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      in Theater

      ‘Hamilton’ Cancels Kennedy Center Run Over Trump’s Takeover

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      “Hamilton,” the musical theater juggernaut about the birth of American democracy, is canceling plans to perform next year at the John F. Kennedy Center for the Performing Arts in Washington, citing President Trump’s moves to impose his ideological and cultural values on the long-cherished venue.The musical had been slated to be part of the Kennedy Center’s celebration of the 250th anniversary of the Declaration of Independence. But after Mr. Trump ousted the Democratic members from the center’s once-bipartisan board, became its chairman and replaced its president, “Hamilton” decided not to come.“This latest action by Trump means it’s not the Kennedy Center as we knew it,” the show’s creator, Lin-Manuel Miranda, said in a joint interview on Wednesday with its lead producer, Jeffrey Seller. “The Kennedy Center was not created in this spirit, and we’re not going to be a part of it while it is the Trump Kennedy Center. We’re just not going to be part of it.”Mr. Seller said the “Hamilton” team believed that Mr. Trump “took away our national arts center for all of us.”“It became untenable for us to participate in an organization that had become so deeply politicized,” he said. “The Kennedy Center is for all of us, and it pains me deeply that they took it over and changed that. They said it’s not for all of us. It’s just for Donald Trump and his crowd. So we made a decision we can’t do it.”Richard Grenell, the Kennedy Center’s new president, called the cancellation “a publicity stunt that will backfire” in a post on social media. He accused Mr. Miranda of being “intolerant of people who don’t agree with him politically” and said that it was clear that he and Mr. Seller “don’t want Republicans going to their shows.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Television

      Late Night Recaps Zelensky’s Casual Friday at the White House

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      “I don’t see you asking Elon Musk if he owns a suit,” Seth Meyers said of the reporter who questioned Ukraine’s president about his attire.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Bad Fashion PoliceOn Friday, President Trump and Vice President JD Vance berated President Volodymyr Zelensky of Ukraine during a tense televised meeting at the White House. Things went bad after a conservative reporter asked why Zelensky hadn’t worn a suit to the Oval Office and whether he owned one.On Monday’s “Late Night,” Seth Meyers noted that Zelensky hadn’t been the only casually dressed visitor to the White House lately: “I don’t see you asking Elon Musk if he owns a suit, even though he shows up to cabinet meetings.”“People care about the cost of groceries and health care, not whether the president of Ukraine has ever been to a Men’s Wearhouse.” — SETH MEYERS“The guy’s the leader of a country that was invaded by Russia, and you’re grilling him like a fop at a garden party: ‘I have a question — is your stylist legally blind or just farsighted?’” — SETH MEYERS“Oh, Zelensky, you’re so poor and war-torn, you’re down to one Brooks Brother.” — JON STEWART“You’re so war-torn, you’ve given up the meaningless protocols of business attire.” — JON STEWART“His nation was invaded, he’s — against all odds — held off a much bigger army for three years, and we’re like, ‘And would it kill you to smile more, dress a little nicer? You’re a beautiful country, nobody would know! Show off what you got, know what I’m talking about? Maybe some of those rare metals I’ve been hearing something about.’” — JON STEWART“This poor man. They’re bombing every hospital in his country, he’s sitting there with the half-wit fashion police talking about what he is wearing.” — JIMMY KIMMEL“Everyone knows Donald Trump prefers his leaders shirtless and on a horse.” — JIMMY KIMMEL“Ukrainian President Zelensky was criticized for what he wore to the White House meeting on Friday, but, in his defense, most suits his size come with a sailor hat and a giant lollipop.” — GREG GUTFELD“So Friday, Zelensky entered the White House in his military fatigues and left with a boot up his [expletive].” — GREG GUTFELDThe Punchiest Punchlines (Real Housewives Edition)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Movies

      Trump and Politics Were Largely Absent From the Oscars

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      Washington was an entire country away.At the Academy Awards on Sunday, there were relatively few references to politics. The most direct commentary on President Trump and the upheaval in the capital was an oblique reference by the host of the telecast, Conan O’Brien.“You know, ‘Anora’ is having a good night,” Mr. O’Brien said, referring to the Oscar-winning film about a sex worker’s short-lived romance with the son of a Russian oligarch. One of the movie’s emotional high points is when its working-class protagonist, played by Mikey Madison, dresses down the powerful family.“I guess Americans are excited to see somebody finally stand up to a powerful Russian,” Mr. O’Brien said.The comment was the closest he got to uttering the name of Mr. Trump, whose administration has been dealing with the fallout from his public blowup in the Oval Office with President Volodymyr Zelensky of Ukraine. The dispute involved Mr. Trump scolding Mr. Zelensky for his harsh words for President Vladimir V. Putin of Russia.Aside from alluding to the country’s “divisive politics,” Mr. O’Brien also kept Washington at arm’s length during his opening monologue, in which he kept the focus on Hollywood.Daryl Hannah was more direct as she presented the best editing category. “Slava Ukraine,” she said, before moving on to the award at hand.In accepting the award for best supporting actress, Zoe Saldaña hinted at the Trump administration’s immigration crackdown. “I am a proud child of immigrant parents with dreams and dignity and hardworking hands,” she said.The most political moment of the telecast, by far, was the award for best documentary feature, which went to “No Other Land,” an exploration of the Israeli demolitions of Palestinian homes in the southern West Bank.During his acceptance speech, Basel Adra, a Palestinian activist and one of the filmmakers, called “on the world to take serious actions to stop the injustice and to stop the ethnic cleansing of Palestinian people.”Yuval Abraham, an Israeli journalist who directed the film with Adra, said he believed there was a political solution to the conflict that includes national rights “for both of our people.” “And I have to say, as I am here, the foreign policy in this country is helping to block this path,” he said.The Oscars were the latest awards ceremony this year to largely steer clear from politics. Presenters and winners at the Golden Globes avoided the subject, while a few artists alluded to politics onstage during the Grammys.A reference to the president during the Oscars was perhaps most likely in the best actor category, in which Sebastian Stan was nominated for his portrayal of Mr. Trump in “The Apprentice.” Instead, the award went to Adrien Brody for “The Brutalist.” More

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      in Music

      The Violinist Christian Tetzlaff’s Tactic to Oppose Trump’s Agenda: Cancel Concerts

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      Christian Tetzlaff said he was disturbed by the president’s embrace of Russia and other policies. “There seems to be a quietness or denial about what’s going on,” he said.When the German violinist Christian Tetzlaff returned home to Berlin after a recent performance in Chicago, he was distraught. The concert had gone well, but he was increasingly disturbed by political developments in the United States: President Trump’s embrace of Russia, the dizzying cuts to the federal work force and changes in policies affecting transgender Americans.“I felt like a child watching a horror film,” he said in an interview.On Friday, Mr. Tetzlaff, 58, a renowned violinist who frequently performs in the United States, said that he was canceling an eight-city tour of the country with his quartet this spring — including a stop at Carnegie Hall — and that he was unlikely to perform again in America unless the government reversed course.“There seems to be a quietness or denial about what’s going on,” he said. “I feel utter anger. I cannot go on with this feeling inside. I cannot just go and play a tour of beautiful concerts.”Harrison W. Fields, a White House spokesman, offered a two-word response to Mr. Tetzlaff’s cancellation: “America first.”Mr. Tetzlaff is one of the first major foreign artists to try to use a cultural boycott to influence Mr. Trump’s policies during his second term.For decades, American artists have canceled tours as a means of protesting war, autocracy, injustice and discrimination abroad. There were cultural boycotts of South Africa in the 1970s and 1980s in protest of its policy of apartheid, and more recently, artists have refused to perform in Russia since its invasion of Ukraine in 2022.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Movies

      Paramount’s Shari Redstone Wants a Resolution on President Trump Lawsuit Ahead of Skydance Merger

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      Redstone, who controls Paramount, has been trying to close a merger with the Hollywood studio Skydance. President Trump’s lawsuit against CBS News is complicating matters.Shari Redstone, the controlling shareholder of the entertainment giant Paramount, delivered a crucial message to her board a few weeks ago.For months, Paramount’s lawyers had been jousting with representatives for President Trump, who had sued the company’s CBS News network over its segment on former Vice President Kamala Harris. Mr. Trump accused the network of deceptively editing the interview; CBS said Trump’s lawsuit was without merit.But when the board gathered this month, Ms. Redstone was clear: She was in favor of resolving the issue, two people familiar with the matter told DealBook’s Lauren Hirsch and The New York Times’s Ben Mullin.As Paramount executives weighed the best course of action, Ms. Redstone said she was in favor of moving forward in a way that would lead to some form of conclusion, including mediation.It was the first time that Ms. Redstone made her wishes known to the full board. Many at CBS News and “60 Minutes,” where Ms. Harris’s interview aired, strongly opposed a settlement.Further complicating the matter: The Federal Communications Commission is reviewing Paramount’s pending deal with Skydance. Some executives said that a settlement would smooth the way to closing the merger, even as others worried that a settlement could be interpreted as bribery for the F.C.C. to clear the Skydance deal. Mr. Trump, for his part, told reporters on Wednesday that the two were not linked.National Amusements, Paramount’s parent company, declined to comment, and Paramount has said that its legal battle with Mr. Trump is unrelated to its deal with Skydance.Ms. Redstone’s carefully written statement did not mention Paramount’s deal with Skydance — but it did underscore the fact that a pending multibillion-dollar lawsuit from the president made it difficult for Paramount to do business. She also said that she was removing herself from day-to-day discussions about the lawsuit.This week, The Times reported that Paramount had agreed to bring in a mediator.Any settlement could be perceived as the latest corporate concession to the White House, including Disney’s $15 million settlement in December and Meta’s $25 million settlement last month. The possibility of a settlement, which is likely to further embolden Mr. Trump’s crusade against the media, has been met with a strong backlash within the CBS ranks and outside the company.Though Ms. Redstone didn’t mention the Skydance deal in her remarks, people familiar with her thinking believe she’s focused on closing the deal.Paramount is also navigating the consequences of doing business under a retributive president. Beyond the Skydance deal, Mr. Trump has made clear his willingness to exact revenge when it comes to companies.“Corporations — particularly these days are often in the cross hairs of policymakers — and they have to navigate that,” Jill Fisch, a professor at the University of Pennsylvania Law School, told DealBook. “And that’s not easy.” More

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      in Movies

      Jane Fonda’s SAG Awards Speech: ‘Empathy Is Not Weak or Woke’

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      While some stars have been less politically outspoken this awards season, she issued a call to action as she accepted a lifetime achievement award from the Screen Actors Guild.Jane Fonda, who has been politically outspoken since the Vietnam War era, urged people “to resist successfully what is coming at us” as she accepted a lifetime achievement award Sunday night during the Screen Actors Guild Awards.“Make no mistake, empathy is not weak or woke,” said Fonda, 87. “And by the way, woke just means you give a damn about other people.”She never explicitly mentioned President Trump or his administration, but she seemed to allude to them as she warned of bad things to come.“A whole lot of people are going to be really hurt by what is happening, what is coming our way,” Fonda said. “Even if they are of a different political persuasion, we need to call upon our empathy and not judge but listen from our hearts and welcome them into our tent. Because we are going to need a big tent to resist successfully what is coming at us.”Fonda, a two-time Academy Award winner, has long been known for political activism, particularly her support for the civil rights movement and Indigenous rights and for her opposition to the Vietnam War. A 1972 visit to North Vietnam led some critics to call her “Hanoi Jane”; she has since apologized to soldiers and veterans for being photographed there on an antiaircraft gun. In more recent years, she has fought to draw attention to the climate crisis.In her acceptance speech, she expressed her strong support for unions and noted that when she was starting out in the late 1950s, some leading Hollywood figures had been prominently resisting McCarthyism. She also said that she believes Americans are currently facing the same kinds of challenges that have been captured in historical documentaries about social movements, including apartheid, the civil rights movement and the Stonewall Rebellion.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Music

      Coming Soon to Trump’s Kennedy Center: A Celebration of Christ

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      President Trump took control of the John F. Kennedy Center for the Performing Arts in Washington only last week. But his administration is already making plans for reshaping the institution’s programming.Chief among them: a celebration of Christ planned for December. Richard Grenell, whom Mr. Trump named as the Kennedy Center’s new president, told a conservative gathering on Friday that the “big change” at the center would be that “we are doing a big, huge celebration of the birth of Christ at Christmas.”“How crazy is it to think that we’re going to celebrate Christ at Christmas with a big traditional production, to celebrate what we are all celebrating in the world during Christmastime, which is the birth of Christ?” Mr. Grenell said at the Conservative Political Action Conference in Oxon Hill, Md.The Kennedy Center has long held Christmas-themed events.Last December, the center hosted “A Candlelight Christmas” by the Washington Chorus; “A Family Christmas” by the Choral Arts Society of Washington; and “Go Tell It,” a Christmas celebration by the Alfred Street Baptist Church, a prominent Black church in Virginia. (On Sunday, the church said it would cancel its Christmas concert there this year because the Kennedy Center’s new leaders stood in opposition to the “longstanding tradition of honoring artistic expression across all backgrounds.”)Mr. Grenell’s comments were his first public remarks in which he discussed his plans as the Kennedy Center’s new leader. His appointment was part of a series of extraordinary actions Mr. Trump took to solidify control over the Kennedy Center, which has been a bipartisan institution throughout its 54-year history.Mr. Trump, who stayed away from the Kennedy Center Honors during his first term after some of the artists being honored criticized him, stunned the cultural world when he decided this month to purge the center’s board of all Biden appointees and install himself as chairman, ousting the financier David M. Rubenstein, the center’s largest donor. The new board fired Deborah F. Rutter, the center’s president for more than a decade, and the post was given to Mr. Grenell, a Trump loyalist who was ambassador to Germany during the president’s first term.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Music

      At Kennedy Center, Trump Inherits a Tough Job: Fund-Raising

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      For the arts institution, which receives only a small portion of its budget from federal funding, the perennial challenge is to raise additional revenue through ticket sales and private donations.In just one week, the John F. Kennedy Center for the Performing Arts in Washington has been completely transformed.President Trump purged the center’s board of all Biden appointees and installed himself as chairman, ousting the financier David M. Rubenstein, the center’s largest donor. The new board fired Deborah F. Rutter, the center’s president for more than a decade. At least three other top staff members were dismissed.Performers have dropped out in protest amid fears that Mr. Trump’s call to rid the center of “woke” influences, drag shows and “anti-American propaganda” will result in a reshaping of programming too narrowly aligned with the president’s own tastes.This concern — that the center’s tradition of pluralism, free expression and classical art forms is in jeopardy — has dominated conversation about its future. But just as relevant, experts say, are questions about its financial stability.Though the abrupt takeover by the new administration might suggest the center is an arts adjunct of the federal government, it is actually a semi-independent nonprofit.It operates under the Smithsonian Institution as a public-private partnership, and only a small portion of its $268 million budget — about $43 million, or 16 percent — comes from the federal government. That subsidy is not spent on programming but is earmarked for operations, maintenance and repairs of the property, which is federally owned.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More