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25 Biggest Oscar Snubs of All Time
by Aurelia Butler 8 March 2024, 19:38
Every year since the Academy Awards were invented, somebody has been overlooked, ignored, passed over, disregarded or brushed off. You know what they say about beauty and beholders.But perceived Oscar omissions — snubs, as we have come to call them — have grown into a frenzied annual conversation, with people left off the nomination list, or nominated but denied a statuette, sometimes receiving as much attention, or more, as those who win.These are the 25 true snubs and unjust losses that Times film critics, columnists, writers and editors still can’t get over. Read more →‘Do the Right Thing’ for Best Picture (1990)Actual winner: “Driving Miss Daisy”Spike Lee and Danny Aiello in the Brooklyn-set drama.Universal PicturesSome people hated this movie. Others, more ominously, feared it, or claimed to. News articles and reviews imagined riots sprouting in its wake (they never came), seeing in the character of Mookie — who, in a fit of righteous fury, smashes a pizzeria window in the film’s famous climax — confirmation of Lee’s insidious intent. Did academy voters have similar misgivings? Lee, who was shut out of the directing category, did receive a nomination for his screenplay, suggesting at least one branch of the organization had his back. (Danny Aiello was also nominated for supporting actor.) But it’s hard to look at the eventual best picture winner, “Driving Miss Daisy” — a film in which Morgan Freeman plays Hoke Colburn, the patient chauffeur of a bigoted, elderly white woman — and not see a statement of preference. In 1990, it was the Hoke Colburns of the world, not the Mookies, who were welcome on the academy’s biggest stage. REGGIE UGWU, pop culture reporterWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More
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9 Musicians Who Play a Role in This Year’s Oscars
by Aurelia Butler 8 March 2024, 18:13
Hear songs by Dua Lipa, Jarvis Cocker and yes, Bradley Cooper.Dua Lipa striking a “Barbie” pose.Justin Tallis/Agence France-Presse — Getty ImagesDear listeners,Only two days until the Academy Awards! In Tuesday’s newsletter, we looked back at Oscar history and heard some tracks that won best original song. Today, we’re focusing on this year’s contenders — and the many musicians who make appearances in Oscar-nominated movies.I first had the idea for this playlist months ago, when I noticed how many musicians have roles in Martin Scorsese’s epic American tragedy “Killers of the Flower Moon.” The Americana icon Jason Isbell has a surprisingly major part, holding his own in scenes with Leonardo DiCaprio and Robert DeNiro; the country crooner Sturgill Simpson also makes a memorable cameo.But then, as I caught up on the year’s most acclaimed films, I kept seeing — and hearing — musicians everywhere. That bowl-cutted court monitor who comes to assess a young boy’s safety in “Anatomy of a Fall”? That’s Jehnny Beth, a brooding solo artist and leader of the spiky rock band Savages. Is that guy sitting at the hotel desk for a fleeting moment in Wes Anderson’s whimsical “The Wonderful Story of Henry Sugar” actually … Jarvis Cocker? (Yep, it was.)Consider today’s playlist a who’s who of musicians with connections to this year’s Oscar nominees. Some show off their acting chops; others, like Mica Levi and Jon Batiste, contributed indelible music to the recognized films. This marks the first time, though perhaps not the last, I have bemoaned the fact that Paul Giamatti (my personal best actor choice) was never in a band.You can’t make an entrance if you keep missing your cue,LindsayListen along while you read.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More
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How to Watch the Oscars: Date, Time and Streaming
by Aurelia Butler 8 March 2024, 09:03
An earlier airtime and an unusual presenter approach are among the changes at this year’s ceremony.Watching the Oscars doesn’t usually require an instruction manual.But this year, to make sure you catch the goodness of Ryan Gosling performing “I’m Just Ken” — in what we can only hope will be a faux fur coat — there are two crucial steps you must take.One: Be in your preferred watching position — popcorn popped, possibly in a “Dune” bucket, Snuggie on — an hour earlier on Sunday. In a break from the traditional 8 p.m. Eastern, 5 p.m. Pacific start, this year’s ceremony is scheduled to kick off at 7 p.m., an effort by the Academy of Motion Picture Arts and Sciences to stick to prime-time hours.And two: When we say 7 p.m., we mean what-was-until-2-a.m.-on-Sunday 6 p.m., because — that’s right — daylight saving time is here once again. Don’t forget to set your clocks — if you still have clocks — forward an hour.You may have heard that “Oppenheimer,” with a pack-leading 13 nominations, is a lock to win best picture. This is accurate. But even if we’re certain how the night will end, the getting there is the fun part. Here’s everything you need to know.What time does the show start and where can I watch?In a perk for those who like going to bed early, this year’s show begins at 7 p.m. Eastern, 4 p.m. Pacific, at the Dolby Theater in Los Angeles. Sunday is also the start of daylight saving time, so remember to set your clocks an hour forward before you go to bed on Saturday night.On TV, ABC is the official broadcaster. Online, you can watch the show live on the ABC app, which is free to download, or at abc.com, though you’ll need to sign in using the credentials from your cable provider. There are also a number of live TV streaming services that offer access to ABC, including Hulu + Live TV, YouTube TV, AT&T TV and FuboTV, which all require subscriptions.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More
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When the Oscars Were Held Amid Another Divisive War
by Aurelia Butler 8 March 2024, 09:02
Three days before the 2003 ceremony, the United States invaded Iraq. Despite pleas to delay the awards, the academy went ahead with what became a politics-suffused evening.On March 23, 2003, as the rest of the world watched televised images of captives and corpses identified as American soldiers, limos carrying high-fashion-clad celebrities rolled up outside what was then known as the Kodak Theater in Los Angeles.The United States had invaded Iraq just three days before, and, until that morning, there was still the possibility that the Oscars wouldn’t go on.As A-listers like Nicole Kidman, Halle Berry and Steve Martin — the host — were herded through metal detectors amid a large law enforcement presence, a few blocks away, police officers holding clubs faced off with demonstrators trying to get closer to the theater (none did).This year, another war is in the headlines as the Academy of Motion Picture Arts and Sciences mounts another Oscars. So far, almost no one has spoken out at precursor awards shows, but it was very different in 2003.“It felt weird to dress up and go to this thing while our fellow Americans were all overseas about to get involved in something that was very dangerous,” the director Chris Sanders recalled in a recent interview. Sanders was nominated that year for best animated feature film for directing “Lilo & Stitch.”Newly minted winners like Adrien Brody and Nicole Kidman, front left, joined past winners onstage in 2003. Kevork Djansezian/Associated PressWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More
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Oscars 2024: Print Your Ballot to Make Your Predictions
by Aurelia Butler 7 March 2024, 21:01
Best Picture
☐ “American Fiction” ☐ “Anatomy of a Fall” “Barbie”
☐ “The Holdovers”
☐ “Killers of the Flower Moon”
☐ “Maestro”
☐ “Oppenheimer”
“Past Lives”
☐ “Poor Things”
“The Zone of Interest”
Best Director
Jonathan Glazer,
“The Zone of Interest” Yorgos Lanthimos, “Poor Things”
Christopher Nolan, “Oppenheimer”
Martin Scorsese,
“Killers of the Flower Moon”
DJustine Triet,
“Anatomy of a Fall”
Best Actor
Bradley Cooper,
“Maestro”
Colman Domingo, “Rustin”
Paul Giamatti, “The Holdovers”
Cillian Murphy, “Oppenheimer”
Jeffrey Wright, “American Fiction”
Best Actress
Annette Bening, “Nyad”
Lily Gladstone,
“Killers of the Flower Moon”
Sandra Hüller,
“Anatomy of a Fall”
Carey Mulligan,
“Maestro”
Emma Stone,
“Poor Things”
The New York Times
2024 Oscars Ballot
Best Supporting Actor
Sterling K. Brown, “American Fiction” Robert De Niro, “Killers of the Flower Moon”
Robert Downey Jr., “Oppenheimer”
Ryan Gosling, “Barbie”
Mark Ruffalo,
“Poor Things”
Best Supporting Actress
☐ Emily Blunt,
“Oppenheimer” Danielle Brooks, “The Color Purple” America Ferrera, “Barbie”
Jodie Foster, “Nyad”
Da’Vine Joy Randolph, “The Holdovers”
Original Screenplay
☐ “Anatomy of a Fall”
☐ “The Holdovers” ☐ “May December”
“Maestro”
“Past Lives”
Adapted Screenplay
“American Fiction”
☐ “Barbie”
☐ “Oppenheimer”
“Poor Things”
“The Zone of Interest”
Animated Feature
☐ “The Boy and the Heron”
O “Elemental”
☐ “Nimona”
☐ “Spider-Man: Across
the Spider-Verse” “Robot Dreams”
Production Design
□ “Barbie”
“Killers of the Flower Moon”
☐ “Napoleon”
☐ “Oppenheimer”
“Poor Things”
Costume Design
☐ “Barbie”
☐ “Killers of the Flower Moon”
☐ “Napoleon”
☐ “Oppenheimer”
☐ “Poor Things”
Cinematography
“El Conde”
☐ “Killers of the Flower Moon” ☐ “Maestro”
☐ “Oppenheimer”
“Poor Things”
Editing
“Anatomy of a Fall”
“The Holdovers”
“Killers of the Flower Moon”
“Oppenheimer”
“Poor Things”
Makeup and Hairstyling
☐ “Golda”
☐ “Maestro”
☐ “Oppenheimer”
“Poor Things”
“Society of the Snow”
Sound
“The Creator”
“Maestro”
“Mission: Impossible. Dead Reckoning Part One”
☐ “Oppenheimer”
☐ “The Zone of Interest”
Visual Effects ☐ “The Creator”
☐ “Godzilla Minus One” “Guardians of the Galaxy Vol. 3”
00
“Mission: Impossible. Dead Reckoning Part One”
☐ “Napoleon”
Original Score
“American Fiction”
“Indiana Jones and
the Dial of Destiny”
☐ “Killers of the Flower Moon”
“Oppenheimer”
“Poor Things”
Original Song
“The Fire Inside”
(“Flamin’ Hot”)
“I’m Just Ken” (“Barbie”) “It Never Went Away” (“American Symphony”)
☐ “Wahzhazhe (A Song For My People)”
(“Killers of the Flower Moon”)
“What Was I Made For?” (“Barbie”)
Documentary Feature
“Bobi Wine:
The People’s President” “The Eternal Memory” “Four Daughters” “To Kill a Tiger”
“20 Days in Mariupol”
International Feature “The Teachers’ Lounge,” Germany
“lo Capitano,”
Italy
“Perfect Days,”
Japan
“Society of the Snow,” Spain
“The Zone of Interest,” United Kingdom
Animated Short
“Letter to a Pig”
☐ “Ninety-Five Senses” “Our Uniform” “Pachyderme”
“War Is Over! Inspired by the Music of John & Yoko”
Documentary Short
“The ABCs of Book Banning” “The Barber of Little Rock” “Island in Between” “The Last Repair Shop”
“Nai Nai & Wai Po”
Live-Action Short
“The After” “Invincible” “Knight of Fortune”
“Red, White and Blue” “The Wonderful Story of Henry Sugar” More
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Oscar-Nominated Costume Designer for ‘Oppenheimer’ Shares Her Favorite Looks
by Aurelia Butler 7 March 2024, 09:05
The costume designer Ellen Mirojnick, who is nominated for her first Oscar for “Oppenheimer,” is responsible for outfitting some of the most iconic films of the ’80s and ’90s.Everett CollectionEverett CollectionUnlike many designers, much of the work of the costume designer Ellen Mirojnick is contemporary. Her filmography is evidence of the impact she has had on the look and feel of some of the most iconic films of the 1980s and ’90s: Paul Verhoeven’s “Basic Instinct” (1992) and “Showgirls” (1995), Adrian Lyne’s “Fatal Attraction” (1987) and “Unfaithful” (2002), and Andrew Davis’s “A Perfect Murder” (1998). These films helped define the distinctly elegant yet dangerous aesthetic of the erotic thrillers that once dominated the box office.After more than 40 years in the industry, Ms. Mirojnick has received her first Oscar nomination for her austere, sharply tailored looks in “Oppenheimer,” Christopher Nolan’s blockbuster biopic about the physicist who led the effort that produced the first nuclear weapons. While she has decades of expertise creating an eclectic variety of costumes, ranging in mood from the understated to over-the-top, her work does not span the many costume dramas that are typically favored during awards season. Instead, her most recognized characters often feel fashionable in a way that is more modern and real.In a recent video call, Ms. Mirojnick reflected on eight of her favorite looks from her career.Everett Collection‘Fatal Attraction’ (1987)“Fatal Attraction” marked the first of many collaborations between Ms. Mirojnick and the actor Michael Douglas. “What was fascinating about that particular moment in time was that Adrian Lyne, Michael Douglas, Glenn Close and Anne Archer were all kind of at the same level,” she recalled. “It was a great way to begin a working relationship, because everybody had equal stakes in front of them.”The designer and Mr. Douglas originally had differing ideas of how his character should dress. Her interpretation was “much more classic, fashionable and monochromatic,” she said. After rounds of fittings and discussions about “honing his wardrobe to a place that felt very New York and very cool and attractive in a way that was different from how we saw a lawyer in New York in prior films,” she said, “we finally got in a groove that was simpatico, and we were able to create a character that had all of those aspects and felt very real.”Everett CollectionWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More
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Expecting Protests at the Oscars, Police Plan to Beef Up Security
by Aurelia Butler 6 March 2024, 21:15
The Los Angeles police said it would increase its presence at the Academy Awards, given the potential for protests related to the Israel-Hamas war.The Los Angeles police said it would increase its presence at the Academy Awards on Sunday night to make sure that potential protests related to the Israel-Hamas war do not disrupt the Oscars ceremony.Cmdr. Randy Goddard of the Los Angeles Police Department said it had gathered intelligence, based partially on social media posts, suggesting that at least one group “would like to stop the Academy Awards.”“It’s going to be our goal to ensure that the Academy Awards is successful, that guests can arrive safely and get into the venue,” said Commander Goddard, the police official leading the department’s management of the Oscars. “But, also, we are going to try very hard to make contact with the groups as they show up, and lay out the expectation that we as the police are here to support your First Amendment constitutional rights.”Some groups may try to block traffic or use other disruptive measures that demonstrators have leveraged at other events around the country, he said. Others may focus their efforts closer to the Dolby Theater in Hollywood, where the Oscars take place.Commander Goddard said the department would “build out more resources” to “help facilitate” any march or demonstration, but emphasized that it would not allow protesters to break the law or prevent guests from arriving safely to the Oscars. “We’re hopefully going to find that middle ground,” he said.A spokeswoman for the F.B.I. in Los Angeles said it maintained a presence at special events, including the Academy Awards, to share intelligence and to support its partners at the Los Angeles police.At this year’s Grammys, a few dozen pro-Palestinian protesters demonstrated outside Crypto.com Arena, briefly blocking traffic by the drop-off area. A pro-Palestine protester with a loudspeaker stood outside the Independent Spirit Awards in Santa Monica last month.The Academy of Motion Picture Arts and Sciences, which is hosting its 96th Oscars on Sunday, has dealt with disruptions over the years. Security has long been tight at the Oscars, which draws some of the world’s biggest stars to a live telecast viewed by millions of people.Commander Goddard said the Dolby Theater itself, which is secured by the Academy, is protected by railings, fencing, checkpoints and almost 2,000 private security guards. “My objective is to get the guests safely inside that venue,” he said. More
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The Oscars Carpet Color Goes Back to Red
by Aurelia Butler 6 March 2024, 20:38
Following the surprise of last year’s champagne-hued rug, the Academy of Motion Picture Arts and Sciences unveiled a bright red one on Wednesday at the Dolby Theater.After a red carpet reveal last year that upended the foundations of Hollywood’s staid tradition — it was champagne-colored — the Academy of Motion Picture Arts and Sciences revealed on Wednesday that, this year, it would be returning to the traditional red.The actress Hong Chau on the champagne-hued carpet last year. Jutharat Pinyodoonyachet for The New York TimesRihanna stops for photographs at the Oscar’s last year.Jutharat Pinyodoonyachet for The New York TimesLast year’s departure from tradition was prompted by the introduction of an orange — sorry, sienna — tent over the carpet that offered the couture-clad arrivals shelter from a forecast rainstorm, which Lisa Love, a red-carpet creative consultant for the Oscars, told The New York Times necessitated the color change to prevent a color clash.After initially considering a chocolate brown carpet, she said, they settled on the champagne color, which, next to the sienna tent, “was inspired by watching the sunset on a white-sand beach at the ‘golden hour’ with a glass of champagne in hand, evoking calm and peacefulness,” she told The Times.Ms. Love acknowledged in the interview that the 50,000-square-foot-rug, which was very much giving “Shoes-off house!” vibes, might be a challenge to keep clean.“It will probably get dirty — maybe it wasn’t the best choice,” Ms. Love said at the time. “We’ll see!” (Heavy rain indeed arrived, and online commentators also questioned the decision.)Last year’s champagne carpet — the first time in more than six decades that the academy’s arrival rug was not red — was part of a trend of colorful carpets that have swept premieres, galas and award ceremonies across the country in recent years. See the Emmys (gray) and the world premiere of “Barbie” in Los Angeles in July (pink, obviously).Red carpets have been a staple at premieres and galas since 1922, when the showman Sid Grauman rolled one out for the 1922 premiere of “Robin Hood,” which starred Douglas Fairbanks, at the Egyptian Theater in Hollywood. The Oscars adopted it beginning with the 1961 ceremony, and, ever since, the special shade — known as Academy Red — has been instantly recognizable in photos.But the attention-grabbing rugs have historically presented a challenge for stylists. Red is often not flattering, Mindi Weiss, an event planner who has worked with the Kardashians, Justin Bieber and Ellen DeGeneres, told The Times last year.“The color of red carpets has changed because of fashion,” she said. “It has to match the dresses, and the red clashed.” More

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