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    HBO Max Pulls Nearly 200 ‘Sesame Street’ Episodes

    HBO Max took down classic episodes of “Sesame Street” as it prepares to combine with Discovery+. The move came as a surprise to fans, who worried about what it signals.Nearly 200 episodes of “Sesame Street” have been pulled from HBO Max, the streaming platform that has been purging films and television shows in recent weeks as it prepares to combine with another streaming service, Discovery+.Fans of “Sesame Street” were surprised on Friday to see that hundreds of episodes, most from the first 40 years of the show, had been removed from HBO Max.It is the latest shift at HBO Max following the merger of its former parent company, WarnerMedia, with Discovery Inc. in April. Together, the companies formed Warner Bros. Discovery, which is aiming to find $3 billion in savings in an effort to reduce its $55 billion in debt.This week, about 70 HBO Max staff members were laid off as a part of the reorganization, and HBO Max announced that 36 titles were being pulled from the platform. The pulled programming included the animated series “Infinity Train” and “The Not-Too-Late Show With Elmo,” a “Sesame Street” spinoff.David Zaslav, the company’s chief executive, also told investors this month that the company plans to offer a single paid subscription streaming service, bringing together content from HBO Max and Discovery+.It was not clear what that means for the future of “Sesame Street” on HBO Max.As of Friday, HBO Max had cut the number of “Sesame Street” episodes it provides to 456 from 650, Variety reported. Some spinoff series survived the cull, including seven seasons of “My Sesame Street Friends,” and “The Magical Wand Chase” special, featuring Elmo and Abby Cadabby, a pink fairy-in-training who joined “Sesame Street” in 2006.Every episode of “Sesame Street” from Seasons 39, which aired in 2008, through 52, the latest season, is still available on HBO Max. The newest season, 53, will air on HBO Max in the fall.The only episodes available from before season 39 are from seasons one, five and seven, including a fan favorite in which all of the characters gather for a singalong in Bert and Ernie’s bathroom.Some of the most notable episodes HBO Max once streamed are no longer available, including an episode that aired in 1983 and featured Big Bird confronting death, following the death of the actor who played Mr. Hooper, Will Lee.HBO said in a statement that the streaming platform was “committed to continuing to bring ‘Sesame Street’ into families’ homes.”“‘Sesame Street’ is and has always been an important part of television culture and a crown jewel of our preschool offering,” the statement said.Sesame Workshop, the nonprofit group behind “Sesame Street,” struck a five-year deal with HBO in April 2015 to give the premium cable network the first run of new episodes. The episodes would then air free nine months later on PBS, where the show had aired for 45 years.In 2019, Sesame Workshop made a similar deal with HBO Max, which started in May 2020. Both deals also gave HBO Max access to the enormous back library of “Sesame Street,” though it has never made all of the episodes available at the same time.Some episodes of the show are available on PBS and the Sesame Street YouTube account.Sesame Workshop did not immediately respond to a request for comment on Saturday.Joe Hennes, editor in chief of ToughPigs, a website for fans of “Sesame Street,” the Muppets and other Jim Henson creations, said the “Sesame Street” episodes still available on HBO Max were a “random assortment.”“The culturally important episodes, or the episodes that maybe a more casual fan would say, ‘I’d like to see that again,’ that stuff is what’s missing,” Mr. Hennes said.Mr. Hennes, who worked in the creative department of Sesame Workshop from 2012 to 2021, said that he was concerned that the episode removal could signal a fading relationship between HBO Max and Sesame Workshop.Sesame Workshop expanded its offerings and increased its production values with the influx of funding from the premium cable network. If HBO Max reduced its financial support or ended the relationship, Mr. Hennes said it could limit the nonprofit’s production and outreach work.“In a perfect world, HBO Max would want to invest more in ‘Sesame Street’ and really make it the flagship that it could be for the streaming network,” Mr. Hennes said. “So it’s a little baffling that they would decide to go backward on that and say we’re going to do less of this and not really capitalize on their own investment in the franchise.”After HBO Max’s decision to remove episodes became public, the official Twitter account for “Sesame Street” seemed to address the change.“Your friends on Sesame Street will always be here when you need them,” it said. “Visit the neighborhood any day of the week with full episodes on our YouTube channel.” More

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    HBO and HBO Max Subscribers Seen Reaching 73 Million in 2021

    AT&T may not want HBO Max anymore, but the streaming platform is gaining traction with customers.HBO and HBO Max, home to genre-bending franchises such as “Game of Thrones” and “The Sopranos” and Hollywood blockbusters like “Wonder Woman 1984,” have added 10.7 million customers in a little over a year, with 2.8 million coming in the three months ending in June, AT&T reported on Thursday. Those figures include both HBO Max and the HBO TV channel.The company has 67.5 million subscribers to HBO and HBO Max, with 47 million in the United States. AT&T, which has struck a deal to sell its media businesses, expects HBO and HBO Max will have between 70 million and 73 million customers by the end of the year, exceeding earlier predictions.Netflix, the most popular streaming service, has 209 million subscribers, with about 66 million in the United States. It gained customers in the second quarter, but growth has considerably slowed and it lost 430,000 subscribers across the United States and Canada, a sign that cracks are beginning to show in the streamer’s long-held dominance.Speaking on the broader streaming industry, Jason Kilar, the chief executive of AT&T’s media arm, WarnerMedia, said in an interview: “The only thing I can promise you is change. There is no doubt that change is coming, and that’s appropriate because we live in a dynamic time.”WarnerMedia, which includes CNN, the Warner Bros. film and television studios and the Turner cable networks, is about to become the property of Discovery Inc., as media companies continue to gobble each other up in an effort to take on Amazon, Apple, Facebook and Google. The deal, which is expected to close around the middle of next year, will create the second-largest media business in the United States, behind the Walt Disney Company and ahead of Netflix and NBCUniversal.Mr. Kilar, who learned of the acquisition only weeks before it would be announced, could be out of a job after the deal closes.Both companies are prohibited from working together until the merger is approved by government regulators, including striking any employment agreements. Still, such deals often involve tacit arrangements about leadership. Mr. Kilar said that he had met socially with David Zaslav, the head of Discovery, but that he hadn’t broached the topic of his employment.“David and I have known each other for a long time,” he said, “and I think it’s fair to say there’s a lot of shared respect between the both of us.”Mr. Kilar, who took charge of the company only 15 months ago, said he did not have plans to step away. “There will be a point where I pick my head up next year where I think about this topic,” he continued. “But I certainly don’t intend to do it until 2022.”Jason Kilar, the chief executive of WarnerMedia, in Dallas last December.Allison V. Smith for The New York TimesMr. Kilar, who was the founding chief executive of Hulu, is considered within Hollywood to be a bit of an iconoclast. In 2011, he broadsided the industry with a now-famous manifesto on the future of entertainment that, to many, came across as a blistering critique of Hulu’s corporate ownership.The post panned traditional TV for running far too many commercials. Mr. Kilar also blasted cable, predicting that viewers would eventually drop expensive packages.After Mr. Kilar joined WarnerMedia, he quickly shuffled the executive ranks and cut costs in an effort to streamline the business.Then he angered Hollywood (again) by breaking with tradition and releasing the entire 2021 lineup of Warner Bros. films on HBO Max on the same day they were scheduled to appear in theaters. The move would have cost some of Hollywood’s biggest players back-end profits — the commission that top-flight producers and stars earn based on box office receipts — but the company quickly worked out deals to make sure they would be paid.Unlike Netflix, Disney+ and HBO Max and other new entrants into streaming have legacy agreements with cable distributors and Hollywood studios that prevent a more full-throated approach to making films and TV shows immediately available online.For Mr. Kilar, the move wasn’t about upsetting Hollywood, but rather was part of a larger strategy to goose HBO Max.It seems to have worked. The release of made-for-the-big-screen spectacles like “Godzilla vs. Kong” on HBO Max helped to increase the service’s customer rolls.Mr. Kilar intends to keep up that strategy through 2022. Warner Bros. will release 10 films exclusively for the streaming platform. And big-budget films like “The Batman,” a reimagining of the comic book character starring Robert Pattinson, will have relatively short windows in theaters of 45 days before they show up on HBO Max, according to Mr. Kilar.“That’s very, very different than the way the world operated in 2019,” he said. “Ultimately, I do think that as long as you’re thoughtful about it, change could be very, very good for not only the customers but also the people we get to work with.” More

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    Space Station May Host Wave of TV Shows and Films

    A Discovery reality TV competition, a Russian medical thriller and more productions could be heading to the orbital outpost in the next year.Who wants to be an astronaut?If the answer is you, there’s a reality TV show, appropriately titled “Who Wants to Be an Astronaut?,” that you ought to apply for.The Discovery Channel is seeking to cast about 10 would-be astronauts to compete during the series’s eight-episode run next year for a seat on a real-life trip to the International Space Station, followed by live coverage of the launch of the winner on a SpaceX rocket.“We’d like a diverse group of people that each have their own story, why they want to go to space, why they’re worthy of going to space, what their back story is,” said Jay Peterson, president of Boat Rocker Studios, Unscripted, one of the companies producing the show for Discovery.That person will not be the only amateur astronaut destined for the space station next year. So many tourism and entertainment efforts are preparing trips there that it could begin to look more like a soundstage for television shows and a hotel for the wealthy than an orbiting research laboratory.Many who work in the business of space believe that is a good thing, even if trips to orbit will remain out of reach of all but the wealthiest passengers in the near term.“This is a real inflection point, I think, with human spaceflight,” Phil McAlister, NASA’s director of commercial spaceflight development, said during a news conference this month announcing that the agency had signed an agreement with Axiom Space, a Houston-based company, to fly the first mission of private astronauts to the space station.“I’m very bullish on the tourism market and the tourism activity,” Mr. McAlister said. “I think more people that are going to fly, they’re going to want to do more things in space.”Although the International Space Station may stay up in orbit at least until 2028, in the future it will not be the only space station. Russian space authorities last month declared their intention to leave the I.S.S. in the coming years and build a station of their own. A Chinese orbital outpost is expected to come online in the next year or two.Even NASA is looking for what comes next, promising support for commercial alternatives. Axiom, for one, is building a commercial segment, which will first be added to the International Space Station and later serve as a core piece of an Axiom station.“By the end of the decade I believe we will have at least five, possibly 10 private stations,” said Jeffrey Manber, chief executive of NanoRacks, a company that arranges commercial use of I.S.S. and is also planning its own orbital outposts. “Some for entertainment, some for research, some for in-space manufacturing, some for preparing the way for our journey to Mars. At long last, our more pragmatic aspirations are becoming reality.”TV and film projects in orbit are attracting the greatest attention so far. In the year ahead, the Russian space agency, Roscosmos, and a Russian broadcaster, Channel One, are behind a project in the year ahead to send Yulia Peresild, an actress, and Klim Shipenko, a filmmaker, to the space station to make the movie “Challenge.” Ms. Peresild will play a surgeon sent to orbit to save the life of a Russian astronaut.The Japanese billionaire Yusaku Maezawa expects to spend 12 days in space starting in December, and hopes eventually to circle the moon.David Mcnew/Agence France-Presse — Getty ImagesA Soyuz rocket taking off from the Vostochny Cosmodrome outside the city of Uglegorsk, Russia, last month.Roscosmos/EPA, via ShutterstockThey will be flying on a Russian Soyuz rocket. So will a Japanese fashion entrepreneur, Yusaku Maezawa, and Yozo Hirano, a production assistant. Their 12-day trip, scheduled to launch in December, is a prelude for a more ambitious around-the-moon trip Mr. Maezawa hopes to embark on in a few years in the giant SpaceX Starship rocket currently in development. His trip to the space station is being arranged by Space Adventures, a company that arranged eight similar visits for private citizens between 2001 and 2009.There is still the possibility of Tom Cruise going to space, too.A year ago, Deadline reported that NASA was in discussions with the megamovie star on shooting an action-adventure film on the station. Since then, nothing more of Mr. Cruise’s out-of-this-world movie project has been revealed publicly.There will also be other trips to space going places other than the space station. Jared Isaacman, a billionaire entrepreneur, has bought an orbital trip from SpaceX, the rocket company started by Elon Musk.A bit closer to Earth, two companies, Virgin Galactic, founded by Richard Branson, and Blue Origin, founded by Jeff Bezos, are getting closer to flying tourists on short, suborbital flights that will offer a few minutes of weightlessness.On Saturday, Virgin Galactic conducted a successful test flight of its SpaceShipTwo rocket plane. And Blue Origin has announced that its New Shepard spacecraft will have people aboard its next flight, scheduled for July 20, and it is auctioning one seat. As of Wednesday, the high bid was $2.8 million.Axiom Space, the Houston company, is central to some coming trips to the space station. Its first flight to the International Space Station, which is to launch aboard a SpaceX rocket as early as January, will carry three passengers, who are spending $55 million each for their eight days or so in orbit. Michael López-Alegría, a former NASA astronaut who is now a vice president at Axiom, will accompany them, serving as commander of the mission.Film director Klim Shipenko, left, and actor Yulia Pereslid, third from left, at the cosmonaut training center in Star City, Russia. They will attempt to make a film aboard the International Space Station in the coming year.ITAR-TASS News Agency/AlamyVirgin Galactic’s VSS Unity being released from its mothership, VMS Eve, on the way to its first spaceflight after launch from Spaceport America in New Mexico this month.Virgin Galactic, via ReutersThis month’s announcement was the first time NASA acknowledged that the Axiom mission was officially on the space station schedule.“We’re finally able to open our doors to private citizens and allow others to experience the magic of living and working in space,” said Dana Weigel, deputy manager for the space station at NASA. “The dream is really to allow everyone access to space, and this is a pretty exciting starting point here.”Producers of Discovery’s “Who Wants to Be an Astronaut” expect the winner to be on board for the second Axiom mission to the space station, which might take off six or seven months after the first one. For now, an agreement between the Discovery team and Axiom has not been finalized, and NASA has yet to choose Axiom to conduct the second private space tourism flight.The NASA-led part of the station could accommodate two private astronaut missions a year, space agency officials have said, and other companies are also interested in participating.“We are seeing a lot of interest in private astronaut missions, even outside of Axiom,” Ms. Weigel said. “At this point, the demand exceeds what we actually believe the opportunities on station will be.”Still, on Tuesday, Axiom announced two people who would be in the seats for that second mission: Peggy Whitson, a former NASA astronaut who now works for Axiom, will be the commander, and John Shoffner, a paying passenger who made his fortune as head of a company that manufactures conduits for fiber optic cables, will serve as pilot for the mission.Dr. Whitson, who holds the record for the most cumulative time in space by a NASA astronaut — 665 days — joined Axiom as a consultant a year ago, in hopes of getting to space again and adding to her record. “Yes, most definitely,” she said. “That was the carrot.”Mr. Peterson said plans for the Discovery show grew out of discussions with Axiom early in 2020 and that it would be “a premium documentary” and less like “Survivor” or other ruthless reality television competitions.“There’s real stakes here, unlike those kinds of comparisons,” Mr. Peterson said. “We want to create an interest in somebody, so that everyone can feel like they maybe someday have the ability to do this.”The astronaut Peggy Whitson in the cupola of the International Space Station in 2016. She will chaperone a tourist to the I.S.S., as will astronaut Michael López-Alegría, who is now president of Axiom.NASA, via Associated PressMr. López-Alegría in the Quest Airlock of the I.S.S. in 2002.NASAPaul Ricci, a founder of BoomTown Content Company and also involved in the show, said the competition will be based on what astronauts and others who have worked in human spaceflight have said was needed to succeed.“If these are the qualities that astronauts need to have,” Mr. Ricci said, “then we can model challenges that test those qualities. Things like problem solving, teamwork, precision and focus, grace under pressure, handling the unexpected.”The idea of staging competitions to get to space is not new. In 1990, Toyohiro Akiyama, a Japanese television journalist, went to the Russian space station Mir. The Tokyo Broadcasting Service bought the seat on the Soyuz and Mr. Akiyama was selected from 163 candidates. A year later, Helen Sharman, an English chemist, also flew to Mir, selected from among 13,000 British applicants in a privately financed campaign.A space-based reality television show is not a new idea either. In 2000, NBC signed a deal for a show developed by Mark Burnett, who had also produced “The Apprentice” and “Survivor.” The winner of that competition would have also traveled to Mir, but NASA pressed Russia to abandon Mir and shift its focus to the International Space Station, which was in the early stages of construction.Russia relented, Mir was nudged to a watery crash in the Pacific in 2001, and the reality television show never came to fruition.As for Mr. Cruise, it is a guessing game when he and the movie director he is working with, Doug Liman, might head to the space station, and Axiom has never commented on whether it is involved in Mr. Cruise’s movie.Asked on Monday if there were any developments that could be shared, Amanda Lundberg, Mr. Cruise’s publicist, replied, “Thanks but this is not possible.” More

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    Discovery and AT&T: How a Huge Media Deal Was Done

    An early-morning meeting at a Greenwich Village townhouse, under the watchful eye of Steve McQueen, was part of a monthslong campaign.In the predawn hours of April 1, David Zaslav, the chief executive of Discovery, arrived at a rented townhouse in Manhattan’s Greenwich Village — decorated with photos of rock stars and one of the actor Steve McQueen in sunglasses holding a gun — to prepare for a meeting that would soon reverberate across the American media industry. More

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    AT&T's WarnerMedia Group to Merge With Discovery

    AT&T’s WarnerMedia group is merging with the reality programmer Discovery. What does that mean for your favorite shows?It’s as if Logan Roy, the fictional patriarch of the Waystar Royco media empire on HBO’s popular series “Succession,” masterminded the deal himself: AT&T has thrown in the towel on its media business and decided to spin it off into a new company that will merge with Discovery Inc. More