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    Eli Noyes, Animator Who Turned Clay and Sand Into Art, Dies at 81

    His innovative stop-motion animation influenced a generation of filmmakers, including the creators of Wallace and Gromit.Eli Noyes, a filmmaker whose use of clay and sand in stop-motion animation garnered an Oscar nomination and shaped the aesthetic of Nickelodeon and MTV during the early days of cable television, died on March 23 at his home in San Francisco. He was 81.His wife, the artist Augusta Talbot, said the cause was prostate cancer.Mr. Noyes made his first film, “Clay or the Origin of Species,” in 1965 as an undergraduate student at Harvard. To the accompaniment of a jazz quartet, clay model animals whimsically portray evolution in the movie, which lasts just under nine minutes.Though stop-motion filmmaking had existed for decades and clay was used in the 1950s to create animated characters like Gumby, directors and cinephiles credited Mr. Noyes’s rookie effort with reviving interest in the technique at a time when hand-drawn characters were more popular.“Clay or the Origin of the Species” (1965), Mr. Noyes’s first film, was nominated for an Academy Award.via Noyes familyThe film was nominated for an Academy Award for best animated short subject.“This recognition served as a tremendous boost to the credibility of clay as an animation medium, bulldozing a path for even greater works,” Rick Cooper, a former production manager for Will Vinton Productions, a Claymation film company, wrote in the journal Design for Arts in Education.Peter Lord, a founder of Aardman Animations, the English studio that used clay in the production of the “Wallace and Gromit” films, “Chicken Run” and other popular animated features, recalled seeing “Clay or the Origin of Species” on British television when he was getting started as a filmmaker.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Nickelodeon and Disney Stars Find a Second Act on Podcasts

    The cast of the Nickelodeon series “Ned’s Declassified School Survival Guide” are among the stars of 2000s teen sitcoms who are using podcasts to connect with their Gen Z and millennial fan bases.For three years starting when he was just 12 years old, Devon Werkheiser dispensed advice for bearing the indignities of middle school as the title character in the Nickelodeon series “Ned’s Declassified School Survival Guide.” Two decades later, he said, people still recognize him as Ned Bigby.“There was a time when I wanted to transcend ‘Ned’s,’” Werkheiser said, “but maybe it’s the answer in getting me where I want to go.”Now 33, he’s made peace with his past and is still giving tips to his peers, only he is using a more modern medium. In “Ned’s Declassified Podcast Survival Guide,” he and his former “Ned’s” castmates Lindsey Shaw and Daniel Curtis Lee dish about the show, which aired from 2004 to 2007, and open up about past personal and career struggles.The three are among a cohort of former stars, many from Nickelodeon and Disney Channel shows from the 2000s, who have started podcasts as a way of connecting with a nostalgic Gen Z and millennial fan base. In doing so, they are embracing roles that they played as children and teenagers — characters that some had spent years trying to move beyond, with mixed success.“Part of the truth is, if any of our careers were maybe further along, maybe we wouldn’t be doing podcasts,” Werkheiser said in an interview. “There are comments that speak to that as if we don’t know.”Since the “Ned’s” podcast debuted in February 2023, several exchanges have caused a stir among its 717,000 TikTok followers. Shaw, who played Moze on the show, spoke about her past struggles with substance abuse. Werkheiser gave an emotional account of his time on the set of the troubled Alec Baldwin western “Rust.” And he and Shaw punctured the innocent image of their old show with an awkward exchange about their fumbling offscreen sexual encounters.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘Quiet on Set: The Dark Side of Kids TV’: 5 Takeaways

    The Investigation Discovery documentary takes a look at accounts of a problematic working environment at Nickelodeon.The Investigation Discovery documentary “Quiet on Set: The Dark Side of Kids TV” is a four-part series about working at Nickelodeon, including the environment under the former producer Dan Schneider, and what some described as harmful situations that child actors and adult employees were put in. It premiered on Sunday and is streaming on Max.Schneider, who parted ways with Nickelodeon in 2018, doesn’t appear in the docuseries, but former writers, child stars, staffers and journalists paint a picture of the environment at the network starting in the 1990s, through his departure.Schneider responded to the series in a video on Tuesday. “Watching over the past two nights was very difficult, me facing my past behaviors, some of which are embarrassing and that I regret, and I definitely owe some people a pretty strong apology,” Schneider said in a nearly 20-minute video posted to his YouTube channel.In response to producers’ questions, the documentary said, Nickelodeon stated that the network “investigates all formal complaints as part of our commitment to fostering a safe and professional workplace” and has “adopted numerous safeguards over the years to help ensure we are living up to our own high standards and the expectations of our audience.”Here are the biggest takeaways from the series.Drake Bell publicly speaks about his abuse for the first time.Drake Bell, in 2018. He has spoken publicly about his sexual abuse for the first time, in “Quiet on Set.”Slaven Vlasic/Getty ImagesBrian Peck, a dialogue coach for Nickelodeon, was convicted of sexually abusing the “Drake & Josh” star Jared Drake Bell. Peck was arrested in 2003 in connection with the sexual abuse of a teenager over a four-month period. In 2004, Peck pleaded no contest to two felonies, according to public records. At the time of the abuse, Bell was 15 and Peck was 41; in court documents, Bell was identified as John Doe.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Drake Bell Will Detail Abuse He Suffered as a Child Star

    The former Nickelodeon actor is set to describe sexual abuse he experienced at the hands of a former dialogue coach, according to a new docuseries. Court documents detail the back story.Jared Drake Bell, a former star of the hit Nickelodeon series “Drake & Josh,” will speak publicly about abuse he suffered at the hands of a 41-year-old dialogue coach when he was 15, according to the network airing a new docuseries about the grimmer aspects of children’s television.Mr. Bell, now 37, will describe his relationship with the dialogue coach, Brian Peck, who pleaded no contest in 2004 to two felonies: oral copulation with a minor, and lewd and lascivious acts with a child, according to public records.Mr. Peck was sentenced to 16 months in prison and registered as a sex offender in California, according to state records. Before entering his pleas, he worked in children’s television for years, including on hit Nickelodeon shows like “All That.”Mr. Bell could not be reached for comment and a trailer released by Investigation Discovery, which produced the docuseries, coming out March 17, “Quiet on Set: The Dark Side of Kids TV,” did not contain any details of his account. But a transcript of Mr. Peck’s sentencing hearing in 2004 quotes the victim, who is not identified, as saying, “I have to live with this for the rest of my life. And let me tell you, it’s horrific.”Attempts to reach Mr. Peck were also not successful. In the transcript, Mr. Peck said he felt “deep and profound remorse” for his actions and took responsibility for them. He said he found the victim to be an “extremely talented” working professional who he considered “equal to me and my friends.”In court records reviewed by The New York Times, prosecutors said Mr. Peck sexually abused the teenager over a period of four months in 2001 and 2002. Mr. Peck was 41 and the victim was identified as being 15 years old.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Janice Burgess, Nickelodeon Executive and ‘Backyardigans’ Creator, Dies at 72

    Ms. Burgess oversaw the production of “Blue’s Clues” and drew on her own childhood for “The Backyardigans,” in which five cartoon animals imagine their yard as a place of otherworldly adventure.Janice Burgess, a longtime Nickelodeon television executive who sought to promote children’s curiosity and sense of play for decades, overseeing popular shows like “Blue’s Clues” and “Little Bill” and creating her own musical children’s show, “The Backyardigans,” died on Saturday in hospice care in Manhattan. She was 72.Her death was confirmed by Brown Johnson, a longtime friend and the creator of Nick Jr., who said the cause was breast cancer.In “The Backyardigans,” five cartoon animals — Tyrone, Tasha, Pablo, Austin and Uniqua — imagine their backyard as a place of adventure, traversing deserts, oceans, jungles, rivers and outer space while dancing and singing to music.With the series, Ms. Burgess hoped to help children use their imaginations to have fun. In 2004, Ms. Burgess said in an interview with The New York Times that the idea for the show stemmed from memories of playing in her own childhood backyard in Pittsburgh.“I really remember it as a wonderful, happy, safe place,” she said. “You could have these great adventures just romping around. From there, you could go anywhere or do anything.”Ms. Burgess drew on her own experience playing in her childhood backyard in Pittsburgh to create “The Backyardigans.” “I really remember it as a wonderful, happy, safe place,” she said.Nick Jr.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    A Super Bowl Broadcaster With Slime and Swagger

    Nate Burleson spent 11 seasons playing in the N.F.L. He now balances several TV assignments, and will announce the Super Bowl with SpongeBob SquarePants.Nate Burleson, far removed from the 11 seasons he spent toiling in the National Football League, pulled up his shirt to wipe sweat from his forehead during a well-deserved break.Burleson was in a buzzing laboratory with green slime-filled industrial containers, recording Nickelodeon’s “NFL Slimetime” days after explaining the challenge of overcoming turnovers on “The NFL Today,” the CBS football show that was in Baltimore for the A.F.C. Championship Game. Hours before the Nickelodeon taping, he had provided updates about the widening conflict in the Middle East on “CBS Mornings,” the network’s flagship morning newscast.After a productive but unglamorous football career, Burleson, 42, has found high-profile success in the television industry. Now he faces a daunting schedule this week in Las Vegas, where the Kansas City Chiefs and San Francisco 49ers will face off in the Super Bowl.Burleson is setting 1:30 a.m. alarms to anchor “CBS Mornings” from the Las Vegas Strip throughout the week. And on Sunday, he will announce Nickelodeon’s first alternate Super Bowl telecast for children, changing into a suit and racing down Allegiant Stadium’s elevator with help from security to join his “NFL Today” colleagues for halftime analysis.“I never played in a Super Bowl, so I feel like this is my Super Bowl,” Burleson said.Tony Dokoupil, left, Gayle King and Burleson on “CBS Mornings.” Burleson impressed producers with the energy he brought to segments while guest hosting.Mary Kouw/CBSNickelodeon’s alternate telecasts are an attempt to attract younger viewers by infusing N.F.L. games with augmented-reality animations on the field — yes, there will be plenty of virtual slime — and incorporating popular cartoon characters. Burleson will call the Super Bowl with the voice actors for SpongeBob SquarePants and Patrick Star. (Jim Nantz and Tony Romo are announcing the traditional broadcast on CBS.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Who’s That Wonderful Girl? How “Nanalan’” Found New Success on TikTok

    She’s Mona, the puppet heroine of “Nanalan’,” an old Canadian children’s show that has found a new audience on TikTok.“Nanalan’” hasn’t been on TV in years, but it’s the hottest show on TikTok.A Canadian children’s program that made its debut in 1999, it has had a resurgence in recent weeks, thanks to its growing popularity on the social media platform, where it has been watched millions of times.A big part of the show’s appeal lies in its fiendishly catchy songs. One of them includes the lines: “Who’s that wonderful girl? Could she be any cuter?”The girl in question is Mona, a little green puppet with pigtails sticking out from both sides of her head. No, she could not be any cuter.The “who’s that wonderful girl?” earworm comes from a scene in which Mona enters a room dressed as a princess. Her grandmother, Nana, is singing the song while accompanying herself on organ. Nana’s dog, Russell, then appears in the garb of a royal courtier.The clip took off in mid-October, after a TikTok user posted it with the caption “When the clothes you ordered arrive and you treat the family to a fashion show.” The video has been viewed over 9.5 million times.

    @nanalanofficial Thewhole video can be viewed on Nanalan Official yu Tube #whosethatwonderfulgirl #wonderfulgirl #nanalan #princess #barbie ♬ original sound – nanalan’ official “Nanalan’” joined TikTok, YouTube and other social media platforms this year. But it didn’t make much of an impression until the video of Mona in her princess regalia began circulating, said Jamie Shannon, who created the show with Jason Hopley. The pair started making “Nanalan’” shorts in 1999, and the series ended up airing on CBC, Nickelodeon and PBS for Kids.In addition to reposting old content, Mr. Shannon, 51, has started making new videos with the “Nanalan’” puppets for social media. He discussed the show’s newfound audience and weighed in on why nostalgia reigns supreme online. The conversation has been edited and condensed.How did you get into the puppet business?I was traveling in Europe, I think it was 1990, and Jim Henson passed away. He was such a big part of my childhood. And I was like, “Well, that’s exactly what I want to do.” I was already kind of a puppet maker and an actor. So I kind of combined it all.For many people online, this is their introduction to your show. What should they know?It’s wild. Fifty-two percent of our audience on TikTok is American. “Nanalan’” is short for Nana Land, which is what I called my nana’s backyard. It’s about a little girl in that backyard. Mom drops Mona off at her nana’s everyday and goes to work, just like a lot of people’s situations. We were so lucky to do it without scripts, improvised.When did the show end?In 1999, we made the original set of three-minute shorts. We did that again in, I think, 2000. In 2003, we made a bunch of half-hour episodes, and that was it.Jason Hopley, left, and Jamie Shannon, the creators of “Nanalan’,” film a scene featuring the puppets Nana and Mona.via Jamie ShannonUntil social media discovered “Nanalan’.”We had a huge viral breakout in 2016 as well. Somebody did this hilarious thing. In one of the three-minute episodes, Mona’s describing the garden to Russell: “There’s a cooshie and a peepo.” Someone put the words up on the screen, just the silly words and then it went crazy on Tumblr. It became one of these things where people were like, “Try not to laugh.”Sorry — a peepo?A pea pod. I’m trying to imitate a kid imitating what a parent told them, but they don’t quite remember the word.Why do you think TikTok has embraced Mona?The world is so, so difficult and scary right now, and the show’s very comforting. Everything looks soft. There’s no special effects. It heralds to what I think people want to see, which is just something that’s real and authentic in the, you know, fake, fake, fake world. Everything’s A.I., and people don’t know what’s real.

    @nanalanofficial Replying to @Brooke backyard dance party #nanalan #dance #puppets #deli #delidancechallenge ♬ original sound – BREANNA🩷 Mona recently joined Cameo, a platform that allows celebrities to send video messages to fans for a fee. What’s that like?I was trying to join Cameo so long ago, and I guess they weren’t accepting puppets. It’s great, I love it. It’s like four or five videos a day. Touching stuff, too. People say, “Grandma died, can you …?” So I do a lot of pep talks. More

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    Jennette McCurdy Is Ready to Move Forward, and to Look Back

    In her memoir, “I’m Glad My Mom Died,” McCurdy, best known for her role in“iCarly,” reflects on her time as a child actor and on her troubled relationship with her mother.When Jennette McCurdy was 16, she was in her third year on “iCarly,” the hit teen sitcom on Nickelodeon. Millions of young viewers admired her for her comic portrayal of Sam Puckett, the wisecracking pal of its title character, and she was proud that her lucrative work was helping to support her family.McCurdy was also living under the stringent control of her mother, Debra, who oversaw her career, determined her meals — her dinners consisted of shredded pieces of low-cal bologna and lettuce sprayed with dressing — and even administered her showers.Her mother gave her breast and vaginal exams, which she said were inspections for cancer, and shaved her daughter’s legs while McCurdy remained largely uneducated about the changes her body was experiencing.She struggled with obsessive-compulsive disorder, eating disorders and anxiety triggered by the constant attention she received as a celebrity, but she felt trapped in her work. She also believed she owed her unfaltering loyalty to her mother, who had recovered from breast cancer when Jennette was very young, only for her cancer to return in 2010, at the height of her daughter’s fame.Debra McCurdy died in 2013, and Jennette, now 30, is still reckoning with the gravitational pull exerted by her mother, who steered her to the trade that gave her visibility and financial stability while she controlled virtually every aspect of her daughter’s existence.When Jennette McCurdy wrote a memoir, which Simon and Schuster will publish on Aug. 9, it was clear to her that her relationship with her mother would provide its narrative force. “It’s the heartbeat of my life,” she said recently.McCurdy as Sam and Miranda Cosgrove as Carly in “iCarly.”Lisa Rose/NickelodeonThe book is titled “I’m Glad My Mom Died,” and its cover bears the image of McCurdy, a narrow half-smile on her face, holding a pink funeral urn with confetti strands peeking over its rim. The presentation might be off-putting to some readers; the author is well aware. But she also feels it accurately encapsulates a coming-of-age story that is alternately harrowing and mordantly funny.When you have grown up as she has, feeling tenderness and anger toward a person you’ve seen wield immense power while fighting for her own life, she said, “You can’t believe how hard and how laughable it is at the same time. That’s completely my sense of humor.”“I feel like I’ve done the processing and put in the work to earn a title or a thought that feels provocative,” she added.Though McCurdy may have the résumé of a seasoned Hollywood veteran, she carried herself like a wide-eyed tourist on a visit to New York in late June. Over afternoon tea at the BG Restaurant in midtown Manhattan, she gazed at fellow patrons, asked for Broadway theater recommendations and chided herself about a transcendental meditation class she’d taken near her home in Los Angeles.“So far, I haven’t seen any results,” she said with a chuckle, “but we’ll see.”When it comes to new endeavors, McCurdy said, “I think things should feel natural. So much of my life was about forcing or pushing things. So when something feels like it’s working, I’ll let that be, and anything else can fall by the wayside.”As McCurdy recounts in her memoir, she was 6 when she started auditioning for acting roles, having been shepherded into the work by her mother, who was her herself discouraged from becoming an actress by her own parents.Growing up in Southern California, McCurdy was cast in TV commercials and shows like “Mad TV,” “Malcolm in the Middle” and “CSI” before landing “iCarly,” which had its debut in 2007. Yet she never had any illusions about who was really benefiting from these accomplishments. As she writes of the moment she learned she had booked “iCarly,” “Everything’s going to be better. Mom will finally be happy. Her dream has come true.”McCurdy endured various embarrassments and indignities at Nickelodeon, where she writes of being photographed in a bikini at a wardrobe fitting and being encouraged to drink alcohol by an intimidating figure she simply calls the Creator. In situations where her mother was present, Debra did not intervene or speak up, instructing Jennette that this was the price of showbiz success: “Everyone wants what you have,” she would tell her daughter.When McCurdy was promised an “iCarly” spinoff, she assumed she’d be given her own show — only to receive a co-starring slot on “Sam & Cat,” which paired her with the future pop-music sensation Ariana Grande.There, she says her superiors on these shows prevented her from pursuing career opportunities outside the show while Grande thrived in her extracurricular work. As McCurdy writes, “What finally undid me was when Ariana came whistle-toning in with excitement because she had spent the previous evening playing charades at Tom Hanks’s house. That was the moment I broke.”McCurdy, as Sam, and Ariana Grande as Cat in Sam & Cat, on Nickelodeon.Lisa Rose/NickelodeonAs McCurdy grew older and more independent, her relationship with her mother became further strained. The book reproduces an email in which her mother calls her “a SLUT,” “a FLOOZY” and “an UGLY MONSTER,” then concludes with a request for money for a refrigerator. When Debra had a recurrence of cancer and died, Jennette, then 21, was liberated — and left to navigate a complex world without her guidance, contending with destructive romantic relationships, bulimia, anorexia and alcohol abuse.“iCarly” ended its original run in 2012, and “Sam & Cat” ran just one season from 2013-14, after which, McCurdy writes, she turned down a $300,000 offer from Nickelodeon if she agreed never to speak publicly about her experiences at the network. (A press representative for Nickelodeon declined to comment.)She was free to reclaim her personal life and pursue other projects, like the Netflix science-fiction series “Between.” But she found it difficult to let go of the resentment from how she’d been treated when she was younger. As she said in an interview, “It felt like all these decisions were being made on my behalf and I was the last one to know about them. That’s really infuriating. It led to a lot of rage.”Even now, McCurdy found that revisiting the era of her child stardom resurfaced raw feelings about a parent, and an industry, that had failed to protect her.“My whole childhood and adolescence were very exploited,” she said, her eyes brimming with tears. “It still gives my nervous system a reaction to say it. There were cases where people had the best intentions and maybe didn’t know what they were doing. And also cases where they did — they knew exactly what they were doing.”Marcus McCurdy, the oldest of Jennette’s three brothers, said that their mother was consistently volatile when they were growing up.“You were always walking on eggshells — is it going to be nice mom or crazy mom today?” he said. “One day she’d be fine, the next day she’d be yelling at everybody. Every holiday was super overdramatic. She’d lose her mind on Christmas if something wasn’t perfect.”Friends and colleagues from Jennette McCurdy’s time as a child actor said they could sense the tension in her relationship with her mother, even if they did not yet know the exact details.“Jennette can be outgoing, very forward and bright and electric,” said David Archuleta, the pop singer and “American Idol” finalist. “I could also tell she was very guarded, very protective of her mom and they were very close.”Archuleta, whose career was closely controlled by his father when he was a minor, said such arrangements can be destructive for children.“Because you’re always with that parent, they don’t really let you around anyone else,” Archuleta said. “You don’t look at it as a control thing — you look at it as, ‘Oh, they’re looking out for me.’ And they make you feel like everyone is against you.”Over time, Archuleta added, the parent may turn toxic. “It gets to where it’s like, ‘You can’t make any decisions on your own. You can’t do anything on your own. You’re too dumb.’”Miranda Cosgrove, the star of “iCarly,” said that though she and McCurdy quickly became close on the show, she was initially unaware of many difficulties her friend was facing, which McCurdy only revealed as they became older.“When you’re young, you’re so in your own head,” Cosgrove said. “You can’t imagine that people around you are having much harder struggles.”In a softer voice, Cosgrove added, “You don’t expect things like that from the person in the room who’s making everyone laugh.”“So much of my life was about forcing or pushing things,” McCurdy said. Now, “I think things should feel natural.”Ahmed Gaber for The New York TimesFor McCurdy, opening up about herself to the wider world has been a long-term process. In her late teens and early 20s, she wrote essays for The Wall Street Journal that shared some of her insights into child stardom. But today she feels she was not fully candid.“If I had been truthful at that time,” she explained, “I would have said, ‘Yeah, I wrote this and then I went and made myself throw up for four minutes afterward.’”A few years ago, McCurdy started writing a new series of personal essays, including several about her mother, and shared them with her manager at the time. “My manager sent me back a nice email that said, ‘This is great — I don’t really know what to do with this.’ I’ll never forget the ‘xoxo’ at the end.” (McCurdy no longer works with that manager.)Instead, she began performing a one-woman show, also called “I’m Glad My Mom Died,” in Los Angeles. Though the pandemic impeded plans to take the show on the road, McCurdy used some of her down time to craft the memoir. “I really wanted to build it out a lot more, get more into the childhood aspect of the story and work through the arc in a way that you only can with a book,” she explained.Marcus McCurdy said he supported his sister’s decision to write her memoir, even if her calling it “I’m Glad My Mom Died” has caused some consternation in the family.“Our grandmother is very upset about that title,” Marcus said, adding that he and his sister share a similar sense of humor. “It’s more of a coping mechanism,” he said. “You can either be like, ‘Woe is me, my life is horrible.’ Or you find the humor in these things that are really tragic.”Archuleta also said it was empowering for McCurdy to write her book. “It’s given her back some of her strength, her confidence,” he said.McCurdy is writing another set of essays about coming into her own in her 20s, as well as a novel. (Its protagonist, she said, is “either who I wish I could be in some aspects, or who I hope I never am in other aspects. But it’s probably me, right?”)Aside from a few watch parties that her family held for her earliest episodic TV work, McCurdy told me, “I’ve never seen any of the shows that I’ve been on.” For her, these were fraught documents of her suffering and unwelcome reminders of the helplessness she felt at the time.A few years ago, after the cancellation of her Netflix series, McCurdy decided to take a break from acting. As she writes in the memoir, “I want my life to be in my hands. Not an eating disorder’s or a casting director’s or an agent’s or my mom’s. Mine.” She did not take part in a recent revival of “iCarly” on Paramount+. But McCurdy said that her experience with her one-woman show has shown her there might be ways that performance could be constructive for her in the future.“It felt significant in repairing some of the really weighted, complicated relationships that I had with acting,” she said. “It felt like finally I’m saying my words and saying things I want to be saying. I’m myself.”Though McCurdy can still find it uncomfortable to reflect on her past, it also makes her hopeful to focus on the present and to see the friends and colleagues who are part of her life because she alone chose for them to be in it.“I have people around me now that are so supportive and so loving,” she said. “It makes me tearful with joy. I feel so safe. I feel so much trust and so much openness.” More