This documentary dives into the nation’s outrageous history of the policing of Black citizens by touching on the 2022 killing of Amir Locke.
It is not the first image in “Sound of the Police,” a documentary about the chronically vexed relationship between Black people and police officers, but it is its most chilling: the ominous hush of the police at a front door, signaling the horror to come.
In February 2022, a SWAT team entered an apartment in Minneapolis. Body camera footage, released by the city’s police, shows a key being quietly inserted into a lock during a no-knock search warrant operation. Seconds later, Amir Locke, 22, who had been asleep on the living-room couch when roused by the officers, was mortally wounded. Footage shows him, groggy and confused, under a blanket holding his legally owned handgun.
The director Stanley Nelson’s freighted film opens with family and friends gathering for Locke’s funeral, a celebration of his life, followed by interviews with his parents. The movie also concludes with them. In between those sad but cleareyed bookends, the filmmakers have packed a necessary history of policing. That Locke’s death came after the killings of Breonna Taylor (also a no-knock warrant) and George Floyd, underscores the movie’s argument: Reforming policing remains a life-or-death matter.
For viewers who’ve digested the bitter lessons of the documentaries “13th” and “MLK/FBI,” as well as more recent social-justice portraits of the activist Rev. Al Sharpton (“Loudmouth”) and the civil rights attorney Ben Crump (“Civil”), many of the images of brutality and insights about the abuses of institutional power will be familiar, though no less outrageous. Some early police forces in America were formed from slave patrols, and their violent tactics descend from post-Civil War attempts to control and contain Black people, engendering a justified mistrust.
The film boasts a formidable collection of interviewees — among them the legal scholar James Forman Jr., the historian Elizabeth Hinton as well as David Simon, the creator of the police procedural “The Wire.” Jelani Cobb, the dean of the Columbia Journalism School, dissects the social conditions that have enabled police departments to rebuff oversight and have emboldened white citizens to imagine a personal relationship to the police. (The montage of white women making 911 calls to report Black citizens — bird watching, lemonade selling, just tending to life — might be amusing, were it not so pathological.) If you need a refresher on what “systemic” looks like, these thinkers offer it.
Sound of the Police
Not rated. Running time: 1 hour 25 minutes. In theaters and on Hulu.
Source: Movies - nytimes.com
