begins.”— Ann Reinking, dancer, born 1949 (Read the obituary.)Larry KramerCredit…Sara Krulwich/The New York Times“I don’t consider myself an artist. I consider myself a very opinionated man who uses words as fighting tools.”— Larry Kramer, writer, born 1935 (Read the obituary.)Luchita HurtadoCredit…Anna Watson/Camera Press, via Redux“When that first photograph was taken of Earth from space and you saw this little ball in blackness … I became aware of what I felt I was. I feel very much that a tree is a relative, a cousin. Everything in this world, I find, I’m related to.”— Luchita Hurtado, artist, born 1920 (Read the obituary.)Sean ConneryCredit…Bob Haswell/Express, via Getty Images“If you start thinking of your image, or what the mysterious ‘they’ out there are thinking of you, you’re in a trap. What’s important is that you’re doing the work that’s best for you.”— Sean Connery, actor, born 1930 (Read the obituary.)Little RichardCredit…Eloy Alonso/Reuters“I’m not conceited — I’m convinced.”— Little Richard, singer, born 1932 (Read the obituary.)Alex TrebekCredit…Alamy“My life has been a quest for knowledge and understanding, and I am nowhere near having achieved that. And it doesn’t bother me in the least. I will die without having come up with the answers to many things in life.”— Alex Trebek, TV host, born 1940 (Read the obituary.)Othella DallasCredit…Beda Schmid“Dancing and singing is all I always wanted. Doing what you want makes you happy — and old.”— Othella Dallas, dancer, born 1925 (Read the obituary.)Eddie Van HalenCredit…Ebet Roberts/Redferns, via Getty Images“All I know is that rock ’n’ roll guitar, like blues guitar, should be melody, speed and taste, but more important, it should have emotion. I just want my guitar playing to make people feel something: happy, sad, even horny.”— Eddie Van Halen, guitarist, born 1955 (Read the obituary.)Ennio MorriconeCredit…Paul Bergen/EPA, via Shutterstock“In my opinion, the goal of music in a film is to convey what is not seen or heard in the dialogue. It’s something abstract, coming from afar.”— Ennio Morricone, composer, born 1928 (Read the obituary.)Diana RiggCredit…Valery Hache/Agence France-Presse — Getty Images“The older you get, I have to say, the funnier you find life. That’s the only way to go. If you get serious about yourself as you get old, you are pathetic.”— Diana Rigg, actress, born 1938 (Read the obituary.)Helen ReddyCredit…Herb Ball/NBC Universal, via Getty Images“I would like to thank God because she makes everything possible.”— Helen Reddy, singer, born 1941 (Read the obituary.)Jerry StillerCredit…Suzanne DeChillo/The New York Times“Laughter is the answer to all the pain I experienced as a kid. When I’m not doing it, it all gets eerie and weird. I am only left with the memories that inhabit me that can only be knocked out by hearing laughter.”— Jerry Stiller, comedian, born 1927 (Read the obituary.)Christiane Eda-PierreCredit…Keystone/Hulton Archive, via Getty Images“I have never had any support, I have not been encouraged by anyone, it is not in my character or the customs of my family. I made myself on my own, thanks to my work.”— Christiane Eda-Pierre, singer, born 1932 (Read the obituary.)Milton GlaserCredit…Robert Wright for The New York Times“I am totally a believer in the idea that style is a limitation of perception and understanding. And what I’ve tried in my life is to avoid style and find an essential reason for making things.”— Milton Glaser, designer, born 1929 (Read the obituary.)CristinaCredit…Ebet RobertsMy life is in a turmoilMy thighs are black and blueMy sheets are stained so is my brainWhat’s a girl to do?— Cristina, singer, born 1956 (Read the obituary.)Adam SchlesingerCredit…Ebet Roberts/Redferns, via Getty Images“I’d rather write about a high school prom or something than write about a midlife crisis, you know?”— Adam Schlesinger, songwriter, born 1967 (Read the obituary.)Anthony ChisholmCredit…Sara Krulwich/The New York Times“I’m an actor. I can play a lizard, anything. I’ve worked in ‘nontraditional’ theater. I did ‘Of Mice and Men.’ Played Slim. The great Joe Fields did a Willy Loman. We as actors want to act.”— Anthony Chisholm, actor, born 1943 (Read the obituary.)Olivia de HavillandCredit…Julien Mignot for The New York Times“I would prefer to live forever in perfect health, but if I must at some time leave this life, I would like to do so ensconced on a chaise longue, perfumed, wearing a velvet robe and pearl earrings, with a flute of champagne beside me and having just discovered the answer to the last problem in a British cryptic crossword.”— Olivia de Havilland, actress, born 1916 (Read the obituary.)Krzysztof PendereckiCredit…Rafal Michalowski/Agencja Gazeta, via Reuters“Listening to classical music is like reading philosophy books, not everybody has to do it. Music is not for everybody.”— Krzysztof Penderecki, composer, born 1933 (Read the obituary.)Helen LaFranceCredit…Bruce Shelton, via Associated Press“If I do something somebody likes, well, I’m satisfied because somebody liked what I did, but I don’t think it’s important.”— Helen LaFrance, artist, born 1919 (Read the obituary.)Kirk DouglasCredit…Associated Press“If I thought a man had never committed a sin in his life, I don’t think I’d want to talk with him. A man with flaws is more interesting.”— Kirk Douglas, actor, born 1916 (Read the obituary.)Aileen Passloff, leftCredit…Nina Westervelt for The New York Times“I was strong and tireless and full of passion and loved dancing as deeply as one could ever love anything.”— Aileen Passloff, dancer, born 1931 (Read the obituary.)Kenny RogersCredit…Wally Fong/Associated Press“I love my wife, I love my family, I love my life, and I love my music.”— Kenny Rogers, singer, born 1938 (Read the obituary.)Peter BeardCredit…Shawn Ehlers/WireImage, via Getty Images“An artist who goes around proclaiming that the art he’s making is art is probably making a serious mistake. And that’s one mistake I try not to make.”— Peter Beard, artist, born 1938 (Read the obituary.)Charley PrideCredit…Bettmann Archive, via Getty Images“What we don’t need in country music is divisiveness, public criticism of each other, and some arbitrary judgment of what belongs and what doesn’t.”— Charley Pride, singer, born 1934 (Read the obituary.)Elizabeth WurtzelCredit…Suzanne DeChillo/The New York Times“The way I am is that I put everything I have into whatever I’m doing or thinking about at the moment. So it’s not right when people say I’m self-absorbed. I think I’m just absorbed.”— Elizabeth Wurtzel, author, born 1967 (Read the obituary.)Leon FleisherCredit…Steve J. Sherman“I was driven, if anything, even harder by all of my successes. There was always more to attain, and more to achieve, and more musical depths to plumb, and lurking behind it all, the terrifying risk of failure.”— Leon Fleisher, pianist, born 1928 (Read the obituary.)Zoe CaldwellCredit…Patrick A. Burns/The New York Times“I know the business of acting is sharing an experience, provoking an emotion. I don’t want to use the world love. It’s an abused word, hackneyed. But the truth is that I love to act in the theater.”— Zoe Caldwell, actress, born 1933 (Read the obituary.)Louis Johnson, leftCredit…Marbeth“I am a dancer who loves dance, any kind of dance. In choreographing, I don’t think of dance as ballet, modern or anything, just dance.”— Louis Johnson, dancer, born 1930 (Read the obituary.)Terrence McNallyCredit…Fred R. Conrad/The New York Times“I like to surprise myself. I’ve always been attracted to projects where I don’t know how they’re going to turn out. If I ever evince bravery in my life, it tends to be at a keyboard.”— Terrence McNally, playwright, born 1938 (Read the obituary.)Jean ErdmanCredit…Jack Mitchell/Getty Images“I found myself involved with the dance as a child in Hawaii. We’d have picnics on the sand and get up and do hulas. I didn’t even know what I was talking about at the time, but I wanted to create my own theater.”— Jean Erdman, dancer, born 1916 (Read the obituary.)Bill WithersCredit…Jake Michaels for The New York Times“I’m not a virtuoso, but I was able to write songs that people could identify with. I don’t think I’ve done bad for a guy from Slab Fork, West Virginia.”— Bill Withers, singer, born 1938 (Read the obituary.)ChristoCredit…Andrea Frazzetta for The New York Times“I am allergic to any art related to propaganda. And everything: commercial propaganda, political propaganda, religious propaganda — it is all about propaganda. And the greatness of art, like poetry or music, is that it is totally unnecessary.”— Christo, artist, born 1935 (Read the obituary.)John le CarréCredit…Charlotte Hadden for The New York Times“I’m horrified at the notion of autobiography because I’m already constructing the lies I’m going to tell.”— John le Carré, author, born 1931 (Read the obituary.)Mirella FreniCredit…Karin Cooper/Washington National Opera“Life nails you to something real in the falsehood of the stage. I have always felt a connection between daily life and art. I’ve always known where the stage door was, to get in and get out. Some others get lost in the maze. My reality has been my key.”— Mirella Freni, singer, born 1935 (Read the obituary.)Ming Cho LeeCredit…Robert Caplin for The New York Times“I’ve been criticized for doing very Brechtian design, but when I go to a play or an opera, I love getting involved rather than just looking at it. I prefer a total theatrical experience to an analytical experience.”— Ming Cho Lee, theater designer, born 1930 (Read the obituary.)Lynn SheltonCredit…Stuart Isett for The New York Times“You can pick up a camera. The technology is there. You can get your friends together and you can make a movie. You should do it. Now.”— Lynn Shelton, director, born 1965 (Read the obituary.)Nick Cordero, center.Credit…Sara Krulwich/The New York Times“The producer kept telling me: ‘Get tough. Get mean. Get angry.’ But I’m a nice guy. I’m Canadian.”— Nick Cordero, actor, born 1978 (Read the obituary.)Toots HibbertCredit…Michael Putland/Getty Images“You have got to be tough. Don’t just give up in life. Be strong, and believe in what you believe in.”— Toots Hibbert, singer, born 1942 (Read the obituary.)Regis PhilbinCredit…Karsten Moran for The New York Times“I want people to enjoy what I do, and understand what I’m doing is for their enjoyment. And that’s all I can ask for.”— Regis Philbin, TV host, born 1931 (Read the obituary.)Mary Higgins ClarkCredit…Tony Cenicola/The New York Times“Let others decide whether or not I’m a good writer. I know I’m a good Irish storyteller.”— Mary Higgins Clark, author, born 1927 (Read the obituary.)Irrfan KhanCredit…Chad Batka for The New York Times“No one could have imagined I would be an actor, I was so shy. So thin. But the desire was so intense.”— Irrfan Khan, actor, born 1967 (Read the obituary.)Betty WrightCredit…Paul Bergen/Redferns, via Getty Images“As long as you keep yourself in love with people, you can transcend time.”— Betty Wright, singer, born 1953 (Read the obituary.)John Prine Credit…Kyle Dean Reinford for The New York TimesWhen I get to heavenI’m gonna take that wristwatch off my armWhat are you gonna do with timeAfter you’ve bought the farm?— John Prine, musician, born 1946 (Read the obituary.)AdvertisementContinue reading the main story More