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‘Quiet on Set: The Dark Side of Kids TV’: 5 Takeaways

The Investigation Discovery documentary takes a look at accounts of a problematic working environment at Nickelodeon.

The Investigation Discovery documentary “Quiet on Set: The Dark Side of Kids TV” is a four-part series about working at Nickelodeon, including the environment under the former producer Dan Schneider, and what some described as harmful situations that child actors and adult employees were put in. It premiered on Sunday and is streaming on Max.

Schneider, who parted ways with Nickelodeon in 2018, doesn’t appear in the docuseries, but former writers, child stars, staffers and journalists paint a picture of the environment at the network starting in the 1990s, through his departure.

Schneider responded to the series in a video on Tuesday. “Watching over the past two nights was very difficult, me facing my past behaviors, some of which are embarrassing and that I regret, and I definitely owe some people a pretty strong apology,” Schneider said in a nearly 20-minute video posted to his YouTube channel.

In response to producers’ questions, the documentary said, Nickelodeon stated that the network “investigates all formal complaints as part of our commitment to fostering a safe and professional workplace” and has “adopted numerous safeguards over the years to help ensure we are living up to our own high standards and the expectations of our audience.”

Here are the biggest takeaways from the series.

Drake Bell, in 2018. He has spoken publicly about his sexual abuse for the first time, in “Quiet on Set.”Slaven Vlasic/Getty Images

Brian Peck, a dialogue coach for Nickelodeon, was convicted of sexually abusing the “Drake & Josh” star Jared Drake Bell. Peck was arrested in 2003 in connection with the sexual abuse of a teenager over a four-month period. In 2004, Peck pleaded no contest to two felonies, according to public records. At the time of the abuse, Bell was 15 and Peck was 41; in court documents, Bell was identified as John Doe.

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Source: Television - nytimes.com


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