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    Amid Industry Rebukes, Morgan Wallen’s Album Stays No. 1

    AdvertisementContinue reading the main storySupported byContinue reading the main storyThe ChartsAmid Industry Rebukes, Morgan Wallen’s Album Stays No. 1An online video showing Wallen using a racial slur led to his fall from grace last week, but “Dangerous” became the top-selling album for a fourth time.Radio stations and streaming platforms removed Morgan Wallen’s music from playlists; his label suspended his contract; and he has apologized. He topped the chart again.Credit…Terry Wyatt/Getty Images for CmaFeb. 8, 2021Last week, Morgan Wallen, country music’s biggest new star, quickly fell from grace after a video surfaced of him casually using a racial slur.Within a day, radio stations and streaming platforms removed his music from playlists and his record label decided to “suspend” his contract. Instantly, he became the focal point of an industrywide debate about the long and complex history of racial inequity in Nashville, country music’s power center. Even though some defended him — his sister, Ashlyne, condemned his words but portrayed her brother as a victim of “cancel culture” — Wallen’s time as a chart-topping crossover hero, it would seem, was over.But on Monday, Wallen’s breakthrough second LP, “Dangerous: The Double Album,” notched its fourth week at No. 1 with the equivalent of 149,000 sales in the United States, up almost 15 percent from the week before, according to MRC Data, Billboard’s tracking arm. In every measurement, the numbers for “Dangerous” grew from the previous week. It had 160 million streams, up from 154 million; sold 25,000 copies as a complete package, more than double its previous take; and had 67 percent more downloads of individual tracks.Timing likely played a part in that growth. Billboard’s weekly tracking period goes from Friday to Thursday, so by the time Wallen’s video was published late Tuesday by TMZ, the accounting week was nearly over. But even well after that point, “Dangerous” and its songs were still holding strong on Apple’s iTunes charts, a sign that a large contingent of fans was standing by him.Even under this cloud, “Dangerous” is the first country title to hold its first four weeks at No. 1 on the Billboard 200, the magazine’s flagship album chart, in 18 years; the last to do so was Shania Twain’s “Up!,” which spent its first five weeks in the top spot in late 2002 and early 2003.Where Wallen goes from here is unclear. His label and management company, Big Loud, has not clarified what it means to suspend a contract — a step that some industry figures have already criticized as an empty gesture. But whether the company can unilaterally cancel his deal may depend on the terms of Wallen’s contract. In a statement to TMZ last week, Wallen apologized, saying, “there are no excuses to use this type of language, ever,” and has not since commented.Also on this week’s chart, Lil Durk’s “The Voice” is No. 2, Pop Smoke’s “Shoot for the Stars Aim for the Moon” is No. 3, the Weeknd’s “After Hours” is in fourth place and Juice WRLD’s “Legends Never Die” is No. 5.AdvertisementContinue reading the main story More

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    Morgan Wallen Rebuked by Music Business After Using Racial Slur

    AdvertisementContinue reading the main storySupported byContinue reading the main storyCountry Star Morgan Wallen Rebuked by Music Business After Using Racial SlurThe musician apologized in a statement to TMZ, saying, “I used an unacceptable and inappropriate racial slur that I wish I could take back.”Radio stations and streaming services distanced themselves from Morgan Wallen, one of the top country artists, after video surfaced of him using a racial slur.Credit…Sanford Myers/Associated PressJulia Jacobs and Feb. 3, 2021Morgan Wallen, one of country music’s biggest new stars, was swiftly rebuked on Wednesday by major radio stations, streaming services, record labels, fellow artists and the CMT network after a video surfaced of him using a racial slur.The genre’s brightest new headliner so far this year, Wallen currently has the No. 1 album in the United States for three weeks running, having found traction even on streaming services like Spotify and Apple Music, where country has traditionally struggled. But all of that threatened to crumble starting Tuesday night, when TMZ posted a video, seemingly filmed by a neighbor, that appeared to show Wallen returning from a night out in Nashville and shouting at someone to take care of another person in his group, referring to that person with a racial slur.By morning, Spotify, Apple and some of the largest radio conglomerates in the country had removed Wallen from playlists and airwaves, while the singer’s record label and management company, Big Loud, announced that it would “suspend” his contract indefinitely. Republic Records, a division of Universal Music Group that distributes Wallen’s releases in partnership with Big Loud, said it supported the decision, adding “such behavior will not be tolerated.”Big Loud did not respond to follow-up questions about what it meant to suspend a recording contract or whether it planned to cease selling or promoting Wallen’s new album and past work.Representatives for Wallen did not immediately respond to a request for comment. TMZ reported that the singer had apologized in a statement, saying, “I’m embarrassed and sorry. I used an unacceptable and inappropriate racial slur that I wish I could take back. There are no excuses to use this type of language, ever.”But the prompt action by the industry, and especially by power players within tight-knit country music circles, seemed to signal a shift in a world that has traditionally struggled with race, representation and political issues.A major owner of country radio stations, iHeartMedia, decided to remove Wallen’s music from its playlists immediately in response to the video, a spokeswoman said, and Entercom, another large player in radio, did the same; representatives for the companies said the decisions would impact more than 150 stations. SiriusXM has pulled Wallen’s music from its platforms, which include Pandora, a spokesman said. Variety reported that Cumulus Media, another major owner of country music stations, had sent a directive to hundreds of its stations asking them to remove Wallen from their airwaves.The TV network CMT also said it was pulling all of Wallen’s appearances from its platforms. “We do not tolerate or condone words and actions that are in direct opposition to our core values that celebrate diversity, equity & inclusion,” CMT said in a statement. Later on Wednesday, the Academy of Country Music said that it would “halt Morgan Wallen’s potential involvement and eligibility” in its annual ACM Awards. The organization added that it would “expedite the offering of long-planned diversity-training resources” for its members and staff.The uproar comes as Wallen, 27, is at a high-point of his young career. He first gained national visibility as a contestant on “The Voice” in 2014, and has represented a major breakthrough for country music in the world of streaming, which now dominates how music is typically consumed but has been slower to catch on in Nashville.His latest album, “Dangerous: The Double Album,” has topped the all-genre Billboard 200 chart, and it broke the country streaming record by a wide margin, with its songs racking up 240 million streams in the first week. On Wednesday, Wallen held 17 of the Top 100 spots on Apple Music’s overall song chart, including two in its Top 10, but he had been removed from the service’s flagship Today’s Country playlist. Spotify had also removed Wallen’s music from its Hot Country playlist.Spotify declined to comment on how it would promote Wallen moving forward; Apple did not immediately respond to a request for comment.Despite the formative roles of Black musicians in early country and hillbilly music, racial inequity has persisted for decades in the genre and conversations regarding insensitive language and popular Confederate imagery have often been shunted aside.Last year, during the Black Lives Matter protests that followed the killing of George Floyd in Minneapolis, many Nashville artists broke with tradition and addressed race directly, making statements of solidarity on social media and issuing apologies for past ignorance. The Dixie Chicks and Lady Antebellum, two best-selling acts with names that suggested the Civil War-era South, announced that they would alter their names.Beginning Tuesday night, several country music performers spoke up about Wallen’s use of the slur.Mickey Guyton, a country singer-songwriter, posted on Twitter about being a Black performer in the industry and the “vile comments” she receives daily, suggesting that Wallen’s behavior was hardly a surprise and questioning his “promises to do better.”“When I read comments saying ‘this is not who we are,’” she wrote, “I laugh because this is exactly who country music is.” Guyton recently became the first solo Black woman to be nominated in a country category at the Grammy Awards with her single “Black Like Me.”She added, “I question on a daily basis as to why I continue to fight to be in an industry that seems to hate me so much.”The country singer-songwriter Kelsea Ballerini tweeted that Wallen’s behavior “does not represent country music,” while another performer, Maren Morris, said the opposite.Wallen, has been in the limelight for the wrong reasons before. Last year, he was arrested and charged with public intoxication and disorderly conduct in downtown Nashville.Months later, he came under scrutiny after he was seen in videos on social media flouting social distancing guidelines intended to slow the spread of the coronavirus, drinking shots, kissing fans and mingling in groups while not wearing a mask during a celebration after a University of Alabama football victory.That led “Saturday Night Live” to drop Wallen from an upcoming show. Wallen apologized, saying that he planned to “take a step back from the spotlight for a little while and go work on myself.” Two months later, Wallen was invited back to perform on “S.N.L.”, and he appeared in a skit that poked fun at the incident.“To no consequences!” Wallen says in the clip, raising a beer bottle to make a toast.AdvertisementContinue reading the main story More

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    Morgan Wallen’s ‘Dangerous’ Earns a Third Week at No. 1

    AdvertisementContinue reading the main storySupported byContinue reading the main storyThe ChartsMorgan Wallen’s ‘Dangerous’ Earns a Third Week at No. 1The Nashville star’s LP is the first country album since Taylor Swift’s “Red” to top the Billboard 200 for three weeks.Morgan Wallen’s “Dangerous: The Double Album” remains the rare country streaming smash, with 154 million clicks in its third week out.Credit…Terry Wyatt/Getty Images for CMAFeb. 1, 2021, 12:22 p.m. ETThe country singer and songwriter Morgan Wallen has the No. 1 album for a third week in a row, the first time in eight years that a country LP has pulled a hat trick at the top of the Billboard album chart.Wallen’s “Dangerous: The Double Album” had the equivalent of 130,000 sales in the United States, according to MRC Data, the tracking service formerly known as Nielsen Music, which is now owned by Billboard’s parent company. “Dangerous” is a rare country streaming smash; about 88 percent of the album’s consumption this week came through streaming, with 154 million clicks. It also sold 12,000 copies as a full package.According to Billboard, “Dangerous” is the first country album since Taylor Swift’s “Red” in late 2012 to top the magazine’s overall Billboard 200 ranking for three weeks. (“Red,” which had pop hits like “We Are Never Ever Getting Back Together” and “I Knew You Were Trouble,” was No. 1 on the Billboard 200 a total of seven times and also topped the country album chart.)Also this week, the rapper Pop Smoke’s posthumous “Shoot for the Stars Aim for the Moon” holds at No. 2 in its 30th week out, and Swift’s “Evermore” is No. 3. “After Hours” by the Weeknd — who is set to perform at the Super Bowl halftime show this Sunday — rose four spots to No. 4. Lil Durk’s “The Voice” is No. 5.The only new release in the Top 10 is “Los Dioses” by the Puerto Rican rapper-singers Anuel AA and Ozuna, which opened at No. 10.AdvertisementContinue reading the main story More

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    Morgan Wallen Repeats at No. 1 With Big Streaming Numbers

    AdvertisementContinue reading the main storySupported byContinue reading the main storyThe ChartsMorgan Wallen Repeats at No. 1 With Big Streaming NumbersSongs from the country star’s “Dangerous: The Double Album” were streamed 177 million times in its second week out.Morgan Wallen’s “Dangerous: The Double Album” had the equivalent of 159,000 sales in the United States.Credit…Josh Brasted/Getty ImagesJan. 25, 2021Updated 1:58 p.m. ETThe country singer Morgan Wallen holds at No. 1 on the Billboard album chart for a second time with his streaming hit “Dangerous: The Double Album,” topping a slow week for music sales.“Dangerous,” which has 30 songs, notched the equivalent of 159,000 sales in the United States, down 40 percent from its opening, according to MRC Data, the tracking service formerly known as Nielsen Music. The album’s total includes 177 million streams and 22,000 copies sold as a full package. Even with those reduced numbers, “Dangerous” had by far more streams in a week than any country album has had before.“Shoot for the Stars Aim for the Moon” by the New York rapper Pop Smoke, who died last February at age 20, is in second place, continuing its remarkable chart run. In the 29 weeks since the album came out in July, it has stayed in the Top 10 for every week but one, when it dipped to No. 11 at the end of last year; for much of that time, it has stayed comfortably in the Top 5.Why Don’t We, a boy band, opened at No. 3 with “The Good Times and the Bad Ones,” with the equivalent of 46,000 sales. Taylor Swift’s “Evermore” is No. 4 in its sixth week out, and Ariana Grande’s “Positions” is No. 5.Last week’s top single, Olivia Rodrigo’s smash “Drivers License,” holds at No. 1 on Billboard’s Hot 100 chart.AdvertisementContinue reading the main story More

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    Morgan Wallen Debuts at No. 1 and Smashes a Country Streaming Record

    AdvertisementContinue reading the main storySupported byContinue reading the main storyThe ChartsMorgan Wallen Debuts at No. 1 and Smashes a Country Streaming Record“Dangerous: The Double Album” had 240 million streams — more than double the previous high set by Luke Combs.Morgan Wallen’s success is the latest step in the slowly evolving story of country music and streaming. Credit…Jason Kempin/Getty Images for Country Music Hall of Fame and MuseumJan. 18, 2021, 12:48 p.m. ETThe new year has started with a bang for the music industry, as two young stars have arrived with monster streaming hits.Morgan Wallen, a 27-year-old singer-songwriter, tops the latest Billboard album chart with his second release, “Dangerous: The Double Album,” which broke the country streaming record by a wide margin. And Olivia Rodrigo, a 17-year-old singer and actress, has a smash single with “Drivers License” that has become a social-media meme unto itself.“Dangerous: The Double Album” opens at No. 1 on the album chart with the equivalent of 265,000 sales in the United States, according to MRC Data, formerly known as Nielsen Music, which was bought by Billboard’s parent company a little over a year ago. Songs on “Dangerous” racked up 240 million streams — by far the biggest weekly tally for a country album, beating the 102 million earned by the expanded version of Luke Combs’s “What You See Is What You Get” in October.Wallen’s success is the latest step in the slowly evolving story of country music and streaming. For years, country has lagged behind hip-hop, pop and even rock in the transition to streaming, with many country fans preferring to download their favorite albums or even buy them on CD. But the pandemic has begun to change that. In 2020, country represented 7.1 percent of all on-demand music streams in the United States (counting both audio and video plays), up from 5.9 percent the year before, according to MRC.Also this week, Taylor Swift’s “Evermore” fell one spot to No. 2 and Pop Smoke’s “Shoot for the Stars Aim for the Moon” is No. 3. The R&B singer Jazmine Sullivan’s “Heaux Tales” opened at No. 4, a new chart high for her, while Lil Durk’s “The Voice” is No. 5.The results of Billboard’s Hot 100 singles chart will be released on Tuesday, but Rodrigo’s “Drivers License,” which broke Spotify’s record for the most streams in a single day for a non-holiday song, is widely expected to take easily the No. 1 spot.AdvertisementContinue reading the main story More