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      This Debate, We Could Hear Biden Speak. There His Troubles Began.

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      The CNN presidential debate kept the volume down, for a change. That didn’t make it more intelligible.With the plans for the 2024 presidential debates, President Biden’s campaign appeared to get much of what it wanted. It got its preferred timeline, with Thursday night’s debate in Atlanta far earlier on the calendar than usual. It got the live audience removed. It got, above all, an agreement to mute the microphone on the candidate who wasn’t speaking, to avoid the cross-talk that made his first 2020 debate with Donald J. Trump a cacophonous mess.After Thursday night, Mr. Biden — and his party — might have wanted the cross-talk back.The changes that CNN instituted staved off the shouting matches and the competitive cheering that have marked past debates. But they could not prevent Mr. Biden from starting his rushed opening remarks in a papery rasp that, before the debate was over, his campaign was stressing to reporters was the result of a cold. It did not keep him from getting lost in the corn maze of his sentences, answer after answer.And it did not keep him from finishing an argument on tax reform and health care with a spiral that was surely saved instantly to the hard drives of Republican campaign operatives: “Making sure that we’re able to make every single solitary person eligible for what I’ve been able to do with, the, uh, with the Covid, excuse me, with, um, dealing with, everything we had to do with, uh … look … if — we finally beat Medicare.”There was no interruption. Mr. Biden came across loud and unclear.You can at least credit Mr. Biden for one accomplishment: For perhaps the first time since Mr. Trump announced for president nine years ago, he managed to hold a debate in which Mr. Trump’s performance was not the biggest news afterward.The former president and challenger had his own issues. He blustered, dodged, made false statements and repeated his denials of his 2020 election loss. He cited his golf game as proof of his acuity and uttered the line, “I didn’t have sex with a porn star.” But Mr. Trump, kept to glowering between answers by the mute button, was outrageous and misleading in a familiar way; it was the standard man-bites-fact-checker story.The debate in Atlanta — sorry, the “CNN Presidential Debate,” as the ubiquitous branding emphasized — was fairly bare-bones. (It was also simulcast on the other major news networks.) The moderators, Dana Bash and Jake Tapper, spread questions across a variety of topics, not correcting candidates in the moment. The pushback they gave was limited to reminding the debaters of how much time they had left and firmly asking them, again, to answer questions they had sidestepped, as Ms. Bash did when asking Mr. Trump if he would accept the results of this election as he had not in 2020. (He gave the qualified answer that he would accept a “fair” and “legal” election.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Jon Stewart Is a Little Stressed Out About That Debate

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      Hosting a live “Daily Show” after the Biden-Trump spectacle, Stewart said he needed “to call a real estate agent in New Zealand.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Jon Stewart went live hosting “The Daily Show” on Thursday, recapping the debate between President Biden and Donald Trump. Stewart wasn’t in the best of spirits.Things started out strong: “Both men are ambulatory. They are both upright. Level one cleared,” Stewart joked over a clip of the candidates taking the stage. But it wasn’t long before the host said he needed “to call a real estate agent in New Zealand.”One rambling Biden answer — ending with the non sequitur “We finally beat Medicare” — had Stewart staring into the camera in horror.“OK, a high-pressure situation. A lot of times, you can confuse saving Medicare with beating it. I’m sure it’s not something that repeated throughout the debate, causing Democrats across the country to either jump out of windows or vomit silently into the nearest recycling bin. Anybody can [expletive] up talking.” — JON STEWART“I’m not a political expert, but while Biden was preparing at Camp David — for a week — did anyone mention he would also be on camera?” — JON STEWART“A lot of people have resting 25th Amendment face.” — JON STEWARTStewart also called out Trump for his many falsehoods.“Just so we’re all clear, everything that Donald Trump said in that clip is a lie,” he said after one montage. “Blatant and full. And we were tight on time putting this [expletive] together. There’s plenty more. Really makes you wonder: What’s R.F.K. Jr. doing tonight?”“Let me just say after watching tonight’s debate, both of these men should be using performance-enhancing drugs, as much of it as they can get, as many times a day as their bodies will allow. If performance-enhancing drugs will improve their lucidity, their ability to solve problems, and in one of the candidate’s cases, improve their truthfulness, morality and malignant narcissism, then suppository away.” — JON STEWART More

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      Trump Biopic ‘The Apprentice’ Nears Distribution Deal

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      “The Apprentice,” a dramatized origin story about Donald J. Trump, has faced fierce criticism from the former president and his allies.Hollywood executives love to characterize themselves as fearless. The truth is that they spend most of their time trying to minimize risk.It’s why theaters are clogged with vacuous sequels. It’s why so many Hollywood power players hide behind P.R. people. And it’s why all of the big movie studios and streaming services — and, in fact, most indie film companies — declined to distribute “The Apprentice,” a dramatized origin story about Donald J. Trump that the former president has called “malicious defamation” and showered with cease-and-desist letters.But the movie business still has at least one wildcatter: Tom Ortenberg.Mr. Ortenberg, 63, and his Briarcliff Entertainment are pushing to complete a deal to acquire “The Apprentice” for wide release in theaters in the United States in September or early October — close enough to the presidential election to bask in its heat, but far enough away to avoid final-stretch media overload. Briarcliff’s pursuit of the $16 million film was confirmed by five people involved with the sale process, who spoke on the condition of anonymity to discuss a private negotiation.“Tom’s got more courage than most people in Hollywood combined,” said Stephen Galloway, the dean of Chapman University’s film school. “His interest in this kind of movie involves business, of course. He sees money to be made by leveraging millions of dollars in free publicity. But part of it is wanting to do his bit. He’s liberal and cares about social issues.”Hurdles remain, the people cautioned. “Apprentice” producers cobbled together the money to make the movie from various sources. One was Kinematics, an upstart film company backed by Dan Snyder, the former Washington Commanders owner — and a Trump supporter. Kinematics, which invested about $5 million, would need to sign off on the Briarcliff deal and has balked, calling the offer subpar, according to the five people involved in the sale process. The Kinematics snag was reported earlier by a Puck newsletter.So producers have put together a package to buy out Kinematics at a premium. The sides are now haggling over terms, including the timing of payment.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Age and the Image of Capacity

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      “Watch me,” President Biden likes to say when he’s asked — he’s asked a lot, these days — whether he is too old to serve a second term. He is getting his wish.For the first three years of his administration, in contrast to the last president’s chaotic omnipresence, Mr. Biden kept himself scarce. Now his smallest appearance brings with it a thousand remote diagnoses from armchair gerontologists. A major speech, like his State of the Union address in March, is assessed not for its policy but its fluidity as spoken-word performance. A minor gaffe, like bungling a single sentence at a Philadelphia rally in April, is dissected as possible evidence of decline.At a campaign rally in April, President Biden fumbled during his speech, urging Americans to choose “freedom over democracy.”He is facing an image problem that time exacts on everyone. Now the first presidential debate of 2024 is happening months earlier than usual, in part because the Biden campaign wants to overcome a mounting concern that the president, at 81, is not up to four additional years of service. “Old age isn’t a battle; old age is a massacre” — or so Philip Roth’s “Everyman” howled in 2006. Electorally, this year, it might be both.The president is indeed rather old, older than anyone who has held the office. When he first won his Senate seat in 1972, the current leaders of Britain, France and Italy were not yet born. If Mr. Biden serves a full second term, he will retire to Delaware at 86. Already, after three-and-a-half years in a job that superannuates everyone, he appears a different man from the days of the Covid campaign, his hair thinner, his gait tighter. His age may be nothing but a number. But the perception of his age has become desperately entangled with cultural connotations of elderliness, formed over centuries, handed down to us through religion and literature and art.His predecessor and rival is also old, and also has trouble speaking clearly. But the same polls that have Mr. Biden trailing the 78-year-old Donald J. Trump, even after the latter’s conviction on 34 felony counts, show too that only one of these men is facing such widespread anxieties about the way of all flesh. The principal roadblock to the incumbent’s re-election, the polls keep telling us, is not policy. Younger Democrats, to his left and right, outpace him down-ballot.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      On Live TV, a Historic Verdict Felt Both Enormous and Small

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      Donald Trump’s convictions made for a stunning moment of history, followed by hours of politics talk.Through most of the milestones of Donald J. Trump’s public life, he has managed to be in the center of the camera’s eye: Hosting 14 seasons of “The Apprentice”; running for and winning the presidency; firing up a crowd before the assault on the Capitol of Jan. 6, 2021; presumptively winning the Republican nomination for a second term.But on Thursday, as he became the first former president to be convicted of multiple felonies, he was offstage.Because video cameras were not allowed in the Manhattan courtroom where Mr. Trump was tried, this breathtaking turn in American history, like the entire run of the trial, was read to us by TV anchors, as if off a Teletype machine.When word broke that the jury had reached a verdict in the hush-money case late Thursday afternoon, the networks broke into coverage. And waited. There was that special, spring-loaded tension of the media apparatus readying to deliver big news after days of vamping.“Count 1 is guilty,” Jake Tapper declared on CNN, letting the last word land, then reading out the next 33 individually for several minutes. On NBC, Laura Jarrett read at a brisk clip as the numbers raced upward in the “GUILTY” column of the network’s scoreboard-like graphic. ABC conveyed the scope of the convictions with a crowded graphic that listed each count with “GUILTY” in a red rectangle, like a departures board at an airport.Americans have become used to seeing dramatic verdicts as they land in the courtroom, hearing from the jury and court officers, watching the defendants’ reactions. This time, it was up to the on-screen graphics to capture the moment.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares169 Views

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      Trump Calls ‘Apprentice’ Biopic at Cannes ‘Garbage’ and Plans to Sue

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      The director of “The Apprentice” was unfazed by the threat to the film, which covers the ex-president’s relationships with his first wife and the fixer Roy Cohn.The day after the Cannes Film Festival premiered “The Apprentice,” a biopic of Donald J. Trump, the former president hit back at the movie, calling it “malicious defamation” and threatening legal action.“This garbage is pure fiction which sensationalizes lies that have been long debunked,” said Steven Cheung, a spokesman for the Trump campaign.Directed by Ali Abbasi and written by the author Gabriel Sherman, “The Apprentice” follows Trump (Sebastian Stan) as an ambitious young man seeking to establish himself as a real estate magnate. He finds a mentor in the wily lawyer Roy Cohn (Jeremy Strong) and a first wife in the fashion model Ivana Zelnickova (Maria Bakalova), though Trump is willing to discard both once they’re no longer of use to him.The film is hardly a flattering portrait of the former president, and includes scenes where the business mogul goes under the knife for liposuction and a scalp procedure to fix his bald spot. In its most controversial sequence, the Trump character sexually assaults his wife after she criticizes his looks. (Ivana, who died in 2022, accused Trump of rape in her divorce deposition, though she disavowed the claim later.)Cheung said the Trump team plans to file a lawsuit “to address the blatantly false assertions from these pretend filmmakers.”Though the threat could affect the release of “The Apprentice,” which currently has no distributor, Abbasi sounded unfazed at the film’s news conference on Tuesday.“Everybody talks about him suing a lot of people,” the director said. “They don’t talk about his success rate, though.” More

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      Trump Biopic Hits Cannes Film Festival: ’The Apprentice’

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      The film covers Donald J. Trump’s relationships with the fixer Roy Cohn and his first wife, Ivana, and tries to explain the future president, at least as a young man.Would Donald J. Trump enjoy Cannes? It’s possible, since the extravagant displays of wealth here — all the yachts and glamour — are typically his thing.But would Cannes enjoy Donald J. Trump?You might be tempted to say no, since the Cannes Film Festival draws the sort of liberal-leaning artists that reliably vote against the former president and his allies. But that clash of sensibilities lent a frisson to Monday’s premiere of “The Apprentice,” starring Sebastian Stan as a young Trump.Directed by Ali Abbasi (“Border,” “Holy Spider”) and written by the author Gabriel Sherman, this origin story of sorts begins with Trump in his late 20s as he aspires to greatness but mostly putters around collecting overdue rent for his father’s real estate company. (One angry tenant responds by hurling a pot of boiling water at him.) Trump is a man in need of a mentor, and he finds it in the lawyer Roy Cohn (Jeremy Strong), who takes an immediate liking to this young striver. And why wouldn’t they spark to each other? On one visit, Trump hops out of a car emblazoned with the license plate “DJT” and sees that Cohn’s own plate reads “RMC.” Game recognizes game.The closeted Cohn character has complicated reasons for keeping Trump close: There’s a one-sided attraction there, and when giving Trump an expensive suit, he tells the younger man, “If you look like a million bucks, I look like a million bucks.” But mostly, he sees Trump as an appreciative vessel for his lessons in venality. Cohn teaches him how to use dirty tricks to succeed in business and imparts three rules that will become Trump’s modus operandi: Always be on the attack, deny everything and never admit defeat.But in its own way, theirs is a “Star Is Born” dynamic: As Trump rises, Cohn falls on harder times, and the protégé who was once so easily impressed now seems sickened to spend time with someone no longer on his level. By the time we reach the 1980s, Trump has married his first wife, Ivana (Maria Bakalova), and broken ground on his crowning real estate achievement, Trump Tower. Still, Cohn won’t be dispatched from his high-flying life quite so easily.Is the movie sympathetic to Trump? Not exactly, though it labors to at least explain him. At first, Stan’s performance feels surprisingly toned down: Though young Trump is certainly full of himself, he seems more abashed in Cohn’s outsize presence. But as Trump gets hooked on success (and speedlike diet pills), Stan transforms into the man we know today, who leads with bluster and arrogance. “The Apprentice” suggests he’s little more than a MAGA magpie, stealing his famous “Make America Great Again” phrase from a Reagan operative and even modeling his orange complexion on Cohn, who liked to tan himself to a radioactive umber.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Colin Jost Falls Flat at White House Correspondents Dinner

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      The White House Correspondents’ Association dinner has occasionally featured some great stand-up comedy. This “S.N.L.” veteran’s set will not join that list.People in the media have long worried about the impact of the White House Correspondents’ Association dinner on journalism. The concern is that it makes the press look too chummy with politicians it’s covering. But what is the impact on comedy?A high-ceilinged hotel ballroom filled with television anchors and network executives is a tough room for stand-up, but no more so than an awards show. Trevor Noah was funnier two years ago at the dinner than he was at this year’s Grammys.A murderer’s row of comics, among them Conan O’Brien, Jimmy Kimmel and Wanda Sykes, has taken this assignment because it’s one of the most high-profile live comedy sets of the year. And there has been one truly great performance (Stephen Colbert), some very good ones (Seth Meyers, Larry Wilmore) and one so thrillingly biting (Michelle Wolf) that the next year they replaced the comic with a historian.Colin Jost’s set this year does not belong in that pantheon. Without his Weekend Update partner Michael Che next to him, he came off muted, vanilla, less assured than usual. With long pauses between jokes, eyes darting side to side, he occasionally took a drink of water and at least once acknowledged the lack of laughter in the room. His jokes leaned on wordplay more than a specific or novel perspective. “Some incredible news organizations here,” began one of his pricklier jokes, finished by: “Also, some credible ones.”He focused much fire on former President Donald J. Trump. “Now that O.J.’s dead, who is the front-runner for V.P.?” he asked. “Diddy?” Like Biden, Jost has always benefited from low expectations. No one that handsome could be funny, right? But he has grown into his role at “Saturday Night Live,” proving to be an especially strong straight man adept at the comedy of embarrassment. You could see his timing in one of the odder moments when he said Robert Kennedy Jr. could be the third Catholic president and the C-SPAN camera cut to President Biden (the second) clapping. Jost retreated on Kennedy’s chances one beat later: “Like his vaccine card says, he doesn’t have a shot.”For the third year in a row, President’s Biden’s age played a big role in the comedy (“Technology wasn’t invented when he was in high school,” Jost said of Biden), even in the president’s own set. Two years ago, Biden joked that he was friends with Calvin Coolidge. Last year, he referred to his “pal Jimmy Madison.” The president took a slightly different and more confrontational approach this time. “Age is an issue,” he said early. “I’m a grown man running against a 6-year-old.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More