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    Why Is Stephen Colbert’s ‘Late Show’ Getting Canceled?

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    Maybe the “Late Show” decision is purely financial. But after Paramount’s cave over “60 Minutes,” it is hard to trust.In 2005, on his satire “The Colbert Report,” Stephen Colbert coined the term “truthiness,” meaning a statement that was not actually true but represented a reality that the speaker wished to inhabit.In 2015, Colbert replaced David Letterman on CBS’s “Late Show,” which under him became one of the biggest and most prolific launchers of satirically guided missiles during the Trump era. In 2024, President Trump — who has repeatedly bemoaned his late-night coverage — said CBS “should terminate his contract.”Now, in 2025, CBS has said that it is canceling Colbert’s show at the end of its season, next May. Executives stressed, in the announcement, that the cut was “purely a financial decision against a challenging backdrop in late night. It is not related in any way to the show’s performance, content or other matters happening at Paramount.”Is that the truth, or merely truthy?There is good reason that CBS would need to offer that assurance. The network’s parent company, Paramount, just this month settled a lawsuit from President Trump, over the editing of a “60 Minutes” interview with Kamala Harris, for $16 million. At the same time, Paramount was hoping to close a multibillion-dollar merger with the company Skydance, which required the approval of the Trump administration.Many legal experts said the deal was an unnecessary concession in a frivolous case. At minimum it undermined one of TV journalism’s most accomplished independent voices. Some people called it “a big, fat bribe” — actually, those were Colbert’s words, in a blistering monologue a few days ago, which also mentioned speculation that CBS’s future owners might try to rein him in.Talk show hosts have bitten the hand that signs the contracts before; Letterman needled NBC and its then-parent, General Electric. But back then, the issues did not involve conflicts with a president willing to pull any necessary levers to punish and influence media outlets.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Late Show With Stephen Colbert’ Is Being Canceled by CBS

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      The show will end in May, the network said, calling it “a purely financial decision.”In a decision that shocked the entertainment industry and comedy world, CBS said on Thursday that it was canceling the most-watched show in late night, “The Late Show With Stephen Colbert,” and ending a franchise that has existed for more than three decades.Mr. Colbert’s run — and “The Late Show” itself — will end in May after his contract expires.CBS executives said in a statement that the cancellation was “purely a financial decision against a challenging backdrop in late night.”“It is not related in any way to the show’s performance, content or other matters happening at Paramount,” said the executives, who included George Cheeks, the president of CBS and a co-chief executive of Paramount, CBS’s parent. “Our admiration, affection and respect for the talents of Stephen Colbert and his incredible team made this agonizing decision even more difficult.”Paramount is in the midst of closing a multibillion-dollar merger with the movie studio Skydance, a deal that requires approval from the Trump administration. Paramount recently agreed to pay President Trump $16 million to settle a lawsuit over an interview on “60 Minutes,” a move Mr. Colbert criticized on his show as “a big fat bribe.” The merger still requires the approval of the Federal Communications Commission.Mr. Colbert said during the taping of “The Late Show” on Thursday that he was informed of the decision on Wednesday night. When his studio audience unleashed a chorus of boos upon hearing the news, Mr. Colbert said, “Yeah, I share your feelings.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Can ‘Superman’ Fly Above Today’s Polarized Politics?

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      The director of the reboot, James Gunn, called the superhero from the planet Krypton “an immigrant,” thrusting the summer popcorn movie into an Earthbound culture war.He may be faster than a speeding bullet, more powerful than a locomotive and able to leap tall buildings in a single bound. But can he transcend our polarized politics?This, it turns out, may be too big a job even for Superman.The reboot of “Superman” that was released in theaters on Friday is already sparking intense discussions — and a fair bit of criticism — from right-leaning media figures, even before many have had a chance to see the film.Much of the commentary has centered around an interview that the movie’s director, James Gunn, gave to The Times of London in which he spoke about the hero’s journey from Krypton to Kansas to Metropolis.“I mean, Superman is the story of America,” Gunn said. “An immigrant that came from other places and populated the country, but for me it is mostly a story that says basic human kindness is a value and is something we have lost.”America? Great. Kindness? Awesome. Those are points on which fans of the world’s most recognizable superhero seem to agree.But an immigrant? That characterization — of a guy who, yes, was born on another planet and then traveled to Earth — has entangled the new “Superman” in the very Earthbound culture wars of 2025, amid the Trump administration’s immigration crackdown.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      16 Mayors on What It’s Like to Run a U.S. City Now Under Trump

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      <!–> [–><!–> –><!–> [–><!–> –><!–> [–><!–> –><!–> [–><!–> –><!–> –>Across party lines, this one issue was a persistent concern.<!–> –><!–> [–><!–> –><!–> [–><!–> –><!–> –>Mayors told us what else was keeping them up at night.<!–> –><!–> [–><!–> –><!–> [–><!–> –><!–> –>Governing a city feels different under President Trump, most mayors said.<!–> –><!–> [!–> Mayor Chris […] More

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      in Theater

      Democrats to Protest Trump’s Takeover of Kennedy Center With Pride Event

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      “This is our way of reoccupying the Kennedy Center,” said Jeffrey Seller of “Hamilton,” who was asked to stage the invite-only concert hosted by five senators.Five Democratic senators have rented a small theater at the John F. Kennedy Center for the Performing Arts and invited the producer of “Hamilton” to stage a gay pride concert there as a form of symbolic protest against President Trump’s takeover of the institution.The event, scheduled to take place on Monday night before an invited audience, will feature Broadway artists performing songs and readings. The concert, hosted by Senator John Hickenlooper of Colorado, is being called “Love Is Love,” a slogan used by the gay rights movement and quoted by the “Hamilton” creator Lin-Manuel Miranda when his show won at the Tony Awards in 2016.“What’s happening in the world is deeply concerning, but even in our darkest hours, we must continue to seek out the light,” Mr. Hickenlooper said in a statement. “The L.G.B.T.Q. community has long embodied this resilience, maintaining joy and creativity in the face of adversity.”Mr. Trump took over the Kennedy Center in February after purging its previously bipartisan board of Democratic appointees and replacing them with his allies. He denounced its programming as too “wokey” and promised to usher in a “Golden Age in Arts and Culture.”The senators, who exercised a prerogative extended to members of Congress to rent space in the center, chose this week for the event because June has long been when supporters of the gay community have celebrated Pride Month.Mr. Trump, in a departure from previous presidents, has not acknowledged Pride Month, and some of his actions in recent months have prompted concern in the L.G.B.T.Q. community. Since his takeover of the center, several groups have canceled events there, saying they no longer feel welcome.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Trump’s Parade Drafted the Army Into a War of Images

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      After a week of stunning and sobering TV-news scenes, the brassy Trumpy production was a surreal viewing experience.Officially, the U.S. Army’s 250th anniversary military parade through Washington was meant to be a straightforward celebration of the service’s history.But as it played out on live TV Saturday, history was overwhelmed by the stormy present.The first complication was the fact that the Army shared a birthday with President Trump, making the military procession seem gift-wrapped for a leader who for years has had one on his wish list. To some, the spectacle smacked of the gaudy self-celebrations thrown by strongmen; to others, it was a symbol of resurgent American strength.Maybe at another time, the parade could have been the mundane, even dull bit of civic history that on the surface it was. But once conscripted into Mr. Trump’s war of imagery, a tank cannot be just a tank.The event also came at the end of a tumultuous week of shocking TV images. It came after the National Guard and Marines were deployed to Los Angeles to quell protests, over the objections of local leaders. It came after Senator Alex Padilla of California was forced to the ground and handcuffed after he tried to ask a question of Kristi Noem, the homeland security secretary, at a news conference. It came after Mr. Trump gave a political-rally-like speech to cheering troops at Fort Bragg. On top of this were volleys of missiles between Israel and Iran and, on Saturday morning, the assassination of a Minnesota state lawmaker and the attempted murder of another.The result, as it rolled across our screens, was anything but an uncomplicated celebration. It was a split-screen presentation for a split country, in a world that seemed to be riven apart.The major broadcast networks did not carry the parade. CNN and MSNBC covered it on and off, along with the Middle East and Minnesota news, as well as the “No Kings” protests across the country that accused Mr. Trump of antidemocratic overreach.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Trump’s New ‘Apprentice’ Boardroom: The Oval Office

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      The stately room has long been a site of diplomacy. But the reality-star president often does not come there to make friends.“This is going to be great television, I will say that.”So concluded President Trump after a stunning Oval Office confrontation in February, in front of live cameras, in which he and Vice President JD Vance took turns castigating President Volodymyr Zelensky of Ukraine and held out the prospect of withholding support for the country invaded by Russia.At a May meeting with President Cyril Ramaphosa of South Africa, Mr. Trump brought his own television, playing video clips to support his false claims that white South African farmers have been the victims of genocide. The ambush, which also found Mr. Trump showing a news image actually taken from the Democratic Republic of Congo, left Mr. Ramaphosa scrambling to respond. But again, the cameras broadcast it all.The confrontations were shocking compared with how diplomacy has long been conducted in that stately office. But they were not surprising — at least, not to anyone who had watched Mr. Trump during his 14 seasons as the capricious, demanding host of the NBC business-competition series “The Apprentice.”In his high-drama Oval Office meetings, carried live on cable news, Mr. Trump has created himself a reality show right inside the White House. It is a serial production, tailored to his tastes for attention and drama, in which his guests submit to judgment and win a blessing or a tongue-lashing.The dynamic in these showdowns is oddly similar to the climactic “firings” Mr. Trump conducted on the NBC show. Then, as now, Mr. Trump was installed in a set designed to magnify his power — in “The Apprentice,” it was a sleek “boardroom” custom-built to improve on Trump Tower’s underwhelming real-life offices.Reality competition shows and Mr. Trump’s politics operate on the same principles: shock value, conflict, shows of dominance. Escalating a fight is almost always better for ratings than defusing one. So it was in Mr. Trump’s TV career; so it is in his administration, whether the tussle is with a world leader or Elon Musk.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 125 Shares199 Views

      in Music

      Doechii Criticizes Trump’s Response to L.A. Protests at BET Awards

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      The rapper drew attention to the president deploying the military against protesters in Los Angeles and said it was her responsibility as an artist to speak up for all oppressed people.The rapper Doechii accepted the BET award for best female hip-hop artist on Monday night, but instead of using her acceptance speech as a victory lap, she criticized President Trump for deploying the military against protesters in Los Angeles.“There are ruthless attacks that are creating fear and chaos in our communities in the name of law and order,” Doechii said, pointing to ongoing protests over Mr. Trump’s immigration policies. “Trump is using military forces to stop a protest.” The 25th Annual BET Awards were held downtown at the Peacock Theater.The protests began on Friday when federal agents searched the city’s garment district for workers whom they suspected were undocumented immigrants. The action was part of the Trump administration’s new focus on raiding workplaces.Demonstrations continued over the weekend. Though mostly peaceful, there have been scattered protests that became violent, prompting the authorities to make about 150 arrests and in some cases to use tear gas and crowd-control munitions against protesters. Mr. Trump, calling the protesters “insurrectionists,” mobilized the National Guard, a step Gov. Gavin Newsom has said was “purposefully inflammatory” and intended to create a spectacle.By Monday, the protests had turned calmer, but Mr. Trump doubled the number of deployed California Guard troops to 4,000 and ordered a battalion of 700 Marines to the city.Several hours before the awards ceremony began, a spokesman for BET said the network was working with the Los Angeles Police Department and monitoring the situation for safety reasons, CNN reported. The show went on despite the administration’s escalation of the federal response to the demonstrations.Doechii, who beat out Cardi B, Doja Cat, GloRilla, Latto, Megan Thee Stallion, Nicki Minaj, Rapsody and Sexyy Red, continued her acceptance speech by asking the audience to consider why the government would deploy the military against its people who exercise their constitutional right to protest. She also criticized the Trump administration’s raids on workplaces and aggressive deportation policies.“People are being swept up and torn from their families, and I feel it’s my responsibility as an artist to use this moment to speak up for all oppressed people, for Black people, for Latino people, for trans people, for the people in Gaza,” she said. “We all deserve to live in hope and not in fear, and I hope we stand together, my brothers and my sisters, against hate, and we protest against it.”Her speech drew applause from the audience and was in stark contrast to the Tony Awards on Sunday night, where Mr. Trump was barely mentioned — an unexpected turn for a ceremony that often features more political commentary from its winners and presenters.Doechii, who over the last year has experienced a meteoric rise to the top of hip-hop, in February became the third woman to win a Grammy for best rap album, for “Alligator Bites Never Heal.” More

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      in Movies

      Takeaways From Graduation Speeches by Trump, Taraji P. Henson and Others

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      The New York Times studied videos of addresses posted online, including those by President Trump, Kermit the Frog and a slew of celebrity speakers. Here is a look at key themes that emerged.It has been a graduation season unlike any other. The Trump administration is investigating elite universities and cutting research funding. Pro-Palestinian activism and claims of antisemitism are shaping campus life. International students are worried about having their visas revoked.In contrast with past generations, what a speaker says on a commencement stage now reaches an audience far larger than the crowd that day. Universities routinely post footage of ceremonies online, giving faraway relatives of graduates a chance to tune in and handing keynote speakers a global stage.The New York Times studied videos of dozens of keynote commencement addresses that were posted online — more than 170,000 words delivered this spring at a cross section of America’s higher education institutions — in order to analyze the most pressing topics. Many speakers, including Kermit the Frog at the University of Maryland, the gymnast Simone Biles at Washington University in St. Louis and Homeland Security Secretary Kristi Noem at Dakota State University, avoided the political fray and focused on timeless lessons.But plenty of others, including journalists, scientists and politicians from both parties, weighed in directly on the news of the moment. Many of them described 2025 in existential terms, warning about dire threats to free speech and democracy. Others heralded the dawn of a promising new American era. Here is a look at key themes that emerged in those speeches.A Moment of OpportunitySeveral speakers struck an upbeat tone about the world students were entering.Videos posted by Vanderbilt University, Liberty University and Furman University showed many commencement speakers voicing optimism about the opportunities awaiting graduates.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More