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    Emmy Success for ‘Squid Game’ Is Hailed in South Korea

    After the dystopian Netflix drama picked up multiple wins, Koreans celebrated the awards as the latest example of their country’s rise as a cultural powerhouse.SEOUL — First it was the movie “Parasite.” Then Yuh-Jung Youn, the star of “Minari.” Now, “Squid Game.”The dystopian Netflix drama’s success at the Emmys on Tuesday — including the top acting prize for its star, Lee Jung-jae, a first for a foreign-language show — was greeted with cheers in South Korea and hailed as the latest example of the country’s rise as a cultural powerhouse.Major Korean news outlets such as MBC and Yonhap made the news the lead story on their websites. Chosun Ilbo, one of the country’s largest newspapers, said “Squid Game” had written a “new history in K-drama.”“It seems like South Korean productions are getting more and more recognized internationally, which makes me excited,” said Lee Jae, a commercial producer in Seoul, who binge-watched the series as soon as it came out last year.In the show, which was produced by Netflix and became its most watched series ever, 456 desperate contestants are pitted against one another to the death for a cash prize of nearly $40 million. Players must survive through several rounds of children’s games in order to win.After its release last September, the show skyrocketed to popularity, becoming a sensation in not only South Korea but also on a global scale. At the time, the series outperformed other popular non-English shows like “Money Heist” and “Lupin,” according to Ted Sarandos, a co-chief executive officer and chief content officer for Netflix. At a business conference last year, he said that “Squid Game” was “blowing past all of them.”The show’s success is the latest in a string of international accolades for South Korean productions. In 2020, “Parasite,” the class satire directed by Bong Joon Ho, became the first foreign-language movie to win the Academy Award for Best Film. Last year, Youn, a veteran Korean star, the best supporting actress Oscar for her role in “Minari,” the film about a hard-luck family of Korean immigrants in the United States.Those earlier awards signaled a growing acceptance of foreign-language productions, said Daniel Martin, a film studies professor at the Korea Advanced Institute of Science and Technology. He said the success of “Squid Game” at the Emmys could be “a sign of hopefully a generational change.”While audiences might “go back to not caring about non-English content, ‘Squid Game’s’ win shows that viewers are receptive to Korean content, which is encouraging,” Martin said.South Korea has emerged as an entertainment juggernaut in recent years, captivating international audiences with K-pop bands such as BTS, as well as hit TV shows and critically acclaimed movies.Most recently, “Extraordinary Attorney Woo,” a Korean feel-good show about a young autistic lawyer, has been the most watched non-English-language program on Netflix in the past several weeks.For “Squid Game,” the Emmys are only its latest achievement. In February, the drama scooped up multiple prizes at the Screen Actors Guild Awards, including lead performer honors for Lee and Jung Ho-yeon.Lee, who is considered one of the most successful actors in South Korea, began his career as a model before starring in a number of hit Korean films, playing characters including romantic leads and cutthroat gangsters. His directorial debut, “Hunt,” an espionage thriller, was released in South Korea last month.On social media and online forums, his fans poured on the praise.“To South Korea’s Lee Jung-jae! Congratulations on winning the best lead actor. You are an actor who gives his all into his work and to his fans. I applaud you, someone whose hard work deserves such accomplishments,” said one fan on Twitter.“Wow, Lee Jung-jae won the award for best actor. He really is amazing,” another fan tweeted.In his acceptance speech, Lee acknowledged the support of his fans at home and their love for the show. “I’d like to share this honor with my family, friends and our precious fans watching from South Korea. Thank you!” he said. More

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    After New York, Jaap van Zweden Will Lead Seoul Philharmonic

    He will begin a five-year contract as music director of the Seoul Philharmonic Orchestra in 2024, after stepping down from the New York Philharmonic.Jaap van Zweden, the New York Philharmonic’s music director, surprised cultural leaders and audiences last year when he announced he would leave his post in 2024, saying the pandemic had made him rethink his priorities.Now he has started outlining his post-New York plans: He will begin a five-year contract as music director of the Seoul Philharmonic Orchestra in January 2024, the ensemble announced on Sunday.Sohn Eun-kyung, the Seoul Philharmonic’s chief executive, said in a statement that van Zweden would help “upgrade” the quality of the ensemble and turn it into a “world-class orchestra,” according to South Korean news media reports.Van Zweden, who was in Hong Kong where he serves as music director of the Hong Kong Philharmonic Orchestra, could not be immediately reached for comment.His publicist, Mary Lou Falcone, said: “This is about building something — the building of an orchestra, as he did in Hong Kong. That’s what he does.”The move is another unconventional choice by van Zweden, 61, an intense and meticulous maestro from the Netherlands who came to New York in 2018, only to have his tenure interrupted by the pandemic, which forced the Philharmonic to cancel more than 100 concerts and impose painful budget cuts.While the Seoul Philharmonic is among Asia’s most prominent ensembles, it has struggled in recent years with financial problems and management woes. The current music director, the Finnish conductor Osmo Vänskä, recently announced he would not renew his three-year contract when it expires later this year.Van Zweden, who served as music director of the Dallas Symphony Orchestra before coming to New York, was at one point, while leading the Dallas ensemble, America’s best-paid conductor, earning more than $5 million in a single season.Van Zweden agreed to step down from his post in New York after the 2023-24 season, a year later than he had initially planned, to give the orchestra time to settle into David Geffen Hall, scheduled to open in October after a $550 million renovation, and to search for a successor. His six-year tenure will be the shortest of any Philharmonic music director since Pierre Boulez, the French composer and conductor who led the orchestra for six seasons in the 1970s.He will leave his post in Hong Kong in the spring of 2024, after 12 years, and assume the title of conductor laureate.In an interview last year, van Zweden said the pandemic had prompted him to reconsider his relationship with the New York Philharmonic, as well as with his family, which he rarely got to see during his time on the road. He said he felt it would be the right moment to move on, with the orchestra set to move into its new home.“It is not out of frustration, it’s not out of anger, it’s not out of a difficult situation,” he said at the time. “It’s just out of freedom.” More

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    ‘Emergency Declaration’ Review: Midair Contagion

    The “Parasite” star Song Kang-ho plays a detective working to thwart a plan to unleash a deadly virus on unsuspecting plane passengers.It’s not enough for a disaster movie to rely on spectacle and peril; the crisis must allow characters to transcend their baser instincts so they might inspire hope. “Emergency Declaration,” a piercing thriller from the South Korean writer-director Han Jae-rim, manages to deliver excitement and melodrama out of a ludicrous story line.The premise for Han’s script borrows heavily from the “Airport” film series and “Air Force One.” In the movie, a troubled passenger (Yim Si-wan) releases a deadly virus aboard a plane heading from South Korea to Honolulu. The infected first develop a rash and then their blood vessels start bursting. The ensuing panic among the passengers spreads faster than the pathogen and demonstrates how greed and fear can lead to selfish survival tactics.Their flight is a race against time and a lesson in personal sacrifice that unearths a number of secrets: Hyun-soo, the plane’s co-pilot (Kim Nam-gil) despises Jae-hyuk, a disgraced former aviator (Lee Byung-hun, “Squid Game”) who is traveling with his young daughter. All are infected. On the ground, In-ho, a police sergeant (Song Kang-ho, “Parasite”) whose wife is on the plane, is desperately searching for a vaccine. Each actor, especially a raw Song, provides a sturdy performance in a narrative whose emotional course corrections occur so frequently that the film can feel directionless.Han pulls at his audience’s heartstrings by relying on redemptive shifts in tone for Jae-hyuk, whose climactic landing, edited for maximum sweaty palms, defies all gravity and logic, while offering an easy dose of disaster movie joy.Emergency DeclarationNot rated. In Korean, with subtitles. Running time: 2 hours 18 minutes. In theaters. More

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    At Cliburn Competition, Pianists From South Korea, Russia and Ukraine Triumph

    The war in Ukraine loomed over the prestigious contest in Texas, named for the pianist Van Cliburn, who won a victory in Moscow at the height of the Cold War.For 17 days, the young artists competed in what some have called the Olympics of piano-playing: the Van Cliburn International Piano Competition in Texas, one of classical music’s most prestigious contests.On Saturday, the results were in: Pianists from South Korea, Russia and Ukraine prevailed in this year’s contest.Among the winners are Yunchan Lim, 18, from Siheung, South Korea, who became the youngest gold medalist in the Cliburn’s history, winning a cash award of $100,000; Anna Geniushene, 31, who was born in Moscow, taking the silver medal (and $50,000); and Dmytro Choni, 28, of Kyiv, winning the bronze medal ($25,000).“I was so tired,” Lim, who played concertos by Beethoven and Rachmaninoff in the final round, said in a telephone interview. “I practiced until 4 a.m. every day.”“Texas audiences are the most passionate in the world,” he added.The war in Ukraine loomed over this year’s contest, which began in early June with 30 competitors from around the world, including six from Russia, two from Belarus and one from Ukraine.The Cliburn, held every four years in Fort Worth, had drawn criticism in some quarters for allowing Russians to compete. The decision came as cultural institutions in the United States were facing pressure to cut ties with Russian artists amid the invasion.The Cliburn stood by its decision, citing the legacy of Van Cliburn, an American whose victory at the International Tchaikovsky Competition in Moscow in 1958, during the Cold War, was seen as a sign that art could transcend politics.Choni, the Ukrainian competitor, said he felt proud to represent his country at the competition. He said he almost cried at the beginning of the awards ceremony on Saturday, when a previous winner of the Cliburn, Vadym Kholodenko, who is also from Ukraine, played the Ukrainian national anthem.“It was so touching,” Choni said in a telephone interview. “The situation right now has probably put some additional pressure on me, but it’s just an honor for me to be here.”Geniushene, the Russian pianist, who left Russia for Lithuania after the invasion and has been critical of the war, said she felt uplifted to see a mix of countries represented among the winners.“It’s a huge achievement,” she said in a telephone interview. “We all deserve to be on the stage.” More

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    BTS Ponders Its Future, and South Korea’s Economy Warily Takes Note

    The band’s label saw its stock price plunge, and the possibility that the K-pop group won’t tour as pandemic restrictions ease threatens to reverberate through South Korea’s economy.The fallout from BTS’s announcement on Tuesday that the K-pop juggernaut would be taking a break as members explore solo careers was immediate and drastic.In just a day, the stock price of the group’s management label, HYBE, plummeted 28 percent to 139,000 won — or $108 — its lowest price since the company went public nearly two years ago, shedding $1.7 billion in market value. The stock price has barely moved since.The drastic plunge underscores how South Korea’s best-selling boy band has become not only a cultural sensation but also a powerful stakeholder in South Korea’s economy.Since the group’s debut in 2013, BTS has raked in billions of dollars through album sales, concert tickets and social media. Its YouTube channel alone, which is the 20th largest in the world, can generate up to $2 million a month. By 2020, the group was contributing $3.5 billion annually to the nation’s economy, according to the Hyundai Research Institute.Japanese fans of BTS sharing mementos of the band at a cafe in Seoul on Wednesday.Kim Hong-Ji/ReutersEven during the pandemic, which devastated the live concert industry, BTS drove a 58 percent increase in HYBE’s revenue, according to the company’s year-end reports for 2021. The label raked in a 1.3 trillion won last year, nearly a billion U.S. dollars.The group’s financial contribution to South Korea’s economy had only been expected to grow as pandemic restrictions eased, according to the Korea Culture and Tourism Institute, which predicted that a single BTS concert could generate upward of $500 million or more.News of the group’s planned hiatus convulsed the internet once the group posted its video announcement, which drew over 16 million views in two days. The group’s fans, who call themselves Army, swarmed social media in expressing support — and anguished distress — over the news.“Thank you BTS for being our home, for your beautiful music that enlightens our life, for your love & happiness to us,” one Twitter user posted. “We’ll support you. We’re always here for you. We’ll wait for you. ARMY FOREVER. We love you.”Fans were particularly confused by the term “hiatus,” which was used in the English translations in the original video. Reports in South Korean media outlets were quick to link the announcement to the fact that Jin, the oldest member of the group, would need to enlist for mandatory military service by the end of this year.Speculation about the group’s possible disbandment led to a quick backpedaling of statements by the label and the group members themselves.News organizations reported the group was not taking a hiatus, but that group members were pivoting to focus more on their individual careers. The group will “remain active in various different formats,” according to the statement.RM, the group’s leader, posted on the social media site Weverse on Thursday, saying that many people had sent him messages assuming the group was breaking up.A mural depicting RM, the leader of BTS, in Goyang, South Korea. Anthony Wallace/Agence France-Presse — Getty Images“Although it’s not like I didn’t anticipate this or was oblivious that this could happen, I still feel bitter,” he said, explaining that his intentions were to communicate openly with fans on the group’s reflections of the past decade and not to announce that the group was disbanding.Jungkook, the youngest BTS member, also tried to clarify matters in a live video stream on Thursday. “We don’t have any thoughts of breaking up,” he said, adding that BTS still had plans to perform in the future.In Tuesday’s announcement video, members gathered around a table and spoke candidly about the intense pressures they face to constantly churn out music and deliver, ultimately leading to their decision to temporarily pursue solo careers.“I felt like I was trapped and couldn’t get out,” said Namjoon, who explained that he felt the years of constantly being in the spotlight as a K-pop idol didn’t leave him much room for personal growth. More

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    Song Hae, Beloved South Korean TV Host, Dies at 95

    Born in what is now North Korea, he was known for his cheeky grin and folksy wisecracks as the host of South Korea’s weekly “National Singing Contest” for more than three decades.SEOUL — Song Hae, who fled North Korea as a young man during the Korean War, became a beloved television personality in South Korea and was recognized by the Guinness World Records as the world’s “oldest TV music talent show host,” died at his home in Seoul on Wednesday. He was 95.His death was confirmed by Lee Gi-nam, the producer of a 2020 documentary on Mr. Song’s life, which charted a tumultuous course that reflected South Korea’s modern history through war, division, abject poverty and a meteoric rise. No cause of death was given.A jovial Everyman figure known for his cheeky grin and folksy wisecracks, Mr. Song became a household name in South Korea when he took over in 1988 as the host of the weekly “National Singing Contest,” a town-by-town competition that mixes down-home musical talent, farcical costumes, poignant life stories and comedic episodes.Mr. Song was recognized by Guinness World Records in April as the “oldest TV music talent show host.”Jung Yeon-Je/Agence France-Presse — Getty ImagesHis talent show, which he announced with his booming voice piped into households in South Korea every Sunday, ran for more than three decades. Mr. Song traveled to every corner of South Korea and to the Korean diaspora in places like Japan and China, and even to Paraguay, Los Angeles and Long Island, N.Y. He continued as host until the show went on hiatus during the coronavirus pandemic, and officially remained at its helm at the time of his death.While the show was on hold, his health seemed to deteriorate without his weekly outlet, according to Jero Yun, director of the documentary, “Song Hae 1927.”“It was, in some ways, the driving force of his life, meeting people from all walks of life through the program and exchanging life stories,” Mr. Yun said. “People would always recognize him, crowd around him and want to talk to him.” Referring to the K-pop megagroup, Mr. Yun added, “He might as well have been BTS.”Mr. Song was posthumously awarded a presidential medal for his contributions to South Korea’s culture, the president’s office announced on Wednesday. He was entered into Guinness World Records in April.Mr. Song was born Song Bok-hee on April 27, 1927, under Japanese occupation in what is now Hwanghae Province in North Korea. His father was an innkeeper. A few months after the Korean War broke out in 1950, he left his home at 23 to avoid being drafted to fight for the North, and made his way south. He eventually boarded a U.N. tank landing ship, not knowing where it was headed. Staring out at the water, he would later say, he renamed himself Hae, for the character meaning sea.He left behind his mother and a younger sister in North Korea, and well into his 90s, any mention of them would reduce him to tears.After the ship took him to the South Korean city of Busan, on the peninsula’s southern coast, he served as a signalman in the South’s army. He had said in interviews that he was one of the soldiers who tapped out the Morse code in July 1953 transmitting the message that there was a cease-fire halting the war.After his discharge from the army, he peddled tofu in impoverished postwar South Korea before joining a traveling musical theater troupe, in which he sang and performed in variety shows. He eventually became a radio host, anchoring a traffic call-in show that catered to cab and bus drivers. It aired an occasional segment in which the drivers would dial in for a sing-off.In 1952, Mr. Song married Suk Ok-ee, the sister of a fellow soldier he had served with in the war, and they had three children. After 63 years of marriage, Mr. Song and his wife held the wedding ceremony they never had, having originally married in the poverty and turmoil of their youth. She died in 2018.He is survived by two daughters, two granddaughters and a grandson. In 1986, his 21-year-old son was killed in a motorcycle accident, and Mr. Song could not bear to continue working on his radio traffic show. Around the same time, he was tapped to host the singing contest for the national broadcaster, KBS.With Mr. Song at its center, the show quickly became a national pastime, particularly among older residents and those in rural communities — groups that the program spotlighted and that were seldom seen on television.Grandmothers break-danced and rapped; grandfathers crooned sexy K-pop numbers. Countless young children charmed the host onstage, some of whom went on to become stars. Once, a beekeeper covered in bees played the harmonica while a panicked Mr. Song cried out, “There’s one in my pants!”Mr. Song never fulfilled his lifelong dream of revisiting his hometown in North Korea, but because of his show, he came tantalizingly close.A memorial to Mr. Song at a hospital in Seoul on Wednesday.Korea Pool/Yonhap via APIn 2003, during a period of détente between the Koreas, the show filmed an episode in the North Korean capital, Pyongyang. The songs were carefully screened by the North’s censors to include only propagandist ones, and the atmosphere was so tense that Mr. Song never broached the possibility of visiting his hometown, Chaeryong, even though it was just 50 miles south of the capital, he said in interviews.At one point during the trip, he recalled, he got drunk with his North Korean minder, who told him that he wouldn’t recognize his hometown anyway because everything had changed in the intervening five decades and most of the people had moved away.In a 2015 biography of Mr. Song, Oh Min-seok, a poet and professor of English literature, wrote: “As a refugee who fled south during the Korean War, there is a loneliness that is wedged in his heart like a knot. He has no problem connecting with anyone, from a 3-year-old to a 115-year-old, from a country woman to a college professor, from a shopkeeper to a C.E.O. That’s because inside, he’s always pining for people.”In South Korea, the show’s contestants and adoring fans became his family. Women — including the show’s oldest contestant, a 115-year-old — took to calling him “oppa,” or older brother, Mr. Song later recalled.“Who else in the world can claim to have as many younger sisters as I do?” he said. “I’m happy because of the people who boost me, applaud me, comfort me.” More

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    Suga of BTS Tests Positive for Covid

    SEOUL — Suga, a member of the global K-pop phenomenon BTS, has tested positive for the coronavirus, the group’s management company said on Friday.The company, Big Hit Music, said in a statement that Suga, 28, who returned to South Korea from the United States on Thursday, discovered on Friday that he was infected while in quarantine and after taking a P.C.R. test.He had tested negative before traveling to the United States, the statement said, and had received his second vaccine dose in August.Suga had no contact with the other members of BTS — RM, Jin, J-Hope, Jimin, V and Jungkook — the statement said. He was not displaying any symptoms as of Friday, and he was isolating at home, the company said.The news comes a month after another K-pop megastar, Lalisa Manoban, 24, of Blackpink, better known as Lisa, also tested positive for the coronavirus. The other members of Blackpink — Jennie, Jisoo and Rosé — tested negative for the virus, the production company, YG Entertainment, said in an emailed statement last month.Suga, the stage name for the artist Min Yoon-gi, made his debut with BTS in 2013. The Korean pop group, a multibillion-dollar act, is known for dynamic dance moves, catchy lyrics and fiercely devoted fans.In 2018, BTS became the first K-pop group to top the Billboard album chart, with “Love Yourself: Tear.” In September this year, the group gave a speech at the U.N. headquarters in New York, promoting coronavirus vaccinations and praising young people for their resiliency during the pandemic.Suga has stepped out for solo projects, sometimes performing as Agust D, and as a commercial producer. In an interview with GQ Australia that was published this week, he said: “All three are me. They each take up a third of myself, and one isn’t more reflective of me than another. I simply give people a choice. These three sides of myself are incredibly different, so I’m giving people a choice to see me as they want.”This week, Billboard’s Charts reported that Suga and Juice WRLD, the stage name for the artist Jarad A. Higgins, had the best-selling song in the United States with “Girl of My Dreams,” the first time a song by either artist to hit No. 1 on any chart, according to Yahoo News. Juice WRLD died in December 2019, and the song is part of the artist’s posthumous album, “Fighting Demons.”John Yoon More

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    North Korea Executes People for Watching K-Pop, Rights Group Says

    At least seven people have been put to death in the past decade for watching or distributing K-pop videos, as the North cracks down on what its leader calls a “vicious cancer.”SEOUL — North Korea has publicly executed at least seven people in the past decade for watching or distributing K-pop videos from South Korea, as it cracks down on what its leader, Kim Jong-un, calls a “vicious cancer,” according to a human rights report released on Wednesday.​The group, ​ Transitional Justice Working Group, which is based in Seoul, interviewed 683 North Korean defectors since 2015 to help map places in the North where people were ​killed and buried​ in state-sanctioned public executions​. In its latest report, the group said it had documented 23 such executions under Mr. Kim’s government.Since taking power a decade ago, Mr. Kim has attacked South Korean entertainment — songs, movies and TV dramas — which, he says, corrupts North Koreans’ minds. Under a law adopted last December, those who distribute South Korean entertainment can face the death penalty. One tactic of Mr. Kim’s clampdown has been to create an atmosphere of terror by publicly executing people found guilty of watching or circulating the banned content.It remains impossible to find out the true scale of public executions in the isolated totalitarian state. But Transitional Justice Working Group focused on executions that have taken place since Mr. Kim ascended and on those that have occurred in Hyesan, a North Korean city and a major trading hub on the border with China.The North Korean town of Hyesan, near the border with China, is a gateway to smuggle in South Korean entertainment stored on USB sticks.Damir Sagolj/ReutersThousands of North Korean defectors to South Korea have lived in or have passed through Hyesan. The city of 200,000 people is the main gateway for outside information, including South Korean entertainment stored on computer memory sticks and bootlegged across the border from China. As such, Hyesan has become a focus in Mr. Kim’s efforts to stop the infiltration of K-pop.Of the seven executions for watching or distributing South Korean videos, all but one took place in Hyesan, the report says. The six in Hyesan occurred between 2012 and 2014. Citizens were mobilized to watch the grisly scenes, where officials called the condemned social evil before they each were put to death by a total of nine shots fired by three soldiers.“The families of those being executed were often forced to watch the execution,” the report said.Mr. Kim rules North Korea with the help of a personality cult and a state propaganda machine that controls nearly every aspect of life in the North. All radios and television sets are set to receive government broadcasts only. People are blocked from using the global internet. But some North Koreans still manage to secretly watch South Korea’s movies and TV dramas. As the North’s economy has floundered amid the pandemic and international sanctions, defections to the South have continued.North Korean defectors filling bottles with rice and USB sticks to toss into the sea toward their former homeland.Ed Jones/Agence France-Presse — Getty ImagesThe number of defectors arriving in South Korea has dropped sharply in recent years, however, so gathering fresh information on the North has become harder. Mr. Kim’s government has also further tightened border restrictions amid the pandemic.But Daily NK, a Seoul-based website that gathers news from clandestine sources in the North, reported that a villager and an army officer were publicly executed this year in towns deeper inland for distributing or possessing South Korean entertainment.And a few secretly filmed video clippings of public trials and executions have been smuggled out of North Korea. In footage shown on the South Korean TV station Channel A last year, a North Korean student was brought before a huge throng of people, including fellow students, and was condemned for possessing a USB stick that held “a movie and 75 songs from South Korea.”Shin Eun-ha told Channel A of a public execution she and her classmates had been made to watch from the front row when she was in second grade in North Korea. “The prisoner could hardly walk and had to be dragged out,” she said, adding, “I was so terrified that I could not dare look at a soldier in uniform for six months afterward.”Though Mr. Kim has described South Korean entertainment as a “vicious cancer,” North Koreans were able to watch the popular girl band Red Velvet and other South Korean stars who flew to Pyongyang in 2018 for two performances.Korea Pool via APMr. Kim has at times tried to appear more flexible toward outside culture​, allowing state television ​to play the theme song from “Rocky” and to show ​Mickey and Minnie Mouse characters ​onstage. He even invited South Korean K-pop stars to the capital, Pyongyang, in 2018, when he was engaged in summit diplomacy with President Moon Jae-in of South Korea. But at home, he has also escalated his crackdown on K-pop, especially after his talks with President Donald J. Trump collapsed in 2019 and the North’s economy has deteriorated in recent years.Amid growing international scrutiny of North Korea’s human rights abuses, the government appears to have taken steps to prevent information about its public executions from being leaked to the outside world.It no longer appears to execute prisoners at market places, moving the sites farther away from the border with China or town centers, and inspecting spectators more closely to prevent them from filming the executions, Transitional Justice Working Group said.Mr. Kim has also tried to create a public image as a benevolent leader by occasionally pardoning people condemned to death, especially when the size of an assembled crowd at a public trial is large, the group said.But K-pop seems to be an enemy that Mr. Kim cannot ignore.North Korea repeatedly lashes out against what it describes as an invasion of “anti-socialist and nonsocialist” influences from the South. It cracks down on South Korean slang spreading among its youths, including “oppa,” which became internationally known through Psy’s “Gangnam Style” song and video.The North’s state media has also warned that if left unchecked, K-pop’s influence would make North Korea “crumble like a damp wall.” More