Present at the creation, she guarded the awards’ independence and integrity but “never received the recognition she deserves,” one record producer wrote.
Christine Farnon, a quiet force behind the Grammy Awards who was credited with shepherding the event from a private black-tie affair to a telecast seen by tens of millions, died on Oct. 24 in Los Angeles. She was 97.
The death was confirmed by her daughter, Joanna Shipley.
The National Academy of Recording Arts and Sciences, which hosts the Grammys, was conceived partly in Ms. Farnon’s kitchen in Hollywood Hills. That was one place where her husband, Dennis Farnon, a musician who became a music producer and record executive at Capitol and RCA Records, met with other musicians and music executives in founding the Recording Academy. While they deliberated, Ms. Farnon took notes.
She was eventually promoted from unpaid volunteer to paid staff member, the first, and from local to national executive. She organized the first Grammy ceremony, on May 4, 1959, which included a black-tie dinner with Frank Sinatra and Dean Martin at the Grand Ballroom of the Beverly Hilton Hotel. She remained with the organization until 1992.
The Recording Academy is the music industry equivalent of the Academy of Motion Picture Arts and Sciences, which puts on the Oscars, and it similarly performs a number of professional functions. But it’s best known for its annual awards ceremony.
Bill Ivey, who held high-level positions with the Recording Academy, including president, for more than 20 years, and who later ran the National Endowment for the Arts, said in a phone interview that the Recording Academy’s history could be defined by a division into “two eras.” There was Ms. Farnon’s tenure, when the Grammys were a fledgling event, and there was everything that came afterward, with the Grammys now the music industry standard for achievement.
In the early years, “Chris was the person who internalized the values of an artist-driven academy and created a set of rules that were applied vigorously,” Mr. Ivey said.
She ensured that voting privileges for Grammy Awards were restricted to those who had substantial credits as musicians, and that the same criteria were applied to presenters of the awards on TV. To honor all nominees, she fought successfully for the presenters to say, “The Grammy goes to…,” and not, “The winner is…,” arguing that the former phrase better captured excellence among equals.
Ms. Farnon was just as watchful about how Grammys were used outside the ceremony itself. She scrutinized the backgrounds of movie scenes for any unauthorized appearances of Grammy trophies. When she heard that Willie Nelson was in trouble with the Internal Revenue Service, she made sure that he knew that his Grammy trophies were technically owned by the Recording Academy and thus could not be seized as his. Mr. Nelson kept his trophies, Mr. Ivey said.
As the Grammys became more prominent, record companies and television producers sought to exert greater influence on the awards show, but Ms. Farnon stood firm in trying to protect the Grammys’ independence.
“She built an asset that was incredibly valued because it was very legitimate,” Mr. Ivey said. “It was the kind of leadership that succeeded by tapping the brakes more than by pushing on the throttle.”
Pierre Cossette, the producer who first persuaded television executives to broadcast the Grammys, described Ms. Farnon similarly in a 2003 memoir, “Another Day in Showbiz,” writing, “Christine has never received the recognition she deserves for everything she did to make the Grammy Awards show the huge success that it has become.”
Toward the end of her tenure, in 1984, the Grammys attracted its largest-ever audience, more than 51 million viewers, according to Billboard.
When she retired, Ms. Farnon became the first woman to receive a Trustees Award, the highest honor the ceremony bestowed on non-performers. A tribute to her in the program book for that year’s ceremony was titled “The Recording Academy’s Guiding Light.”
Christine Helen Miller was born on June 24, 1925, in Chicago. Her father, John, was a businessman, and her mother, Caroline (Caspar) Miller, was a homemaker.
The family moved to Los Angeles when Christine was a teenager. She graduated from Los Angeles High School in 1941 and attended a public business school in the city.
She and Mr. Farnon divorced in 1960. Her daughter is her sole survivor.
When she received the Trustees Award, Ms. Farnon retained her characteristic modesty.
“I thank God for staying so close to this wonderful organization through the years,” she said, “and for being such a good listener.”
Source: Music - nytimes.com
