Baldwin, Alec

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      Gun and Projectile Used in Shooting on Alec Baldwin Film Set Recovered, Officials Say

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      Sheriff Adan Mendoza of Santa Fe County said at a news conference on Wednesday that the lead projectile Alec Baldwin fired from a revolver on the “Rust” film set, killing the film’s cinematographer and wounding its director, was recovered from the director’s shoulder, and added that investigators believe they recovered more live rounds on the set.Investigators also believe they have recovered the Colt revolver that fired the shot, Sheriff Mendoza said, as well as about 500 rounds of ammunition from the set. The ammunition recovered included a mixture of blanks, dummy rounds and what the sheriff’s department suspects to be live ammunition, which it will send to the F.B.I. crime lab for analysis.“We have recovered what we believe to be possible additional live rounds on set,” he said.The sheriff declined to comment on how live ammunition got there; typically, live rounds are not allowed anywhere on film sets. He described the gun that fired the fatal shot as a .45 Long Colt revolver, made by the Italian manufacturer F.lli Pietta.The shooting happened during a rehearsal for a scene in “Rust,” a Western in which Mr. Baldwin was playing an outlaw. Mr. Baldwin was practicing a scene with a gun he had been told did not contain live ammunition on the set when it went off, killing the cinematographer, Halyna Hutchins, and wounding the director, Joel Souza.Sheriff Mendoza used the words “lead projectile” to describe what was recovered from Mr. Souza’s shoulder, and said it was apparently the same round that had killed Ms. Hutchins. Asked if it was an actual bullet that had been fired — and not a blank — he said, “We would consider it a live round, a bullet, live, because it did fire from the weapon and obviously caused the death of Ms. Hutchins and injured Mr. Souza.”Over the past few days, questions have been raised about how the fatal shooting could have occurred if safety protocols had been followed properly.“I think there was some complacency on this set,” Sheriff Mendoza said. “Anytime firearms are involved, safety is paramount.”.css-m80ywj header{margin-bottom:5px;}.css-m80ywj header h4{font-family:nyt-cheltenham,georgia,’times new roman’,times,serif;font-weight:500;font-size:1.25rem;line-height:1.5625rem;margin-bottom:0;}@media (min-width:740px){.css-m80ywj header h4{font-size:1.5625rem;line-height:1.875rem;}}The Santa Fe County district attorney, Mary Carmack-Altwies, said at the news conference that the inquiry was continuing, and that criminal charges were still possible. “If the facts and evidence and law support charges, then I will initiate prosecution at that time,” she said.Sheriff Mendoza said there were 16 people in the vicinity of where the fatal shooting took place, a set depicting a 19th-century wooden church. In total, there were about 100 people on set, he said.All three people who had handled the gun were cooperating with law enforcement, Sheriff Mendoza said. According to court papers, the film’s armorer, Hannah Gutierrez-Reed, prepared a table on which three guns sat; an assistant director on the film, Dave Halls, grabbed a revolver and declared it to be a “cold gun,” meaning that it had no live ammunition inside and was safe to handle. Then, Mr. Halls handed the gun to Mr. Baldwin, a detective wrote in an affidavit used to obtain a search warrant.Mr. Baldwin had been sitting in a wooden church pew, rehearsing a scene that involved “cross drawing” a revolver and pointing it toward the camera lens, Mr. Souza told a detective investigating the shooting, according to court papers. When the gun went off, Ms. Hutchins was struck in the chest and Mr. Souza was wounded in the shoulder.Mr. Baldwin is an “active part of this investigation,” the sheriff said.Detectives said that they recovered three revolvers, spent casings and ammunition — in boxes, loose and in a fanny pack — while executing a search warrant on the set, according to an inventory of the items. The inventory did not specify what kind of ammunition was found on the set. More

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      Hannah Gutierrez-Reed, Armorer on 'Rust' Set, Told Detective She Checked Rounds

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      Hannah Gutierrez-Reed, the armorer on the “Rust” film, told a detective that the day Alec Baldwin fatally shot the movie’s cinematographer, she had checked dummy rounds and ensured they were not “hot,” according to an affidavit released on Wednesday. When the crew took a break for lunch, she told the detective, the ammunition was left out on a cart on the set.Dummy rounds contain no gun powder or primer cap; they are simply used as stand-ins for real bullets on camera.It was Ms. Gutierrez-Reed who had set up a gray two-tiered cart outside the set from which Dave Halls, the assistant director, took the firearm and handed it to Mr. Baldwin just before the shooting, according to court papers.On the day of the shooting, the crew had been rehearsing a scene, then broke for lunch before returning to that scene. Ms. Gutierrez-Reed told the detective that at the start of the lunch break, the firearms were secured inside a safe on a “prop truck.” During that time, she said that ammunition was kept in the truck as well as on a cart on set, where they were “not secured,” according to the affidavit.Ms. Gutierrez-Reed told an investigator that no live ammunition “is ever kept on set.” After lunch, the film’s prop master, Sarah Zachry, took the firearms from the safe and handed them to Ms. Gutierrez-Reed, the armorer, according to Ms. Gutierrez-Reed’s account to the detective.“She advised there are only a few people that have access and the combination to the safe,” the affidavit said.During the course of filming, Ms. Gutierrez-Reed told the detective that she had handed the gun to Mr. Baldwin a couple of times and also to Mr. Halls.On a podcast posted last month, Ms. Gutierrez-Reed, 24, who also goes by Hannah Reed and Hannah Gutierrez, said that she had just finished filming her first movie as head armorer in a western called “The Old Way,” starring Clint Howard and Nicolas Cage, that is set for release next year.“I was really nervous about it at first, and I almost didn’t take the job because I wasn’t sure if I was ready, but doing it, it went really smoothly,” Ms. Gutierrez-Reed said of that movie in the podcast, “Voices of the West,” on which the hosts discuss old western films and television shows. She is the daughter of Thell Reed, a shooting expert and a consultant to the movie industry who has trained prominent actors in handling firearms.“Dad’s been teaching me a little bit every now and then about guns since I was 16,” Ms. Gutierrez-Reed said on the podcast, “but I think we really got into the stuff more just really in the last couple of years.”Ms. Gutierrez-Reed did not respond to several requests for comment. More

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      Criminal Charges Possible in Shooting on Alec Baldwin Set, D.A. Says

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      An inquiry into how a cinematographer was killed with a gun the actor was rehearsing with, which was not supposed to have live rounds in it, could take weeks.SANTA FE, N.M. — The Santa Fe County district attorney said on Tuesday that she was not ruling out criminal charges in last week’s fatal shooting on a film set. The actor Alec Baldwin was rehearsing with a gun that he had been told did not contain live ammunition when it went off, killing the film’s cinematographer and wounding its director.“We haven’t ruled out anything,” the district attorney, Mary Carmack-Altwies, said in a telephone interview. “Everything at this point, including criminal charges, is on the table.”Ms. Carmack-Altwies said that the investigation was focusing on ballistics in an effort to determine what kind of round was in the gun that killed Halyna Hutchins, the cinematographer — and who had placed the ammunition in the gun.“There were an enormous amount of bullets on this set, and we need to find out what kinds they were,” Ms. Carmack-Altwies said. Detectives said that they recovered three revolvers, spent casings and ammunition — in boxes, loose and in a fanny pack — while executing a search warrant on the set, according to an inventory of the items released on Monday. The inventory did not specify what kind of ammunition was found on the set.Ms. Carmack-Altwies took issue with descriptions of the firearm used in the incident as “prop-gun,” saying that the terminology, which is used in some of the court documents related to the case, could give the misleading impression that it was not a real gun.“It was a legit gun,” she said, without naming specifically what kind of firearm was used. “It was an antique-era appropriate gun.”Detectives from the Santa Fe County Sheriff’s Office are proceeding carefully with the investigation, she said, citing the large number of witnesses and the need to methodically collect ballistics and forensics evidence..css-1xzcza9{list-style-type:disc;padding-inline-start:1em;}.css-3btd0c{font-family:nyt-franklin,helvetica,arial,sans-serif;font-size:1rem;line-height:1.375rem;color:#333;margin-bottom:0.78125rem;}@media (min-width:740px){.css-3btd0c{font-size:1.0625rem;line-height:1.5rem;margin-bottom:0.9375rem;}}.css-3btd0c strong{font-weight:600;}.css-3btd0c em{font-style:italic;}.css-1kpebx{margin:0 auto;font-family:nyt-franklin,helvetica,arial,sans-serif;font-weight:700;font-size:1.125rem;line-height:1.3125rem;color:#121212;}#NYT_BELOW_MAIN_CONTENT_REGION .css-1kpebx{font-family:nyt-cheltenham,georgia,’times new roman’,times,serif;font-weight:700;font-size:1.375rem;line-height:1.625rem;}@media (min-width:740px){#NYT_BELOW_MAIN_CONTENT_REGION .css-1kpebx{font-size:1.6875rem;line-height:1.875rem;}}@media (min-width:740px){.css-1kpebx{font-size:1.25rem;line-height:1.4375rem;}}.css-1gtxqqv{margin-bottom:0;}.css-16ed7iq{width:100%;display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;-webkit-box-pack:center;-webkit-justify-content:center;-ms-flex-pack:center;justify-content:center;padding:10px 0;background-color:white;}.css-pmm6ed{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;}.css-pmm6ed > :not(:first-child){margin-left:5px;}.css-5gimkt{font-family:nyt-franklin,helvetica,arial,sans-serif;font-size:0.8125rem;font-weight:700;-webkit-letter-spacing:0.03em;-moz-letter-spacing:0.03em;-ms-letter-spacing:0.03em;letter-spacing:0.03em;text-transform:uppercase;color:#333;}.css-5gimkt:after{content:’Collapse’;}.css-rdoyk0{-webkit-transition:all 0.5s ease;transition:all 0.5s ease;-webkit-transform:rotate(180deg);-ms-transform:rotate(180deg);transform:rotate(180deg);}.css-eb027h{max-height:5000px;-webkit-transition:max-height 0.5s ease;transition:max-height 0.5s ease;}.css-6mllg9{-webkit-transition:all 0.5s ease;transition:all 0.5s ease;position:relative;opacity:0;}.css-6mllg9:before{content:”;background-image:linear-gradient(180deg,transparent,#ffffff);background-image:-webkit-linear-gradient(270deg,rgba(255,255,255,0),#ffffff);height:80px;width:100%;position:absolute;bottom:0px;pointer-events:none;}.css-19zsuqr{display:block;margin-bottom:0.9375rem;}.css-m80ywj header{margin-bottom:5px;}.css-m80ywj header h4{font-family:nyt-cheltenham,georgia,’times new roman’,times,serif;font-weight:500;font-size:1.25rem;line-height:1.5625rem;margin-bottom:0;}@media (min-width:740px){.css-m80ywj header h4{font-size:1.5625rem;line-height:1.875rem;}}.css-12vbvwq{background-color:white;border:1px solid #e2e2e2;width:calc(100% – 40px);max-width:600px;margin:1.5rem auto 1.9rem;padding:15px;box-sizing:border-box;}@media (min-width:740px){.css-12vbvwq{padding:20px;width:100%;}}.css-12vbvwq:focus{outline:1px solid #e2e2e2;}#NYT_BELOW_MAIN_CONTENT_REGION .css-12vbvwq{border:none;padding:10px 0 0;border-top:2px solid #121212;}.css-12vbvwq[data-truncated] .css-rdoyk0{-webkit-transform:rotate(0deg);-ms-transform:rotate(0deg);transform:rotate(0deg);}.css-12vbvwq[data-truncated] .css-eb027h{max-height:300px;overflow:hidden;-webkit-transition:none;transition:none;}.css-12vbvwq[data-truncated] .css-5gimkt:after{content:’See more’;}.css-12vbvwq[data-truncated] .css-6mllg9{opacity:1;}.css-qjk116{margin:0 auto;overflow:hidden;}.css-qjk116 strong{font-weight:700;}.css-qjk116 em{font-style:italic;}.css-qjk116 a{color:#326891;-webkit-text-decoration:underline;text-decoration:underline;text-underline-offset:1px;-webkit-text-decoration-thickness:1px;text-decoration-thickness:1px;-webkit-text-decoration-color:#326891;text-decoration-color:#326891;}.css-qjk116 a:visited{color:#326891;-webkit-text-decoration-color:#326891;text-decoration-color:#326891;}.css-qjk116 a:hover{-webkit-text-decoration:none;text-decoration:none;}The shooting occurred on Thursday on the set of a church where Mr. Baldwin was rehearsing a scene for “Rust,” a Western where he plays an outlaw. According to affidavits included in applications for search warrants, Dave Halls, an assistant director on the set, had gone outside the church and taken the gun off a cart, where it had been placed by the film’s armorer, Hannah Gutierrez-Reed. Mr. Halls handed the gun to Mr. Baldwin, who was rehearsing inside the church, according to the affidavit, and said it was a “cold gun,” indicating that it contained no live rounds and was safe for Mr. Baldwin to handle.Mr. Baldwin then rehearsed a scene that involved “cross drawing” a revolver and pointing it toward the camera lens, according to the affidavit, when the gun fired — striking Ms. Hutchins in the chest and killing her, and hitting the director of the film, Joel Souza, in the shoulder, wounding him.Detectives are still interviewing people who were on the set, Ms. Carmack-Altwies said. “It’s probably weeks, if not months, of follow-up investigation that we’re going to need to get to the point of charging.”Ms. Carmack-Altwies said that she was aware of news reports suggesting that crew members had used guns with live ammunition for target practice hours before the fatal shooting, but said that the reports were “unconfirmed.”Mamie Mitchell, the script supervisor who called 911 after the shooting, has hired Gloria Allred as her lawyer, according to a statement from Ms. Allred. The statement said they would be conducting their own investigation into the incident “because there are many unanswered questions.”Ms. Carmack-Altwies, who is expected to speak with reporters on Wednesday morning at a news conference along with Sheriff Adan Mendoza, of Santa Fe County, said that this incident figured among the most challenging cases in Santa Fe County in recent memory.“We have complex cases all the time,” she said. “But this kind of complex case, with these kinds of prominent people, no.” More

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      Alec Baldwin Shooting: What Detectives Found at the Movie Set

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      Court papers did not specify what kind of ammunition detectives recovered from a movie set where the actor had fatally shot a cinematographer with a gun he was told did not contain live rounds.Detectives found three revolvers, spent casings and ammunition — in boxes, loose and in a fanny pack — when they searched the New Mexico film set where the actor Alec Baldwin fatally shot a cinematographer last week with a gun he had been told did not contain any live rounds, according to an inventory of the items seized that was released on Monday.The new details emerged four days after Mr. Baldwin shot the cinematographer, Halyna Hutchins, while rehearsing a scene in which he draws a revolver from his holster and points it at the camera, according to an affidavit used to obtain the warrant to search the set. The inventory, filed in Santa Fe County Magistrate Court, did not specify what kind of ammunition was seized, and whether it included regular bullets, blank cartridges or dummies.Taken together, the guns, ammunition and blood from the scene where the movie “Rust” was being filmed did not answer the central question of how Ms. Hutchins was killed with a gun that was not supposed to contain live ammunition.Mike Tristano, a veteran professional armorer based in Los Angeles, said the inventory was vague and gave scant information about the type of guns or bullets found. But he did point to the reference to loose ammunition and spent casings as unusual. Typically, ammunition would be kept in a clearly labeled box, he said. “The fact that there is loose ammunition and casings raises questions about the organization of the armory department,” he said.According to an interview with the movie’s director, Joel Souza, used in an affidavit released on Sunday by the Santa Fe County sheriff’s department, Mr. Baldwin had been sitting in a wooden pew in a set depicting a church, explaining how he would draw the gun, when it suddenly discharged. Mr. Souza told a detective that he remembered Ms. Hutchins grabbing her midsection and starting to stumble backward before noticing that he was bleeding from his shoulder.Reid Russell, a cameraman who was present at the scene, told a detective he remembered Ms. Hutchins saying that she “couldn’t feel her legs.”The details, from Detective Joel Cano, provide a chilling account of the fatal shooting on a production set that had been beset by accidental gun discharges and labor disputes between producers and crew members..css-1xzcza9{list-style-type:disc;padding-inline-start:1em;}.css-3btd0c{font-family:nyt-franklin,helvetica,arial,sans-serif;font-size:1rem;line-height:1.375rem;color:#333;margin-bottom:0.78125rem;}@media (min-width:740px){.css-3btd0c{font-size:1.0625rem;line-height:1.5rem;margin-bottom:0.9375rem;}}.css-3btd0c strong{font-weight:600;}.css-3btd0c em{font-style:italic;}.css-1kpebx{margin:0 auto;font-family:nyt-franklin,helvetica,arial,sans-serif;font-weight:700;font-size:1.125rem;line-height:1.3125rem;color:#121212;}#NYT_BELOW_MAIN_CONTENT_REGION .css-1kpebx{font-family:nyt-cheltenham,georgia,’times new roman’,times,serif;font-weight:700;font-size:1.375rem;line-height:1.625rem;}@media (min-width:740px){#NYT_BELOW_MAIN_CONTENT_REGION .css-1kpebx{font-size:1.6875rem;line-height:1.875rem;}}@media (min-width:740px){.css-1kpebx{font-size:1.25rem;line-height:1.4375rem;}}.css-1gtxqqv{margin-bottom:0;}.css-16ed7iq{width:100%;display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;-webkit-box-pack:center;-webkit-justify-content:center;-ms-flex-pack:center;justify-content:center;padding:10px 0;background-color:white;}.css-pmm6ed{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;}.css-pmm6ed > :not(:first-child){margin-left:5px;}.css-5gimkt{font-family:nyt-franklin,helvetica,arial,sans-serif;font-size:0.8125rem;font-weight:700;-webkit-letter-spacing:0.03em;-moz-letter-spacing:0.03em;-ms-letter-spacing:0.03em;letter-spacing:0.03em;text-transform:uppercase;color:#333;}.css-5gimkt:after{content:’Collapse’;}.css-rdoyk0{-webkit-transition:all 0.5s ease;transition:all 0.5s ease;-webkit-transform:rotate(180deg);-ms-transform:rotate(180deg);transform:rotate(180deg);}.css-eb027h{max-height:5000px;-webkit-transition:max-height 0.5s ease;transition:max-height 0.5s ease;}.css-6mllg9{-webkit-transition:all 0.5s ease;transition:all 0.5s ease;position:relative;opacity:0;}.css-6mllg9:before{content:”;background-image:linear-gradient(180deg,transparent,#ffffff);background-image:-webkit-linear-gradient(270deg,rgba(255,255,255,0),#ffffff);height:80px;width:100%;position:absolute;bottom:0px;pointer-events:none;}.css-19zsuqr{display:block;margin-bottom:0.9375rem;}.css-m80ywj header{margin-bottom:5px;}.css-m80ywj header h4{font-family:nyt-cheltenham,georgia,’times new roman’,times,serif;font-weight:500;font-size:1.25rem;line-height:1.5625rem;margin-bottom:0;}@media (min-width:740px){.css-m80ywj header h4{font-size:1.5625rem;line-height:1.875rem;}}.css-12vbvwq{background-color:white;border:1px solid #e2e2e2;width:calc(100% – 40px);max-width:600px;margin:1.5rem auto 1.9rem;padding:15px;box-sizing:border-box;}@media (min-width:740px){.css-12vbvwq{padding:20px;width:100%;}}.css-12vbvwq:focus{outline:1px solid #e2e2e2;}#NYT_BELOW_MAIN_CONTENT_REGION .css-12vbvwq{border:none;padding:10px 0 0;border-top:2px solid #121212;}.css-12vbvwq[data-truncated] .css-rdoyk0{-webkit-transform:rotate(0deg);-ms-transform:rotate(0deg);transform:rotate(0deg);}.css-12vbvwq[data-truncated] .css-eb027h{max-height:300px;overflow:hidden;-webkit-transition:none;transition:none;}.css-12vbvwq[data-truncated] .css-5gimkt:after{content:’See more’;}.css-12vbvwq[data-truncated] .css-6mllg9{opacity:1;}.css-qjk116{margin:0 auto;overflow:hidden;}.css-qjk116 strong{font-weight:700;}.css-qjk116 em{font-style:italic;}.css-qjk116 a{color:#326891;-webkit-text-decoration:underline;text-decoration:underline;text-underline-offset:1px;-webkit-text-decoration-thickness:1px;text-decoration-thickness:1px;-webkit-text-decoration-color:#326891;text-decoration-color:#326891;}.css-qjk116 a:visited{color:#326891;-webkit-text-decoration-color:#326891;text-decoration-color:#326891;}.css-qjk116 a:hover{-webkit-text-decoration:none;text-decoration:none;}The exact safety protocol that played out before the shooting on Thursday remained unclear. Mr. Souza said in the affidavit that typically, firearms had been checked by the movie’s armorer, Hannah Gutierrez-Reed, then the first assistant director, Dave Halls, before Mr. Halls would hand the weapons to actors. Before the shooting, the affidavit said, Mr. Halls had grabbed the revolver from a cart outside the building that had been prepared by Ms. Gutierrez-Reed — on which three guns sat — and declared it to be a “cold gun,” which on a film set usually refers to an unloaded firearm.Although the inventory did not stipulate what kind of ammunition was recovered, live bullets are generally forbidden on film sets.Mr. Halls, an industry veteran who worked on films including “Fargo” and “The Matrix Reloaded,” has been the subject of complaints about safety on previous productions. On Monday, a production company, Rocket Soul Studios, said in a statement that Mr. Halls had been fired from the set of a movie, “Freedom’s Path” in 2019 after a gun unexpectedly discharged, causing a minor injury to a crew member. The statement was reported earlier by CNN.“Halls was removed from set immediately after the prop gun discharged,” the statement said. Mr. Halls did not immediately respond to a request for comment on that situation.Mr. Souza said the filming of the scene inside the church that day had been interrupted by a lunch break for the production. Neither Mr. Souza nor Mr. Russell knew whether the revolver had been inspected after the crew returned from the lunch break, according to the affidavit.The sheriff’s office and the Santa Fe district attorney’s office are planning to hold a news conference on Wednesday to discuss the investigation. More

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      What We Know About Alec Baldwin’s Fatal Shooting

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      The authorities are investigating the death of the cinematographer Halyna Hutchins on the set of “Rust” in Santa Fe County. Here’s what we know.The authorities in Santa Fe County, N.M., are investigating what happened on the set of “Rust” when the actor Alec Baldwin killed the film’s cinematographer and wounded its director by firing a gun that was being used as a prop.Details have begun to trickle out with the release of a detective’s affidavit, the audio of a 911 call made immediately after Thursday’s shooting, and public statements from some of the people involved. But much remains unclear, including the essential question: How did a gun that contained a fatal projectile get into the hands of an actor who believed it was safe, when an array of safeguards should have made that impossible?Here is an overview of what we know, and what we don’t know, as of Saturday morning.What we knowThe shooting happened during a rehearsal for a scene in “Rust.” Mr. Baldwin fired the gun, striking the cinematographer, Halyna Hutchins, in the chest and the director, Joel Souza, in the shoulder. Ms. Hutchins, 42, was airlifted to a hospital in Albuquerque, where she died. Mr. Souza, 48, was taken by ambulance to a hospital in Santa Fe and was released on Friday.Mr. Baldwin has cooperated with the investigation, including going to the Santa Fe County Sheriff’s Office after the shooting to provide a statement and answer questions. No criminal charges have been filed against him or anyone else.The Sheriff’s Office has obtained a warrant to search the building where the shooting happened, examine the gun for biological evidence, and review video footage from the film cameras and other recordings. A spokesman for the office said he expected more information to be available next week.In an affidavit accompanying the office’s request for a warrant, Detective Joel Cano said that an assistant director on the set had taken the gun off a cart — where it had been placed by the film’s armorer, or weapons handler — and handed it to Mr. Baldwin, who pulled the trigger shortly thereafter. According to the affidavit, the assistant director called out the words “cold gun,” indicating that it was unloaded and safe for Mr. Baldwin to handle.Days earlier, a handful of crew members had walked off the set over general working conditions, according to several people involved in the production and a theatrical union official. Crew members had complained to producers about long workdays — often exceeding 13 hours — and delayed paychecks. Some also said the production company had failed to book hotel rooms near the set, meaning that they had to drive about an hour to their homes after long, physically demanding days.In a statement released on Friday, Mr. Baldwin called the shooting a “tragic accident” and said he had been in touch with Ms. Hutchins’s husband to offer his support. “There are no words to convey my shock and sadness regarding the tragic accident that took the life of Halyna Hutchins, a wife, mother and deeply admired colleague of ours,” he wrote on Twitter, adding, “My heart is broken for her husband, their son, and all who knew and loved Halyna.”What we don’t knowWhat type of projectile the gun contained. We do not know whether it was live ammunition, a blank (meaning a cartridge without a bullet, but with gunpowder and wadding that can sometimes be ejected forcefully enough to kill) or something else.Who loaded the gun, and who was responsible for the false conclusion that it wasn’t loaded. We know from the Sheriff’s Office affidavit that the assistant director called it a “cold gun” when handing it to Mr. Baldwin, but we do not know whether he made that assessment personally or whether he received bad information from someone else.How the protocols that are supposed to prevent firearm deaths and injuries on film sets failed. More

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      Here's Why Films Use Real Guns as Props on Set

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      Safety protocols for firearms on set are well established and straight forward, and injuries of any kind are rare.LOS ANGELES — Hollywood was in a state of shock on Friday, one day after Alec Baldwin fired a gun being used as a prop on a New Mexico film set, killing a cinematographer and wounding the director. Real firearms are routinely used while cameras are rolling, and injuries of any kind are rare. The reason is that safety protocols for firearms on sets are well established and straight forward.Weapons must be tightly managed by an armorer, sometimes credited on films as a “weapons master,” who holds various government-issued permits. Some states, for instance, require an entertainment firearms license in addition to standard gun licenses. Cast members should be trained in gun safety in advance. Guns should never be pointed directly at anyone, especially in rehearsals but even during actual filming, since camera trickery can be used to compensate for the angle. If necessary, plexiglass is used to protect the camera operator and surrounding crew members.And no live ammunition, ever.“Protocol had to have been broken,” said Daniel Leonard, an associate dean of Chapman University’s film school who specializes in set procedures. “We will have to see what the details are, but the industry has a very specific set of guidelines to follow to prevent something like this from happening.”I am gutted and just so mad right now. No shot, no scene and no movie is worth the loss of life. #RIPHalynaHutchins— Rachel Morrison (@morrisondp) October 22, 2021
      Weapons on sets vary. Some are rubber props (used for shots when actors are far in the distance) and others are airsoft guns that fire nonlethal pellets. Often, however, productions use real guns.Studios prefer to digitally create the actual firing in postproduction whenever possible. Sometimes it is not. Even in a filmmaking age where visual-effects artists use computers to convincingly create disintegrating cities, it can be difficult to replicate the weight and recoil of a real gun, studio executives say. Some actors have a hard time faking it.Depending on the complexity of the scene, effects wizardry is also expensive, Mr. Leonard noted, and independently financed movies like “Rust,” the film that Mr. Baldwin was making in New Mexico, operate on shoestring budgets.When the guns need to be fired, they are loaded with blanks, which are cartridge cases with no bullets. People tend to think that blanks are like toy cap guns for children — a little pop and some smoke. That is not the case. Blanks can still be dangerous because they involve gunpowder and paper wadding or wax, which provide a flame and spark, which look good on camera. (When people are injured by firearms on sets, it usually involves a burn, safety coordinators said.)“Blanks help contribute to the authenticity of a scene in ways that cannot be achieved in any other manner,” David Brown, a Canadian movie firearms safety coordinator, wrote in American Cinematographer magazine in 2019. “If the cinematographer is there to paint a story with light and framing, firearms experts are there to enhance a story with drama and excitement.”A production safety coordinator, working with the armorer, institutes rules for keeping a safe distance from the muzzle of a gun loaded with a blank. At least 20 feet is a rule of thumb, according to Larry Zanoff, an armorer for films like “Django Unchained.” Mr. Brown wrote that “safe distances vary widely depending on the load and the type of firearm, which is why we test everything in advance.”“Take the distance that people need to be away from a gunshot, and then triple it,” Mr. Brown wrote. He declined a telephone interview on Friday but added in an email: “Firearms are no more dangerous than any other prop on set when handled responsibly. All the safety procedures in the industry make these situations virtually impossible when firearms are handled by professionals who give them their undivided attention.”If a movie involves gunfire, safety planning usually begins long before anyone gathers on a set, according to studio executives who oversee physical production. First, the armorer is brought on board to analyze the script and, working with the director and prop master, decide what weapons are needed. Studios tend to work with the same armorers over and over again; one such expert, John Fox, has credits in 190 films and 650 episodes of television over 25 years.Larry Zanoff is an armorer who worked on “Django Unchained.”Mel Melcon/Los Angeles Times, via Getty ImagesArmorers own the weapons themselves or rent them; Mike Tristano & Company in Los Angeles has a vast prop gun inventory that includes AK-47s in blank-firing, blank-adapted and nonfiring versions. Armorers (or sometimes licensed prop masters) are responsible for storing them on set. Guns are not supposed to leave their hands until cameras are rolling; actors hand them back as soon as “cut” or “wrap” is called and the cameras stop.“There’s a big difference between being an expert with firearms and handling them on a set,” said Jeremy Goldstein, a prop master and licensed armorer in Los Angeles whose credits include films for Netflix, Amazon and Universal. “On a set, you’re around people who have never held guns and who don’t understand the gravity of what can happen.” (Mr. Goldstein, like Mr. Zanoff and Mr. Brown, has no connection with “Rust.”)Studios typically require any cast members who will be performing with firearms to undergo training on a shooting range in advance. There, they are taught safety and given general information about how guns work. Independent productions, for reasons of cost and time, may handle safety demonstrations on set. Various unions operate safety hotlines where anyone on set can anonymously report concerns.It is not clear precisely what kind of gun was being used in “Rust,” what it was loaded with or what exactly was happening on the set when it was fired. It was also not known what kind of training the cast members had. “Regarding the projectile, a focus of the investigation is what type it was and how did it get there,” said Juan Ríos, a spokesman for the Santa Fe County Sheriff’s Office.A New York Times reporter got a sense of what usually happens on a set right before a scene involving simulated gunfire. It happened in October 2015 on the Baton Rouge, La., set of the remake of “Roots.” Before the cameras rolled, a crew leader stood in the middle of the wooded location, with dozens of performers and crew watching, and gave a safety speech in an urgent, serious tone. The scene they were about to film involved cannons and gunfire from period weapons.“All right everybody,” the crew leader said. “We have to discharge the gun. So we’re not playing with toys, guys. If something goes wrong, I’m going to yell cut, and we’re all going to back off calmly.“The cannons are all faced out. We’ve all been through this training, we’ve rehearsed it over and over, we all get it. But pay attention, this is not a game. I keep saying that, guys. These guns are for real.”Melena Ryzik More

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      Brandon Lee and Other Deaths on Set

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      Accidents on sets have resulted in numerous deaths and injuries over the years, some bringing about lawsuits or changes in safety guidelines.Behind the magic of movies and television are actors and props, crew members, stunt performers and a sometimes dangerous set of circumstances for the people filming scenes.On Thursday, the potential danger on some sets made news around the world, after the actor Alec Baldwin discharged a gun that was used as a prop on the set of a western in New Mexico, killing the film’s director of photography and wounding the movie’s director.The authorities said the shooting took place in the middle of a scene that was either being rehearsed or filmed. Many other details of what happened remained unclear on Friday.Accidents on movie and television sets, like stuntmen and stuntwomen being injured during action sequences or actors getting killed when props malfunction, have occurred with some regularity over the last several decades. There have been at least 194 serious television- and film-set accidents in the United States from 1990 to 2014, and at least 43 deaths, according to The Associated Press.Here’s a partial list of set accidents from recent history.‘Twilight Zone: The Movie’The actor Vic Morrow on the set of the ABC series “Combat!”Moviestore Collection Ltd / Alamy Stock PhotoA helicopter crash on the Los Angeles set of the “Twilight Zone” movie killed the actor Vic Morrow and two child actors, Renee Shinn Chen and My-ca Dinh Lee, in July 1982.The tail rotor of the helicopter was hit by debris from explosives detonated in a scene depicting the Vietnam War. The main rotor of the helicopter struck and killed Mr. Morrow and the children as the aircraft pitched into a river on the set.The film’s director, John Landis, was charged with involuntary manslaughter in connection with the deaths, as were with four other members of the film crew, including the helicopter pilot. After a trial that lasted nearly a year and nine days of deliberation by a jury, all five were acquitted in May 1987. In the aftermath of the accident, the Directors Guild of America created a safety committee to put in place safety guidelines.‘Cover Up’Jon-Erik Hexum in “Cover Up,” a CBS detective action television series, in 1984.CBS, via Getty ImagesThe actor Jon-Erik Hexum accidentally shot himself in the head while playing Russian roulette on the set of the television series “Cover Up” in October 1984.Mr. Hexum, 26, had loaded three empty cartridges and two gunpowder-filled blanks into a high-powered handgun before firing the gun, according to a detective on the case.Mr. Hexum sustained a fractured skull and underwent five hours of surgery. He died several days later. The police ruled the shooting an accident.‘The Crow’Brandon Lee in “The Crow.”Allstar Picture Library Ltd. / Alamy Stock PhotoBrandon Lee, an actor and the son of the martial-arts star Bruce Lee, died in March 1993 during the filming of “The Crow,” after being shot at with a gun that was supposed to fire blank cartridges.The tip of a .44-caliber bullet had become lodged in the gun’s barrel in filming a close-up scene, and dislodged when a blank cartridge was fired. The bullet pierced Mr. Lee’s abdomen, damaging several organs and lodging in his spine.Mr. Lee, 28, was the star of the film, about a rock musician who is killed by a street gang and then comes back to life with supernatural powers.An executive producer of the movie said at the time that when a blank is fired, a piece of soft wadding normally comes out of the gun, but in this instance, a metallic projectile came out. A police investigation into the shooting found no evidence of criminal wrongdoing and no charges were filed.‘Midnight Rider’Richard and Elizabeth Jones at a memorial for their daughter, Sarah Jones, who was killed in 2014 by a train while shooting the film “Midnight Rider.”David Mcnew/Getty ImagesSarah Jones, a camera assistant, died on the set of the independent film “Midnight Rider,” about the musician Gregg Allman, in Georgia in February 2014. Ms. Jones was killed while helping prepare a shot that involved placing a bed across the tracks of a CSX railroad line.After two trains passed, crew members on the film believed they would have a safe interval to get the shot, part of a planned dream sequence. But a third train appeared, moving at high speed through the set, killing Ms. Jones and injuring others.Later that year, the family of Ms. Jones reached a settlement with 11 defendants in a lawsuit over her death. The terms of the settlement were not disclosed. In 2015, the film’s director, Randall Miller, pleaded guilty to involuntary manslaughter and served a year in jail. He was also sentenced to 10 years of probation.‘Resident Evil: The Final Chapter’Olivia Jackson, a stuntwoman for the actor Milla Jovovich, was severely injured while filming a sequence for “Resident Evil: The Final Chapter” in South Africa in September 2015. While riding a motorcycle, Ms. Jackson collided with a piece of camera equipment, according to Deadline.The accident nearly killed Ms. Jackson, leaving her with multiple injuries including disfigurement, several nerves torn out of her spinal cord and a partly amputated left arm.In April 2020, the High Court in South Africa ruled in favor of Ms. Jackson and against a company involved in the movie.Two months after Ms. Jackson was injured, another crew member, Ricardo Cornelius, died after a Humvee slid off a rotating platform and crushed him against a wall, Deadline reported.‘The Walking Dead’A scene from “The Walking Dead” featuring, from left, Andrew Lincoln, Danai Gurira and Melissa Ponzio.Gene Page/AMC , via Associated PressJohn Bernecker, a stuntman for AMC’s “The Walking Dead,” died in July 2017 after falling on a balcony set in Georgia.Mr. Bernecker, who had been an active stuntman since at least 2009 and had appeared in films such as “Get Out” and “The Fate of the Furious,” died of blunt-force trauma, a coroner said. Production of the show’s eighth season was temporarily shut down after the accident.Mr. Bernecker’s family filed a wrongful-death lawsuit in early 2018 against AMC Networks, the production company Stalwart Films and other parties in Georgia, claiming they had failed to make the show with appropriate safety measures. The suit claimed that some fall protection was in place but that airbags and spotters were not used, and that the padding did not fully cover the area below the fall. Mr. Bernecker landed on his head or shoulder area.In December 2019, a jury found AMC Networks not to be negligent but awarded more than $8 million in civil damages. The Georgia Court of Appeals overturned the decision in March 2021.‘Deadpool 2’A woman was killed while attempting a stunt on a motorcycle on the set of “Deadpool 2” in Vancouver, British Columbia, in August 2017. The woman, Joi Harris, was acting in her first film as a stuntwoman, according to Deadline.Ms. Harris, 40, had worked as a motorcycle racer before joining the crew of the film, and was serving as a stunt double for the actor Zazie Beetz. More

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      Halyna Hutchins, Cinematographer of 'Rust,' Was Talented and Spirited

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      Halyna Hutchins, the director of photography for the film “Rust,” was killed when the actor Alec Baldwin discharged a firearm being used as a prop.Shortly before the cinematographer Halyna Hutchins was fatally shot on a film set in the foothills of New Mexico, she smiled at the camera as she recorded herself riding a chestnut horse through the desert brush.“One of the perks of shooting a western is you get to ride horses on your day off,” Ms. Hutchins wrote this week in an Instagram post.On Thursday, Ms. Hutchins, 42, was killed when the actor Alec Baldwin discharged a firearm being used as a prop on the set of “Rust,” a western about a teenage boy who goes on the run with his grandfather after the accidental killing of a local rancher. Ms. Hutchins, the film’s director of photography, died after being flown to the University of New Mexico Hospital in Albuquerque. The film’s director, Joel Souza, was injured in the shooting and was released from a hospital.Friends in Ukraine, where Ms. Hutchins is originally from, described her as spirited, and said she never forgot her home. She was proud of her heritage.Instagram/Halynahutchins/@Halynahutchins Via ReutersFriends in Ukraine, where Ms. Hutchins is originally from, described her as spirited, someone whose talents had propelled her from that country to success in Hollywood but who never forgot her home. She was proud of her heritage, they said, and returned regularly to visit.Yana Nestoliy, a friend from college, described her as an ambitious, focused woman with intelligent eyes and a sincere smile.“She could have been among the top Hollywood stars on camera, not behind it,” Ms. Nestoliy said.Ms. Hutchins grew up on a Soviet military base in the Arctic Circle, where, according to her personal website, she was “surrounded by reindeer and nuclear submarines.” She studied economics at the Agrarian University in Ukraine before switching to a journalism program at Kyiv National University. She later attended the American Film Institute Conservatory in Los Angeles.Andriy Semenyuk, a friend and fellow Ukrainian cinematographer, said in an interview with Detector Media, a media organization in Ukraine, that even as her career blossomed in Hollywood, she made a point of embracing her background, making an effort to help fellow Ukrainians in California. He called her death a “stupid, shocking loss.”The Ukrainian Foreign Ministry said on Friday that the country’s consulate in Los Angeles was trying to contact Ms. Hutchins’s relatives.Also on Friday, Mr. Baldwin released a statement on social media saying, “There are no words to convey my shock and sadness regarding the tragic accident that took the life of Halyna Hutchins, a wife, mother and deeply admired colleague of ours.” He said that he is in contact with Ms. Hutchins’s husband, adding, “My heart is broken for her husband, their son, and all who knew and loved Halyna.”Among filmmakers in the United States, Ms. Hutchins was remembered as a skilled cinematographer with an artistic vision who was deeply committed to her work.Adam Egypt Mortimer, the director of a 2020 superhero action movie “Archenemy,” on which Ms. Hutchins worked as director of photography, wrote on Twitter that Ms. Hutchins was a “brilliant talent,” pointing to a series of posts he made last year about Ms. Hutchins’s work. He had written that Ms. Hutchins’s “tastes and sensibility of what is cinematic were a huge asset for executing our style” and that she had been visually inspired by Jim Steranko comics.“She was a true wartime sister,” Mr. Mortimer wrote, “fighting the battles to make this thing look amazing despite the unrelenting limitations and catastrophes.” More