More stories

  • in

    Eric Clapton’s Love Letters to Pattie Boyd Go Up for Sale

    Eric Clapton’s handwritten messages, being auctioned this week, shed light on how he wooed Pattie Boyd away from George Harrison and on the impassioned songs the affair inspired.One spring morning in 1970, the model Pattie Boyd was having breakfast at her ramshackle mansion in the English countryside when she received a letter marked “Urgent.”Inside the envelope was a short, lovesick note. “Dearest L,” the letter began, adding later, “It seems like an eternity since I last saw or spoke to you!” As Boyd read on, the note took on a desperate tone: “If there is still a feeling in your heart for me … you must let me know!”“Don’t telephone,” the emotional scribe added. “Send a letter … that is much safer.”The author signed off with a mysterious “E.”Boyd is selling a letter she received from Clapton in spring 1970 while she was married to Harrison.Christie’s Images Ltd.In a recent interview, Boyd recalled that she had assumed the letter was from a crazed fan and showed it to her husband, the Beatles guitarist George Harrison. Then she forgot about it — until a few hours later when the phone rang. It was Eric Clapton, the rock guitarist and one of Harrison’s friends.“Did you get my letter?” Clapton asked.More than 50 years after Clapton’s missive drew Boyd into one of rock music’s most mythic love triangles, the note is getting a moment in the spotlight. On Friday, Christie’s is auctioning over 110 items from Boyd’s archives, including the letter (with an estimated price of up to 15,000 pounds, or about $19,000), as well as photographs of Clapton and Harrison and handwritten song lyrics by both the rock greats.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    Exclusive: Elton John’s Auction Has It All: Boots to Banksy

    Elton John is downsizing — and the superstar’s former penthouse residence in Atlanta has been emptied for a series of auctions at Christie’s starting on Feb. 21. The items are expected to bring in an estimated $10 million.Want the Yamaha conservatory grand piano where the Rocketman plunked the keys of his Broadway shows “Billy Elliot” and “Aida?” It will cost roughly triple what similar models sell for online, with a high estimate of $50,000.How about Julian Schnabel’s portrait of the superstar dressed in a gown and ruffled collar? The auction house is seeking $300,000.And the most expensive object, a 2017 Banksy painting of a masked man hurling a bouquet of flowers, secured directly from the anonymous artist, is expected to sell for nearly $1.5 million.Included in the auction: prescription sunglasses by Sir Winston Eyeware that Elton John owned; a diamond pendant necklace set with round diamond letters spelling “The Bitch Is Back,” estimated at $20,000-$40,000; a Cartier sapphire ring, 18k yellow gold, $50,000-$80,000.Vincent Tullo for The New York TimesJohn declined to comment on the auction. (Agostino Guerra, a Christie’s spokesman, cited “long-planned scheduling conflicts.”) However, the singer’s husband and manager, David Furnish, discussed the sale in a recent interview.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

  • in

    Donna Summer’s Bedazzled Closet and Ephemera Will Go Up for Auction

    Eleven years after her death, the disco legend’s family has combed through her possessions, deciding to sell many of her glittering dresses, manuscripts and paintings.For nearly a decade after Donna Summer’s death in 2012, her home in Nashville remained like a shrine to the Queen of Disco’s decades-long music career.Beaded gowns that she had worn onstage remained tucked away along with designer pumps in the upstairs closet; ephemera such as an annotated album cover design for “She Works Hard for the Money” were stored downstairs; and in the basement, there was an accumulation of brightly colored paintings, awards and gold records.Never eager to talk about death, Summer — who died of lung cancer at 63 — had not given directions for what should be done with her possessions, her husband, Bruce Sudano, said recently. It was only in the past few years that Summer’s family was ready to fully comb through her belongings at the Nashville home, many of which will go up for sale at Christie’s next month, the auction house announced Friday.“You’d go into these spaces and it would be almost a time capsule of your life,” said Brooklyn Sudano, one of Summer’s three daughters.One of the items up for sale is a silver goblet that Summer often had onstage with her, filled with caffeine-free Pepsi. Brooklyn Sudano remembered that when she and one of her sisters were on tour with their mother in the 1990s, one of their jobs would be to stir the soda inside the goblet to get rid of any bubbles. (“While she’s singing she can’t be burping,” she explained.)The singer drank flat, caffeine-free Pepsi from this silver goblet during performances, her family said. Christie’s estimates that the cup will sell for between $400 and $600.Courtesy of Christie’sA versatile singer-songwriter whose music spanned funk, dance, rock and gospel, Summer shot to fame in 1975 with the erotic extended cut of “Love to Love You Baby,” followed by the pioneering electronic song “I Feel Love,” whose pulsating club beat can be heard in Beyoncé’s “Summer Renaissance.”The announcement by Christie’s comes shortly before HBO’s release on Saturday of a new family-backed biographical documentary, directed by Roger Ross Williams and Brooklyn Sudano. Chronicling Summer’s rise from a cast member in a German production of “Hair” to an international superstar, the film, called “Love to Love You, Donna Summer,” is as much about her personal life as her career, discussing her struggles with depression, physical abuse by a boyfriend, and her chapter as a born-again Christian.The auction includes glamorous possessions and others that are more mundane. On the glamorous end: a glittering blue and green dress Summer wore in the music video for her 1983 song “Unconditional Love,” a rhinestone-studded dress and bolero jacket that she wore at a concert in 1995, and a collection of the diva’s sunglasses.As for the mundane — but perhaps intriguing to the most devoted of fans — the sale includes unworn shoes and a dozen unused Louis Vuitton towels.“There are people in the world who love her,” said Bruce Sudano, who is in charge of caring for her estate. “It felt like we can’t just hoard all of this stuff for ourselves.”An early draft of Donna Summer’s 1977 song “Now I Need You,” written by the singer on hotel stationery.Courtesy of Christie’sSummer’s rhinestone-spotted evening dress, worn onstage in 1995, is estimated to sell for between $1,500 and $2,500.Courtesy of Christie’sThe online sale, which Christie’s expects to garner about $200,000 to $300,000, begins on June 15. A portion of the proceeds from the sale will go to St. Jude Children’s Research Hospital, Save the Music Foundation and the Elton John AIDS Foundation, the auction house said.One item, a poster for a 1998 concert supporting the nonprofit Gay Men’s Health Crisis, gestures to the history of Summer’s at times strained relationship with L.G.B.T.Q. fans, many of whom boycotted her music in the ’80s after they had helped to fuel its rise.The documentary briefly addresses that history, with Summer’s husband recounting how an off-the-cuff comment onstage — “God didn’t make Adam and Steve, he made Adam and Eve,” he recalled her saying — deeply hurt many gay fans. Summer worked to repair her relationship with the fan base, especially after New York magazine wrote that she had described the AIDS crisis as a “divine ruling” on gay people, a report she fiercely denied and ultimately sued over.The sale also includes about 15 paintings and manuscripts with scrawled lyrics, including for the 1977 song “Now I Need You,” written on stationery from a hotel in Munich, as well as edits in pencil to the lyrics for the hit “On the Radio.”Brooklyn Sudano scrutinized documents like those while piecing together the HBO film, which she said bolstered her belief that her mother was not a pop star engineered by outside forces, but rather an artist who was deeply involved in creating the hits that made her famous.“People just saw her as this persona,” she said. “I don’t think that they truly understood that she was an artist and had an active role in creating the Donna Summer that people knew.” More

  • in

    A Rapper’s Delight: Hip-Hop Memorabilia Goes Up for Auction

    Original vinyl records, turntables and other ephemera belonging to the hip-hop pioneer D.J. Kool Herc will be included in a sale at Christie’s.In the 1970s, D.J. Kool Herc and his sister Cindy Campbell were famous for throwing parties in the rec room of their Bronx high-rise at 1520 Sedgwick Avenue, which became known as the “birthplace of hip-hop.”Now some of the original vinyl records and turntables from those neighborhood jams, and other memorabilia, will be auctioned online in a sale organized by Christie’s with Payal Arts International, a consultancy practice.The sale, from Aug. 4 through Aug. 18, represents a larger effort by Christie’s to reach out to a broader population of clients and collectors. An exhibition of the more than 200 items included in the sale will be open to the public at Christie’s Rockefeller Center galleries from Aug. 5 to Aug. 12, as part of Hip-Hop Recognition Month in New York City.Up for auction are some of the turntables and original vinyl records from the parties Herc and his sister Cindy threw at 1520 Sedgwick Avenue. Christie’s Images Ltd. 2022.“For far too long, our country has neglected to celebrate the contributions of Black Americans to the extent that is deserved,” Darius Himes, Christie’s international head of photographs, said in a statement. “The spirit of the parties that Herc and Cindy would throw were always about inclusion — people from all races and cultures across New York’s many neighborhoods would come to hear the best new music played loudly on Herc’s famous sound system.“From the depths of Planet Rock, a.k.a. the Bronx — came a fire and energy that first captivated the 5 boroughs, and then permeated every facet of the globe,” Himes added. “There isn’t a country today whose youth haven’t been influenced by this movement. And it all started here, in New York City, by a talented Black American with very few resources.”The sale will include disco balls, shoes, hats, belt buckles and jewelry of that pioneering period, as well as Polaroids of Herc and friends, and numerous awards.“At our parties in 1970s New York, it was about something that was bigger than ourselves,” Herc, whose real name is Clive Campbell, said in a statement. “Hip-hop is both an American immigrant story and a global story — it belongs to everybody. And we can still see and feel it today.” More

  • in

    Christopher Coover, Auction Expert in the Printed Word, Dies at 72

    At Christie’s, he managed sales of rare books, manuscripts and documents by the likes of da Vinci, Lincoln and Kerouac. On TV, he lent his eye to “Antiques Roadshow.”Christopher Coover, who made a career out of reading other people’s mail as an expert in rare books and manuscripts at Christie’s Auction House, where he oversaw the authentication, appraisal and sale of documents ranging from the original texts of Jack Kerouac’s “On the Road” to George Washington’s annotated copy of the Constitution, died in Livingston, N.J., on April 3, his 72nd birthday.The immediate cause was pneumonia complicated by Parkinson’s disease, his son, Timothy, said.As a connoisseur of curios, Mr. Coover was enlisted as an appraiser for the PBS program “Antiques Roadshow,” where at a single glance he could transform an all-but-forgotten autographed book or letter, retrieved from a starry-eyed guest’s basement or attic into a valuable historical heirloom.“The sense of discovery never fails,” he told The Colonial Williamsburg Journal in 2011. “I like the challenge of seeking out the larger background, the hidden meanings and connections of a given document. This means I am sometimes overworked, occasionally out of my depth, but never bored.”Mr. Coover in 2004 with letter from Abraham Lincoln to Ulysses S. Grant. “The historical nuggets in original manuscripts are often buried, but rarely deeply,” he said. Ruby Washington/The New York Times)For 35 years as senior specialist in the Rare Books and Manuscripts Department at Christie’s in Manhattan, he would authenticate material offered for auction, describe its provenance and history for the catalog, and suggest the opening price.Among his career milestones was assisting in the sale of the oil magnate Armand Hammer’s copy of an early 15th-century scientific manuscript by Leonardo da Vinci — known as the “Hammer Codex” — to Bill Gates, the Microsoft chairman, for a record $30.2 million in 1994.Mr. Coover appraised and managed the sale of the publisher Malcolm Forbes’s collection of American historical documents in six auctions from 2002 to 2007. The sale set records for letters by 15 presidents and generated more than $40.9 million. The sale’s catalog included a manuscript of Abraham Lincoln’s last speech; Robert E. Lee’s message to Ulysses S. Grant, in which he said he was ready to discuss the “cessation of hostilities” to end the Civil War; and a 1939 letter from Albert Einstein to President Franklin D. Roosevelt encouraging the American effort to build the atomic bomb.Mr. Coover also wrote the catalog for the sale of Kerouac’s “On the Road” manuscript, typed on a 119-foot-long roll of United Press Teletype paper ($2.4 million); and appraised and managed the sales of Lincoln’s 1864 Election Victory speech ($3.4 million), Washington’s letter on the ratification of the Constitution ($3.2 million), Washington’s personal annotated copy of the 1789 Acts of Congress ($9.8 million) and the original manuscript of James Joyce’s “Ulysses.”Christopher Coover was born on April 3, 1950, in Greeley, Colo. His parents left his middle name blank on his birth certificate so that he could choose one later himself. He selected Robin, from his favorite childhood books; his full name became Christopher Robin Coover.The family moved shortly afterward to Poughkeepsie, N.Y., where his parents were hired by Vassar College — his father, James Burrell Coover, as a professor and music librarian, and his mother, Georgena (Walker) Coover, as a teacher and specialist in early childhood education.Chris attended Arlington High School in Poughkeepsie before his father took a teaching post at the State University of New York at Buffalo, bringing his family with him. Chris graduated from Kenmore West High School in Buffalo. He earned a bachelor’s degree in musicology from SUNY Buffalo in 1973.He subsequently formed a band that played at weddings and other receptions, drove a school bus, worked for The New Grove Dictionary of Music in London and in the rare books room of the Strand book store in Manhattan before he was hired by Sotheby’s in 1978.He left for Christie’s in 1980. While working there, he earned a master’s in library science from Columbia University. He retired in 2016 as senior specialist and vice president of the auction house.Mr. Coover also lectured on American documents and built his own collection of literary and historical books and manuscripts, which he donated to Columbia.Mr. Coover, who died in a hospital, lived in Montclair, N.J. In addition to his son, he is survived by his wife, Lois (Adams) Coover; a daughter, Chloe; and two sisters, Mauri and Regan Coover.In the authentication of documents, Mr. Coover said, most forgeries are readily apparent, typically because the paper cannot be faked. Such was the case with a supposed 1906 first edition of “Madame Butterfly,” purportedly signed and dedicated by the composer, Puccini, which a reader of The Chicago Tribune asked Mr. Coover to authenticate.Sight unseen, he was able to recite the dedication, in Italian (he said he had seen 10 to 15 copies of the score with the same words), and identified the reader’s find as only a photolithographic copy.Then again, he said, ordinary-looking documents can contain surprises.“An otherwise boring diary or series of family letters mainly recording weather and local news may contain a long description of an election campaign, demonstrations against the Stamp Act, the convening of the Confederacy to draft a constitution, or a raid by Pancho Villa,” he told the Williamsburg journal.“The historical nuggets in original manuscripts are often buried, but rarely deeply,” he added. “I once discovered an exceptional letter of Ethan Allen at the bottom of a pile of old deeds, copies of minor poetry and otherwise uninteresting papers.”Assessing the monetary value of an item is highly subjective, he said.“Family bibles and birth and death records are valuable for their genealogical information, but they have very little commercial value,” he was quoted as saying in Marsha Bemko’s book “Antiques Roadshow: Behind the Scenes” (2009), “and I think it is a shame to see little old ladies waiting in line for hours while hefting a 40-pound Bible that is worth very little monetarily.”“You have to trust your innate instincts and perception of the size of the potential market,” he said. “The value of some letters and documents can only be determined by letting the free market operate, at auction.”Mr. Coover recalled that in 1992 he was asked by the grandson of a woman who had recently died to appraise her collection of books. He visited her Manhattan apartment and immediately realized that the books were not very valuable, but as he was leaving, the grandson asked him to look at some papers in a tattered Manila envelope.Inside, Mr. Coover told The Times in 2004, he found an old black leather book with the word “autograph” embossed in gold on the cover. On the very first page, he recognized Lincoln’s signature, followed by the last handwritten paragraph of his Second Inaugural Address. He told the young man that that one page alone was worth at least $250,000. When it finally went to auction, it sold for $1.2 million. More