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      The Best and Worst of the Golden Globes

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      #masthead-section-label, #masthead-bar-one { display: none }Awards SeasonGolden Globes: What HappenedMoments and AnalysisGlobes WinnersGolden Globes ReviewAdvertisementContinue reading the main storySupported byContinue reading the main storyThe Best and Worst of the Golden GlobesAmid deeply moving moments (like the speech by Chadwick Boseman’s widow), there were technical difficulties and the strange sight of long-distance hosts pretending to be on the same stage.March 1, 2021, 4:57 a.m. ET More

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      Chadwick Boseman wins a best actor Golden Globe and his widow accepts in an emotional speech.

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      #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main story‘Nomadland,’ ‘Borat Subsequent Moviefilm’ and ‘The Crown’ Led a Remote Golden GlobesChadwick Boseman wins a best actor Golden Globe and his widow accepts in an emotional speech.Feb. 28, 2021, 10:56 p.m. ETFeb. 28, 2021, 10:56 p.m. ET More

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      The Gotham Awards Honor ‘Nomadland,’ as Best They Can

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      #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storyThe ProjectionistThe Gotham Awards Honor ‘Nomadland,’ as Best They CanIn a virtual ceremony, there were glitches and touching moments alike, including a speech from Chadwick Boseman’s widow.Frances McDormand in “Normadland.” The film won the top prize at the Gothams on Monday.Credit…Courtesy Of Searchlight Pictures/Searchlight Pictures, via Associated PressJan. 11, 2021All sorts of challenges arise when holding an awards show during a pandemic, and one of them, as proven by Monday night’s livestream of the 30th annual Gotham Awards, might be the technical difficulty of cueing up remote acceptance speeches.“Am I supposed to talk now?” asked a bewildered Radha Blank, upon winning a Gotham Award for her screenplay for “The 40-Year-Old Version.”The “One Night in Miami” actor Kingsley Ben-Adir looked similarly confused when the Gothams livestream cut to him sitting in a London hotel room, patiently awaiting any sort of direction. “I think I’m supposed to be speaking right now,” Ben-Adir said as he accepted a breakthrough-actor award, “but I hear so many people talking that I can’t really understand what’s going on.”Welcome to awards shows in the era of Zoom — more glitchy than glitzy, but still capable of celebration and the occasional moving moment. Perhaps the “Time” director Garrett Bradley put it best as she accepted her Gotham Award for best documentary: “If this were a real space, there’d be so many people up here with us,” Bradley said. “But we’re living in two dimensions.”The biggest winner of the night was “Nomadland,” a Frances McDormand road drama that many expect to be a top contender for the best-picture Oscar. The film, from the director Chloé Zhao, picked up both the best-feature and audience award; Zhao’s previous film, “The Rider,” triumphed at the Gothams two years ago.Though the Gothams are indie-leaning, their presence on the awards circuit is outsized: As the first significant ceremony of the season, they’ve often been a great barometer of buzz. What films have captured the attention of the East Coast crowd and may earn enough momentum to make it all the way to Oscar? You couldn’t help but overhear all sorts of lobbying whenever you pushed through a sea of formal wear on the way to the bar.The Gothams tried to recapture some of that magic this year with “virtual tables,” where a handful of curated watchers could gossip using video chat, if they so wished. (My table stayed mute.) But there is only so much you can do virtually to recreate a starry moment like last year’s late arrival of Jennifer Lopez and Alex Rodriguez, who swanned to their table well after the show began and brought the proceedings to a near-halt. Or the time when I wished luck to “Can You Ever Forgive Me?” nominee Richard E. Grant and he said, “I read the predictions on IndieWire today. It’s not going to be me.”Still, even a virtual ceremony can produce something that feels gratifyingly real. The winners in the lead-acting categories, Nicole Beharie for “Miss Juneteenth” and Riz Ahmed for “Sound of Metal,” were both gobsmacked, and as Ahmed tried to get his footing, he summed up the moment poetically: “It feels like a very wobbly time,” he said. “But if we can all wobble together, maybe we might find ourselves dancing.”Ahmed took the prize over the late Chadwick Boseman, nominated for “Ma Rainey’s Black Bottom,” but Boseman was still honored with a special posthumous trophy. Accepting the award on his behalf was the actor’s widow, Simone Ledward Boseman.Calling the award “an acknowledgment not only of his profound work, but of his impact on this industry and this world,” his widow looked up, and a tear ran down her cheek. “Chad, thank you,” she said. “I love you, I am so proud of you. Keep shining your light on us.”AdvertisementContinue reading the main story More

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      The Artists We Lost in 2020, in Their Words

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      #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storyThe Artists We Lost in 2020, in Their WordsGabe Cohn, Peter Libbey and Dec. 22, 2020, 5:00 a.m. ETIt’s always difficult to lose a favorite actor or a beloved musician. But in 2020, a year of crisis upon crisis, some of those losses were especially painful, brought on by a pandemic that killed hundreds of thousands of people in the United States alone. The artists on this list could help us better understand the time we’re living through, or at least help us get through it with a smile or cathartic cry. Here is a tribute to them, in their own words.Chadwick BosemanCredit…Magdalena Wosinska for The New York Times“When I dared to challenge the system that would relegate us to victims and stereotypes with no clear historical backgrounds, no hopes or talents, when I questioned that method of portrayal, a different path opened up for me, the path to my destiny.”— Chadwick Boseman, actor, born 1976 (Read the obituary.)Ann ReinkingCredit…Jack Mitchell/Getty Images“It’s crucial to know where the work stops and your life begins.”— Ann Reinking, dancer, born 1949 (Read the obituary.)Larry KramerCredit…Sara Krulwich/The New York Times“I don’t consider myself an artist. I consider myself a very opinionated man who uses words as fighting tools.”— Larry Kramer, writer, born 1935 (Read the obituary.)Luchita HurtadoCredit…Anna Watson/Camera Press, via Redux“When that first photograph was taken of Earth from space and you saw this little ball in blackness … I became aware of what I felt I was. I feel very much that a tree is a relative, a cousin. Everything in this world, I find, I’m related to.”— Luchita Hurtado, artist, born 1920 (Read the obituary.)Sean ConneryCredit…Bob Haswell/Express, via Getty Images“If you start thinking of your image, or what the mysterious ‘they’ out there are thinking of you, you’re in a trap. What’s important is that you’re doing the work that’s best for you.”— Sean Connery, actor, born 1930 (Read the obituary.)Little RichardCredit…Eloy Alonso/Reuters“I’m not conceited — I’m convinced.”— Little Richard, singer, born 1932 (Read the obituary.)Alex TrebekCredit…Alamy“My life has been a quest for knowledge and understanding, and I am nowhere near having achieved that. And it doesn’t bother me in the least. I will die without having come up with the answers to many things in life.”— Alex Trebek, TV host, born 1940 (Read the obituary.)Othella DallasCredit…Beda Schmid“Dancing and singing is all I always wanted. Doing what you want makes you happy — and old.”— Othella Dallas, dancer, born 1925 (Read the obituary.)Eddie Van HalenCredit…Ebet Roberts/Redferns, via Getty Images“All I know is that rock ’n’ roll guitar, like blues guitar, should be melody, speed and taste, but more important, it should have emotion. I just want my guitar playing to make people feel something: happy, sad, even horny.”— Eddie Van Halen, guitarist, born 1955 (Read the obituary.)Ennio MorriconeCredit…Paul Bergen/EPA, via Shutterstock“In my opinion, the goal of music in a film is to convey what is not seen or heard in the dialogue. It’s something abstract, coming from afar.”— Ennio Morricone, composer, born 1928 (Read the obituary.)Diana RiggCredit…Valery Hache/Agence France-Presse — Getty Images“The older you get, I have to say, the funnier you find life. That’s the only way to go. If you get serious about yourself as you get old, you are pathetic.”— Diana Rigg, actress, born 1938 (Read the obituary.)Helen ReddyCredit…Herb Ball/NBC Universal, via Getty Images“I would like to thank God because she makes everything possible.”— Helen Reddy, singer, born 1941 (Read the obituary.)Jerry StillerCredit…Suzanne DeChillo/The New York Times“Laughter is the answer to all the pain I experienced as a kid. When I’m not doing it, it all gets eerie and weird. I am only left with the memories that inhabit me that can only be knocked out by hearing laughter.”— Jerry Stiller, comedian, born 1927 (Read the obituary.)Christiane Eda-PierreCredit…Keystone/Hulton Archive, via Getty Images“I have never had any support, I have not been encouraged by anyone, it is not in my character or the customs of my family. I made myself on my own, thanks to my work.”— Christiane Eda-Pierre, singer, born 1932 (Read the obituary.)Milton GlaserCredit…Robert Wright for The New York Times“I am totally a believer in the idea that style is a limitation of perception and understanding. And what I’ve tried in my life is to avoid style and find an essential reason for making things.”— Milton Glaser, designer, born 1929 (Read the obituary.)CristinaCredit…Ebet RobertsMy life is in a turmoilMy thighs are black and blueMy sheets are stained so is my brainWhat’s a girl to do?— Cristina, singer, born 1956 (Read the obituary.)Adam SchlesingerCredit…Ebet Roberts/Redferns, via Getty Images“I’d rather write about a high school prom or something than write about a midlife crisis, you know?”— Adam Schlesinger, songwriter, born 1967 (Read the obituary.)Anthony ChisholmCredit…Sara Krulwich/The New York Times“I’m an actor. I can play a lizard, anything. I’ve worked in ‘nontraditional’ theater. I did ‘Of Mice and Men.’ Played Slim. The great Joe Fields did a Willy Loman. We as actors want to act.”— Anthony Chisholm, actor, born 1943 (Read the obituary.)Olivia de HavillandCredit…Julien Mignot for The New York Times“I would prefer to live forever in perfect health, but if I must at some time leave this life, I would like to do so ensconced on a chaise longue, perfumed, wearing a velvet robe and pearl earrings, with a flute of champagne beside me and having just discovered the answer to the last problem in a British cryptic crossword.”— Olivia de Havilland, actress, born 1916 (Read the obituary.)Krzysztof PendereckiCredit…Rafal Michalowski/Agencja Gazeta, via Reuters“Listening to classical music is like reading philosophy books, not everybody has to do it. Music is not for everybody.”— Krzysztof Penderecki, composer, born 1933 (Read the obituary.)Helen LaFranceCredit…Bruce Shelton, via Associated Press“If I do something somebody likes, well, I’m satisfied because somebody liked what I did, but I don’t think it’s important.”— Helen LaFrance, artist, born 1919 (Read the obituary.)Kirk DouglasCredit…Associated Press“If I thought a man had never committed a sin in his life, I don’t think I’d want to talk with him. A man with flaws is more interesting.”— Kirk Douglas, actor, born 1916 (Read the obituary.)Aileen Passloff, leftCredit…Nina Westervelt for The New York Times“I was strong and tireless and full of passion and loved dancing as deeply as one could ever love anything.”— Aileen Passloff, dancer, born 1931 (Read the obituary.)Kenny RogersCredit…Wally Fong/Associated Press“I love my wife, I love my family, I love my life, and I love my music.”— Kenny Rogers, singer, born 1938 (Read the obituary.)Peter BeardCredit…Shawn Ehlers/WireImage, via Getty Images“An artist who goes around proclaiming that the art he’s making is art is probably making a serious mistake. And that’s one mistake I try not to make.”— Peter Beard, artist, born 1938 (Read the obituary.)Charley PrideCredit…Bettmann Archive, via Getty Images“What we don’t need in country music is divisiveness, public criticism of each other, and some arbitrary judgment of what belongs and what doesn’t.”— Charley Pride, singer, born 1934 (Read the obituary.)Elizabeth WurtzelCredit…Suzanne DeChillo/The New York Times“The way I am is that I put everything I have into whatever I’m doing or thinking about at the moment. So it’s not right when people say I’m self-absorbed. I think I’m just absorbed.”— Elizabeth Wurtzel, author, born 1967 (Read the obituary.)Leon FleisherCredit…Steve J. Sherman“I was driven, if anything, even harder by all of my successes. There was always more to attain, and more to achieve, and more musical depths to plumb, and lurking behind it all, the terrifying risk of failure.”— Leon Fleisher, pianist, born 1928 (Read the obituary.)Zoe CaldwellCredit…Patrick A. Burns/The New York Times“I know the business of acting is sharing an experience, provoking an emotion. I don’t want to use the world love. It’s an abused word, hackneyed. But the truth is that I love to act in the theater.”— Zoe Caldwell, actress, born 1933 (Read the obituary.)Louis Johnson, leftCredit…Marbeth“I am a dancer who loves dance, any kind of dance. In choreographing, I don’t think of dance as ballet, modern or anything, just dance.”— Louis Johnson, dancer, born 1930 (Read the obituary.)Terrence McNallyCredit…Fred R. Conrad/The New York Times“I like to surprise myself. I’ve always been attracted to projects where I don’t know how they’re going to turn out. If I ever evince bravery in my life, it tends to be at a keyboard.”— Terrence McNally, playwright, born 1938 (Read the obituary.)Jean ErdmanCredit…Jack Mitchell/Getty Images“I found myself involved with the dance as a child in Hawaii. We’d have picnics on the sand and get up and do hulas. I didn’t even know what I was talking about at the time, but I wanted to create my own theater.”— Jean Erdman, dancer, born 1916 (Read the obituary.)Bill WithersCredit…Jake Michaels for The New York Times“I’m not a virtuoso, but I was able to write songs that people could identify with. I don’t think I’ve done bad for a guy from Slab Fork, West Virginia.”— Bill Withers, singer, born 1938 (Read the obituary.)ChristoCredit…Andrea Frazzetta for The New York Times“I am allergic to any art related to propaganda. And everything: commercial propaganda, political propaganda, religious propaganda — it is all about propaganda. And the greatness of art, like poetry or music, is that it is totally unnecessary.”— Christo, artist, born 1935 (Read the obituary.)John le CarréCredit…Charlotte Hadden for The New York Times“I’m horrified at the notion of autobiography because I’m already constructing the lies I’m going to tell.”— John le Carré, author, born 1931 (Read the obituary.)Mirella FreniCredit…Karin Cooper/Washington National Opera“Life nails you to something real in the falsehood of the stage. I have always felt a connection between daily life and art. I’ve always known where the stage door was, to get in and get out. Some others get lost in the maze. My reality has been my key.”— Mirella Freni, singer, born 1935 (Read the obituary.)Ming Cho LeeCredit…Robert Caplin for The New York Times“I’ve been criticized for doing very Brechtian design, but when I go to a play or an opera, I love getting involved rather than just looking at it. I prefer a total theatrical experience to an analytical experience.”— Ming Cho Lee, theater designer, born 1930 (Read the obituary.)Lynn SheltonCredit…Stuart Isett for The New York Times“You can pick up a camera. The technology is there. You can get your friends together and you can make a movie. You should do it. Now.”— Lynn Shelton, director, born 1965 (Read the obituary.)Nick Cordero, center.Credit…Sara Krulwich/The New York Times“The producer kept telling me: ‘Get tough. Get mean. Get angry.’ But I’m a nice guy. I’m Canadian.”— Nick Cordero, actor, born 1978 (Read the obituary.)Toots HibbertCredit…Michael Putland/Getty Images“You have got to be tough. Don’t just give up in life. Be strong, and believe in what you believe in.”— Toots Hibbert, singer, born 1942 (Read the obituary.)Regis PhilbinCredit…Karsten Moran for The New York Times“I want people to enjoy what I do, and understand what I’m doing is for their enjoyment. And that’s all I can ask for.”— Regis Philbin, TV host, born 1931 (Read the obituary.)Mary Higgins ClarkCredit…Tony Cenicola/The New York Times“Let others decide whether or not I’m a good writer. I know I’m a good Irish storyteller.”— Mary Higgins Clark, author, born 1927 (Read the obituary.)Irrfan KhanCredit…Chad Batka for The New York Times“No one could have imagined I would be an actor, I was so shy. So thin. But the desire was so intense.”— Irrfan Khan, actor, born 1967 (Read the obituary.)Betty WrightCredit…Paul Bergen/Redferns, via Getty Images“As long as you keep yourself in love with people, you can transcend time.”— Betty Wright, singer, born 1953 (Read the obituary.)John Prine Credit…Kyle Dean Reinford for The New York TimesWhen I get to heavenI’m gonna take that wristwatch off my armWhat are you gonna do with timeAfter you’ve bought the farm?— John Prine, musician, born 1946 (Read the obituary.)AdvertisementContinue reading the main story More

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      Watch Chadwick Boseman in a Scene From ‘Ma Rainey’s Black Bottom’

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      #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storyAnatomy of a SceneWatch Chadwick Boseman in a Scene From ‘Ma Rainey’s Black Bottom’The director George C. Wolfe discusses a tense sequence featuring the actor and Viola Davis.George C. Wolfe narrates a sequence from his film featuring Viola Davis and Chadwick Boseman.CreditCredit…David Lee/NetflixDec. 18, 2020, 11:00 a.m. ETIn “Anatomy of a Scene,” we ask directors to reveal the secrets that go into making key scenes in their movies. See new episodes in the series on Fridays. You can also watch our collection of more than 150 videos on YouTube and subscribe to our YouTube channel.A disagreement between musicians reaches a boiling point in this scene from “Ma Rainey’s Black Bottom,” the Netflix film adaptation of August Wilson’s play.Set in 1927, the film primarily follows the blues singer Ma Rainey (Viola Davis) and her band during a challenging recording session in a Chicago studio. One of those challenges involves the tensions that arise between Ma and her headstrong horn player, Levee (Chadwick Boseman).A conflict ignites when Levee doesn’t perform a song the way Ma requires. In this video, the director George C. Wolfe discusses how clashing personalities result in a catastrophic moment, and how he decided where a specific door, which plays a key part in the scene, would lead.Read the “Ma Rainey’s Black Bottom” review.Sign up for the Movies Update newsletter and get a roundup of reviews, news, Critics’ Picks and more.AdvertisementContinue reading the main story More

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      ‘Ma Rainey’s Black Bottom’ Review: All the Blues That’s Fit to Sing

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      #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storyCritic’s pick‘Ma Rainey’s Black Bottom’ Review: All the Blues That’s Fit to SingViola Davis and Chadwick Boseman star in a potent adaptation of August Wilson’s play.Viola Davis stars in “Ma Rainey’s Black Bottom,” August Wilson’s 1984 play about a recording session in Chicago in the 1920s.Credit…David Lee/NetflixDec. 17, 2020Updated 11:26 a.m. ETMa Rainey’s Black BottomNYT Critic’s PickDirected by George C. WolfeDrama, MusicR1h 34mFind TicketsWhen you purchase a ticket for an independently reviewed film through our site, we earn an affiliate commission.“White folks don’t understand about the blues,” says the pioneering singer Ma Rainey, as imagined by August Wilson and incarnated by Viola Davis. “They hear it come out, but they don’t know how it got there. They don’t understand that that’s life’s way of talking.”Albert Murray, the great 20th-century philosopher of the blues, put the matter more abstractly. The art of the music’s practitioners, he wrote, involves “confronting, acknowledging and contending with the infernal absurdities and ever-impending frustrations inherent in the nature of all existence by playing with the possibilities that are also there.”“Ma Rainey’s Black Bottom,” Wilson’s 1984 play about a recording session in Chicago in the 1920s, both dramatizes and expresses that duality. Absurdities and frustrations abound, and the lethal, soul-crushing shadow of American racism falls across the musicians and their instruments. The specific and manifold evils of Southern Jim Crow repression and Northern economic exploitation are unavoidable. The members of Ma’s band swap stories of lynching, assault and humiliation, and Ma fights with the white owner of the record label (Jonny Coyne). By the end of the play — a swift hour and a half in George C. Wolfe’s screen adaptation — one man is dead and another has seen all his prospects evaporate.[embedded content]But the sense of play and possibility, the joy and discipline of art, are also, emphatically, there. There in Ma’s big voice and smoldering, slow-rolling charisma. There in the tight swing of the players behind her — Cutler (Colman Domingo) on trombone; Toledo (Glynn Turman) on piano; Slow Drag (Michael Potts) on bass; and an ambitious upstart named Levee (Chadwick Boseman) on cornet. There in the voices and personalities of the actors: Turman’s gravelly wit; Domingo’s avuncular baritone; Boseman’s quicksilver; Davis’s brass. And there above all in the singular music of Wilson’s language, a vehicle for the delivery of vernacular poetry as durable and adaptable as the blues itself.This version of “Ma Rainey’s Black Bottom,” on Netflix, is part of an ongoing project to bring all of Wilson’s plays — a cycle representing aspects of Black life in the 20th century — to the screen. That makes it, in some ways, definitive by default, part of an archive of preserved performances that will introduce future generations to the playwright’s essential work.From left, Glynn Turman, Chadwick Boseman and Michael Potts are the players behind Viola Davis’s Ma Rainey.Credit…David Lee/NetflixIt’s also definitive because it will be hard, from now on, to imagine a Ma Rainey other than Davis, or a Levee to compare with Boseman. The rest of the cast is first-rate too, but those two carry the play’s meatiest, most complicated theme, and enact its central antagonism. Each character is an ambitious, inventive artist, and their inability to harmonize creates an undertone of tragedy that grows more insistent as the day wears on.Ma, who rolls into the studio late, flanked by her nephew, Sylvester (Dusan Brown), and her young girlfriend, Dussie Mae (Taylour Paige), can seem almost like a caricature of the “difficult” artist. She insists that Sylvester, who stutters, record the spoken introduction to her signature song. She demands three bottles of Coca-Cola (“ice-cold”) before she will sing another note, and continually upbraids her nervous white manager (Jeremy Shamos). But this behavior isn’t the result of ego or whim. It’s the best way she has found of protecting the value of her gift, which once it becomes a commodity — a record — will enrich somebody else. The hard bargain she drives is the best deal she can get.She also represents the old school — an established star who works in a Southern style that Levee thinks is behind the times. Part of the history embedded in the play is the story of the Great Migration of Black Southerners to the industrial cities of the North, and Levee suspects that his fleet, light-fingered approach to the blues will appeal to the tastes of the migrants, and also cross over to white record buyers. He epitomizes a different kind of artistic temperament as well — cocky, impulsive, tilting toward self-destruction. He argues with the other musicians, refusing to listen when they try to talk sense to him. He seduces Dussie Mae, a risky career move to say the least. He’s a young man in a hurry, eager to cash checks before they’ve been written.Of course it’s hard to watch Levee — to marvel at Boseman’s lean and hungry dynamism — without feeling renewed shock and grief at Boseman’s death earlier this year. And though “Ma Rainey’s Black Bottom” has been around for a long while and will endure in the archive, the algorithm and the collective memory, there is something especially poignant about encountering it now.Not because it’s timely in an obvious or literal way — the argument of Wilson’s oeuvre is that time to reckon with racism is always now, because Black lives have always mattered — but because of some unexpected emotional resonances. Wilson’s text is a study in perseverance, but it’s haunted by loss, and to encounter it at the end of 2020 is to feel the weight of accumulated absences.Some are permanent and tragic, like losing Boseman at just 43. Others are, we hope, temporary. This is a rendering of a work written for the stage that begins with a concert — a sweaty, sensual spectacle of the blues in action. It’s also a movie that you’ll most likely encounter in your living room or on your laptop, further confounding an inevitable identity conundrum. Should we call this theater, cinema or television — or a sometimes graceful, sometimes clumsy hybrid of all three?Maybe the question doesn’t matter, or maybe it will matter more once we regain our critical bearings and the theaters and nightclubs fill up again. But at the moment, “Ma Rainey’s Black Bottom” is a powerful and pungent reminder of the necessity of art, of its sometimes terrible costs and of the preciousness of the people, living and dead, with whom we share it. “Blues help you get out of bed in the morning,” Ma says. “You get up knowing you ain’t alone.”Ma Rainey’s Black BottomRated R. Running time: 1 hour 34 minutes. Watch on Netflix.AdvertisementContinue reading the main story More