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    Bob Saget’s Autopsy Report Describes Severe Skull Fractures

    Such an extensive head injury would likely have left the actor confused, if not unconscious, experts said.Bob Saget, the comedian and actor, died after what appeared to be a significant blow to the head, one that fractured his skull in several places and caused bleeding across both sides of his brain, according to an autopsy report released on Friday.The findings complicated the picture of Mr. Saget’s death that has emerged in recent days: Far from a head bump that might have been shrugged off, the autopsy described an unmistakably serious set of injuries that would at the very least have probably left someone confused, brain experts said.The report, prepared by Dr. Joshua Stephany, the chief medical examiner of Orange and Osceola counties in Florida, ascribed Mr. Saget’s injuries to a fall.“It is most probable that the decedent suffered an unwitnessed fall backwards and struck the posterior aspect of his head,” Dr. Stephany wrote, referring to the back of the skull.Still, the autopsy left a number of unresolved questions about how exactly Mr. Saget, 65, was so badly hurt. He was found dead in a hotel room at the Ritz-Carlton Orlando, Grande Lake on Jan. 9 during a weekend of stand-up comedy acts. His family said this week that the authorities determined that he had hit his head, “thought nothing of it and went to sleep.”If the actor struck his head hard enough, and in just the wrong place, it is possible that fractures would have extended to other parts of his skull, brain injury experts said. Situations where someone cannot break their fall are even more dangerous.“It’s like an egg cracking,” said Dr. Jeffrey Bazarian, an emergency physician and concussion expert at the University of Rochester Medical Center. “You hit it in one spot, and it can crack from the back to the front.”But experts said that with such an extensive injury, it was unlikely that Mr. Saget would have intentionally ignored it. The injury would likely have left him confused, if not unconscious.“I doubt he was lucid,” Dr. Bazarian said, “and doubt he thought, ‘I’m just going to sleep this off.’”Some neurosurgeons said that it would be unusual for a typical fall to cause Mr. Saget’s set of fractures — to the back, the right side and the front of his skull. Those doctors said that the injuries appeared more reminiscent of ones suffered by people who fall from a considerable height or get thrown from their seat in a car crash.The autopsy, though, found no injuries to other parts of Mr. Saget’s body, as would be expected in a lengthier fall. The medical examiner ruled that the death was accidental. The local sheriff’s office had previously said there were no signs of foul play.“This is significant trauma,” said Dr. Gavin Britz, the chair in neurosurgery at Houston Methodist. “This is something I find with someone with a baseball bat to the head, or who has fallen from 20 or 30 feet.”Dr. Britz noted that the autopsy described fractures to particularly thick parts of the skull, as well as to bones in the roof of the eye socket. “If you fracture your orbit,” he said, referring to those eye bones, “you have significant pain.”The knock ruptured veins in the space between the membrane covering the brain and the brain itself, causing blood to pool, the autopsy indicated. The brain, secured in a hard skull, has nowhere to move, doctors said, and the result is a compression of brain centers critical for breathing and other vital functions.No alcohol or illegal drugs were detected in the actor’s system, according to the autopsy. But there were signs of Clonazepam, commonly known as Klonopin, a benzodiazepine that is used to prevent seizures and treat panic attacks. Tests also found Trazodone, an antidepressant, the report said.There was no indication in the autopsy findings that either of those drugs might have contributed to Mr. Saget’s injuries. But doctors said that they could make people sleepy and contribute to a fall.Benzodiazepines are widely prescribed for older people, despite warnings about the side effects. People who take them face increased risks of falls and fractures, of auto accidents and of reduced cognition.Use of multiple drugs “is a very dangerous cause of falls in the elderly,” said Dr. Neha Dangayach, the director of neuro-emergencies management and transfers for the Mount Sinai Health System. She said that some combinations could cause drops in blood pressure or confusion.The report noted that Mr. Saget had an enlarged heart, but did not suggest any link to his death. It also found signs of the coronavirus on a PCR test, but did not suggest that the virus contributed to Mr. Saget’s death. The actor said on a podcast in early January that he had contracted the virus, without specifying exactly when. PCR tests can show the presence of the virus days or even weeks after someone has recovered.Mr. Saget, best known for his role on the sitcom ‘Full House’ and for hosting ‘America’s Funniest Home Videos,’ thanked the “appreciative audience” of his stand-up comedy set in a Tweet early in the morning on Jan. 9, the day of his death.“I had no idea I did a 2 hr set tonight,” he said. “I’m happily addicted again to this.” More

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    Art Metrano, Actor and Comic Once Felled by an Accident, Dies at 84

    He had built a career in stand-up comedy and in film and TV, but a fall from a ladder left him with a personal struggle.Art Metrano, a comedian and actor who appeared in more than 120 television shows and films, including the “Police Academy” movies, before a fall from a ladder left him severely injured, an ordeal he turned into a one-man show he performed all over the country, died on Sept. 8 at his home in Aventura, Fla. He was 84.His son Harry confirmed his death. The cause was not given.Mr. Metrano first gained attention with a spoof magic act. Introduced as the Amazing Metrano or with some equally grandiose appellation, he would come out and perform a series of tricks that weren’t really tricks. He’d present each hand to the audience, index finger raised, then bang his hands together behind his back and present them again — now, two fingers on one hand would be raised, none on the other.The schtick got him appearances on “The Tonight Show Starring Johnny Carson” and assorted other programs in the early 1970s. By then he was also building an acting career, having landed small parts on “Mannix,” “Bewitched” and other series in the late ’60s; that run continued in the ’70s with “Barney Miller,” “Movin’ On,” “Starsky and Hutch” and dozens of other shows.The 1980s brought more acting work, including a recurring role on “Joanie Loves Chachi” and, in 1985, a part in “Police Academy 2: Their First Assignment,” a follow-up to the hit 1984 comedy. He played Mauser, a career-driven officer who becomes a captain and is the butt of jokes; in one scene, he shampoos his hair with epoxy resin. He reprised the role in 1986 in “Police Academy 3: Back in Training.”Carol Rosegg/Everett CollectionBut Mr. Metrano’s career was interrupted one September day in 1989. He and his wife at the time had put a house up for sale, and he stopped by to check on it in advance of a showing by a real estate agent. They had work done on the pool, and he noticed that as a result there was gray cement spray all over the back walls and balcony. He decided to hose the gunk off.“I grabbed the ladder that was leaning against the wall and set it firmly against the balcony,” he wrote in a memoir, “Twice Blessed” (with Cynthia Lee, 1994, later retitled “Metrano’s Accidental Comedy”).Something went wrong, and Mr. Metrano fell from the ladder, hitting the ground head first and snapping his neck. He couldn’t move. He lay there, imagining the scene if he were still lying there when the real estate agent showed up.“I’d look up and say, ‘Hi, I’m the owner,’” he wrote in his book. “‘I just broke my neck, but not to worry. House looks great, eh? Nice gourmet kitchen!’”The humor was characteristic of the way he later told the story in print and onstage (a neighbor eventually came to his aid before the real estate agent arrived), but the injury was serious. He had broken several vertebrae, and permanent paralysis was a possibility.“When you’re lying paralyzed in a hospital bed,” he said during the stage show, “your past becomes your constant companion because your future is a question mark.”At first he could neither move nor speak, but he was eventually able to talk again, and to walk, sometimes with the help of a crutch. Within a few years he was telling his story in a one-man show written with Ms. Lee that was performed, under various names, across the country.When it played in Manhattan in 1996 at the Union Square Theater under the title “The Amazing Metrano: An Accidental Comedy,” Vincent Canby, in The New York Times, said that Mr. Metrano “gives new meaning to the term stand-up comedy: it isn’t the comedy that amazes, but the fact that Mr. Metrano is standing up.”“‘The Amazing Metrano’ is therapeutic, inspirational theater,” Mr. Canby wrote. “Mr. Metrano is now publicly working through his trauma, finding resources in himself he never knew he possessed.”Arthur Mesistrano was born on Sept. 22, 1936, in Brooklyn and grew up in the Bensonhurst section of that borough. His father, Aaron, worked in the garment industry, and his mother, Rebecca (Russo) Mesistrano, was a homemaker.He played football at Lafayette High School in Brooklyn and attended the College of the Pacific in California on a football scholarship, but left college to return to New York to study acting and work on his stand-up comedy. He moved to Los Angeles to pursue acting in 1958.In his book, he told of trying to worm his way into show business by taking a job selling a phone system that enabled busy people to speed-dial numbers; that got him onto studio lots.“That was the plan,” he wrote, “sell the product, make some money, meet producers and directors, and then show them my 8×10 glossy and phony résumé.”It appeared to work, because by 1960 he was getting small roles. In 1971, he landed a leading role in a CBS sitcom, “The Chicago Teddy Bears,” though the show was short-lived. He had another leading role in a 1986 sitcom, “Tough Cookies,” but that show too didn’t last, either.Mr. Metrano in a publicity photo with the actor Craig T. Nelson in 2001. Mr. Metrano was a guest star on the CBS crime drama “The District,” starring Mr. Nelson. Tony Esparza/CBSAfter his accident, he continued to get occasional TV roles, including on “L.A. Law,” “The District” and “Party of Five.”Mr. Metrano married Rebecca Chute in 1972; they divorced in 2005. His survivors include his wife, Jamie Golder Metrano; two children from his first marriage, Harry and Zoe Bella Metrano; a daughter from an earlier relationship, Roxanne Elena Metrano; and numerous grandchildren and great-grandchildren.In 1977, Mr. Metrano reached out to a son he had fathered when younger but who had been given up for adoption. That son, Howard Bald, now a rabbi, performed a memorial service for him over the weekend in Florida. More

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    Broadway Theater Owner Cited by OSHA in Stagehand’s Fatal Fall

    Federal regulators cited the Shubert Organization for four workplace safety violations in the death of an employee in the Winter Garden Theater.Federal regulators have cited the Shubert Organization for four serious workplace safety violations and proposed a fine of $45,642 in connection with the death of an employee who fell from a ladder while working at the Winter Garden Theater last fall.The citations, from the Occupational Safety and Health Administration, were issued on May 11, six months after Peter Wright, a 54-year-old stagehand, fell nearly 50 feet from a narrow, raised platform while performing routine maintenance in the theater.OSHA issues these serious citations when, according to its review, lapses have led to hazards carrying a “substantial probability that death or serious physical harm could result.” In the Shubert Organization’s case, OSHA did not find that the violations were willful ones, in which an employer “intentionally and knowingly” violates the law.The Shubert Organization has set up a meeting to discuss the citations and penalties, James C. Lally, a spokesman for the U.S. Department of Labor, said. If the two parties do not reach a settlement, the company can still contest the citations, Mr. Lally said. Otherwise, they will be obligated to pay the full amount.A spokesman for the Shubert Organization declined a request for comment, citing the ongoing investigation.The violations issued to the group, which is the largest landlord on Broadway, included having a wooden ladder coated with a material that could obscure structural defects and two instances of a ladder used for a purpose for which it was not designed.Mr. Wright, who was from Milford, Conn., was a stagehand for Local 1 of the International Alliance of Theatrical Stage Employees, the labor union that represents professional stage employees in New York, for 34 years. He and his wife of 23 years, Marcie Lowy Wright, met when they were both working as stagehands for a 1990s “Grease” revival at the Eugene O’Neill Theater.James J. Claffey Jr., the president of Local 1, wrote in a tribute in November that Mr. Wright “had a work ethic that was nothing short of exemplary, was extremely talented and skilled in his craft, and he was one of the finest riggers/flyman in our industry.”The last show to play at the Winter Garden Theater had been “Beetlejuice,” which had been set to end its run on June 6, 2020, before the theater, like all on Broadway, shut on March 12 because of the pandemic; “Beetlejuice” was not slated to return. A revival of “The Music Man” that will star Hugh Jackman and Sutton Foster is set to begin performances in December and open next February.Bill Evans, a spokesman for the Shubert Organization, said at the time of Mr. Wright’s death that most stagehands had not been working at the organization’s other theaters during the pandemic shutdown.“We mourn the loss of our valued colleague,” he said in a statement. “Our heartfelt condolences go out to the family during this difficult time.”Dylan Foley, who was a friend and co-worker of Mr. Wright’s, wrote in a Facebook tribute in November that Mr. Wright was “completely fearless in how he lived his life as a stagehand” and often did the work of three men.“He had a dry wit, an unstoppable work ethic, and a trademarked grin,” Mr. Foley wrote. “If you asked for something from Pete, his line was, ‘For you, the grid’s the limit.’” More