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    There will be many onstage reunions for the 75th Emmys anniversary.

    Monday’s ceremony will be the 75th edition of the Emmy Awards, and Anthony Anderson, the show’s host, will get some support in the form of onstage reunions from celebrated shows.Several cast members from “Cheers” — the beloved NBC sitcom that aired from 1982 to 1993, winning four best comedy Emmys along the way — will join together, including Ted Danson, Kelsey Grammer, Rhea Perlman, John Ratzenberger and George Wendt. Two cast members from “The Sopranos” — Lorraine Bracco and Michael Imperioli — which celebrated the 25th anniversary of its premiere last week, will be there; so will several actors from “Ally McBeal,” the 1999 best comedy winner (Calista Flockhart, Greg Germann, Peter MacNicol and Gil Bellows). There will also be cast reunions for “Grey’s Anatomy” and the 1990s Fox sitcom “Martin.”Tina Fey and Amy Poehler, former Golden Globe hosts and “Saturday Night Live” Weekend Update anchors, will also present.Emmy producers expect to pay tribute to many other beloved classics, including “I Love Lucy,” “All in the Family” and “The Carol Burnett Show.” More

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    Why Were Emmys Postponed to January?

    Nominations were announced six months ago. The ceremony was supposed to take place in September. So why on earth are the Emmys happening now?The delay is a result of Hollywood’s labor problems last year. More than 11,000 television and movie writers went on strike in May. Then tens of thousands of actors went on strike in July, creating the first simultaneous actor and screenwriter walkouts since 1960.Emmy organizers concluded that the ceremony had to be postponed until January to give the industry time to resolve the labor disputes. The screenwriters called off their 148-day strike in late September, and the actors ratified their new deal with the studios in December.The delay represents the most significant postponement of the Emmys since the aftermath of the Sept. 11, 2001, terrorist attacks. (The 2001 ceremony took place in November.)The four-month postponement will also make for an especially confounding Emmys. Shows that have been dormant for significant amounts of time will eat up a lot of airtime on Monday. “Succession,” one of the big favorites, has been off the air for eight months. “The Bear,” another favorite, is nominated for its first season, which premiered 19 months ago. Other nominated shows like “Andor,” “House of the Dragon,” “The White Lotus” and “Better Call Saul” all wrapped up their nominated seasons in 2022.Even with the delay, Emmy voters did not have a chance to change their minds. Final-round Emmy voting took place in August, and the results have been held under lock and key ever since. More

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    Emmy Winners: Updating List

    The list of winners for the 75th Emmy Awards.[Follow live updates of the Emmy Awards here.]The 75th Emmy Awards will be held at 8 p.m. Eastern on Monday, broadcast live on Fox and streamed live on Hulu + Live TV, YouTube TV, Sling TV and other services. (It will also be available to watch on Hulu beginning Tuesday.) Anthony Anderson, who has been nominated for numerous Emmys for his ABC sitcom “black-ish,” which ended in 2022, is hosting the show, which will be held at the Peacock Theater in Los Angeles.The ceremony, originally scheduled for September, was postponed because of the simultaneous Hollywood writers’ and actors’ strikes, one of the longest labor crises in the history of the entertainment industry. In September, the Writers Guild of America reached a deal with entertainment companies; SAG-AFTRA, the union representing tens of thousands of actors, followed suit, reaching a deal in November. Now the awards show will go on.If last week’s Golden Globes was any prediction of how the Emmys will go, the best comedy competition will be fierce — “Abbott Elementary,” “The Bear,” “Ted Lasso” and “Wednesday” are among the nominees — while HBO’s “Succession,” which earned 27 nods for its final season, is expected to dominate in the drama categories.Beyond “Succession,” HBO — which also scored nominations for “The White Lotus,” “The Last of Us” and “House of the Dragon” — has solidified itself as the network to beat. “The Last of Us” already won the most Creative Arts Emmys, which were given earlier this month, with eight awards; “The Bear,” “Wednesday” and “The White Lotus” all received four and “Succession” nabbed one. Also on Monday, the late-night category will see a winner other than John Oliver for the first time since 2015.The list below will be updated throughout Monday night’s ceremony.These are this year’s Emmy winners so far.Documentary or Nonfiction Series“The 1619 Project” (Hulu)Documentary or Nonfiction Special“Still: A Michael J. Fox Movie” (Apple TV+) More

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    How to Watch the Emmys: Date, Time and Streaming

    TV’s top honors will finally be handed out on Monday, four months later than usual. Here’s what to know.Postponed for months because of last year’s Hollywood writers and actors strikes, the 75th Primetime Emmy Awards will finally be handed out on Monday night.The Emmys are arriving just over a week after the Golden Globes, which also include TV honors. And just like at those awards, HBO’s dynastic dramedy “Succession” is set to dominate.It is unclear, however, how many people will actually see this happen. Viewing numbers for the Emmy Awards have been trending downward over the years — the most recent ceremony, in September 2022, brought in a record low audience of 5.9 million people on a night when the award show had little competition. This year, the Emmys will go head-to-head against an N.F.L. playoff game between the Philadelphia Eagles and the Tampa Bay Buccaneers and against live coverage of the Iowa caucuses.Emmy producers hope to lure viewers with homages to classic television shows including “The Sopranos,” “Grey’s Anatomy” and “I Love Lucy.” Perhaps others will be curious about how or to what extent the ceremony will address last year’s SAG-AFTRA and Writers Guild of America strikes.Or perhaps not — we will find out on Monday night. If you are among the interested, here is what to know.What time does the show start, and where can I watch?The ceremony begins at 8 p.m. Eastern at the Peacock Theater in downtown Los Angeles and will be broadcast on Fox.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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    Nancy Buirski, Award-Winning Documentary Filmmaker, Dies at 78

    She won Emmy and Peabody Awards for “The Loving Story,” about a Virginia couple’s successful challenge to a ban on interracial marriage.Nancy Buirski, an Emmy and Peabody Award-winning documentary filmmaker whose eye was honed as a still photographer and picture editor, died on Wednesday at her home in Manhattan. She was 78.The cause had not yet been determined, her sister and only immediate survivor, Judith Cohen, said.After founding the Full Frame Documentary Film Festival in 1998 at Duke University in Durham, N.C., and directing it for a decade, Ms. Buirski (pronounced BURR-skee) made her own first documentary, “The Loving Story,” in 2011.The film explored the case of Mildred and Richard Loving, who faced imprisonment because their interracial marriage in 1958 was illegal in Virginia. (She was part-Black and part-Native American, and he was white.)Their challenge to the law resulted in a landmark civil rights ruling by the United States Supreme Court in 1967 that voided state anti-miscegenation laws.The documentary, directed by Ms. Buirski, won an Emmy for outstanding historical programming, long form, and a Peabody Award. It premiered at the Tribeca Film Festival in New York and made its television debut on HBO during Black History Month in 2012.“Drawing from a wealth of stunning archival footage,” Dave Itzkoff wrote in The New York Times. “‘The Loving Story’ recreates a seminal moment in history in uncommon style, anchoring a timely message of marriage equality in a personal, human love story.”Richard and Mildred Loving in “The Loving Story,” Ms. Buirski’s documentary about that Virginia couple’s successful challenge to a ban on interracial marriage during the Civil Rights era.Grey Villet, via Barbara Villet/Icarus FilmsMs. Buirski went on to seek more stories to tell, drawing on a wide range of voices and experiences.“Nancy was a completely original thinker and a visionary,” her frequent collaborator and producer, Susan Margolin, said in an email. “With every film she pushed the limits of the art form with her kaleidoscopic, unique approach to storytelling.”Ms. Buirski directed, co-produced and wrote “Afternoon of a Faun” (2013), about the ballerina Tanaquil Le Clercq, who contracted polio while on tour in 1956; and “By Sidney Lumet” (2015), about the acclaimed filmmaker, both of which were broadcast by PBS on “American Masters.”She also directed, co-produced and wrote “The Rape of Recy Taylor” (2017), about the 1944 kidnapping of a Black woman by seven white men. Despite their confessions, they were never charged, although in 2011 the Alabama Legislature apologized for the state’s failure to prosecute her attackers.The critic Roger Ebert called the film “a stiffing, infuriating marvel,” and it was awarded a human rights prize at the 74th Venice International Film Festival.Ms. Buirski went on to direct, co-produce and write “A Crime on the Bayou” (2021) about a 1966 altercation sparked by school integration, and “Desperate Souls, Dark City and the Legend of Midnight Cowboy” (2023), which explores John Schlesinger’s 1969 film starring Jon Voight and Dustin Hoffman.She was also a special adviser to “Summer of Soul” (2021), Questlove’s Academy Award-winning concert-film documentary, based on rediscovered footage, about the 1969 Harlem Cultural Festival.Years earlier, as a picture editor on the international desk at The New York Times, Ms. Buirski was credited with choosing the image that won the newspaper its first Pulitzer Prize for photography, in 1994.After seeking a photograph to accompany an article on war and famine in southern Sudan, she choose one by Kevin Carter, a South African photojournalist, of an emaciated toddler collapsing on the way to a United Nations feeding center as a covetous vulture lurked in the background.Ms. Buirski commended the photo to Nancy Lee, The Times’ picture editor at the time. She then proposed it, strongly, for the front page, because, she recalled telling another editor, “This is going to win the paper’s first-ever Pulitzer Prize for photography.”The photograph ended up appearing on an inside page in the issue of March 26, 1993, but the reaction from readers, concerned about the child’s fate, was so strong that The Times published an unusual editors’ note afterward explaining that the child had continued to the feeding center after Mr. Carter chased away the vulture.The picture won the Pulitzer in the feature photography category. (Mr. Carter died by suicide a few months later at 33.)Ms. Buirski was born Nancy Florence Cohen on June 24, 1945, in Manhattan to Daniel and Helen (Hochstein) Cohen. Her father was a paper manufacturer.After graduating from New Rochelle High School in Westchester County, she earned a bachelor’s degree from Adelphi University in Garden City, N.Y., in 1967.She worked as an editor for the Magnum photo agency before joining The Times.As a photographer she produced a book of 150 images titled “Earth Angels: Migrant Children in America” (1994), which vividly captured the children of migrant farmworkers at work during the day and attending school at night and dramatized the hazards they faced from poor housing, harsh working conditions and exposure to pesticides.Her marriages to Peter Buirski and Kenneth Friedlein ended in divorce. More

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    Bob Barker, Longtime Host of ‘The Price Is Right,’ Dies at 99

    The winner of numerous Emmy Awards, he was almost as well known for his advocacy of animal rights as he was for his half a century as a daytime television fixture.Bob Barker, whose warmth and wit as the host of “The Price Is Right” for nearly four decades beckoned legions of giddy Americans to a stage promising luxury vacations and brand-new cars, died on Saturday at his home in the Hollywood Hills section of Los Angeles. He was 99.His death was announced by a spokesman, Roger Neal.Mr. Barker, who was also a longstanding and prominent advocate for animal rights, was a fixture of daytime television for half a century — first as the host of “Truth or Consequences,” from 1956 to 1974, and, most famously, starting in 1972, on “The Price Is Right,” the longest-running game show on American television.He began his 35-year stint as host of “The New Price Is Right,” as it was then known, when it made its debut on CBS as a revised and jazzed-up version of the original “The Price Is Right,” which had been on the air from 1956 to 1965. (The “New” was soon dropped from the name.) He was also host of a weekly syndicated nighttime version from 1977 until it was canceled in 1980.Mr. Barker with Janice Pennington, left, and Anitra Ford — two of the models known as Barker’s Beauties, whose main function was to display the prizes — on the set of “The Price Is Right” in 1972.CBSAlmost a decade before he retired in 2007, Mr. Barker estimated that during his tenure more than 40,000 contestants had heeded the announcer’s familiar call to “come on down!” and collected some $200 million in small and large prizes, from beach blankets to Buicks, by guessing the prices of various objects.Mr. Barker won 14 Daytime Emmy Awards as host of “The Price Is Right” and four more as executive producer (as well as a lifetime achievement Emmy in 1999). He once said that the show had lasted as long as it did because “all our games are based on prices, and everyone can identify with that.” He added, however, that he personally never knew the price of anything, and that if he were ever a contestant on such a show he would be “a total failure.”Mr. Barker was widely known for his longstanding dedication to the cause of animal rights. He quit as master of ceremonies for both the Miss USA and Miss Universe pageants in 1988 because they gave fur coats as prizes. He also protested the mistreatment of animals by their trainers on the sets of various movies and television shows. He ended every installment of “The Price Is Right” by saying: “Help control the pet population. Have your pet spayed or neutered.”Almost a decade before he retired in 2007, Mr. Barker estimated that during his tenure more than 40,000 contestants had heeded the announcer’s familiar call to “come on down!” and had collected some $200 million in prizes, from beach blankets to Buicks.Photographs by Getty Images and Associated PressRobert William Barker was born on Dec. 12, 1923, in Darrington, Wash. His father, Byron, was a power line foreman who in 1929 died from complications of injuries he had received in a fall from a pole several years earlier. Shortly thereafter, his mother, Matilda (Tarleton) Barker, took a job teaching in Mission, S.D, on the Rosebud Indian Reservation.“Cowboys tied up their horses at hitching rails,” Mr. Barker recalled of those years. “It was like I was growing up in the Old West.”Mr. Barker in a publicity photo from 1956, the year he began hosting “Truth or Consequences.” For two years he was seen on both that show and “The Price Is Right.”Elmer Holloway/NBCU, via Getty ImagesWhen Mr. Barker was 13, his mother married Louis Valandra, a tire salesman, and they moved to Springfield, Mo. He received a basketball scholarship to Drury College in Springfield but dropped out to enlist as a Naval Aviation cadet when World War II broke out.He was waiting for a combat assignment when the war ended, and he was discharged as a lieutenant junior grade. He returned to Drury, majored in economics and graduated summa cum laude in 1947.Even before he earned his degree, Mr. Barker had begun his first radio job, at KTTS in Springfield, where he was a disc jockey, a news writer, a sportscaster and a producer. After college he worked at WWPG in Palm Beach, Fla., and KWIK in Burbank, Calif.In 1945, he married Dorothy Jo Gideon, his high school sweetheart, who once explained the secret of their marriage this way: “I love Bob Barker. And Bob Barker loves Bob Barker.” She died in 1981, and Mr. Barker never remarried.Mr. Barker is survived by his half brother, Kent Valandra. Mr. Barker’s longtime friend Nancy Burnet, a fellow animal rights activist who had been overseeing his care — and about whom he wrote in his autobiography, “Our relationship has gone on for 25 years, off and on. Mostly on.” — is an executor of his estate.Mr. Barker with his wife, Dorothy Jo, and their dogs in 1977. He was widely known for his dedication to the cause of animal rights.CBS, via Getty ImagesMr. Barker’s big break came in 1956 when the producer Ralph Edwards heard him on KNX, a Los Angeles radio station, and asked him to audition for “Truth or Consequences,” a long-running game show (it had begun on radio in 1940) on which contestants were required to perform wild stunts. He got the job, and he and Mr. Edwards became lifelong friends.Mr. Barker was still the host of “Truth or Consequences” when he was offered “The Price Is Right” in 1972, and for two years those jobs overlapped. For a long time after that he was among the busiest people on television, with duties that also included hosting the Rose Bowl parade and the Pillsbury Bake-Off for most of the 1970s and ’80s.He occasionally showed up in movies as well, almost always as a comically exaggerated version of himself. His most memorable appearance was in the 1996 comedy “Happy Gilmore,” in which he gleefully engaged in a brawl with the title character, a boorish hockey player turned golfer played by Adam Sandler.Mr. Barker occasionally showed up on the big screen, usually as a comically exaggerated version of himself. His most memorable appearance was with Adam Sandler in the 1996 comedy “Happy Gilmore.”Universal PicturesTo many viewers “The Price Is Right” was, as one critic put it, among television’s last “islands of wholesomeness.” That image was challenged in 1994 when Dian Parkinson, who for almost 20 years had been a model on the show — one of the so-called Barker’s Beauties, whose main function was to display the prizes — sued Mr. Barker for sexual harassment.Ms. Parkinson, who had left the show the year before, said she had sex with Mr. Barker because she thought she would lose her job if she didn’t. In response, Mr. Barker acknowledged that he and Ms. Parkinson had had a relationship for a number of years, beginning in 1989, but insisted that it had been consensual.“She told me I had always been so strait-laced that it was time I had some hanky-panky in my life,” he said, “and she volunteered the hanky-panky.” Ms. Parkinson withdrew the suit in 1995 because, she said, she lacked both the emotional endurance and the money to pursue it.Mr. Barker announced his retirement in October 2006. “I will be 83 years old on Dec. 12,” he said at the time, “and I’ve decided to retire while I’m still young.”His final episode as host of “The Price Is Right” was taped on June 6, 2007, and shortly shown twice on June 15: first in its regular daytime slot and again in prime time.Mr. Barker’s chair sat empty after the taping of his final episode of “The Price Is Right” in June 2007.Damian Dovarganes/Associated PressAfter an extensive search, the comedian Drew Carey was chosen as Mr. Barker’s successor in July 2007. In an interview with The Times, Mr. Carey called Mr. Barker a “legend” and praised him for the “empathy” he showed contestants.“He wants them to win. You can hug him,” Mr. Carey said. “He went from being your dad and your uncle to your grandfather.”Mr. Barker returned to the show as a guest in 2009 to promote his autobiography, “Priceless Memories,” and again in 2013, to celebrate his 90th birthday, and 2015, as the unannounced guest host, an April Fool’s Day gag. He promised to come back when he turned 100.“People ask me, ‘What do you miss most about “Price is Right”?’ And I say, ‘The money,’” Mr. Barker said in a 2013 interview with Parade magazine. “But that is not altogether true. I miss the people, too.”Richard Severo, a Times reporter from 1968 to 2006, died in June. Peter Keepnews and More

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    2023 Emmy Awards Will Be Postponed Because of Actors’ and Writers’ Strikes

    The ceremony, originally planned for Sept. 18, may be pushed into January in hopes that the labor disputes will be settled.The fallout from the Hollywood actors’ and writers’ strikes continues.The 75th Emmy Awards will be postponed because of the strikes, according to a person briefed on the plans. The ceremony, originally planned for Sept. 18, does not yet have a new date but will most likely be moved to January, the person said.Emmy organizers are hopeful that would give the Hollywood studios enough time to settle the labor disputes. A new date will be finalized in the next few weeks.Fox, which is broadcasting this year’s event, and the Television Academy, which administers the Emmys, had concluded last month that it would have to postpone the event if the writers’ strike continued to linger until the end of July, The New York Times reported last month. The writers have now been on strike for 88 days and have not returned to the bargaining table with the major Hollywood studios since negotiations broke down in early May.By the time tens of thousands of actors joined the writers on picket lines and went on strike on July 14, it all but put a nail in the coffin for an Emmys ceremony in September.The postponement marks one of the biggest events that will get rescheduled because of the labor conflicts. The Emmys, which traditionally take place in August or September, were last postponed after the terrorist attacks on Sept. 11, 2001. That year, the event ultimately took place in November.Organizing the Emmys is a significant undertaking, one of the reasons that the Television Academy and Fox set a late July deadline to make a decision on a postponement. Variety reported earlier that the Emmys would be rescheduled.Nominations for the Emmy Awards were announced this month. HBO, which led all networks in total nominations, became the first network in 31 years to earn four nominations in the best drama category — “Succession,” “The White Lotus,” “The Last of Us” and “House of the Dragon.” In the comedy categories, two-time winner “Ted Lasso” will compete against shows including “Abbott Elementary” and “The Bear.” More

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    Craig Mazin Says ‘The Last Of Us’ Was Created ‘From a Place of Purity.’

    The amount of pressure that came with trying to turn the dystopian video game “The Last of Us” into an HBO drama was intense: There were the expectations of tens of millions of fans of the best-selling game. The astronomical costs required — a reported production budget of more than $100 million — to pull it off. The legacy of dozens of subpar video game adaptations that had come before it.“You need to tune it out because it will destroy you,” Craig Mazin, 52, a creator, showrunner and writer on the zombie thriller series, said in a call on Wednesday afternoon from his office in Hollywood.So it was rewarding on Wednesday when the nine-episode series with a no-longer-so-fantastic premise about a viral outbreak that leaves society in shambles — though granted, this one turned people into fungal zombies — picked up 24 Emmy nominations. They included nods for best drama, writing and directing, and acting nominations for the series’s stars, Bella Ramsey and Pedro Pascal.“We were all really blown away by the reception — the enthusiasm and the love for the show is astonishing,” Mazin said of the series, which is the first video game adaptation to be a serious contender for top awards in Hollywood.In an interview, Mazin, who won Emmy Awards for best writing for a limited series and best limited series for HBO’s “Chernobyl,” discussed what distinguished “The Last of Us” from the many video game adaptation flops that preceded it, whether that model can be replicated and his hopes for the second season. These are edited excerpts from the conversation.Given the various pressures and challenges involved in adapting something like “The Last of Us,” how did it feel to rack up 24 Emmy nominations today?It’s stunning, particularly for a show in its first season, and a genre show. We were overwhelmed, though it’s a mixed-emotions day because our business is in trouble, and it is the fault of the people for whom we work. Even though it’s a day where you want to freely celebrate, there are so many people — working crews and actors and artists — who are suffering because the companies simply won’t do what’s required. What made “The Last of Us” so different from the many subpar film and TV adaptations of video games that came before?For starters, we have “The Last of Us.” It’s an amazing video game, which I played when it came out in 2013. Even then, I could see it was also just an incredible story with remarkable characters and, most importantly, remarkable relationships. It was a story that was a game, not a game that also had a story.The other big part is this wasn’t something where a company bought the rights to a thing and then went around going, “Hey, we want to exploit this I.P.” This was me and Neil Druckmann, the creator of the game, coming to HBO and saying, “We want to do this out of love.” So we came at it from a place of purity. What was the most challenging part of bringing the series to life?The size. There are more words to write, more days to plan, more actors to cast, more stunts to approve. It becomes an endurance test. We shot for 200 days, living away from home during Covid — my wife couldn’t even come to the set because it was a violation of the Covid rules. It was a very arduous thing to do day in and day out in the heat, in the freezing cold, in the rain and the snow. And yet, we did it, a bit like women who go through labor and are like, “Oh my God, I’m never doing that again,” and then a few years later are like, “Maybe I would do that again.” I’m that mom who’s like, “I think I want to do it again.”What are you most excited about for Season 2?I like tracking the growth and evolution of people, and I like the way we get to continue this show but do a season that is not the same. The thing about “The Last of Us” is that the story is constantly moving — we don’t live in the same neighborhood; we don’t go back to the same shop or store or house. Even episode to episode within a season feels like we’re in different places, different kinds of movies. So, more of that.There are a number of other popular video game franchises with film and TV adaptations in the works, including “Twisted Metal,” “Ghost of Tsushima” and “Assassin’s Creed.” Can the model for “The Last of Us” be replicated?If they are starting from a place of purity, a place of creative passion, then anything is possible. If the source material has great stuff to adapt — and ideally, if its creator has the kind of generosity and intellectual flexibility that Neil Druckmann has — then you have a real chance of doing something that makes the fans happy but also makes new people happy. What’s the point of making the show if you’re only making it for the people who read the book, or who played the game?That’s why Neil wanted to do an adaptation in the first place: There are millions of people who will never pick up a controller and never play the game. They will never know this story, and he wanted them to know it. And if people are coming at it like that, they have a real shot. More