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    Broadway Is Back. Here’s What It’s Like for Theatergoers.

    Seeing theater these days can involve waiting in lines to show proof of vaccination and getting rapid coronavirus tests for young children. Many fans seem undeterred.The long-awaited return of Broadway has brought back many familiar preshow rituals — and also spurred a few that are new. One takes place a few hours before curtain time in middle of Times Square, under a canopy with a sandwich board sign proclaiming: “Broadway Show Testing Site.”It is there that some of the most dedicated theatergoers in the city — children under 12 who are ineligible for the vaccines theaters require — are taken by their parents to submit to nasal swabs so they can get the negative coronavirus test results they need to see shows.Remy Keller, a 5-year-old from Chicago who needed a test so she could see “The Lion King,” was among a crowd there on a recent Saturday, bracing herself for the swab. There were a few tears.“There’s a lot of things we all have to do to minimize the effects of the virus on vulnerable people; I’m not saying I’m not willing to jump through the hoops, but why are we putting the kids through all this?” her mother, Avery Keller, said, noting that her daughter has already had to be tested dozens of times for school. “I think we’ve got to really weigh the mental health impacts of this on our children.”The return of live performance — on stages from Broadway to Carnegie Hall to Lincoln Center to the Brooklyn Academy of Music — after the long shutdown has been a cause for celebration for culture-starved theatergoers and music and dance lovers. But as with so many things in the age of the coronavirus, coming back has entailed a few adjustments: the ability to deftly juggle proofs of vaccination and photo IDs and tickets to get inside; preshow announcements that now urge people to keep their cellphones off and their masks on; and the absence of intermissions at some concerts and dance performances.Najah Hetsberger, 21, who returned to Broadway on a recent weeknight to see a show for the first time since before the pandemic shutdown in March 2020, was delighted to find that her fellow theatergoers were actually doing what they had been told.Some of the most dedicated theatergoers in the city are children under 12, who must get coronavirus tests to see Broadway shows since they are not yet eligible for the vaccines.John Taggart for The New York Times“I didn’t see anyone with their mask down, even below their nose,” she said after emerging from a performance of the play “Chicken & Biscuits.” “Everyone was following directions. I think people know, and want theater to come back and stay.”Theaters have grown more adept at swiftly managing the lines of people waiting to get in. In most cases, people get their vaccine status checked first, then move more briskly through security and into the theater, where ushers scan their tickets. Still, it pays to get to the theater a little early these days: The checks do sometimes result in delays, and some music and dance companies have had to hold their curtains a few minutes to give the people waiting in line extra time to get inside.Once inside a venue, other changes await. In the minutes leading up to performances of “American Utopia,” the David Byrne concert show, ushers stroll up and down the aisles of the St. James Theater with poster-size signs that urge: “Please Mask Up.” The usual preshow announcements admonishing people to turn off their cellphones now also have other business to attend to. “God told me to tell you to keep your mask on,” ran the radio-style announcement at a recent performance of “Chicken & Biscuits.” “He did, so don’t question it.”And, at a recent performance of “The Lehman Trilogy,” the audience chuckled knowingly at a newly written line about the flu pandemic of 1918 and the ensuing “protests in San Francisco, against the wearing of masks.”In interviews, theatergoers almost universally agreed that they were willing to tolerate longer, slower lines, wear masks for hours on end and take their children to get properly timed coronavirus tests if that was what it took to see live theater again.“I feel comfortable and safe because I know everyone here had to show proof of vaccination or a negative test,” said Heather Teta, of New York, who came to “The Lion King” with her 9- and 6-year-old daughters. “They have negative tests and are all masked. We’ll do whatever we need to do to get back.”In interviews, theatergoers agreed that they were willing to tolerate longer, slower lines and wear masks to see live theater again. A crowd waited in line at the TKTS booth in Times Square recently for discounted tickets.John Taggart for The New York TimesBroadway and union officials say that the reopening has been free of the sort of dramatic dust-ups some flight attendants have experienced while trying to enforce masking rules on planes. “Thankfully, so far so good,” said Carol Bokun, the theatrical business representative with IATSE Local 306.Disney Theatrical Productions shared survey data collected from people who attended “The Lion King” that appeared to suggest that the testing requirements for children had not been a major deterrent. The self-reported data showed that 29 percent of parties attending the show so far this fall had included children, an increase from 21 percent in late 2019, before the pandemic shutdown.When it comes to snacks and drinks, theaters are taking various approaches. Several Broadway theaters now offer concessions — including “featured cocktails” that can run to $22 a pop — and allow people to lower their masks briefly while eating or drinking. Other venues have yet to reopen their food and beverage service, reluctant to encourage any masklessness at all. The Metropolitan Opera has closed most of its concession areas, but its bar in the airiest section of the Grand Tier is now open, along with its restaurant. To encourage mask-wearing, a security guard politely asks people not to take their food or drink outside the designated areas.And intermissions are growing rarer. The New York Philharmonic, Carnegie Hall and New York City Ballet have all experimented with slightly shorter programs with no intermissions, in part to minimize the amount of time patrons are thrust together in crowds. The faster evenings, which get out earlier, are proving popular with some music lovers, even if the long intermissionless stretches test the bladders of others.The vaccine mandates for live performances are not that different from the ones required to dine indoors in New York City, which may have made the adjustment smoother. There has been some opposition, though: A group of small Off Broadway theaters and comedy clubs in Manhattan have formally objected to the mandates in court. They recently sued Mayor Bill de Blasio over the city’s vaccine mandate, claiming it had been enforced unequally.And there are still some situations that can be difficult to navigate. To get into a theater, adults must show that they have been fully vaccinated. But the entry rules are slightly different for children under 12. Since vaccines have not yet been authorized for children that age, they are required to present either a negative PCR test taken within 72 hours of the performance to get into a Broadway show, or a negative rapid test taken within six hours of curtain time. (The Met Opera and Carnegie Hall are not yet allowing unvaccinated children in at all; New York City Ballet has said it will allow children under 12 to attend its 47-show run of “George Balanchine’s The Nutcracker” with a negative PCR test.)Survey data provided by Disney Theatrical Productions collected from people who attended “The Lion King” appeared to suggest that the testing requirements for children had not been a major deterrent in keeping families from seeing the show.John Taggart for The New York TimesThe new theater rules posed a difficulty for Gary Spino, 59, who was planning to see “Stomp” the other day with his son, Nicholas. But Nicholas had turned 12 just days earlier, so he had been unable to get his second dose of the vaccine. The show’s rules, though, said that as a 12-year old, Nicholas needed to be fully vaccinated..css-1kpebx{margin:0 auto;font-family:nyt-franklin,helvetica,arial,sans-serif;font-weight:700;font-size:1.125rem;line-height:1.3125rem;color:#121212;}#NYT_BELOW_MAIN_CONTENT_REGION .css-1kpebx{font-family:nyt-cheltenham,georgia,’times new roman’,times,serif;font-weight:700;font-size:1.375rem;line-height:1.625rem;}@media (min-width:740px){#NYT_BELOW_MAIN_CONTENT_REGION .css-1kpebx{font-size:1.6875rem;line-height:1.875rem;}}@media (min-width:740px){.css-1kpebx{font-size:1.25rem;line-height:1.4375rem;}}.css-1gtxqqv{margin-bottom:0;}.css-k59gj9{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-flex-direction:column;-ms-flex-direction:column;flex-direction:column;width:100%;}.css-1e2usoh{font-family:inherit;display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-box-pack:justify;-webkit-justify-content:space-between;-ms-flex-pack:justify;justify-content:space-between;border-top:1px solid #ccc;padding:10px 0px 10px 0px;background-color:#fff;}.css-1jz6h6z{font-family:inherit;font-weight:bold;font-size:1rem;line-height:1.5rem;text-align:left;}.css-1t412wb{box-sizing:border-box;margin:8px 15px 0px 15px;cursor:pointer;}.css-hhzar2{-webkit-transition:-webkit-transform ease 0.5s;-webkit-transition:transform ease 0.5s;transition:transform ease 0.5s;}.css-t54hv4{-webkit-transform:rotate(180deg);-ms-transform:rotate(180deg);transform:rotate(180deg);}.css-1r2j9qz{-webkit-transform:rotate(0deg);-ms-transform:rotate(0deg);transform:rotate(0deg);}.css-e1ipqs{font-size:1rem;line-height:1.5rem;padding:0px 30px 0px 0px;}.css-e1ipqs a{color:#326891;-webkit-text-decoration:underline;text-decoration:underline;}.css-e1ipqs a:hover{-webkit-text-decoration:none;text-decoration:none;}.css-1o76pdf{visibility:show;height:100%;padding-bottom:20px;}.css-1sw9s96{visibility:hidden;height:0px;}.css-1in8jot{background-color:white;border:1px solid #e2e2e2;width:calc(100% – 40px);max-width:600px;margin:1.5rem auto 1.9rem;padding:15px;box-sizing:border-box;font-family:’nyt-franklin’,arial,helvetica,sans-serif;text-align:left;}@media (min-width:740px){.css-1in8jot{padding:20px;width:100%;}}.css-1in8jot:focus{outline:1px solid #e2e2e2;}#NYT_BELOW_MAIN_CONTENT_REGION .css-1in8jot{border:none;padding:10px 0 0;border-top:2px solid #121212;}What to Know About Covid-19 Booster ShotsThe F.D.A. authorized booster shots for a select group of people who received their second doses of the Pfizer-BioNTech vaccine at least six months before. That group includes: vaccine recipients who are 65 or older or who live in long-term care facilities; adults who are at high risk of severe Covid-19 because of an underlying medical condition; health care workers and others whose jobs put them at risk. People with weakened immune systems are eligible for a third dose of either Pfizer or Moderna four weeks after the second shot.Regulators have not authorized booster shots for recipients of Moderna and Johnson & Johnson vaccines yet. A key advisory committee to the F.D.A. voted unanimously on Oct. 14 to recommend a third dose of the Moderna vaccine for many of its recipients. The same panel voted unanimously on Oct. 15 to recommend booster shots of Johnson & Johnson’s one-dose vaccine for all adult recipients. The F.D.A. typically follows the panel’s advice, and should rule within days.The C.D.C. has said the conditions that qualify a person for a booster shot include: hypertension and heart disease; diabetes or obesity; cancer or blood disorders; weakened immune system; chronic lung, kidney or liver disease; dementia and certain disabilities. Pregnant women and current and former smokers are also eligible.The F.D.A. authorized boosters for workers whose jobs put them at high risk of exposure to potentially infectious people. The C.D.C. says that group includes: emergency medical workers; education workers; food and agriculture workers; manufacturing workers; corrections workers; U.S. Postal Service workers; public transit workers; grocery store workers.For now, it is not recommended. Pfizer vaccine recipients are advised to get a Pfizer booster shot, and Moderna and Johnson & Johnson recipients should wait until booster doses from those manufacturers are approved. ​​The F.D.A. is planning to allow Americans to receive a different vaccine as a booster from the one they initially received. The “mix and match” approach could be approved once boosters for Moderna and Johnson & Johnson recipients are authorized.Yes. The C.D.C. says the Covid vaccine may be administered without regard to the timing of other vaccines, and many pharmacy sites are allowing people to schedule a flu shot at the same time as a booster dose.“We don’t know if they’re going to let us in because he only has one shot,” said Spino, who acknowledged that the situation was causing considerable stress. “Honestly we were thinking about pretending that he’s still just 11.”They made it in: Reached after the performance, Spino said checkers had let Nicholas attend “Stomp” with proof of a negative rapid test he had taken earlier in the day.At some shows, adults who have been unable to show proof that they have been fully vaccinated, and children who lack the proper test results, have been politely pulled off the lines to get in. If they cannot satisfy the requirements, they are offered a refund or a chance to exchange their tickets for a later performance.Several Broadway officials said they could not or would not provide specific data on exactly how many people are prevented from entering shows each evening, or how many returns or exchanges they have processed this fall. But they insisted such cases were isolated and limited in number.“It’s a very small handful across all our theaters,” said Todd Rappaport, a spokesman for the Shubert Organization, which owns and operates a number of Broadway theaters.Many theatergoers are happy to be back. Amy Ferreira, 46, of Millbury, Mass., said she had to pay roughly $167 for a PCR coronavirus test for her 10-year-old daughter, Eva, before coming to New York, but that it was worth it to see “Hamilton.” It was Eva’s birthday, and her family had gotten tickets months ago. Together, they had watched the Disney+ version many times, and Eva was singing the chorus to “My Shot.”They had decided they could not throw theirs away.“She goes to school and wears a mask,” Ferreira said of her daughter. “So she’s out and about. This was as safe as it can possibly get at this point. We can’t live in a bubble.”Michael Paulson, Julia Jacobs and Laura Zornosa contributed reporting. Susan Beachy contributed research. More

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    Positive Coronavirus Cases Halt ‘Aladdin’ a Day After It Reopened

    The Broadway show had just returned to the stage on Tuesday with several understudies.On Tuesday, “Aladdin” held its first performance since Broadway closed for the pandemic. On Wednesday, the show was canceled because of several positive coronavirus tests.Disney Theatrical Productions announced the cancellation just a half-hour before curtain, saying “through our rigorous testing protocols, breakthrough COVID-19 cases have been detected within the company of ‘Aladdin’ at the New Amsterdam Theater.”Disney said it was refunding purchased tickets, and did not yet know whether or how future performances might be affected.“We will continue to provide support to the affected ‘Aladdin’ company members as they recover,” the company said in a statement.The cancellation is the first missed performance of a Broadway show for Covid-related reasons since theaters started reopening in late June.But there have been missed shows Off Broadway — Second Stage canceled several performances of Rajiv Joseph’s “Letters of Suresh,” citing “an exposure of COVID-19,” and then postponed that play’s opening after resuming performances with an understudy. And in Atlanta, a touring production of “Hamilton” had to cancel a performance because of positive coronavirus tests.All Broadway companies — cast and crew — are required to be fully vaccinated, as are all Broadway audiences. When breakthrough cases occur, some productions have been able to keep going with a combination of backstage testing and understudies. For example, “Waitress” had a positive test in its cast before its first performance, but was able to use testing to determine that the rest of the cast was OK, and then to keep going with an understudy.“Aladdin” had been dealing with coronavirus complications in the run-up to its reopening performance. The raucous first night performance, with an audience that included Kristin Chenoweth and the show’s composer, Alan Menken, and librettist, Chad Beguelin, featured three understudies. The crowd didn’t seem to mind — “Friend Like Me,” the Genie’s big production number, brought the audience to its feet. Michael James Scott, the actor playing the Genie, stood to the side of the stage, breathless, before shouting to the audience, by way of explanation, “18 months, people! 18 months!” More

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    Disney, With Benefit Concert, Makes an Early Return to Broadway

    Disney stage alumni will give four performances at the New Amsterdam Theater, two months before the curtains rise on “The Lion King” and “Aladdin” in New York.For the first time in what certainly feels like forever, classics from the Disney songbook will once again — and sooner than expected — ring out from a Broadway stage.The New Amsterdam Theater, usually home to “Aladdin,” will briefly welcome audiences back for four concerts benefiting the Actors Fund in late July, with a handful of Disney stage alumni performing numbers from “The Lion King,” “Frozen,” “Beauty and the Beast,” “Aladdin” and others.The concert series, “Live at the New Am,” is somewhat of a soft reopening for Disney’s theatrical division in New York, albeit without the more elaborate production elements and massive companies that its stage adaptations typically entail. “The Lion King” and “Aladdin,” along with nearly a dozen other Broadway shows, start back up in September.“We have a concert unit, and we have a theater that’s sitting there waiting to be opened, and so it made sense to ‘what if,’” Thomas Schumacher, the president of Disney Theatrical Productions, said in a Zoom interview from London’s Lyceum Theater. (“The Lion King” is set to begin performances there later this summer, as is “Frozen” down the street.)As of Wednesday, Covid-19 protocols for “Live at the New Am” were still in flux: Disney hasn’t yet settled whether masks will be required. Audience members will need to show proof that they are fully vaccinated; attendees under 12 are exempt but must be with a vaccinated adult. (A couple of blocks away, “Springsteen on Broadway” has similar vaccination requirements but no mask mandate.)The Disney concert isn’t so much a test run of Covid-19 protocols ahead of the September reopenings, Schumacher said, since the latest guidance will continue to evolve. Logistically, after 16 months without an audience, it’s primarily a chance to get the theater’s entire ecosystem back up and running.“It’s very difficult to imagine, just on a practical level, bringing the entire company of ‘Aladdin’ — orchestra, cast, crew, everybody, ushers — all back in the theater and bang, just starting back in with the show,” Schumacher said. “We need the theater to get back up to speed before it starts.”It’s a process that involves reopening the box office, getting ticket-takers and other front-of-house staff back to work and examining the traffic patterns of how patrons move through the building. Not to mention one of the more underrated needs: “To hear laughter and applause and joy in the space is valuable — gives everyone confidence,” Schumacher added. “People need confidence to come back.”For the past decade or so, Disney has staged retrospective concerts of its Broadway hits around the world, from Japan to Orlando, Fla., and even alongside a full orchestra at Royal Albert Hall, in London. Michael James Scott, the most recent (and the next) Genie in Broadway’s “Aladdin,” has performed in several: “I’m telling you, it’s like 11 o’clock number after 11 o’clock number.”Scott is joined in this iteration by Ashley Brown, the original Mary Poppins on Broadway; Kissy Simmons, who has played Nala in “The Lion King” on Broadway; and Josh Strickland, Disney’s original Tarzan on Broadway.There will be three evening performances of “Live at the New Am,” from July 22-24 at 7:30 p.m., and a 2 p.m. matinee on July 25.“It’s a much more intimate feel,” Scott added in a phone interview, “but yet still all of that amazing music that people love.” More

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    As Broadway Plans Its Return, ‘Hamilton’ Will Require Vaccines Backstage

    With 23 shows setting Broadway reopening dates, audiences can expect full crowds, masks and flexible ticketing policies. But not lower prices.As Broadway prepares for a fall reopening, the “Hamilton” producer Jeffrey Seller said he will mandate that all of his show’s employees, including the cast and the backstage crew, be vaccinated against the coronavirus.Seller is the first producer to make such a declaration publicly, and it is not clear whether any of Broadway’s many labor unions could or would challenge such an effort. Brandon Lorenz, a spokesman for the Actors’ Equity Association, said of a vaccination requirement, “That would be something we would find acceptable, as long as the employer complies with the law.”Broadway’s cast and crew work in very close quarters in tight backstage spaces, and actors onstage are extensively exposed to one another’s exhalations because they are unmasked, speak and sing loudly in proximity, dance in partnered and group configurations, and in some shows kiss or fight.Seller’s plan comes as many American colleges and universities say they will require students to be vaccinated, and employers are wrestling with whether to do the same.Broadway producers, many of whom announced resumption plans over the last week, are still figuring out details, including what safety measures will be necessary come fall. But social distancing is not expected, and ticket prices, from early reports, are not going down.Seller, who said he does not plan to require vaccination for patrons, disclosed his intentions in a joint interview with Thomas Schumacher, who as president of Disney Theatrical Productions is the producer of “The Lion King,” and David Stone, the lead producer of “Wicked,” in which the three discussed their decision to reopen their productions — all popular juggernauts — on the same night, Sept. 14.Neither Schumacher nor Stone said whether they would require vaccinations for cast or crew.The trio said they and others started talking a week or two after Broadway shut down, trading tips and comparing coping strategies. Those periodic check-ins continued for more than a year, slowly pivoting to reopening plans. Then Stone made a suggestion in a call with Seller and Schumacher: What if, instead of jockeying for position, their shows all opened on the same night?A fan photographing the display outside “Hamilton,” which is one of four Broadway shows that will raise the curtain on Sept. 14. Jutharat Pinyodoonyachet for The New York Times“The three of us recognized that by joining together, the sheer announcement would get more play, and that’s good for everybody,” Schumacher said. Seller took the idea to his creative team, which, he said, “were so strongly in support of us holding hands and going together.”So on Tuesday, “Hamilton,” “The Lion King” and “Wicked,” which are regularly among Broadway’s biggest box office draws, jointly announced that they would open on a single night — a date they chose in consultation with industry leaders and government officials and based on an assessment of when vaccination rates will be high enough, and infection rates low enough, to do so safely.They are planning staggered curtains — 7 p.m. for “Wicked” (Glinda’s opening line: “It’s good to see me, isn’t it?”); 7:30 p.m. for “The Lion King” and 8 p.m. for “Hamilton” — to allow dignitaries and journalists to stop by them all.“It made sense, and it frankly was a very effective way to communicate,” Schumacher said. “It said Broadway is coming back.”Their plan became the focal point for Broadway’s reopening, as Gov. Andrew M. Cuomo declared Sept. 14 the date on which Broadway shows would start to return at 100 percent seating capacity.But not everyone was ready to defer to the troika.“The Phantom of the Opera,” with bragging rights as Broadway’s longest-running show, barged out of the gate with the first post-Cuomo reopening announcement, slated for October. “Chicago,” which touts itself as the longest-running American musical (“Phantom” originated in Britain), crashed the Big Three party, declaring it would open on the same night, but announcing it four days earlier.“Come From Away” opted to seize some of the attention, buying a TV ad spot during the “Good Morning America” segment in which the bigger shows announced their plan. And at least one musical is still hoping to get a jump on “Hamilton,” “The Lion King” and “Wicked” by opening even earlier.But there’s no question that the trio’s collective action drew national attention to Broadway’s planned return. As the delayed 2021-22 theater season starts to take shape, 23 shows have already announced performance plans, and more are expected soon.The nine shows that have chosen to start performing in September are well-established brands confident that they can find an audience even at a time when tourism is expected to be soft. They include “Six,” which has a strong tailwind coming out of London; “American Utopia,” a return engagement for David Byrne’s sold-out dance concert; as well as “Come From Away,” “Moulin Rouge! The Musical” and another Disney production, “Aladdin.”The long-running revival of “Chicago” announced its Sept. 14 reopening ahead of three other major shows whose producers had agreed together to return on that date.Jutharat Pinyodoonyachet for The New York TimesRiskier shows and those with more niche audiences are holding off a little longer. The nonprofits that present on Broadway are waiting at least until October to get started, as are many of the new commercial productions.Even some big draws are opting to give consumers more time to get comfortable with the idea of gathering in indoor crowds: “Dear Evan Hansen,” for example, is waiting until to December to resume, and two big-budget new productions, a Michael Jackson biomusical called “MJ” and a starry revival of “The Music Man,” are aiming to open in February, although both are planning to start performances in December.What do the first round of announcements tell us about post-pandemic Broadway?Ticket-buyers are being told they will be required to wear face masks (although it’s not clear how changing advice from the Centers for Disease Control and Prevention might affect that expectation). Theaters will have upgraded HVAC systems with virus-trapping filters. Most ticketing will be digital. And theaters are reserving the right to impose a variety of safety protocols — in an explanatory note similar to that posted by other shows, “Ain’t Too Proud” says “protocols may include mask enforcement, increased cleaning and ventilation/filtration enhancements, vaccination or negative test verification, and more.”Prices, at least so far, are similar to what they were prepandemic, although premium prices are somewhat lower. The priciest seat at “Hamilton,” for example, is now $549, down from $847 before the pandemic.But it will be far easier to cancel or exchange tickets.Disney, in particular, has taken steps to make ticket-buying less onerous: The company said it would pay all Ticketmaster fees for performances through Aug. 7, 2022. (High service fees often irk consumers; a $99 ticket to “Tina,” for example, costs another $14.70 in fees.) Disney said it would also allow free ticket exchanges and refunds, and would offer package deals for those who buy seats at both “Aladdin” and “The Lion King.”How often will shows perform? The Broadway League and labor unions, concerned about the possibility of soft demand for some productions, have been discussing whether to allow shows to come back with fewer than eight performances a week, and prorated salaries.The issue remains unresolved, but a few shows are now marketing a reduced schedule. “Chicago” and “Dear Evan Hansen,” for example, are offering tickets to just five shows many weeks; “Six” is listing mostly, um, six.For the big shows, early sales have been strong, producers said. “Yesterday, we had hope,” Seller said. “Today we have confirmation.”Among the early purchasers: Claire Grimble, 51, of Belmont, Mass., who bought tickets to “Jagged Little Pill” as soon as that show, featuring the songs of Alanis Morissette, went back on sale. She said the cast album had helped her teenage daughter, who had seen the show in 2019, get through the pandemic.“We booked tickets for the first weekend it is open,” she said. “We can’t wait.” More