This month’s losses are heavy, including films from Noah Baumbach and Wong Kar-wai, along with one of history’s most beloved TV shows.
This month’s exits from Netflix in the United States include films by the likes of Noah Baumbach, Wong Kar-wai and Edgar Wright. They also include two of our favorite recent genre series and one of the most beloved television shows ever. (Hint: It had a five-year mission but only a three-season run.) Dates reflect the final day a title is available.
‘Kicking and Screaming’ (Sept. 3)
The “Marriage Story” and “Frances Ha” director Noah Baumbach made his feature debut with this wry and witty 1995 indie comedy. He tells a story of early-20s ennui, as four university pals (played with verve by Chris Eigeman, Josh Hamilton, Carlos Jacott and Jason Wiles) knock around their college town in the year after graduation, not quite sure what to do with themselves. Baumbach’s dialogue is crisp and quotable, and the relationships are uncommonly rich, thanks in no small part to the performances of Olivia d’Abo, Parker Posey and Cara Buono as the endlessly patient women in their lives.
Stream it here.
‘Midnight Special’ (Sept. 6)
One of the truly unsung gems of the past few years, this energetic and entertaining science-fiction thriller from the writer and director Jeff Nichols (“Take Shelter”) reverberates with the influences of “E.T.,” John Carpenter and early Stephen King, yet synthesizes those styles into something altogether its own. Michael Shannon is in top form as the father on the run with his 8-year-old son (Jaeden Martell, credited as Jaeden Lieberher), whose special gifts have attracted the attention of government officials (led by Adam Driver) and a religious cult (led by Sam Shepard). Kirsten Dunst, Joel Edgerton and Bill Camp round out the ensemble cast.
Stream it here.
‘Scott Pilgrim vs. the World’ (Sept. 15)
With his latest film, “Last Night in Soho,” finally making its pandemic-delayed debut this fall, it’s a fine time to revisit Edgar Wright’s electrifying 2010 adaptation of the graphic novels by Bryan Lee O’Malley. Michael Cera stars as the title character, a likable schlub who falls hard for the perfectly-named Ramona Flowers (Mary Elizabeth Winstead), only to discover that in order to win her heart, she must defeat her “seven evil exes” (including Chris Evans, Brandon Routh and Mae Whitman). Wright finds just the right note for his comic book movie, jazzily incorporating the format’s visual touchstones and storytelling devices while juicing the picture with jolts of his unmistakable energy.
Stream it here.
‘Penny Dreadful’ Seasons 1-3 (Sept. 16)
The Tony-winning playwright and Oscar-nominated screenwriter John Logan created this ingenious Showtime series, mixing up a tasty stew of Victorian-era monsters, mythology and literary flourishes. Eva Green is a marvel — scary, funny, entertainingly self-aware — as a monster hunter whose adventures in late 19th century London intersect with the worlds of “Dracula,” “Frankenstein,” “The Picture of Dorian Grey” and “Dr. Jekyll and Mr. Hyde,” as well as various gunslingers, werewolves and alienists. Those who know the characters and the books they inhabit will eagerly devour the references and intersections, but even newbies can latch on easily to the show’s dark humor, intricate narratives and copious gore.
Stream it here.
‘The Grandmaster’ (Sept. 26)
Mainstream audiences who have discovered the charismatic Hong Kong actor Tony Leung Chiu-wai by way of Marvel’s “Shang-Chi and the Legend of the Ten Rings” would be wise to queue up this 2013 martial arts drama, one of the actor’s many collaborations with the dazzling director Wong Kar-wai. Leung stars as Ip Man, master of the Southern Chinese kung fu style known as Wing Chun, who trained a young Bruce Lee. But Wong’s film is less a biopic than a Lee-style adventure, filled with stunningly photographed fight sequences and action set pieces. Netflix is streaming the film’s U.S. version, which is shorter and simplified but less impressive. Still, even in this truncated form, “The Grandmaster” is an overwhelming experience.
Stream it here.
‘Air Force One’ (Sept. 30)
“Get off my plane!” growled Harrison Ford in this 1997 action extravaganza that, put simply, is “Die Hard” on the president’s airplane. Ford plays President James Marshall, who is en route from Moscow to the White House when a band of terrorists hijack Air Force One, taking his family and staff hostage. But Marshall is a combat vet and decides to back up his “no negotiating with terrorists” rhetoric with action. The director Wolfgang Petersen knows how to direct claustrophobic action (his breakthrough film was “Das Boot”), and Ford is a sturdy anchor, retaining credibility even in the script’s sillier moments. Gary Oldman, meanwhile, has a blast, chewing up copious amounts of scenery as the leader of the hijackers.
Stream it here.
‘Evil’ Season 1 (Sept. 30)
With the second season of this supernatural drama migrating from CBS to Paramount+, it’s not too surprising that the first year is leaving Netflix to join it. Katja Herbers, Mike Colter and Aasif Mandvi star as three “assessors” for the Roman Catholic Church, almost like a Ghostbusters team for possessions, sent to determine the validity of such encounters. But “Evil” isn’t just another “Exorcist” rip-off; it has a classy pedigree, coming from the pens of Robert and Michelle King, the team behind “The Good Wife” and “The Good Fight.” It is lifted by its uncommonly intelligent dialogue and pointed characterizations — and then it delivers the genre goods.
Stream it here.
‘Kung Fu Panda’ (Sept. 30)
It’s forgivable to assume that this 2008 family favorite was DreamWorks’s transparent attempt to recreate the success of “Shrek”: a potentially franchise-starting, computer-animated feature, rife with pop culture references and built around the personality of a comic superstar. And those assumptions aren’t wrong. But “Kung Fu Panda” is enjoyable in spite of its unmistakable formula, primarily because of the incalculable charisma of its star, Jack Black; he is simultaneously funny, cuddly, sympathetic and inspiring as a slapstick-prone panda who must fulfill his destiny as the “Dragon Warrior.” (The first sequel also leaves Netflix on Sept. 30.)
Stream it here.
‘The Pianist’ (Sept. 30)
Adrien Brody won the Oscar for best actor, and Roman Polanski (controversially) picked up a statue for best director for this 2002 adaptation of the 1946 memoir by the Holocaust survivor Władysław Szpilman. Brody stars as Szpilman, a popular Polish-Jewish pianist confined to the Warsaw Ghetto, and forced later into hiding, by the Nazi invasion of Poland. Polanski, himself a Holocaust survivor, directs the scenes of Nazi terror with a lived-in immediacy that feels like cinematic therapy. But he finds notes of humanity and even hope in Szpilman’s story. Brody is marvelous, disappearing into the role’s pain and joy, while Thomas Kretschmann shines in the complicated role of an unlikely ally.
Stream it here.
‘The Queen’ (Sept. 30)
Before he took on the task of dramatizing the full life of Queen Elizabeth II, the creator of “The Crown,” Peter Morgan, tackled a much shorter period of her reign: the days and weeks immediately after the death of Princess Diana. Yet as the newly elected prime minister, Tony Blair (Michael Sheen), pushes the queen (Helen Mirren, in an Oscar-winning performance) to acknowledge the loss of “the People’s Princess,” Morgan’s penetrative screenplay keenly frames their conflict as symbolic of the shifts happening in the roles of Britain’s government and monarchy at that time.
Stream it here.
‘Star Trek’: Seasons 1-3 (Sept. 30)
In light of the franchise’s eventual revenues, budgets and cultural footprint, it’s frankly charming to revisit the original “Star Trek” TV series (1966-1969) and marvel at what a lo-fi endeavor it was. Still, its strengths were evident from the beginning: a setup that allowed for endless imagination; intelligent scripts that slyly framed contemporary issues; and a perfectly balanced cast, from the finely drawn supporting cast to the ying-and-yang acting styles of William Shatner and Leonard Nimoy. Later iterations — like the 2009 cinematic reboot, the seven-season “Voyager” or the four-season “Enterprise,” all also leaving Netflix this month — may have been slicker, but few were as genuine.
Stream it here.
‘Why Do Fools Fall in Love’ (Sept. 30)
We’ve seen no shortage of pop music biopics in recent years, with icons like Aretha Franklin, Freddie Mercury and Elton John getting the big-screen treatment. But this 1998 musical drama makes the case for dramatizing the lives of more obscure musical figures — which seems to allow for more dramatic freedom (and comic possibilities). The subject here is Frankie Lymon (Larenz Tate), whose group “The Teenagers” had a giant hit with the title track before disappearing into obscurity. The screenwriter Tina Andrews and the director Gregory Nava (who also directed the more conventional “Selena”) ingeniously tell his story through the eyes of three women (played by Halle Berry, Vivica A. Fox and Lela Rochon), all of whom claimed to have married Lymon, who are battling over his estate. It’s a fascinating, untold story, thoughtfully exploring not only romantic entanglements but also themes of musical exploitation and the fleeting nature of fame.
Stream it here.
Also leaving: “Boogie Nights,” the “Austin Powers” trilogy and the “Karate Kid” trilogy (all Sept. 30).
Source: Movies - nytimes.com
