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      Bridget Everett Shows Off Her Softer Side in 'Somebody Somewhere'

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      Sometimes Bridget Everett, the actress, comedian and self-proclaimed “cabaret wildebeest,” wonders what would have happened if she had never left Kansas. She has a pretty good idea.“I’d probably live in Kansas City, or Lawrence,” she said. “I would probably work in a restaurant and have two D.U.I.s and sit on the couch a lot in my underwear.”This was on a Monday afternoon in mid-December at John Brown BBQ, a purveyor of Kansas City-style barbecue in Queens, which is to say the closest that a person can get to Kansas within the New York City limits. (Not very close, as it turns out, though Everett said that the sides were delicious.) She was joined by Hannah Bos and Paul Thureen, the creators of “Somebody Somewhere,” a wistful Kansas-set half-hour comedy that arrives Sunday on HBO.Everett, 49, stars as Sam, a woman whose biography parallels her own, to a point. After years of bartending in a big city, Sam has returned to her hometown. She has a soul-eating job at an educational testing center and various family obligations — a father (Mike Hagerty) with a struggling farm, a mother (Jane Brody) with addiction issues, and a sister (Mary Catherine Garrison) with a wobbly marriage and an Instagrammable approach to evangelical Christianity. Sam sits on the couch a lot in her underwear.Then she meets Joel (Jeff Hiller), another testing center employee, who remembers her from her high school-choir glory days. He introduces her to a band of outsiders and misfits who meet weekly for what they call “choir practice,” a louche and joyful open mic night in an abandoned mall. And slowly, like some late-season wildflower who rips open her T-shirt after an impassioned version of “Piece of My Heart,” Sam begins to bloom.Danny McCarthy and Everett in “Somebody Somewhere.” The series is set in Everett’s hometown of Manhattan, Kan.HBOFor those who have experienced Everett onstage — in plunging, nipple-freeing dresses and with an approach to crowd work that violates most decency clauses — her presence as Sam will come as a surprise. She sings in only some of the episodes. Her wardrobe leans toward flannel. She sits on no one’s face.“If you’re used to seeing the wildebeest onstage, you’re going to be like, ‘Where is she?’” Everett said of her work on the show. “But I hope that people can settle into the sort of softer side of Bridget.”“I also think they’re going to be shocked to see me in a bra,” she added. “That’s really going to rattle some people.”Unhurried in its pacing, gentle in its tone and generally sympathetic to the vagaries of human behavior, “Somebody Somewhere” is not necessarily the show you might expect from pairing Everett with Bos and Thureen, founders of the avant-garde theater collective the Debate Society.But each has strong roots in the Midwest — Everett in Manhattan, Kan., where the show is set; Bos in Evanston, Ill.; Thureen in East Grand Forks, Minn. Which may explain why the producer Carolyn Strauss, who had first worked with Everett on “Love You More,” a pilot for Amazon, connected them.“That’s how she found us,” Thureen joked. “She was like, ‘Oh, they’re Midwestern.’”Strauss, a former top executive at HBO, had helped to arrange Everett’s deal with the network. She wanted a project that traded on more than Everett’s outrageousness, that also acknowledged the shyer, more guarded woman that she is in her offstage life.The creators Hannah Bos and Paul Thureen loosely based the series on Everett’s life.Krista Schlueter for The New York Times“There’s many different sides to her,” said Strauss, an executive producer on the series. “There’s just something about Bridget that really connects to all the parts of people — the good parts, the bad parts, the wounded parts, the healed-over parts.”With this prompt, Bos and Thureen, writing partners who have worked on “High Maintenance” and “Mozart in the Jungle,” pitched a show that drew on Everett’s real life — Kansas upbringing, unholy pipes, a mother who drinks, a sister who died young — and then imagined how this woman might express herself in a place that didn’t seem to welcome her heart or her gifts.“They threw in the dead sister, and I was sold,” Everett said.There are plenty of stories about small-town kids who come to the city with a dollar and a dream, and make good. There are plenty more about big-city transplants finding happiness only when they return home. That first story is more or less Everett’s, though it took decades of restaurant work and a lot of sozzled karaoke nights before she had anything that could be called a career. The second one is arguably Sam’s, though its comedy of chosen family is tinged with heartbreak. The show’s bittersweet message is that it’s never too late to find yourself, whenever and wherever you are.“We didn’t want to do a snarky show,” Everett said. “We wanted to do a nice show. Like a hug, you know?”HBO approved a pilot late in 2018. Everett and Jay Duplass, a director and executive producer on the show, took a research trip to Manhattan, Kan., so Duplass could meet her family, walk its not-so-mean streets and soak up what Everett suggested were its passive-aggressive vibes. Bos and Thureen wrote the script, interpolating some of Everett’s real experiences and a few verbatim quotes.Murray Hill, left, and Jeff Hiller are among the New York theater veterans in “Somebody Somewhere.” “It is a show that I hadn’t ever seen before,” Hiller said.HBODuplass — a creator of HBO’s “Togetherness” and a star of Amazon’s “Transparent” — shot the pilot in October 2019, mostly in Lockport, Ill., a city just southwest of Chicago. He aimed for a kind of documentary realism, he said. “How we could have done this wrong,” he said, “was to make everybody just jack up their quirkiness and undermine the underlying tragedy that’s also going on with each of these people.”But isn’t the show supposed to be a comedy? “In our mind, we are making a drama that happens to be funny,” he said.A seven-episode series was greenlit early in 2020, then paused when the pandemic began. Plans were made to resume shooting in September, but as case numbers rose, the producers pushed production again. The cast and crew arrived in Lockport this spring and shot as quickly as they could, sometimes locking down a scene in only two or three takes.Most of the cast, Everett included, had never played roles this substantial. Hagerty, who recurred on “Friends,” has perhaps the most credits, but no one is what you would call famous. So the shoot was late-bloomer central. “That made the set really fun,” Bos said. “It was a set for people who really wanted to be there.”In the past, film and TV shoots had unnerved Everett, often to the point of intestinal discomfort. But here she finally felt at ease. “It’s because I lived with the project for so long,” she said. “And we built it together — I knew I couldn’t get fired. That’s the main thing: Like, what were they going to do? Replace me with Kathy Bates?”Other actors felt this comfort, too. Hiller has often played small roles on TV, mostly waiters and, as he put it, “mean gay customer service representatives.” No show had ever wanted so much of him.“It is a show that I hadn’t ever seen before,” he said, speaking by telephone. “You don’t have to be gorgeous and perfect; you can be imperfect and queer and weird and too large. It’s nice.”Everett describes her stage persona as a “cabaret wildebeest.” For “Somebody Somewhere,” she said, “I hope that people can settle into the sort of softer side of Bridget.”Sara Krulwich/The New York TimesDuring the shoot, he lived with Everett and the cabaret legend Murray Hill in a rented house that Hill, who plays a soil scientist named Fred Rococo, described as “this ridiculous, Russian supper club, drug den of a mansion.” Hiller would sometimes count the number of pride flags in town: one.“There were times when we would be in the grocery store and get some looks,” Hiller said. “There’s a certain muting one has to do when one goes into slightly less benevolent spaces for the cabaret queers of the world.”But that was OK, because the cabaret queers had each other. Speaking by telephone, Hill, a drag king superstar, recalled growing up within a conservative New England community and feeling a sense of belonging only once he moved to New York and discovered cabaret. “Chosen family,” he said. “That’s how I’ve survived. That’s how Bridget’s survived. So a lot of those themes are in the show.”For Everett, success has always felt like an accident, albeit an accident resulting from years of survival jobs, very late nights and hard work. “Somebody Somewhere” suggests that even if this accident hadn’t happened, even if she had never made it in New York, she would have made a life for herself anyway. Which is a kind of consolation. Starring in an HBO show at 49? That’s consolation, too. And she is glad, she said, that it didn’t happen earlier.“If I had been successful in my 20s, I’d be in prison,” she said. “There’s no question. For some people, it takes a little longer to step into your stride. I feel like it makes it sweeter, in a way. And if it doesn’t work out, then I know I’m going to be OK.” More

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      Stephen Colbert Wants Hard Time for the Oath Keepers 11

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      “Finally!” Colbert said. “Up until now, the most serious charge any of these guys has gotten is impersonating a Flintstone.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Just Like FredOn Thursday, the Justice Department charged 11 Oath Keepers with seditious conspiracy in connection with the Jan. 6, 2021, attack on the Capitol.“Finally!” Stephen Colbert said. “Up until now, the most serious charge any of these guys has gotten is impersonating a Flintstone.”“You know how your mother used to say if your friend jumped off a bridge, would you jump, too? These are people who answered ‘Yes.’” — JIMMY KIMMEL“This is huge! Seditious conspiracy is no slap on the wrist — it’s a charge of inciting rebellion against the federal government that carries a maximum penalty of 20 years in prison. That’s pretty bad. That’s pretty bad, I’ve got to say, but somehow it feels like it should be more. Like, if you tried to take the government down, you should go away for longer than one Billie Eilish.” — STEPHEN COLBERT“And hopefully, one day, the Feds will learn the identity of that shadowy figure who was the president who told them to do it.” — STEPHEN COLBERTThe Punchiest Punchlines (Today in Joe Biden Edition)“President Biden had a bad day. You know that vaccine mandate he rolled out last year? The one that required companies with more than 100 employees to get their workers vaccinated or tested regularly? Well, that was struck down by the Supreme Court today. The conservative majority ruled that Biden’s mandate went too far, and our individual right to get Covid from the worst person at work has been preserved.” — JIMMY KIMMEL“What the hell, Supremes? What — what do you know about large employers? You’re a small business with nine workers whose dress code is ankle-length Hefty bag.” — STEPHEN COLBERT“Well, guys, big news from Washington today as President Biden finally delivered a major update on his administration’s Covid response. Yeah, just like most phone updates, Biden kept hitting ‘ignore’ until he had no choice.” — JIMMY FALLON“That’s right, we’re all getting masks. Last year, we got 1,200 bucks; this year, cloth and a rubber band.” — JIMMY FALLON“The White House says N95 masks are the most protective, which is too bad, because I assumed the bedazzled ones I bought on Etsy were 100 percent Covid proof.” — JIMMY FALLON“Yeah, the N95 masks should be helpful. Unfortunately, out of habit, whenever somebody says, ‘N95,’ Biden calls out, ‘Bingo.’”— JIMMY FALLONThe Bits Worth WatchingJimmy Fallon and Questlove played Thursday’s Wordle on “The Tonight Show.”Also, Check This OutMaren Morris was one of the first country singers to see success on streaming platforms.Kristine Potter for The New York TimesMaren Morris is a pop-curious country star who’s finding success as a crossover artist. More

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      Finding Joy Through Art at the End of the World in ‘Station Eleven’

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      Emily St. John Mandel talks about the pandemic novel she wrote years before Covid-19 and the HBO Max adaptation that some viewers have found oddly life-affirming.There’s a scene in Emily St. John Mandel’s 2014 pandemic novel “Station Eleven” when people stranded inside a Midwestern airport realize that no one is coming to save them, because nearly everyone else is dead.One character, clinging to hope that the crisis will pass, says, “I can’t wait till things get back to normal,” a sentiment that feels depressingly familiar two years into the pandemic.One might imagine that a story about a devastating viral outbreak would be a hard sell right now. Instead, to Mandel’s surprise, readers — and more recently, viewers — seem to be finding solace in her post-apocalyptic world, where traumatized survivors take comfort from art, music and friendships with strangers.“There’s something inherently hopeful in that message, just that life goes on,” Mandel said in an interview on Wednesday.“Station Eleven” sales jumped in 2020 and 2021 and have now surpassed 1 million copies. Last month, HBO Max began airing a 10-episode limited series based on the novel, which was adapted by Patrick Somerville and concludes on Thursday. Some viewers have found the show to be oddly life-affirming, despite its premise that billions died from a respiratory illness with a 99 percent fatality rate. James Poniewozik, the chief television critic for the Times, called it “the most uplifting show about life after the end of the world that you are likely to see.”Like the novel, the TV series follows a Shakespearean troupe that travels the Great Lakes region performing for survivors, offering hope that art will endure in a world without electricity, plumbing, antibiotics or iPhones. It opens just before the virus sweeps across North America, at a performance where an actor playing King Lear (Gael García Bernal) collapses onstage and dies while a man from the audience, Jeevan Chaudhary, tries to revive him. In the series, Jeevan (Himesh Patel) ends up caring for Kirsten, a young actress in the play (Matilda Lawler), and they quarantine together with his brother Frank (Nabhaan Rizwan) when society abruptly shuts down.The story jumps back and forth between the prepandemic era, the present day, the beginning of the end of the world, and 20 years after the crisis. Kirsten (played in her adult years by Mackenzie Davis) has joined the theater company, a touring caravan putting on productions of “Hamlet” and other Shakespeare plays. On the road, she meets a prophet she shares a strange connection with — an obsession with an obscure graphic novel about a spaceman named Dr. Eleven.Ahead of the series finale, Mandel spoke to the Times about why the story is resonating with Covid-weary audiences, her unease with being treated as a pandemic prophet and why she feels hope for a post-apocalyptic world. These are edited excerpts from the conversation.Himesh Patel in “Station Eleven.”Ian Watson/HBO MaxIt must have been weird to publish a pandemic novel set in the near future and then see a pandemic arrive. What was it like watching this unfold?I really predicted nothing. When you research the history of pandemics, as I did for “Station Eleven,” what becomes really clear is that there will always be another pandemic. We didn’t see this one coming because it’s been about 100 years since the last one in this part of the world, but it was always going to happen.You were also in the odd position of being held up as a cultural expert on the meaning of pandemics. What was that like?It was incredibly disorienting and surreal. At the same time, that was everybody’s life in March 2020 when this thing hit. I don’t know if it was actually that much stranger for me. What did feel really kind of odd and uncomfortable was all of a sudden I started getting all of these invitations to write op-eds about the pandemic. It felt a little bit gross, like I was using the pandemic as a marketing opportunity. That was something that I pushed back on.One of the themes in “Station Eleven” is the idea that art can give life meaning in times of catastrophe. Has that been true for you and do you see evidence of it being true on a broader cultural scale?Yes, absolutely. That’s been really heartening. When I look back to the spring of 2020, when we didn’t really know that much about the virus, I just remember being scared to go anywhere or do anything. Books were a kind of transport in that period for me, just being able to escape from the confines of my apartment, basically, by reading. It really meant a lot to me, and I think that is something that the show captures really beautifully. There’s a traveling symphony, but then also there’s that incredible moment in episode seven where the Frank character breaks into a rap song.How did you feel about some of the changes the show made?The show deepened the story in a lot of really interesting ways. There are some things they did that I really love, that I felt took ideas that I suggested in the book and carried them further, like the importance of “Hamlet” in the story. In my book, it was important that they perform Shakespeare, but in the series, Shakespeare is integrated into the plot in this really deep way that I feel like I only scratched the surface of in the book.I love what the series did with the Jeevan character, where in the book I could never really figure out how to integrate him with the other characters without it seeming a little bit too forced, really coincidental. I love that they just have Kirsten go back to Frank’s place with him. That completely solved that problem. It’s just such a wonderful emotional architecture for the story.What they really did beautifully was capture the joy in the book. It is a post-apocalyptic world, but something that I thought about a lot when I was writing the book was how beautiful that world would be. I was just imagining trees and grass, and flowers overtaking our structures. I thought of the beauty of that world, but also the joy. This is a group of people who travel together because they love playing music together and doing Shakespeare, and there is real joy in that.Another significant change is the character of Tyler, the prophet, who has a totally different fate in the book. What did you make of how they developed that character?There’s something depressingly familiar about the prophet that I wrote, because that’s the only kind of prophet I’d really encountered, in news stories and reading. I based my prophet off David Koresh and the Branch Davidians in Texas. There’s something really kind of original and interesting about the version of the prophet in the series. He’s a much more sympathetic character.Mackenzie Davis, center, stars in “Station Eleven” as an actor in a post-apocalyptic theater troupe.Ian Watson/HBO MaxHow involved were you with this show?I texted sometimes with Patrick Somerville. He cleared a lot of the major changes with me, which I really appreciated. I was not particularly involved once the show started shooting. I never visited the set because of Covid. So, I was kind of distant from the entire thing, which it’s unfortunate. I wish I could have gone there.The show was just beginning production when the pandemic hit. Was there ever a concern that viewers would balk at the premise?My assumption, and I’ve seen this play out on social media, was that some people would embrace it and some people are just too traumatized. I would say for anybody who’s on the fence about the show, that the first episode is the hardest to watch, or it was for me, anyway. That experience of dread as the pandemic washes over your entire society, that’s something that we’re just way too familiar with. It is also a brilliant episode. If you can get past your discomfort for that, I think it’s a more joyful show than people who are hesitant about it might imagine it to be.A lot of people are finding the show to be cathartic. Why do you think people are comforted by the novel and the show?There’s something in the idea that you can lose an entire world, but all of the society that you take for granted every day can disappear in the course of a pandemic. But there is life afterward, and there’s joy afterward, and a lot of things that are worth living for in the aftermath.In the novel and show, history is bifurcated into Before and After, and it’s interesting to think about what cultural shifts will endure from the pandemic.What’s weird is how quickly your boundaries fall. I had this wonderful experience last month. I got to meet all these “Station Eleven” actors and producers at a lunch, and then there was a screening later. It was my first time socializing indoors without masks in two years. I was like, OK, I’m going to do this. I’ve been PCR tested. I’m double-vaxxed, et cetera. It’s fine. I was like, but I’m not going to shake hands or hug anybody. I hugged everybody. More

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      ‘And Just Like That’ Recap, Episode 7: Back on the Scene

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      This week’s episode was a treat for anyone who’s been waiting for the “Sex and the City” revival to feel more like “Sex and the City.”Episode 7Maybe it was just a matter of waiting for a series to hit its stride, or maybe it was the magic of the Carrie necklace, but for anyone who’s been hoping that “And Just Like That …” would feel more like “Sex and the City,” this was your week.In the opening scene of this week’s episode, we find our leading lady, as we’ve seen her so many times before, perched in the window of her walk-up apartment, writing in the glow of her MacBook, a flicker of Y2K Carrie. Days and nights pass, and seasons change, letting us know that a chunk of time has gone by. That fast-forward proves vital because it needs to feel appropriate for Carrie to start dating again — so she can both sell her new book and liven up this show.All that typing has led to “Loved & Lost,” Carrie’s latest memoir, which delves into the death of Big. If that sounds dark and sad, it is, which is the exact issue her editor, Amanda (Ashlie Atkinson), has with the story.“You’re known for writing ‘Sex and the City!’” Amanda tells Carrie, “If we publish this as is, I’m worried your readers are going to pitch themselves out the window clutching their tubs of Häagen-Dazs.” What the story needs, Amanda says, is a “glimmer of hope” that joy is still out there for Carrie.Maybe it’s a coincidence, but it’s a direct parallel to what has been happening with the series. Carrie Bradshaw the writer has an audience, a legacy to uphold. So does Carrie Bradshaw the TV character. Both have longtime fans who expect a certain thing: a fun, pun-filled gal about town whom we can live and love vicariously through.The ‘Sex and the City’ UniverseThe sprawling franchise revolutionized how women were portrayed on the screen. And the show isn’t over yet. A New Series: Carrie, Miranda and Charlotte return for another strut down the premium cable runway in “And Just Like That,” streaming on HBO. Off Broadway: Candace Bushnell, whose writing gave birth to the “Sex and the City” universe, stars in her one-woman show based on her life. In Carrie’s Footsteps: “Sex and the City” painted a seductive vision of Manhattan, inspiring many young women to move to the city. The Origins: For the show’s 20th anniversary in 2018, Bushnell shared how a collection of essays turned into a pathbreaking series.Reasonable people could argue that we, the viewing public, just like they, the fictional reading public, need to let Carrie move on and stop demanding that she show up exactly how she used to. But we haven’t been very good at that. The internet has let out a collective sigh that “And Just Like That …” doesn’t have quite the same magic as “Sex and the City,” in part because all of the formerly charismatic single characters are either married off, mourning or masturbating their way through sexual frustration.The antidote to that — for the book and for the series — is some good old-fashioned dating. Amanda tells Carrie to go out with at least one guy so she can whip up an epilogue that gives the whole story a little lift. So she does, and in doing so, we get that lift on our TV screens as well.Seema, who is now occupying Samantha’s chair at the four-top, took it upon herself to sign Carrie up for some dating apps, and late at night, Carrie finds herself swiping. Eventually, she settles on a widower, Peter (Jon Tenney), and later, as they sit down to dinner, they figure out that this is the first date for each of them since their spouses passed. Carrie and Peter order drinks, and the next thing we know, they’re spilling out of the restaurant in a fit of giggles, almost stumbling over each other until they both puke their guts out at the curb.It’s absurd, and not really believable, but it’s fun, and it’s fodder for cocktail talk at Charlotte’s school fund-raiser, where the whole gang (except Steve — we’ll get to him in a minute) gathers to support their friend. Among the items up for grabs at a high-priced auction: a date with a beloved sex columnist, Carrie.The event is M.C.’ed by Herbert and Lisa, whom Charlotte is trying endlessly to impress. Earlier in the episode, she and Harry played tennis with them, and it got so competitive that Charlotte knocked Harry onto the ground in an attempt to win the game, leading to an utterly ridiculous but entirely realistic argument afterward. (Charlotte and Harry win the match, for what it’s worth, but they also kind of lose it when Herbert and Lisa catch them fighting.) As any good marriage counselor will tell you, fights among longtime couples are rarely about the things that initiated them — this one seems to be more about mansplaining, insecurity and society’s expectation that women always apologize.It is also the exact scene we needed to ground Charlotte and Harry’s relationship in anything like reality — we’ve barely seen them look at each other sideways since they walked down the aisle, let alone have an actual spat. Charlotte got so hot, she even dropped an F bomb, something we rarely (if ever?) see her do. I feel more connected to her character now than I have in years.But there is other behind-the-scenes drama at the fund-raiser. Months have gone by since Miranda’s tryst with Che, and her DM to Che has gone unanswered. Inexplicably, Carrie forgot to mention that Che would be performing at the event, so when Che bounds onstage, Miranda is caught off guard. She had tried in an early scene to revive her physical chemistry with Steve, but it collapsed into anxieties over lube and leftovers. (She apparently has a thing for sex in kitchens.) As she later told Carrie, she feels doomed to live like a sexual zombie for the rest of her life.That is, until she runs into Che again. She had all but given up on Che, but now she can’t resist the urge to reconnect. She is at the party stag, so there’s opportunity. Steve’s absence goes unaddressed — it seems as if the two simply don’t hang out often.Miranda tries to be stoic, feigning apathy that Che didn’t return her message — or, apparently, her feelings — but all that falls apart when Che proposes that they spend the night together. The two fall right into bed, and Miranda seems not to give Steve a second thought.“I’m in love with you,” Miranda tells Che as she bathes in the afterglow. “You’re in love with you, with me,” Che replies.That might be true. It also might be an incredibly kind way for Che to let Miranda know that she shouldn’t walk away from her marriage to pursue some happily ever after with Che — because Che doesn’t really do that whole scene.We’ll see. In any case, it’s hard to imagine seeing Miranda resign herself once again to her living-dead marriage.As for Carrie, there’s a sign of life. Peter shows up to the school benefit as well (apparently this party is the place to be in New York!) and ends up placing the winning bid on another date with Carrie.To be honest, I don’t really see it with Carrie and Peter — at least not yet. He reminds me of the “good on paper” guy Carrie dated years ago in the Hamptons, whom she wasn’t really into. Don’t get me wrong, I’m all for Carrie’s finding love again, but before she moves on for good, I would first like to know whether Aidan is still married. I’m guessing many of you do, too.Things I Can’t Stop Thinking About:Are we even rooting for Nya to have a baby? Because it doesn’t seem like that’s what she really wants. Which is fine! Neither did Samantha or Carrie or even Miranda, at first. At this point, she seems to be pursuing a pregnancy mostly to make her kind and devoted husband happy, but it’s 2022, and we all know that’s simply not a good enough reason.Seeing Steve kindly and considerately wash his hands in the kitchen before the act touched my heart and made me preemptively sad for him that he’s probably about to lose it all.Of course no one is going to bid on a date (even a lunch date) with anybody (let alone a “sex writer”) at a private-school fund-raiser attended by a slew of Gen X parents. Why did Carrie agree to this?OK Che, we get it, you smoke a lot of weed. You smoke so much weed you can’t keep your DMs straight. You smoke so much weed that it’s step one in your sex routine. We hear you. You smoke a lot of weed. More

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      Jimmy Kimmel Is High Off Covid’s Cannabis Breakthrough

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      “All this time we’ve been listening to the C.D.C., we should have been eating CBD,” Kimmel said of research showing that cannabis compounds can prevent Covid-19.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Waiting to InhaleIn a new study, researchers found that cannabis compounds can prevent Covid-19 from penetrating human cells.Jimmy Kimmel shared the news on Wednesday night, joking that cannabis compounds are “also what Willie Nelson calls his house.”“This would be interesting. All this time we’ve been listening to the C.D.C., we should have been eating CBD.” — JIMMY KIMMEL“You know, it’s funny — all these crazy cures, I’m like ‘Oh, that’s ridiculous.’ Ivermectin, the horse dewormer; bleach. And then somebody says marijuana prevents Covid, I’m like ‘Oh, really? Do tell.’” — JIMMY KIMMEL“Great news for all the teenagers whose parents find weed in their room: ‘Oh, Mom, I see you found the Covid-stopping compounds that I hid in my sock drawer. Those aren’t mine. no, no. Those aren’t mine. I’m just holding them for my friend, Tony Fauci.’” — STEPHEN COLBERT“In other words, the pot enters the body and asks Covid, ‘Are you a cell? You have to tell me if you’re a cell.’” — STEPHEN COLBERT“Now, if you’re skeptical about the science here, let me remind you, this study has been reviewed by the C.D.C.’s stoner nephew the THC.” — STEPHEN COLBERT“Now, technically, these are compounds that have to be extracted from the plant and not smoked. But there’s anecdotal support for the Covid-fighting properties of weed itself, because as of today — and this is true — three people who have yet to get Covid are Seth Rogen, Willie Nelson and Snoop Dogg. That’s why Snoop’s teaming up again with trusted epidemiologist Dr. Dre for their new album, ‘The Omichronic.’” — STEPHEN COLBERTThe Punchiest Punchlines (Expiration Date Edition)“We have some good news from a source not known for it: Florida.” — STEPHEN COLBERT“Speaking of Covid tests, the state of Florida let a million Covid tests expire in a warehouse, but now the F.D.A. has decided to extend the expiration dates. When they heard that, every New York hot dog vendor was like, ‘Is that really safe to do that?’” — JIMMY FALLON“Nothing good ever happens in a Florida warehouse, unless you placed your bets on the right coked-up snapping turtle.” — STEPHEN COLBERT“Yeah, the F.D.A. just extended the expiration dates. When they heard that, the C.D.C. said, ‘Hey, making up rules as you go is our thing.’” — JIMMY FALLON“This is great for folks down in Florida who need tests, but even better for me, because the F.D.A. is finally confirming what I’ve known for years: Expiration dates are a myth, a mere suggestion.” — STEPHEN COLBERT“Meanwhile, Florida was like, ‘You can put any date on them if you want, we’re still not going to use them. We don’t care.’” — JIMMY FALLONThe Bits Worth WatchingJimmy Fallon challenged two “Tonight Show” audience members to create new original songs about being scared of a Roomba and buying an off-brand rapid Covid test.What We’re Excited About on Thursday NightFortune Feimster, a comedian and actor, will appear on Thursday’s “Jimmy Kimmel Live.”Also, Check This OutJonny Greenwood’s film scores at first seemed like a side hustle, but they have blossomed into a true career.Colin GreenwoodJonny Greenwood was first famous for playing lead guitar in Radiohead, but he is now gaining recognition for his scores in films like “The Power of the Dog” and “Spencer.” More

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      Stephen Colbert Debates Catching Omicron on Purpose

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      “I mean, all the other late-night hosts are doing it,” Colbert said.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Catch Me if You CanSeveral news outlets have discouraged people from trying to purposely get infected with Omicron to “get it over with.” On Tuesday’s “Late Show,” Stephen Colbert wondered if he should deliberately try to catch the Covid strain.“I mean, all the other late-night hosts are doing it,” he said, referring to James Corden, Jimmy Fallon and Seth Meyers, who have all contracted Covid over the last two weeks. “I’m starting to think they had a secret sleepover, and I wasn’t invited.”“Yes, getting Omicron is superpopular. I hear it’s dating Pete Davidson.” — STEPHEN COLBERT“He’s got that B.D.E. — that big Delta energy.” — STEPHEN COLBERT“And now, I don’t know what’s going on because the United States reported 1.5 million new infections yesterday. That is terrible, but kind of sweet that we all gave each other the same thing for Christmas.” — STEPHEN COLBERTThe Punchiest Punchlines (Covid Continued Edition)“Soon, there’s going to be almost as many people in hospitals as there are TV shows about hospitals.” — STEPHEN COLBERT“The C.D.C. is reportedly considering updating its coronavirus guidance to recommend that people wear N95 or KN95 masks — or barring that, just 95 masks.” — SETH MEYERS“The C.D.C. also issued a do-not-travel advisory yesterday for Canada, due to an increase in coronavirus cases there, which is kind of like Keith Richards telling you not to hang around with that pothead from school.” — SETH MEYERS“The White House just announced that insurers will have to cover eight at-home virus tests per month. Eight per month, so, one for every new variant.” — STEPHEN COLBERTThe Bits Worth WatchingThe standup comic Raanan Hershberg made his “Tonight Show” debut on Tuesday.What We’re Excited About on Wednesday NightIsla Fisher will talk about her new Peacock dramedy “Wolf Like Me” on “Late Night” on Wednesday.Also, Check This OutJohn Powers is returning to work with paper collages in his studio on Oscawana Lake, near Beacon, N.Y.Jasmine Clarke for The New York TimesThe sculptor John Powers saw his art change after losing several fingers in a table-saw accident. More

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      ‘Cheer’ Is Back. Here’s Where the Jerry Harris Case Stands.

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      The Emmy-winning Netflix documentary series returns for a second season on Wednesday without its breakout star, who is awaiting trial in a case involving child sexual abuse imagery.Last month, Netflix announced a surprise second season of its Emmy-winning documentary series “Cheer,” which follows a national champion cheerleading team from Navarro College, a small-town Texas community college.While the new season shifts the focus to a fresh group of cheerleaders, one recent graduate remains in the news: Jerry Harris, the Navarro cheerleader whose “mat talk” and constant optimism in Season 1 made him a talk-show darling, has cast a shadow over the show. Twin teenage boys sued Harris in September 2020, accusing him of sexual abuse. He was also arrested that month on federal child pornography charges and remains in custody.The nine-episode season addresses the case from the start and includes an hourlong episode featuring on-camera interviews with Harris’s former cheerleading teammates from Navarro; the team’s coach, Monica Aldama; the brothers who are suing Harris; their mother; and the USA Today reporters who broke the news.Here’s what to know about the accusations against Harris, who is now 22, the status of his case and where Season 2 picks up.Jerry Harris in “Cheer.”NetflixWhat is Jerry Harris accused of?In September 2020, the twin brothers, who were then 14 years old, filed a lawsuit in Texas accusing Harris of sending them sexually explicit messages via text and social media, demanding they send him nude photos of themselves, and, while at a cheerleading competition in 2019, asking one of them for oral sex. Harris befriended the boys when they were 13 and he was 19, USA Today reported. Harris, of Naperville, Ill., was arrested by the F.B.I. in September 2020 and charged with production of child pornography.In a voluntary interview with the F.B.I. after his arrest, Harris acknowledged that he had exchanged sexually explicit photos on Snapchat with at least 10 to 15 people he knew were minors; had sex with a 15-year-old at a cheerleading competition in 2019; and paid a 17-year-old to send him nude photos.In the months that followed, federal agents interviewed other minors who said they had had relationships with Harris. In December 2020, they filed additional charges against him including four counts of sexual exploitation of children, one count of receiving and attempting to receive child pornography, one count of traveling with the attempt to engage in sexual conduct with a minor and one count of enticement, for a total of seven counts related to five minor boys. The indictment says these acts took place between August 2017 and August 2020 in Florida, Illinois and Texas. If convicted, Harris could face 15 to 30 years in federal prison.How has Harris responded to the accusations?In December 2020, he pleaded not guilty to the multiple felony charges. Harris’s lawyer, Todd Pugh, did not respond to requests for comment on Monday.Where does the new season of “Cheer” pick up?When we left the Navarro College team at the end of the first season, it was after they had won the 2019 junior college division of the National Cheerleaders Association and National Dance Alliance Collegiate National Championship in Daytona, Fla. Cue a “Today” show invite, an “Ellen DeGeneres Show” appearance and an “S.N.L.” parody.Season 2 began filming in January 2020 but came to a halt amid the pandemic shutdowns. The 2020 national championship was canceled because of Covid. Filming resumed in September 2020, tracking the team’s journey to the 2021 championship in April. (We won’t spoil it here, but if you want to know how they fared, well, we won’t stop you.)From left, Grant Lockaby, Lexi Brumback, La’Darius Marshall and Morgan Simianer in Season 2 of “Cheer.”NetflixThis season, the series follows the new cheer team as they get ready to compete against the rival Trinity Valley Community College. It also follows a few cast members from Season 1 (Gabi Butler, La’Darius Marshall, Lexi Brumback and Morgan Simianer all return).It addresses new challenges the team has faced since it claimed the 2019 title, including the departure of the head coach, Aldama, to compete on “Dancing With the Stars” in Los Angeles. She made it to Week 7 out of 11, but was 1,500 miles away from her squad when the allegations against Harris became public in September 2020.How does “Cheer” address the allegations?After Harris’s absence is mentioned in Episode 1, the show devotes almost the entire hour of Episode 5 to examining the case. It includes interviews with the twins, who discuss their decision to go public and the fallout from the accusations.The episode also includes interviews with Harris’s former teammates, who struggle to reconcile the bubbly, positive cheerleader they thought they knew with the crimes he is accused of committing. Aldama reveals that Harris wrote her a letter in which he said he hoped to become a motivational speaker one day.The one person we don’t hear from is Harris. In the press notes for the series, the “Cheer” director, Greg Whiteley, said he hadn’t talked to him, adding that Harris’s lawyers had prevented it. Netflix said Harris’s lawyers declined to comment for the series.Where is Harris now?Harris has been held without bond at the Metropolitan Correctional Center in Chicago since his September 2020 arrest after a judge suggested he would pose a danger to the public if released. No trial date has yet been set. A case status hearing is scheduled for Wednesday. More

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      Lionsgate Studios Yonkers Could Become the 'Burbank of New York'

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      A new film and television facility, once fully open, will be ‘hands-down the largest in the Northeast,’ the leader of the project said.“Run the World,” a Starz television series about four 30-something Black women navigating work and love, is set in Harlem. In its first season, the camera lingers over landmarks in the neighborhood, like the Harriet Tubman statue on West 122nd Street, as well as locations across New York City.But when the show begins filming its second season in two months and Ella (Andrea Bordeaux), Sondi (Corbin Reid), Renee (Bresha Webb) and Whitney (Amber Stevens West) reunite to go clubbing, commiserate over cocktails and tumble into bed with their latest flames, they will be doing much of it slightly north of the city, inside a big film production facility that officially opens today in Yonkers.Great Point Studios, which has created the $500 million campus, Lionsgate Studios Yonkers, claims the ever-expanding facility, scheduled to be completed next year, will surpass anything New York City has to offer.Built around the site of an old Otis elevator factory overlooking the Hudson River in newly invigorated downtown Yonkers, the complex currently houses three soundstages, six “talent suites” for actors, dozens of dressing rooms and hair-and-makeup stations, dedicated writers rooms, a carpentry shop for set construction and office spaces. But that’s just the beginning.By the end of next year, the 14.5-acre campus plans to have a backlot (for outdoor scenes), two screening rooms, a postproduction area for editing and a total of 11 soundstages, several of them already claimed by Lionsgate.And now Great Point says it is in contract to buy land for a second production facility in Yonkers. The combined properties, with eight additional soundstages, “will be hands-down the largest in the Northeast,” said Robert Halmi Jr., the company’s chief executive and president, and a longtime producer.The second, soon-to-be acquired site is a 19th-century orphanage, built on grounds landscaped by Frederick Law Olmsted.Great Point StudiosAll of which will go toward fulfilling the decade-long dream of Mayor Mike Spano: making Yonkers “the Burbank of New York,” a reference to the California city outside Los Angeles that is home to major film studios. “We are going to be Hollywood on the Hudson,” he said in a phone interview.But the television production business is already booming in New York City. And while it’s certainly common in the industry to shoot in a different place from where a show is set, will moving the production of “Run the World” and other programs set in New York City to Westchester County be a snub to the Big Apple?“Not at all,” said Anne del Castillo, New York City’s media and entertainment commissioner. “I think there is enough production to go around.”Indeed, the goings-on in both cities are part of a wider surge in film production in the metropolitan area, where the industry got its start in the 1890s before decamping to California.But film production has been trickling back for some time, lured by tax incentives and the fact that so many actors, directors and other film professionals live in and around New York.The city has over 250 soundstages — essentially, black boxes in which any sort of scene can be conjured. Some are quite small, however, and may have low ceilings or freestanding columns that interrupt space, having been built in converted warehouses or other industrial buildings. New York still lags behind Los Angeles in terms of square footage for soundstages but is ahead of Atlanta, according to the real estate services firm CBRE.But now the proliferation of streaming platforms and seemingly insatiable appetite for content — driven in part by binge-watching during the pandemic — has set off a frenzy of building soundstages, so-called because they are soundproofed. Netflix, for instance, is planning a major production hub on an old army base in Fort Monmouth, N.J.From left: Andrea Bordeaux and Corbin Reid in “Run the World,” the first television show whose production is relocating to Lionsgate Studios Yonkers.Cara Howe/Starz EntertainmentIn New York, existing facilities are expanding and new ones are being built. In the latter category, Wildflower Studios in Astoria, Queens — a project Robert De Niro is a partner in — will have 11 soundstages when it is completed next year. And Steiner Studios (based at the Brooklyn Navy Yard) will begin work on an eight-soundstage facility in Sunset Park, Brooklyn, this spring.Statewide, there are over 130 qualified production facilities containing over 450 soundstages and over five million square feet, according to Empire State Development; more than half of these properties have opened or been certified in the last five years.Technology has fed the explosive growth in soundstages; with advances in computer graphics and so-called green screens, artificial backdrops have become ever more lifelike.For Lionsgate, which owns Starz, the new Yonkers facility offers “certainty,” said Kevin Beggs, the chair of Lionsgate Television. “We don’t have to spend six weeks canvassing the city of New York and environs” for locations, he said.On a tour last week, however, the new facility was not quite ready for its close-up. “Run the World” is scheduled to begin filming in March on two soundstages, one of them an expansive 20,000 square feet. But in a third soundstage, men in protective gear were still applying a crumbly, black echo-canceling substance. Furniture for support spaces had yet to arrive.One 20,000-square-foot soundstage in Yonkers, which was still undergoing construction last week.Amir Hamja for The New York TimesThe pandemic delayed the project for nearly a year, said Mr. Halmi. Lockdowns stopped construction and steel and concrete were in short supply owing to supply chain issues.At the complex, new low-rise buildings have a jazzy blue paint job and big Lionsgate logo. The factory’s brick buildings, built around the turn of the 20th century, are being repurposed as offices, and the factory’s old power plant, where you can see the base of its still-intact smokestack, will one day be a grand entrance.The three completed soundstages are already spoken for, although there is some office space still vacant, said Mr. Halmi, who founded the Hallmark Channel. Mediapro, a Spanish-language content provider, has claimed at least one of the soundstages being built this year.Mr. Halmi is hoping that prop, music production and special effects companies will lease offices at the facility. Syracuse University’s S.I. Newhouse School of Public Communications is starting an internship program this spring in a loftlike space with a small classroom.A classroom for Syracuse University public communications students in Yonkers.Amir Hamja for The New York TimesLionsgate sits in an industrial park next to a Kawasaki plant that assembles subway cars. It is also steps from the Yonkers train station, making it a quick commute from Manhattan’s Grand Central Station or Penn Station.Five Movies to Watch This WinterCard 1 of 51. “The Power of the Dog”: More