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    Nicki Minaj Has No. 1 Album as Mariah Carey Regains Holiday Crown

    Minaj’s first studio LP in five years, “Pink Friday 2,” opens at the top of the album chart, while “All I Want for Christmas Is You” takes the No. 1 singles slot back from Brenda Lee.On the music charts this week, Nicki Minaj scores the top album with her first studio LP in five years, and Mariah Carey claims the No. 1 single once again with her inescapable seasonal hit “All I Want for Christmas Is You.”Minaj has been teasing her latest album, “Pink Friday 2,” for at least four years, and for a while it had seemed questionable that it would ever come; at one point, Minaj even announced (and quickly retracted) her retirement from music. But “Pink Friday 2,” her fifth studio album — titled as a sequel to her 2010 debut — finally came out on Dec. 8, and it opens at the top of the Billboard 200 chart, becoming her third No. 1 album. “Pink Friday 2” had the equivalent of 228,000 sales in the United States, with 170 million streams and 92,000 copies sold as a complete package, including 25,000 on vinyl.Also this week, Taylor Swift’s “1989 (Taylor’s Version)” holds at No. 2 and Drake’s “For All the Dogs” is No. 3, while the 20-year-old Canadian pop singer Tate McRae arrives at No. 4 with “Think Later,” her second studio LP. Michael Bublé’s “Christmas” is in fifth place.Carey, whose 1994 holiday bauble “All I Want for Christmas Is You” took a 25-year path to No. 1 — and has notched a total of 12 weeks at the top over the last four Christmas seasons — retakes the top spot this week, for its 13th cumulative time at No. 1.For the last two weeks, the No. 1 position on the Hot 100 singles chart had belonged to Brenda Lee’s “Rockin’ Around the Christmas Tree,” which was released in 1958 and got a promotional push this year with a music video and TikTok spots. “Rockin’” drops this week to No. 2. More

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    Why You Love (or Love to Hate) Christmas Music

    Like the holiday season itself, the nostalgia that Christmas music evokes can be emotionally charged.It’s been a little over one year since the Backstreet Boys released their Christmas album, “A Very Backstreet Christmas,” and Francine Biondo has had it on repeat ever since.To be fair, Ms. Biondo, 39, a child care provider in Ontario, Canada, is a fan of Nick Carter and maybe even a bigger fan of Christmas music. The Christmas season was in full swing for her by mid-November, with plans to decorate a tree. Although she typically begins listening to holiday music after Halloween, she is known to sprinkle in a little Christmas cheer during the summer.“It just puts me in a happy, feel-good mood,” she said by phone of songs like Mariah Carey’s “All I Want for Christmas Is You,” adding that they invoked happy memories of her childhood.For Ms. Biondo, the songs do more than get her into the holiday spirit, they also boost her productivity. “To be honest, I need music to just get me through the day,” she said. “I need music when I’m cleaning the house and just doing the daily things, it kind of helps motivate me. Christmas music, especially around that time of year, it just’s more fun.”She might be on to something.Daniel Levitin, an author and musician in Los Angeles and a professor emeritus of psychology and neuroscience at McGill University in Montreal, said research has shown that most people in Western countries use music to self-soothe. “They know that there are certain kinds of music that will put them in a good mood,” he said. “Christmas music is a reliable one for a lot of people.”The healing effects of music have long been studied. Mr. Levitin participated in a 2013 study that concluded that music boosts the body’s immune system and reduces stress.Mr. Levitin said that listening to a song that has not been heard in a long time can transport a person back in time. “That’s the power of music to evoke a memory,” he said. “With those memories come emotions and possibly nostalgia, or anger, or frustration, depending on your childhood.”For the people who find joy in Christmas music, the brain may increase serotonin levels and may release prolactin a soothing and tranquilizing hormone that is released between mothers and infants during nursing, Mr. Levitin said.Conversely, if negative memories and feelings are associated with Christmas, the same songs could cause the brain to release cortisol, the stress hormone that increases the heart rate, and trigger the amygdala, the brain’s fear center. “There are a lot of people who, when Christmas time comes around, they just want to run home and put their head under the covers and wait it all out,” Mr. Levitin said.Christmas music, like all forms of music, is powerful. But this genre is perhaps more potent than other forms of music because the holiday season itself is emotionally charged. It represents the ideals that most humans strive for like equality, tolerance, love and tranquillity. “For some of us, that’s an inspiring message,” Mr. Levitin said. “For others of us, it just draws in stark relief how far we are from achieving that.”Yuletide music sung to celebrate the winter solstice has been around for thousands of years, some even predating Christianity, according to Alisa Clapp-Itnyre, an English professor at Indiana University East. These songs were sung in communal, secular settings and as early as the third century, Christianity adapted Yuletide festivals for celebrations of Jesus’ birth. Then, stories of Jesus were woven into carols, which were still sung in communal settings, even across class divides.“During the dark months of winter, it brought people together for celebration and generosity,” Professor Clapp-Itnyre said, adding that she thinks this still happens today in various forms, like the Salvation Army holding donation drives and carols being sung in nursing homes.By the 20th century, secular Christmas songs like “I’ll Be Home for Christmas” and “White Christmas” began reflecting the grief people were facing and brought solace, particularly to World War II soldiers who could not be home for Christmas. “These songs are becoming popular during the war because people are seeking something traditional, something that they used to know of family and peace and those good traditions, even as their whole world is being blown to smithereens,” Professor Clapp-Itnyre said.The positive feelings associated with Christmas music are something Vanessa Parvin, the owner of Manhattan Holiday Carolers, a holiday entertainment company, knows well. Ms. Parvin, 45, has been singing Christmas music professionally since 1999.Part of the joy, she said, is “adding to other people’s holiday magic experience and nostalgia,” which can mean honoring song requests that remind guests of their childhoods or relatives who have died.While she has a memorized repertoire of about 90 Christmas songs, there is one that invokes memories of her own family. “‘O Little Town of Bethlehem’ was my grandmother’s favorite, so that doesn’t make me think of caroling,” she said. “It makes me think of my grandmother and my mother.” More

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    16 Songs to Soundtrack Your Fourth of July Barbecue

    Listen to a genre-crossing hourlong summer playlist featuring Lana Del Rey, Funkadelic and Tom Petty.Tom Petty says take it easy, baby.Gus Stewart/Getty ImagesDear listeners,At last, the season of late sunsets, languid beach days and endless barbecues is upon us. This calls for a playlist.Today’s genre-crossing collection could definitely work as a soundtrack to your upcoming Fourth of July party, and there are a few references to Independence Day sprinkled here and there. But for the most part, I wanted to avoid the glaringly obvious and create a fun, breezy playlist that can be enjoyed all summer long.Appropriately for a Fourth of July gathering, all of the artists featured here are American. Well, except one: I forgot that the ’90s one-hit wonders Len were actually Canadian, but I wasn’t about to remove “Steal My Sunshine” from a summer playlist.This is a long one, because the best and most characteristic part of a summer day is the feeling of suspended time, the sense of a Saturday that may go on forever. Here’s to an endless-seeming summer, and to no one stealing your sunshine.Also: We won’t be sending out a new Amplifier on the Fourth, because I wouldn’t want to compel you to check your email on a holiday. We’ll resume our regular schedule next Friday. Til then!Listen along on Spotify as you read.1. Lana Del Rey: “Doin’ Time”When I first saw this cover on the track list of her 2019 opus “Norman _____ Rockwell,” I had my doubts, but now I must agree with all the people in the dance: Lana Del Rey is indeed well qualified to represent the L.B.C. (Listen on YouTube)2. Sublime: “Badfish”It’s poor form to mention Sublime at a barbecue without then playing one of its songs, so here’s my all-time favorite, the wrenching but always buoyant “Badfish.” (Listen on YouTube)3. Solange: “Binz”Slightly under two minutes of immaculate vibes from Solange’s sonically fluid 2019 album, “When I Get Home.” (Listen on YouTube)4. Mariah Carey: “Honey”A sun-kissed summer jam from the elusive chanteuse. “Honey,” from Carey’s 1997 album “Butterfly,” famously found her embracing a more hip-hop-indebted sound. (Listen on YouTube)5. Len: “Steal My Sunshine”Centered around a clever sample of Andrea True Connection’s “More, More, More,” the ubiquitous “Steal My Sunshine” made Len one of the ’90s’ most memorable one-hit wonders. Warning: May cause spontaneous singalongs. (Listen on YouTube)6. The Breeders: “Saints”Kim Deal conjures the tactile pleasures of a day at the carnival in this blazing little ditty from the Breeders’ classic 1993 album “Last Splash,” before growling that memorable refrain, “Summer is ready when you are.” (Listen on YouTube)7. Eleanor Friedberger: “Roosevelt Island”This ode to a leisurely day on New York City’s most underrated island, by the Fiery Furnaces frontwoman Eleanor Friedberger, would almost sound like a spoken-word poem were it not for that deliciously funky keyboard lick. (Listen on YouTube)8. A Tribe Called Quest: “Can I Kick It?”A pitch-perfect soundtrack to, well … just kicking it. Phife Dawg forever and ever. (Listen on YouTube)9. Erykah Badu: “Cel U Lar Device”Badu reworks Drake’s “Hotline Bling” to fit her own singular personality on this centerpiece from her 2015 mixtape “But You Caint Use My Phone.” The voice mail menu instructions toward the end of the track never fail to crack me up. (Listen on YouTube)10. Funkadelic: “Can You Get to That”One nation, under a groove. (Yes, I know that album came out years after “Maggot Brain.” The sentiment remains!) (Listen on YouTube)11. Tom Petty and the Heartbreakers: “American Girl”Fun fact: Not only was “American Girl” recorded on the Fourth of July, it was recorded on the Bicentennial. Petty manages to imbue this perfect song with enough specificity and antic poignancy that it still, after all these years, feels more personal than anthemic. (Listen on YouTube)12. Bruce Springsteen: “Darlington County”Because the title track of “Born in the U.S.A.” would have been a little too obvious, and anyway, this one’s just as fun to sing along to. Sha la la, sha la la la la-la. (Listen on YouTube)13. Luke Combs: “Fast Car”Speaking of singalongs, this current hit and surprise contender for song of the summer is sure to unite multiple generations of barbecue-goers who know all the words by heart — some to Tracy Chapman’s peerless original, and some to the country star Combs’s reverent homage. (Listen on YouTube)14. Beyoncé: “Plastic Off the Sofa”The most laid-back and sumptuous moment on Beyoncé’s 2022 dance-floor odyssey “Renaissance” is an invitation for a moment of summertime relaxation. (Listen on YouTube)15. De La Soul: “Me, Myself and I”Rejoice: It’s the first Fourth of July when De La Soul’s discography is on streaming services! (Listen on YouTube)16. Miley Cyrus: “Party in the U.S.A.”Just try not to put your hands up. I dare you. (Listen on YouTube)Summer is ready when you are,LindsayThe Amplifier PlaylistListen on Spotify. We update this playlist with each new newsletter.“The Ultimate Fourth of July BBQ Soundtrack” track listTrack 1: Lana Del Rey, “Doin’ Time”Track 2: Sublime, “Badfish”Track 3: Solange, “Binz”Track 4: Mariah Carey, “Honey”Track 5: Len, “Steal My Sunshine”Track 6: The Breeders, “Saints”Track 7: Eleanor Friedberger, “Roosevelt Island”Track 8: A Tribe Called Quest, “Can I Kick It?”Track 9: Erykah Badu, “Cel U Lar Device”Track 10: Funkadelic, “Can You Get to That”Track 11: Tom Petty and the Heartbreakers, “American Girl”Track 12: Bruce Springsteen, “Darlington County”Track 13: Luke Combs, “Fast Car”Track 14: Beyoncé, “Plastic off the Sofa”Track 15: De La Soul, “Me, Myself and I”Track 16: Miley Cyrus, “Party in the U.S.A.”Bonus tracksWhat I learned from writing Tuesday’s newsletter, about musical odes to Ohio is that The Amplifier is blessed with a very strong contingent of readers from the Buckeye State. Quite a few of you wrote in with your own favorite Ohio tunes, but the most requested by far was the Pretenders’ “My City Was Gone.” Akron’s own Chrissy Hynde beautifully and elegiacally captures the feelings of disillusionment that arise when you go home and — no thanks to industrialization and overdevelopment — don’t recognize your old stomping ground. Consider this one added to the Ohio playlist.Also, for a new column called The Answer, the good folks at The New York Times’s Wirecutter came by my apartment to interview me about my turntable, my vinyl setup and my preferred gear for listening to records. As someone used to doing the interviewing, it felt very strange to be the one answering the questions and even stranger to be the subject of a photo shoot in my apartment. (My neighbors had no idea why I was suddenly so important.) But check out the article to see my suggestions for setting up a relatively inexpensive stereo system, along with my (currently quite depressed) collection of New York Mets bobbleheads. Wirecutter has a daily newsletter full of independent product reviews that you can sign up for, too.Plus, it was a big week for new music: The Playlist features the triumphant returns of both Olivia Rodrigo and Sampha, along with 10 other fresh tracks. I also listened to Fall Out Boy’s updated version of “We Didn’t Start the Fire,” so you don’t have to. (Seriously, don’t.) More

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    How Did ‘Beau Is Afraid’ Land a Mariah Carey Song? Indies Have Their Ways.

    A well-written letter and other methods of persuasion can help reduce the cost of expensive hits and produce unforgettable results.Beau, the addled midlife wreck played by Joaquin Phoenix in “Beau Is Afraid,” isn’t just afraid, he is terrorized: harassed, beaten, stabbed and even kidnapped in a surreal black comedy that often feels less like a conventional film than a three-hour panic attack. (In the hands of high-anxiety auteur Ari Aster, of “Hereditary” and “Midsommar” fame, consider that a compliment.)Thanks to his monstrous mother, he has become a man resigned to life without love or companionship. Then, deep in the movie comes a reprieve — a late chance at romance with his childhood crush (Parker Posey), soundtracked, incongruously, to the lilting strains of Mariah Carey’s smash 1995 ballad “Always Be My Baby.” Things go obscenely, catastrophically awry from there, as they are wont to do with Beau, but the song plays on.When the scene played at a preview at the Metrograph Theater in Manhattan this month, a packed room of industry insiders, press and celebrities that included Phoenix and the actor Robert Pattinson collectively gasped in recognition, then cheered. How exactly did the queen of five-octave pop end up here? For Aster, it turns out, there was never a second choice.“Ari had written a first draft of the script over 10 years ago, and ‘Always Be My Baby’ was in it from the very beginning,” said his production partner, Lars Knudsen, who also works frequently with filmmakers like Robert Eggers (“The Northman”) and Mike Mills (“Beginners”). “I honestly didn’t know how integral and crucial it was to him to have that song until we were in the edit, but we knew that it was going be very expensive, and that Mariah might not approve it. There was a feeling like, ‘Look, we’ll try, but we likely won’t be able to afford it.’”Nevertheless, Aster penned what Knudsen called “a very beautifully written letter” to the singer and pleaded his case; improbably, she said yes. When she first received the request, Carey said via email, “I was quite intrigued. Then, as I watched the scene, I was a bit shocked at first because of my prudish nature (ha!), but immediately understood the importance of that particular moment.”The writer-director Ari Aster wrote a letter to Carey, one strategy indie directors use when they can’t afford a song.A24She continued, “I’m really happy with the way people are responding to it, and thrilled that Ari is being recognized for his talent, creativity and artistic vision.”(Several days after the Metrograph screening, Carey briefly lit the internet ablaze when she appeared beaming on the red carpet alongside Posey and Aster at the film’s official New York premiere, resplendent in black leather.)“Beau” is perhaps the most prominent recent example of indie movies — many of which seem to stem from the tastemaking studio A24 — that stake their wildest hopes on finagling the rights to an instantly recognizable and often formidably expensive pop song. When the pairing goes well, it can be a zeitgeist-y boon for the kind of projects that rely more on word of mouth than marketing (in addition, of course, to fulfilling the highly specific vision of their creators).Think of ’N Sync’s elastic boy-band anthem “Bye Bye Bye,” which runs prominently throughout “Red Rocket,” the 2021 festival hit from writer-director Sean Baker (“The Florida Project”) about a washed-up porn star, or Paris Hilton’s featherweight bop “Stars Are Blind,” which provides a rare moment of levity in the bleak hard-candy noir of Emerald Fennell’s 2020 “Promising Young Woman.”A movie like “Guardians of the Galaxy” has Marvel Studios to underwrite its wall-to-wall usage of hits by David Bowie, the Jackson 5 and Marvin Gaye, among others. (The franchise’s director, James Gunn, once said he had paid “a million dollars” for a single song.) For small independent projects like “Aftersun,” though, the dreamy, elliptical father-daughter drama by the first-time director Charlotte Wells, a track like Queen and Bowie’s anthem “Under Pressure” — used to harrowing effect in a climactic scene — can easily consume the entire budget.That’s where highly personal appeals to the artist or estate with rights to the song — and no small amount of serendipity — often come into play. For “American Honey” (2016), a sexually frank verité road trip with a largely unknown cast, the British director Andrea Arnold had little choice but to get permission after the fact, or recut the film entirely; tracks including Rihanna and Calvin Harris’s “We Found Love” were not overlaid but woven into scenes that had already been shot.In that case, said Knudsen, who also produced “Honey,” both artists were moved enough by the material to not only give their permission, but also provide a sort of friends-and-family discount: “If it had been made by a bigger studio, then obviously we would have to pay” full price, he said. “But because we were an under-five-million-dollar movie with a reputable director who was trying to tell this very personal story where that song was the center of it, I think it definitely helped.”In the right circumstances, of course, less-expected collaborations like these can very much serve the musicians, too, even when they reduce their fees — a feedback loop of indie cred and mainstream appeal that confers fresh relevance to both parties.“When you make a convincing case, the publishing companies and the artists do understand,” Knudsen said. “I mean, ‘American Honey’ played in competition at Cannes, and A24 released it. If there wasn’t a sliding scale, then no independent film would be able to have any of these songs in their movies.”For directors like Arnold or Aster, those scenes become signatures. And for a certain kind of cinephile, “those songs will just have a very different place in their hearts. So that’s good for everyone, right?”Little Indie, Big Song“Aftersun”: David Bowie and Queen’s classic “Under Pressure” underpins the emotional climax of this impressionistic 2022 drama, which earned Paul Mescal an Oscar nomination for best actor.“Red Rocket”: ’N Sync’s 2000 hit “Bye Bye Bye” bookends this scrappy 2021 film, a character study of a prodigal porn star (Simon Rex) returning to his Texas roots.“Promising Young Woman”: Paris Hilton’s “Stars Are Blind” provides a rare moment of connection for two damaged characters in this highly stylized 2020 neofeminist revenge tale.“American Honey”: The Rihanna-Calvin Harris banger “We Found Love” becomes a sort of central theme for conflicted lovers played by played by Sasha Lane and Shia LaBeouf in this 2016 road movie.“Spring Breakers”: Britney Spears’s lachrymose 2003 ballad “Everytime” plays as a girl gang in pink balaclavas goes on a crime spree led by a demented James Franco in this 2013 nihilist comedy. More

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    Super Mario Bros. and Daddy Yankee Added to Recording Registry

    The Library of Congress has designated 25 recordings, including Madonna’s “Like a Virgin,” as “audio treasures worthy of preservation for all time.”Super Mario Bros. are currently ruling the box office. Now, they have also been designated an unlikely national treasure by no less than the Library of Congress.The composer Koji Kondo’s 1985 theme for the video game is among the 25 recordings just added to the National Recording Registry, joining Madonna’s 1984 album “Like a Virgin,” Daddy Yankee’s 2004 hit “Gasolina” and some of the earliest known mariachi recordings as “audio treasures worthy of preservation for all time.”The registry, created in 2000, designates recordings that are “culturally, historically or aesthetically significant,” and are at least 10 years old. This year’s entries were selected from more than 1,100 nominees submitted by the public. They bring the total number of titles on the registry to 625 — a tiny but elite slice of the nearly 4 million songs, speeches, radio broadcasts, podcasts and other recorded sounds in the library’s collection.This is the first time a video game soundtrack has been selected, according to the library. In the decades since the game’s release, Kondo’s “jaunty, Latin-influenced melody” (as the library describes it, calling it “the perfect accompaniment to Mario and Luigi’s side scrolling hijinks”) may have been driven permanently, or perhaps annoyingly, into the collective brain.But its creator remains relatively unknown. Kondo, who was born and raised in Japan, wrote the ditty — officially known as “Ground Theme” — in the 1980s, after seeing a recruiting flyer from Nintendo on a university bulletin board in Osaka.In a statement, Kondo, 61, who still works for Nintendo, said he was delighted by the designation. “Having this music preserved alongside so many other classic songs is such a great honor,” he said. “It’s actually a little difficult to believe.”And its significance, according to the library, goes far beyond the song itself, which was inspired in part by the music of the Japanese jazz fusion band T-Square. According to the library, Kondo’s soundtrack “helped establish the game’s legendary status and proved that the five-channel Nintendo Entertainment System (NES) sound chip was capable of a vast musical complexity and creativity.”This year’s list is heavy on familiar pop hits, including Madonna’s 1984 album, “Like a Virgin.”Library of CongressThis year’s list is heavy on familiar pop hits, including Led Zeppelin’s single “Stairway to Heaven,” Queen Latifah’s album “All Hail the Queen,” Mariah Carey’s single “All I Want for Christmas is You,” Jimmy Buffett’s “Margaritaville,” and John Denver’s “Take Me Home, Country Roads.”Many are deemed significant not just for their musical contribution, but for the broader cultural shifts they exemplify. With “Gasolina,” the first reggaeton recording on the registry, the library notes that its “aural dominance” ushered in “a full reggaeton explosion and even saw various radio stations switching their formats,” including some from English to Spanish.The earliest item added to the registry is “The Very First Mariachi Recordings,” a compilation of recordings (including “The Parakeet”) made in 1907-9 by a group from the rural state of Jalisco, Mexico. The four musicians, led by the vihuela player Justo Villa, are credited with having introduced the style of music to the capital city — and eventually the world — a few years earlier.The most recent is the Northwest Chamber Orchestra’s recording, released in 2012, of Ellen Taaffe Zwilich’s “Concerto for Clarinet and Chamber Orchestra,” which was inspired by the Sept. 11 terrorist attacks.The registry also includes some spoken-word recordings. The journalist Dorothy Thompson’s radio commentaries on “the European situation,” made between Aug. 23 and Sept. 6, 1939, are cited as a “unique broadcast record” of the period right before the outbreak of World War II.The library’s list also recognizes Carl Sagan’s “Pale Blue Dot,” a short 1994 recording of him explaining the ideas behind his book of the same title. It was inspired by a famous photograph of the Earth taken by the space probe Voyager 1 during its final mission, which Sagan describes as revealing how the Earth was “a mere point in a vast, encompassing cosmos.” More

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    SZA Spends a Third Week Atop the Album Chart With ‘SOS’

    Mariah Carey led an avalanche of Christmas songs on Billboard’s singles chart as holiday music lingered into the last week of 2022.As 2022 drew to a close, listeners wanted to load two things on their streaming apps: SZA’s new album, and lots and lots of Christmas music.Both dominate the charts, with SZA, a New Jersey-raised R&B singer and songwriter, holding the top spot on the Billboard 200 with “SOS,” her long-awaited second LP, and Mariah Carey’s holiday war horse “All I Want for Christmas Is You” leading a storm of tinsel at the top of the Hot 100 singles list.“SOS” is No. 1 for a third time with 169 million streams in the United States, which accounted for virtually all of its 128,000 “equivalent album units,” according to Billboard and its data provider, Luminate. In the three weeks since it was released, SZA’s album has racked up a total of about 810 million clicks on streaming services.On the Hot 100, “All I Want” holds at No. 1 for a fourth time this season, and its 12th time overall. (Released in 1994, Carey’s song did not reach No. 1 until 2019.)Billboard’s weekly tracking period starts Friday, and with Christmas falling on a Sunday, the final week of the year still had four days following the holiday. But seasonal singles still dominated listening, with a total of eight tracks — all of them decades old — in the Top 10.Besides “All I Want,” they include Brenda Lee’s “Rockin’ Around the Christmas Tree” (No. 2), Bobby Helms’s “Jingle Bell Rock” (No. 3), Wham!’s “Last Christmas” (No. 4), Burl Ives’s “A Holly Jolly Christmas” (No. 5), Andy Williams’s “It’s the Most Wonderful Time of the Year” (No. 6), José Feliciano’s “Feliz Navidad” (No. 7) and Nat King Cole’s “The Christmas Song” (No. 9).The only non-holiday releases in the Top 10 are Taylor Swift’s “Anti-Hero” (No. 8) and Sam Smith and Kim Petras’s “Unholy” (No. 10).Back on the album chart, Swift’s “Midnights” holds at No. 2, but Santa is close behind there as well: Michael Bublé’s “Christmas” is No. 3 and Cole’s “The Christmas Song” LP is No. 5. “Heroes & Villains” by the rap super-producer Metro Boomin holds at No. 4. More

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    Why the Queen of Christmas Refuses to Leave Battery Park City

    Home is important to Elizabeth Chan: “Every Christmas song I’ve written has been written here.”Elizabeth Chan is very clear on the matter: Christmas is not a competition.“You can love whatever you want about it as much as you want,” Ms. Chan, 42, said. “It’s how much it fills you with joy, and everybody has different levels of joy in their heart. But that doesn’t mean one way of being is better than another.”These are all very reasonable points. Very gracious, too. But there is no altering the fact that Ms. Chan wins Christmas. Hands down. Game, set and match.It is not because she named her daughters Noelle and Eva (for Christmas Eve). Or because the palette of her apartment in Lower Manhattan tilts toward a rich dark red and celadon green. Or because she has half a dozen Advent calendars in heavy rotation. Or even because the fragrance of the liquid hand soap in her kitchen and bathrooms is generally limited to gingerbread, peppermint, pine fir and such. (Ms. Chan stocks up when the holidays are over and everyone else has moved on from spiced plum and winterberry.)“My goal when I write Christmas music is to inspire thoughts of love, family and home to anyone who listens,” said Elizabeth Chan, who lives with her family in a two-bedroom rental in Battery Park City.Andrea Mohin/The New York TimesElizabeth Chan, 42Occupation: Composer and performer of Christmas songsA new perspective: “When I became a mother, my music changed immediately, because suddenly the story of the birth of Jesus and the story of trying to find a place for the baby became very relatable.”It’s because of this: Since leaving her job as a marketing executive a decade ago for what, at the time, seemed like a quixotic pursuit, Ms. Chan has written more than 1,000 Christmas songs (she stopped counting at 1,200) in assorted genres — pop, jazz, disco, electronic, you name it — and recorded 12 albums of her holiday-themed compositions. Some have turned up on Billboard’s adult contemporary and holiday charts. She also ghostwrites Christmas songs for performers who need a Santa’s helper.Like its predecessors, her latest collection, “12 Months of Christmas,” released in October, plays around the country in malls and stores like Walmart, Ikea, Pottery Barn and Williams Sonoma, providing Ms. Chan with an annual income that she says is in the high six figures — there’s no business like Ho-Ho-Ho business — and prompting some in the industry to refer to her as the Queen of Christmas. (Last year, when Mariah Carey, she of “All I Want for Christmas Is You,” filed an application through her company to trademark the phrase “Queen of Christmas” for future use on products like music, perfume, sunglasses and even coconut milk, Ms. Chan opposed the registration, believing that no one should have exclusive and permanents rights to the title. Ultimately, she prevailed.)Ms. Chan’s office, two floors down from the family home, is perennially decked out for Christmas.Andrea Mohin/The New York TimesCreatively and fiscally, Ms. Chan has gone far. Geographically, it’s a different story. She grew up in Battery Park City and has remained there even after 9/11 caused many, including her traumatized parents, to relocate.“I couldn’t think of anywhere else to go,” said Ms. Chan, who found a one-bedroom rental blocks away from her childhood apartment. “I thought it was going to be temporary. I think I’ve stayed because every Christmas song I’ve written has been written here.”When Ms. Chan married 13 years ago, her husband, Andy Fraley, who designed her website and also designs her album covers, joined her in the apartment. And when she decided to ditch corporate life and become a struggling artist, the couple stayed put, although it meant making room for six keyboards, three guitars, a ukulele, a Chinese stringed instrument called a gu zheng, speakers and then, eventually, their first child, Noelle, now 5, and the attendant baby paraphernalia. Oh, and did we mention the dog?Four years ago, through a local mothers’ group, Ms. Chan learned that a family in the building was moving to New Jersey and was hoping to find someone to take over their two-bedroom apartment.“My husband went to look at it, and things were in a crazy state of affairs,” Ms. Chan recalled. “There were crayon and magic-marker marks on every wall, and he said, ‘We’ll take it.’ He knew I was never going to leave the neighborhood — that I was never going to leave the building — because it’s home.”Shelves have been stripped of books to make space to display a Lego Christmas Village scene.Andrea Mohin/The New York TimesMs. Chan puts a heavy emphasis and great value on home. Many of her songs have the word “home” in the title or the lyrics. Home frequently figures in conversations with her. Dilating on the topic, she gets unapologetically weepy.Even though the family has settled fully into the more spacious apartment — their numbers now include Eva, 2 — Ms. Chan clings to the other space because that, too, is her home. It’s easily identified by the sleigh bell-encrusted Christmas wreath.“In the way you walk into your house and it smells familiar — that’s this place, for me,” she said.There she wraps and hides her children’s Christmas presents, writes songs, does business Zoom calls and records promos for the radio stations that play her music. Ms. Chan gets inspiration from the fully decorated artificial Christmas tree that, like the wreath, remains in place year-round; from the decorative holiday pillows, of which there are many; and from a photo of her maternal grandmother presiding over a Christmas pageant in her village in the Philippines. “She taught me what matters,” Ms. Chan said.“I usually take January off and start writing Christmas songs again in February,” Ms. Chan said.Andrea Mohin/The New York TimesOn a Friday morning in early December, the holiday spirit was ascendant two floors up, in the family quarters. The bookshelves had been given over to displays of Lego Christmas Village scenes and a Fisher-Price Little People Nativity set. Red stockings were hung with care over the red-painted wood console. A “Santa Stop Here” tree-topper was ready to be put in place, and the marble-topped dining table where Ms. Chan sat, a decade ago, to map out her business, had been cleared off to make room for a gingerbread house or two.“This is what Christmas looks like to me,” she said, gazing around the living room. “I wouldn’t feel comfortable living anywhere else. Since my songs are focused on love and family and home, uprooting would affect my music.”For weekly email updates on residential real estate news, sign up here. More

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    Mariah Carey’s ‘All I Want for Christmas Is You’ Returns to No. 1

    The singer’s holiday anthem, first released in 1994, ends Taylor Swift’s six-week run atop the Hot 100 singles chart.Back in 1994, Mariah Carey released the album “Merry Christmas,” with an anchor track, “All I Want for Christmas Is You,” that mixed the R&B production style of the era with nostalgic touches reminiscent of Phil Spector. The song did well at radio, and the album reached No. 3 on Billboard’s chart, behind LPs from Kenny G and Boyz II Men.Flash forward a couple of decades and Carey’s song had become a modern classic, but chart domination had long eluded it. After a yearslong promotional push that included a concert residency at the Beacon Theater in New York, an animated film and a new music video — as well as the song’s annual ubiquity on streaming playlists — “All I Want” finally made it to No. 1 on Billboard’s Hot 100 chart in 2019, and repeated the feat in 2020 and 2021.Now Carey’s seasonal blockbuster has returned to No. 1 yet again, ending the six-week reign of Taylor Swift’s “Anti-Hero.” Buoyed by streaming, “All I Want” leads a new Top 10 dominated by decades-old holiday hits, including Brenda Lee’s “Rockin’ Around the Christmas Tree” (1958) at No. 2, Bobby Helms’s “Jingle Bell Rock” (1957) at No. 3 and Burl Ives’s “A Holly Jolly Christmas” (1964) at No. 4.On the album chart, “Heroes & Villains,” the new LP by the rap super-producer Metro Boomin, opens at No. 1 with the equivalent of 185,000 sales in the United States, including 233 million streams, according to the tracking service Luminate. Metro Boomin, whose real name is Leland Wayne, has produced hits for artists like Migos, Future, Gucci Mane and Post Malone, but “Heroes & Villains” is his third time at No. 1 with an album of his own.The release features a deep bench of guest stars, like the Weeknd, 21 Savage, Travis Scott, Future and Takeoff from Migos, who was shot and killed six weeks ago. The 85-year-old actor Morgan Freeman also contributed his familiar voice-of-God narration to a promotional short film and parts of the album, as he did on a joint LP by Metro Boomin and 21 Savage two years ago.Swift’s LP “Midnights” falls to second place in its seventh week out, five of those at No. 1. Drake and 21 Savage’s “Her Loss” is No. 3, Bad Bunny’s “Un Verano Sin Ti” is in fourth place and Michael Bublé’s 11-year-old holiday favorite “Christmas” falls one spot to No. 5.Carey’s “Merry Christmas,” from 1994, lands at No. 10 on the album list. More