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    Red Hot Chili Peppers Top Chart With ‘Unlimited Love’

    The band reunites with its former guitarist, John Frusciante, and the producer Rick Rubin for its latest album.Everything aligned for Red Hot Chili Peppers’ latest album, “Unlimited Love,” which has opened at No. 1 on the Billboard chart, the band’s second time at the top.The Chili Peppers reunited with its former guitarist, John Frusciante, for the album. He has been in and out of the band since 1988 — with his most recent departure coming after the tour for “Stadium Arcadium” (2006), the group’s last album to go to No. 1. “Unlimited Love” also put the band back in the studio with Rick Rubin, who has produced most of the Chili Peppers’ albums since 1991, but not its most recent, “The Getaway” (2016, with Danger Mouse).And if there were an award for most unusual promotional appearances, it might go to a recent one by Flea, the band’s inimitable bassist, who offered a lunging, psych-funk solo instrumental version of “The Star-Spangled Banner” before the Lakers-Nuggets game on April 3. (Did it result in sales or streams of “Unlimited Love”? Who knows, but it’s a must-see for any Chili Peppers fan.)In its first week out, “Unlimited Love” had the equivalent of 97,500 sales in the United States, according to the tracking service Luminate, formerly known as MRC Data. That total includes 19 million streams — modest for a No. 1 album these days — as well as 82,500 copies sold as a complete package, among them a hefty 38,500 copies on vinyl. (On next week’s chart, Jack White’s “Fear of the Dawn” is also expected to arrive with a big vinyl number.)Also this week, “7220,” by the Chicago rapper Lil Durk, is No. 2. The “Encanto” soundtrack is No. 3, Morgan Wallen’s “Dangerous: The Double Album” holds at No. 4 in its 65th week on the chart — every week but one of that time in the Top 10 — and Olivia Rodrigo’s “Sour” is No. 5. More

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    Stray Kids, a K-Pop Octet, Debuts on the Chart at No. 1

    The eight-member group sold more than 100,000 copies of its new mini-album, “Oddinary,” on CD, which came in an array of collectible versions.Stray Kids, a K-pop group formed through a reality-TV show, has made its first appearance on the Billboard 200 chart a big one, opening at No. 1.“Oddinary,” a seven-track EP with lyrics mostly in Korean, had the equivalent of 110,000 sales in the United States in its first week out. The vast majority of those sales were for CDs, as the eight-man group’s “Oddinary” came out in a variety of collectible versions including stickers, posters, trading cards and other goodies. The mini-album also had 10 million streams, according to Luminate, the tracking service formerly known as MRC Data (and, before that, Nielsen Music).Lil Durk’s “7220,” last week’s chart-topper, falls to No. 2 with the equivalent of 81,000 sales, mostly from streaming, a 33 percent drop. Disney’s “Encanto” soundtrack is No. 3, and Morgan Wallen’s “Dangerous: The Double Album” is No. 4.“Fighting Demons,” the second posthumous album by Juice WRLD, the singer and rapper who died at age 21 in late 2019, jumped 30 spots to No. 5 after it was rereleased in a deluxe version and also came out on physical formats like CD and vinyl LP. “Fighting Demons” had opened at No. 2 in December.The Weeknd’s compilation “The Highlights” is in sixth place, and the British pop singer and songwriter Charli XCX opens at No. 7 with “Crash,” a career high.On the singles chart, Glass Animals’ “Heat Waves,” a nearly two-year-old song that has become newly hot at pop radio after it became a meme on TikTok, holds at No. 1 for a fourth straight week. More

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    You Don’t Know Much About Jay Penske. And He’s Fine With That.

    For the media executive Jay Penske, awards season is money season. It’s the time of year when Disney and Netflix, along with the other studios and streamers, demonstrate their love for the talent by spending millions on For Your Consideration ads in Variety, The Hollywood Reporter and Deadline, as well as the niche outlets Gold Derby, IndieWire and TVLine. All of those publications, which cover things of special interest to Oscar and Emmy voters, are part of Penske Media Corporation.Mr. Penske, a 43-year-old son of a billionaire, has expanded his company greatly in the last few years, pulling off a series of buy-low acquisitions that have turned him into a behind-the-scenes power broker. In addition to the Hollywood trades, he owns Rolling Stone, Billboard, Vibe and Women’s Wear Daily, and he has a controlling stake in the annual South by Southwest festival.“Jay Penske has become the Rupert Murdoch of entertainment publications,” said Stephen Galloway, a former executive editor of The Hollywood Reporter who is now the dean of the Chapman University film school.The flurry of deals, announced in a steady drumbeat of news releases, was not all that sexy, given Mr. Penske’s focus on old-school publications at a time when Substack and TikTok were hot topics in media circles.But the moves have made him someone to be reckoned with, a mogul who can shape perceptions of Hollywood and its players. And his company has become a prime landing spot for the tens of millions spent annually on Oscars and Emmys advertising, a market that has heated up in recent years as streaming platforms spare no expense in their quests for prestige and attention.Mr. Penske made himself into a publisher after growing up the youngest son of the automotive industry titan Roger Penske, a onetime professional racecar driver, known as the Captain, who started his business, Penske Corporation, once his racing days were done. The father’s success made the Penske name all but inescapable. On any street you may see one of the more than 360,000 trucks and vans belonging to his transportation fleet, with the family name in bold black lettering on the side.Up until a decade ago, Jay Penske was one of many scions looking to move upward in Los Angeles. From the start, he was driven by a desire to make the family name known for something other than his father’s accomplishments, said the media entrepreneur Rafat Ali, who met Mr. Penske more than a dozen years ago. “I think he has a chip on his shoulder and wants to prove himself,” he said. “He was hustling back then not to be known as Penske — to prove himself not to the world, but to his family.”Mr. Penske, who declined to be interviewed for this article, entered publishing in earnest in 2009, when he bought Deadline Hollywood Daily, a take-no-prisoners entertainment news site started by the journalist Nikki Finke. A few years later, it became apparent that his ambitions went beyond watching over a scrappy digital outlet, when he set his sights on Variety, the age-old show business publication that was challenged by the transition to online media.The veteran Hollywood executive Sandy Climan put him in touch with Daniel S. Loeb, a hedge fund investor, and the two hit it off over breakfast at the Montage Beverly Hills. Months later Mr. Penske called Mr. Loeb to say he was closing in on a Variety deal — but his financing had collapsed.A 2015 cover of Variety, the trade publication acquired by Penske Media in 2012.via VarietyThe Hollywood Reporter, a Variety competitor, came aboard in 2020.Victoria Will (cover image), via Hollywood Reporter“He’s super-close to his dad,” Mr. Loeb said. “His dad could have written that check in a heartbeat. But I think Jay would rather have let the deal go off the rails before going to his dad for anything other than emotional support.”Mr. Loeb’s fund provided the $26 million in debt and equity Mr. Penske needed to clinch the sale. (That investment made Mr. Loeb a part owner of Variety; Mr. Penske has since bought back his stake, Mr. Loeb and a Penske Media spokeswoman said.)After acquiring Variety, he continued his spree, picking up faded properties at bargain-bin prices. In 2014 he bought Fairchild Fashion Media, the owner of Women’s Wear Daily, from Condé Nast. In 2017 he bought Jann Wenner’s 51 percent stake in Rolling Stone; two years later he acquired the remaining 49 percent, after a cash infusion from a Saudi company. In 2020 Mr. Penske bought 80 percent of The Hollywood Reporter, Billboard and Vibe.Last year he made his move on South by Southwest, becoming a majority shareholder in the annual tech, film and music festival, which had run into money troubles because of the pandemic. (It made its return this month, after having been shut down the last two years.) Along the way Mr. Penske added ARTnews, Art in America, Dirt, Beauty Inc. and Spy.“Jay grew up with great wealth, but in L.A. there are rooms that are not open to just any rich guy,” said Matthew Belloni, who leads entertainment industry coverage for a new publication, Puck, and who was the top editor of The Hollywood Reporter before Mr. Penske took over. “Owning all of these publications makes him a must-know.”In an industry that rewards attention seekers, he stands apart because of his penchant for privacy. He avoids red carpet events, almost never gives interviews and has no social media footprint. “He prefers to let the brands speak for themselves,” a Penske Media spokeswoman said.Illustration by Tom Hodgkinson; Xavier Bonilla/NurPhoto, via Getty Images‘Dragon, Dragon’Mr. Penske lives in the Pacific Palisades neighborhood of Los Angeles with his wife, Elaine Irwin, 52, a former Victoria’s Secret and Calvin Klein model who was previously married to the rock star John Mellencamp, and their daughter. He keeps an apartment in New York and recently bought Hog Cay, a private island in the Bahamas.He grew up in New York City, Monmouth County, N.J., and Bloomfield Hills, Mich., where Penske Corporation has its headquarters. Family vacations took place at Deer Valley in Utah, a ski resort that was partly owned by his father from 1987 to 2017. “They were a country club family,” said Tom Bernard, the co-president of Sony Pictures Classics, who lived for a time near the Penskes and knew the young Jay.One of five siblings in a boisterous, competitive family, he distinguished himself in hockey and lacrosse at the Lawrenceville School, a boarding school in New Jersey, and Orchard Lake St. Mary’s, a Catholic prep school in Michigan. He was an all-state hockey player, and in 1997 he was named an All-American lacrosse player. A photo of him still hangs in a St. Mary’s athletic facility, showing him mid-stride on the lacrosse field in his No. 7 jersey, which the school retired.His father is a grand figure, beloved in the racing world. He started Penske Corporation in 1969 after racking up 55 victories behind the wheel. One of his company’s divisions owns the Indianapolis Motor Speedway, the home of the Indy 500. Another subsidiary runs Team Penske, the organization whose drivers have won more than 600 races. In 2019, he was awarded the Presidential Medal of Freedom. Jay Penske and Ms. Irwin were among the guests in the Oval Office who looked on as former President Donald J. Trump placed the medal around the patriarch’s neck.Jay showed signs that he would go his own way not long after his 2001 graduation from the Wharton School of the University of Pennsylvania. He moved to Los Angeles and threw himself into businesses that had nothing to do with the nuts, bolts and engine noise of the family trade. An early venture was Firefly Mobile, a company that offered phones designed for children, with large buttons. He also bought promising URLs, including Mail.com, which he built into an email portal business and eventually sold at a profit.The writer A. Scott Berg, who won a Pulitzer Prize for his biography of Charles Lindbergh and a National Book Award for his study of the editor Maxwell Perkins, was a friend and mentor to Mr. Penske when he was new to Los Angeles. The two bonded over their shared love of books, Mr. Berg said in an interview, adding that he was struck by the younger man’s apparent distaste for Hollywood and the media.“When I met Jay Penske, he viewed two industries with contempt: show business and magazines,” Mr. Berg said. “For whatever reason, he seems to have changed his mind. Maybe he recognized their commercial value, or maybe he came to appreciate their content. One thing I knew from the night I met him in the summer of 2002 was that he was a serious bibliophile.”Jay Penske and his wife, Elaine Irwin, at a Ralph Lauren event in New York in 2018.Wonwoo Lee/ZUMA, via Alamy Mr. Penske gave full expression to his passion when he opened a bookshop in the Beverly Glen neighborhood of Los Angeles. He named it Dragon Books, after a collection of tales he had loved as a child, “Dragon, Dragon,” by John Gardner. The store, with its 18th-century French mantel, wood paneling and Doric columns, became a favorite of antiquarian book lovers. Two hundred people, including his parents, attended the opening in 2006, and Mr. Berg did a brief write-up for Vanity Fair.“While a serial prep-school expellee, he became a serious reader of 19th-century novels,” he wrote of Mr. Penske. “Soon he began collecting, starting with works by Kierkegaard and Mencken. When moving to Los Angeles in 2002, he discovered he had 28,000 volumes, half of which he’s now selling to sustain his passion for new acquisitions. He shelved each book himself, and he often mans the cash register.”He didn’t hold himself entirely aloof from his father’s world. In 2007, with the investor Steve Luczo, he started an IndyCar team, Luczo Dragon Racing. Now fully owned and operated by Mr. Penske and called Dragon Racing, it has competed in the Formula E racing series, for electric cars, for nearly a decade.In 2009, he dove into publishing with the purchase of Deadline. Built on Ms. Finke’s lively voice, it was a gleefully rude digital upstart that made Variety and The Hollywood Reporter seem like house organs for the movie studios and talent agencies. Mr. Penske and Ms. Finke added some reporting muscle when they lured Nellie Andreeva away from The Hollywood Reporter and Mike Fleming from Variety. Deadline’s minuscule staff regularly scooped the competition.With Mr. Penske’s entree into the media business came media attention. The gossip site Gawker took notice of him — at age 30 he was seen at parties in the company of the Benihana heiress Devon Aoki — and labeled him “the hard-partying Si Newhouse Wannabe of Bel Air,” a reference to the longtime Condé Nast chairman.Ms. Finke left Deadline after Mr. Penske’s purchase of Variety amid reports that she preferred that he remain focused on Deadline, rather than attempt to revive a competitor. She started a new blog and used it to refer to him as “Little Lord Fauntleroy.” After mediation with Mr. Penske, she shut down the site; since then, she has not reported on the entertainment industry. (Ms. Finke declined to comment.)Her onetime colleague Mr. Fleming had nothing but praise for the publisher. In an interview, he noted that Mr. Penske flew to New York to attend the wake for his father, who died in 2012 from injuries sustained during Hurricane Sandy. “That told me everything I needed to know,” said Mr. Fleming, who is now Deadline’s co-editor-in-chief with Ms. Andreeva.The visit took place during an eventful time for Mr. Penske. The year 2012 was also when he got arrested in Nantucket. According to a Nantucket Police Department report, Mr. Penske and his brother Mark were urinating in a parking lot outside the Nantucket Yacht Club late at night when a woman approached. “Jay turned and continued to urinate on her boots,” the report said. After the woman alerted the police, the brothers apparently tried “to flee.”An officer intercepted Jay, and his brother was found on the back staircase of an apartment building, according to the report. The Penskes were locked in a police station cell, only to be released soon afterward. Coverage of the incident was widespread, with reports in Auto Week, The Daily Mail, ESPN and Politico, among other publications.Mr. Penske has not spoken publicly of that night and has kept his silence when faced with public criticism in other instances. One came after his 2017 purchase of a Black church in the Venice neighborhood of Los Angeles for $6.3 million. Mr. Penske’s plan to convert it into a home for his family drew protests. He has since sold the property.In 2018, he accepted a $200 million investment from the Saudi Research and Media Group, a publicly traded company. The investment became a point of contention later that year, when Jamal Khashoggi, a critic of the Saudi government who wrote a regular opinion column for The Washington Post, was murdered and dismembered in a Saudi consulate office in Turkey. The United States government concluded that the killing had been carried out by a team reporting directly to Crown Prince Mohammed bin Salman, Saudi Arabia’s de facto ruler.Mr. Penske did not publicly address the investment, even as his publications reported on the pressure faced by companies with financial ties to Saudi Arabia. In some articles, the Penske outlets mistakenly reported that his company had received money from the Saudi Public Investment Fund, which is overseen by Prince Mohammed, rather than the Saudi Research and Media Group. After The Wrap reported on the matter, a number of Penske Media articles were updated to correct the error.“PMC has disclosed the small minority investment from SRMG to all of its stakeholders and brands,” a Penske Media spokeswoman said in a statement. “Any statement to the contrary is purely an attempt to create a false narrative. It is further disclosed in every article any PMC brand writes about Saudi Arabia.”Jay Penske watches the action at the Indianopolis Motor Speedway during a practice run before the Indianapolis 500 in 2012.Brent Smith/Reuters, via Alamy‘This Guy Is Serious’Ten Penske Media employees interviewed for this article describe their boss as someone who stepped up for publications in trouble. “Jay Penske came in and saved this business,” said Dea Lawrence, the chief operating and marketing officer of Variety. “He is a hero to the publishing world.” His company has more than 1,350 employees, according to the Penske Media vice chairman Gerry Byrne, nearly half of them journalists and content creators.After the company bought a controlling stake in Vibe and Billboard, which have offices in New York, he flew there to meet with each new employee. “This was in the middle of the pandemic, and so I thought, ‘Wow, this guy is serious!’” said Datwon Thomas, the editor in chief of Vibe. Mr. Thomas met Mr. Penske for lunch at Bryant Park Grill in Midtown. “Jay knew a lot about me and my background,” he said, “and he knew a lot about Vibe.” Four other Penske Media employees said that Mr. Penske makes a practice of meeting with each of his new employees soon after acquiring a property.Mr. Penske will sometimes play hardball with the staff. When Tatiana Siegel, a longtime Hollywood Reporter journalist, accepted a job at The Ankler, a subscription newsletter started by the show business writer Richard Rushfield that has expanded under the former Hollywood Reporter top editor Janice Min, Mr. Penske put a stop to the move. Ms. Siegel’s contract included a noncompete clause, and Mr. Penske held her to it. The parties eventually agreed that Ms. Siegel would decamp to Rolling Stone, committing 80 percent of her work to it, with the remainder going to The Ankler.“Jay has been by far the best owner I’ve worked under at The Hollywood Reporter,” said Ms. Siegel, who joined the magazine in 2003. “My situation was unique, and it was resolved amicably.”The upstart publications Puck and The Ankler pose a new threat to Penske Media’s hold on entertainment coverage. The competition is reminiscent of what took place more than a decade ago, when Deadline had the old guard quaking. Mr. Rushfield said that start-ups may have an advantage over entrenched publications, because they are not beholden to anyone.“If you’re at a publication like Variety, for example, the number of things a studio has over you is hard to keep track of,” Mr. Rushfield said. “You need friendly access to studio executives and agents gift wrapping your scoops. You need people for covers. You need people to speak at your conferences.” The result, he continued, is that “publications with different business models, and more aggressive reporting, can elbow their way in.”Mr. Penske may be able to counter the newcomers through the magic of synergy. The addition of South by Southwest has given him another way to promote all things Penske. The latest iteration of the festival, which is in Austin, Texas, included concerts hosted by Rolling Stone and live episodes of podcasts from The Hollywood Reporter and Deadline.Shortly before the first day, Variety published a glowing article headlined “‘SXSW Is My Whole Life’: An Ode to the Austin Festival as It Makes Its In-Person Return.” You can read it online, where, up until Oscar voting ended on March 22, it was surrounded by For Your Consideration ads. More

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    Lil Durk and Ghost Shake Up the Billboard Chart

    After an eight-week run at the top for the “Encanto” soundtrack, new albums from the rapper and the Swedish metal band take over.After eight straight weeks leading the Billboard album chart — and nine at the top overall — the “Encanto” soundtrack has finally been bumped from No. 1 by new releases from the Chicago-born rapper Lil Durk and the costumed Swedish metal band Ghost.Lil Durk, a mainstay of the Chicago rap scene who has relocated to the Atlanta area, and lately reached a new audience through a crossover with the country star Morgan Wallen, tops the chart with his album “7220.” It had the equivalent of 120,500 sales in the United States in its opening week, including nearly 165 million streams. Those numbers are tallied by Luminate, the new name for MRC Data, the tracking service that is owned by Billboard’s parent company.It is Lil Durk’s second time at No. 1, after “The Voice of the Heroes,” a joint album with Lil Baby, last June.At No. 2 is “Impera” by Ghost, whose members perform in elaborate satanic regalia. The lead singer, Tobias Forge, appears in black robes and skeletal makeup as a demonic antipope called Papa Emeritus IV — his influences include black metal and Andrew Lloyd Webber — backed up by a crew of Nameless Ghouls. (Forge’s identity became widely known only after four former Nameless Ghouls sued him for back pay in 2017; the case was later dismissed.) “Impera,” Ghost’s fifth studio album, had the equivalent of 70,000 sales, mostly from copies sold as complete albums, in formats like CDs and vinyl LPs.“Encanto” falls to No. 3, and Wallen’s “Dangerous” is No. 4. The British singer Rex Orange County opens at No. 5 with “Who Cares?” More

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    ‘Encanto’ Tops Chart for Ninth Week. Will It Be the Last?

    The soundtrack, which includes TikTok-fueled hits like “We Don’t Talk About Bruno,” may soon be ousted by “7220,” a new release by the Chicago rapper Lil Durk.This week, Disney’s “Encanto” soundtrack notches its ninth, and possibly last, time on the top of the Billboard chart.The “Encanto” album, with songs by Lin-Manuel Miranda, like “We Don’t Talk About Bruno” and “Surface Pressure,” that were amplified through TikTok into streaming blockbusters, holds the No. 1 spot with the equivalent of 72,500 sales in the United States, including 93 million streams, according to the tracking service MRC Data.That is the longest run on the Billboard 200 chart since Morgan Wallen’s “Dangerous: The Double Album,” which ruled for 10 weeks last year. But the numbers for “Encanto” have been slipping for weeks, and it may have finally met a challenger that could oust it: “7220,” by the Chicago rapper Lil Durk, which was released on Friday and is expected to make a splash on the next chart.Also this week, “What It Means to Be King,” a posthumous album by King Von, who died in late 2020 at age 26, opened at No. 2 with the equivalent of 59,000 sales, including 79 million streams.Wallen’s “Dangerous” holds at No. 3 in its 61st week on the chart; of those, 60 have been spent in the Top 10. Kodak Black’s “Back for Everything” is No. 4 and Gunna’s “DS4Ever” is No. 5. More

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    ‘Encanto’ Soundtrack Tops Billboard Chart for Fifth Week

    Propelled by streams of the hit “We Don’t Talk About Bruno,” the album notched the most weeks at No. 1 for a soundtrack since Disney’s “Frozen.”Another week, another No. 1 for Disney’s “Encanto” soundtrack.The album, with songs by Lin-Manuel Miranda, continues its blockbuster run on Billboard’s chart by notching its fifth week at No. 1, beating out new releases by Yo Gotti and Mitski.Propelled by the song “We Don’t Talk About Bruno,” which remains the most-streamed song in the United States on Spotify — as well as a popular TikTok meme — the “Encanto” soundtrack had the equivalent of 110,000 sales last week. That was down just 2 percent from the week before, according to MRC Data, Billboard’s tracking arm.“Encanto,” released nearly three months ago, has held the top spot every week this year except one, and posted steady numbers. Its total this week includes 135 million streams — last week it was 140 million; the week before, 139 million — and 17,000 copies sold as a complete package. It is the first soundtrack to earn at least five weeks at No. 1 since Disney’s “Frozen,” which enjoyed 13 times at the top in 2014.This week, “We Don’t Talk About Bruno” is also No. 1 on Billboard’s Hot 100 singles chart for a third time.Also this week, “DS4Ever” by the Atlanta rapper Gunna rises one spot to No. 2 on the album chart, while the veteran Memphis rapper Yo Gotti opens at No. 3 with “CM10: Free Game,” his highest chart position.Morgan Wallen’s “Dangerous: The Double Album,” a chart mainstay for more than a year now, holds at No. 4, and “Laurel Hell” by Mitski, a star indie singer-songwriter, opens at No. 5, a career high. More

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    ‘Encanto’ Soundtrack Returns to No. 1, Beating Gunna and the Weeknd

    When the soundtrack to “Encanto,” Disney’s latest animated film, came out two months ago, it was by no means a hit, entering the Billboard 200 chart at No. 197.But the film’s catchy and eclectic songs by Lin-Manuel Miranda — drawing on salsa, bachata, hip-hop and classic Broadway — became sleeper hits once the film began streaming on Disney+, a month ago. For weeks, the song “We Don’t Talk About Bruno” has been unavoidable on TikTok, with fans making dance and singalong videos, helping make “Bruno” one of the top tracks on Spotify and Apple Music.This week, the “Encanto” soundtrack returns to No. 1 on Billboard’s album chart, beating out competition from the Weeknd, Gunna and a new release by the Americana band the Lumineers. It is the second time “Encanto” has topped the chart, after going to No. 1 two weeks ago and then dipping to No. 3.“Encanto” had the equivalent of 104,000 sales in the United States, including 125 million streams and 17,000 copies sold of the album as a complete package, according to MRC Data, Billboard’s tracking arm. “Encanto” is the first Disney soundtrack to have multiple turns at No. 1 since “Frozen,” which notched a total of 13 weeks at the top in the first half of 2014. “Bruno” is No. 2 on Billboard’s Hot 100 singles chart, behind Adele’s “Easy on Me,” which is at the top for a 10th week.Last week’s top seller on the album chart, “DS4Ever” by the Atlanta rapper Gunna, falls one spot to No. 2 in its second week out, losing 36 percent of its equivalent sales, while the Weeknd’s “Dawn FM” lost 59 percent, sliding one to No. 3.Adele’s “30” is No. 4, Morgan Wallen’s “Dangerous: The Double Album” is No. 5, and the Lumineers’ “Brightside,” its first LP in two and a half years, starts at No. 6. More

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    Adele’s ‘30’ Crosses a Million Sales and Holds at No. 1

    The singer’s first album in six years became the first release to reach that milestone since Taylor Swift’s “Evermore” a year ago. But in 2015, Adele’s “25” sold 3.4 million its first week.Adele holds the No. 1 spot on the Billboard album chart for a third time this week with “30,” with no major new releases to challenge it.Her first album in six years, “30” had the equivalent of 193,000 sales in the United States, according to MRC Data, Billboard’s tracking arm. That included 58 million streams and 149,000 copies sold as a complete package. “30” has now sold more than one million copies as a full album, the first release to do so since Taylor Swift’s “Evermore” a little over a year ago — though Adele’s last LP, “25,” sold nearly 3.4 million in its first week out in 2015, when Adele withheld the complete album from streaming services.Also this week, Swift’s “Red (Taylor’s Version)” holds at No. 2. Polo G’s “Hall of Fame,” which opened at No. 1 back in June, jumped 66 spots to No. 3 thanks to a new version with extra tracks. Michael Bublé’s “Christmas,” a seasonal hit each year since its release a decade ago, is No. 4, and Olivia Rodrigo’s “Sour” is No. 5.Morgan Wallen’s “Dangerous: The Double Album,” which had a 10-week run at No. 1 at the start of the year and has never dipped further than No. 9 on the chart, holds in sixth place. More