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      in Music

      Is TikTok Over?

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      The app once offered seemingly endless chances to be charmed by music, dances, personalities and products. But in only a few short years, its promise of kismet is evaporating.How much time do I spend on TikTok? I can tell you which chiropractor is demonstrating their technique without even seeing their face. I know which fashion content creator is partial to Rei Kawakubo, and who has a preposterous Carol Christian Poell collection. I know which New York City microinfluencers go on vacation together, and which creators are building a modest following joking about the music of a small scene of rappers who make Playboi Carti sound like Kendrick Lamar.Through endless hours of scrolling — an hour a day, at least, for several years now — I’ve been accumulating hyperniche expertise predicated on my interests, conscious and subconscious. The result has been a gathering of online characters that, at this point, shape my cultural consumption far more than any celebrity or news source.This is what TikTok intends to do, tapping into pure id, drilling down on what you know and what you might want to know in hopes that you never leave the app’s forever scroll. Of all the social media platforms, it holds the greatest promise of kismet. It’s the one that has seemed most in tune with individual taste and most capable of shaping emerging monoculture.But increasingly in recent months, scrolling the feed has come to resemble fumbling in the junk drawer: navigating a collection of abandoned desires, who-put-that-here fluff and things that take up awkward space in a way that blocks access to what you’re actually looking for.This has happened before, of course — the moment when Twitter turned from good-faith salon to sinister outrage derby, or when Instagram, and its army of influencers, learned to homogenize joy and beauty. (Some apps, like the TikTok precursor Vine, were shuttered before ever becoming truly tiresome.) Similarly, the malaise that has begun to suffuse TikTok feels systemic, market-driven and also potentially existential, suggesting the end of a flourishing era and the precipice of a wasteland period.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

    • 150 Shares129 Views

      in Movies

      Jake Johnson Likes to Play the Hollywood Game, Especially When It Changes

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      “When you get on this roller coaster, you don’t know how long you’re going to be allowed to play while you’re here,” the “New Girl” actor said about his filmmaking debut, “Self Reliance.”If you were bored enough — a stultifying job, living with Mom after a bad breakup — you, too, might climb into a mysterious limo carrying Andy Samberg. You might even consider the offer: outwit assassins for 30 days and win $1 million.It’s a risk that Tommy, played by Jake Johnson, is willing to take in “Self Reliance,” the dark comedy on Hulu that he also wrote and directed.Johnson, 45, was antsy during the pandemic when he decided the time for this project was now.“When you get on this roller coaster, you don’t know how long you’re going to be allowed to play while you’re here,” he said in a video interview from the studio he built for podcasts and Zoom calls in his Pasadena, Calif., home. “You should take chances and experiment. And if you have a relationship with an audience, you should be presenting new options.”Johnson is best known as an actor in movies and television, particularly the sitcom “New Girl,” which ran for seven seasons and is one of the reasons Anna Kendrick and Samberg agreed to come aboard “Self Reliance.”“Having somebody as funny as him start the movie, it sets the tone in the way that I want this movie to be viewed,” Johnson said before talking about losing at chess, carpentry mishaps and out-of-this-world restaurants. “And that is: sit back, have a glass of wine or smoke a joint or whatever you like to do and enjoy it. It’s a ride.”These are edited excerpts from the conversation.1My Twin DaughtersWhen I had kids, they become such a dominant part of my life. They transform every day, every thought. So the idea of living without them — I don’t even know what living is.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

    • 100 Shares129 Views

      in Television

      ‘S.N.L.’ Turns Back to Its Favorite Topic, Trump

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      Alaska Airlines also came in for mockery, with a parody ad that imagines finding the public relations upside in a flight where a door plug blew out at about 16,000 feet.With 2024 underway and the presidential race in full swing, it was time for “Saturday Night Live” to get back to doing what it loves best: lampooning former President Donald J. Trump.In its first new broadcast of the year, hosted by Jacob Elordi and featuring the musical guest Reneé Rapp, “S.N.L.” kicked off with a sketch featuring its resident Trump impressionist, James Austin Johnson. It parodied Trump’s impromptu remarks outside a courtroom in Lower Manhattan where he is again on trial facing accusations that he defamed the writer E. Jean Carroll, after an earlier jury verdict in May that Trump defamed and sexually abused her.After a brief introduction by Chloe Fineman, who played Alina Habba, Trump’s lawyer, (“I am new at this, and I am learning,” she said), Johnson entered as Trump and quickly dressed down his own legal representation.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

    • 113 Shares119 Views

      in Television

      Hickory Dickory Dock. It’s Andrew Dice Clay on TikTok.

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      In his feed on the app, the stand-up offers to help bewildered passers-by or pose for a photo. It’s an approach to fame and persona that puts his comedy in a new light.The first shot is a crooked view of a sparse Christmas tree on a narrow median in Manhattan traffic. The second is a confused man walking his dog. Then the camera swivels to show us none other than Andrew Dice Clay, tentatively muttering in a “Guys and Dolls” accent, “You wanted a picture in front of the tree with me?”The man with the dog doesn’t recognize him, his glance shifting from discomfort to pity. “I’ll take a picture of you,” he says condescendingly. Then we return to Clay stammering: “I thought you wanted one? No?”This 14-second-long video is a disarming slice of life, a minor comic humiliation staged with impromptu precision. It’s part of an oddly delightful project undertaken by Clay, the notorious comedian, now in his 60s. He still performs blustery leather-jacketed stand-up (he plays Carnegie Hall on Feb. 15), but he’s portrayed in a very different light in his social media posts: a self-deprecating series of vignettes that clash with his image while also bringing him back to his forgotten roots.

      @andrewdiceclay What Just Happened. #andrewdiceclay #comedian #comedy #newyork #christmas #tree ♬ original sound – Andrew Dice Clay We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

    • 150 Shares189 Views

      in Music

      Peter Schickele, Composer and Gleeful Sire of P.D.Q. Bach, Dies at 88

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      Peter Schickele, an American composer whose career as a writer of serious concert music was often eclipsed by that of his antic alter ego, the thoroughly debauched, terrifyingly prolific and mercifully fictional P.D.Q. Bach, died on Tuesday at his home in Bearsville, a hamlet outside Woodstock, N.Y. He was 88.His death was confirmed by his daughter, Karla Schickele. His health had declined after a series of infections last fall, she said.Under his own name, Mr. Schickele (pronounced SHICK-uh-lee) composed more than 100 symphonic, choral, solo instrumental and chamber works, first heard on concert stages in the 1950s and later commissioned by some of the world’s leading orchestras, soloists and chamber ensembles. He also wrote film scores and musical numbers for Broadway.His music was performed by the New York Philharmonic, the Cleveland Orchestra, the Lark Quartet, the Minnesota Opera and other notable ensembles, as well as by the folk singers Joan Baez and Buffy Sainte-Marie, for whom he wrote arrangements.But to his resigned chagrin, it was as a musical parodist in the tradition of Victor Borge, Anna Russell and Spike Jones — Mr. Schickele’s particular idol — that he remained best known.For more than a half century, through live performances seemingly born of the marriage of Mozart, the Marx Brothers and Rube Goldberg; prizewinning recordings; and even a book-length biography, P.D.Q. Bach (“the only dead composer from whom one can commission,” Mr. Schickele liked to say) remained enduringly, fiendishly alive.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

    • 175 Shares169 Views

      in Television

      Steven Yeun Wins His First Emmy for His Role as Danny Cho in ‘Beef’

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      Steven Yeun captured the Emmy for best actor in a limited series for his role as Danny Cho in “Beef,” the heralded Netflix series that portrays a seemingly low-stakes road-rage incident both intertwining and dominating the lives of Cho and Ali Wong’s Amy Lau.Cho is a struggling contractor in Los Angeles, whose life already seems hopeless when Lau careens into him. The pair become entangled in a series of escalating acts of retribution across the show’s 10 episodes.“I want to say thank you to Danny for teaching me that judgment and shame is a lonely place, but compassion and grace is where we can all meet,” Yeun said during his acceptance speech.Lee Sung Jin’s dramedy series cleaned up on Monday night, winning awards for writing and directing, and also taking the award for best limited series. Wong also won best actress in a limited series. Joseph Lee and Maria Bello also earned nominations for their roles.Yeun, a veteran of “The Walking Dead,” entered as a favorite to win his first Emmy. He beat out the nominees Taron Egerton (“Black Bird”), Kumail Nanjiani (“Welcome to Chippendales”), Evan Peters (“Monster: The Jeffrey Dahmer Story”), Michael Shannon (“George & Tammy”) and Daniel Radcliffe (“Weird: The Al Yankovic Story”). More

    • 150 Shares169 Views

      in Television

      John Oliver Wins Emmy for Scripted Variety Series, Beating ‘Saturday Night Live’

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      HBO’s “Last Week Tonight With John Oliver” bested NBC’s “Saturday Night Live” by winning scripted variety series in a clash between two titans accustomed to dominating the Emmys from opposite sides of the variety fence.Since the Emmys fractured the outstanding variety sketch categories into two in 2015, John Oliver’s political satire scored seven Emmys for variety talk and “Saturday Night Live” had claimed six for variety sketch.The shows were dumped into the same category this awards under scripted variety series, described by the Television Academy as shows that “are primarily scripted or feature loosely scripted improv and consist of discrete scenes, musical numbers, monologues, comedy stand-ups, sketches, etc.”The award for talk series will now honor traditional late-night shows like “The Late Show With Stephen Colbert” and “Jimmy Kimmel Live!” The Television Academy deemed Oliver unfit because much of his show is scripted, while other late night hosts engage in lengthy, unscripted conversations.It’s a different category, but still another win for Oliver. “Last Week Tonight With John Oliver” scored four total Emmy nominations.Oliver’s show also beat HBO’s final season of “A Black Lady Sketch Show” for the award.During his speech, Oliver thanked his staff, HBO and “our lawyers who are angry with us all the time.”Before being rushed off the stage by Doris Hancox, Anthony Anderson’s mother, Oliver mentioned that he had promised to get his children Pokémon cards while in California. “And I don’t know where to get Pokémon cards in L.A.,” he said. “So, if anyone knows where to get Pokémon cards between here and L.A.X., it’s a significant problem that I’ve worked myself into.” More

    • 125 Shares189 Views

      in Television

      Peter Crombie, Actor Known for ‘Seinfeld’ Appearances, Dies at 71

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      Crombie was perhaps best known for playing “Crazy” Joe Davola on the hit television sitcom.Peter Crombie, the actor who was probably best known for playing the role of “Crazy” Joe Davola on five episodes of the hit television sitcom “Seinfeld,” died on Wednesday in a health care facility in Palm Springs, Calif. He was 71.Crombie had been recovering from unspecified surgery, said his ex-wife, Nadine Kijner, who confirmed his death.In his role as Davola, Crombie played a temperamental character who stalks Jerry — a semi-fictionalized version of the comedian Jerry Seinfeld — and develops a deep hatred of him.Tall and lanky, Crombie’s character had a flat, borderline menacing affect and an unblinking 1,000-yard stare. In the series, he also stalked the tough New Yorker Elaine, in one case plastering a wall of his apartment with black-and-white surveillance photos of her.Aside from his part in “Seinfeld,” Crombie also had roles in the movies “Seven” (1995), “Rising Sun” (1993) and “Born on the Fourth of July” (1989), among other acting television and movie credits.Crombie was born on June 26, 1952, and grew up in a neighborhood outside of Chicago.His father was an art teacher, and his mother taught home economics, Ms. Kijner said. Crombie trained at the Yale School of Drama before moving to New York.Crombie and Kijner met in Boston in the late 1980s before marrying in 1991. Though they divorced after about six years of marriage, the two remained friends.“He was like a rock,” she said. “He was someone you could always call and lean on.”Kijner said Crombie is survived by a brother, Jim. She said Crombie stepped back from acting around 2000, and worked on his other passion, one of which was writing.The comedian Lewis Black commemorated Crombie on social media, calling him a “wonderful actor” and an “immensely talented writer.”“More importantly he was as sweet as he was intelligent and I am a better person for knowing him,” Mr. Black wrote.Larry Charles, a “Seinfeld” writer, also mourned Mr. Crombie.“His portrayal of Joe Davola managed to feel real and grounded and psychopathic and absurd and hilarious all at the same time,” Mr. Charles wrote on social media. “This was a juxtaposition I was always seeking on my Seinfeld episodes and reached a climax of sorts with ‘The Opera.’ Seinfeld was a sitcom that could make you uncomfortable and no guest actor walked that line better than Peter.” More