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      ‘The Novice’ Review: A Freshman Effort Worthy of Varsity

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      The obsessive ambitions of a college rower are masterfully orchestrated in a debut feature by the writer-director Lauren Hadaway.In “The Novice,” the impressive debut feature from the writer-director Lauren Hadaway, Alex (Isabelle Fuhrman) is a college freshman who finds purpose in the masochistic ecstasy of team rowing.Alex isn’t suited to the demands of her sport. She’s not as strong as her crew mates, and she’s not as team-oriented as they are either. But she becomes obsessed with rowing, driven to achieve her goal of making the school’s varsity squad, even if her incessant efforts alienate her peers and coaches. Not even Alex’s first queer romance with Dani (Dilone), a confident teaching assistant, can draw Alex out of her fixation. She begins her season as a novice, and threatens to end it as a zealot.Hadaway has crafted a film that thematically and visually resembles Damien Chazelle’s “Whiplash,” for which she served as a sound editor. But where Chazelle’s film followed a protagonist with world-class aspirations, the modest scale of Alex’s ambitions keeps “The Novice” more grounded as a character study, and helps the film steer clear of overblown statements about success. The protagonist merely wishes to be the worst rower on her team’s best boat.Without the pressure of narrative grandeur, Hadaway is free to go big in her filmmaking style. She uses maximalist techniques like slow motion, rapid editing and deep space staging to create dreamlike sequences of Alex’s isolation. Fuhrman’s performance matches the filmmaking for its intensity. The movie achieves a surreal allure — at times, it’s hard to pay attention to the dialogue because the images and the sound design are already communicating so much. If the story’s hero can only aspire to the middle of the pack, the beginner behind the camera shows no such limitations.The NoviceRated R for intense sequences of distress, language, brief nudity, and some sexual content. Running time: 1 hours 34 minutes. In theaters and available to rent or buy on Apple TV, Google Play and other streaming platforms and pay TV operators. More

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      ‘Fatal Distraction’ Review: Parents Go Through the Unthinkable

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      In the documentary by Susan Morgan Cooper, a father is on trial after his baby dies in the back seat of a hot car.On the morning of June 18, 2014, Justin Ross Harris and his wife, Leanna, were the adoring parents of a 22-month-old son, Cooper. By the end of the day, their child was dead. Harris forgot to drop off his son at day care, and instead drove to work, leaving Cooper in the back seat, where the child died in the Georgia heat.This year, 23 children have died in hot cars, according to the National Highway Traffic Safety Administration. The documentary “Fatal Distraction” uses the tragic example of the Harris family to demonstrate this phenomenon. By following Harris’s murder trial in 2016, it shows the worst case scenario of what can happen when a child is left unattended.The director Susan Morgan Cooper (“To the Moon and Back”; “An Unlikely Weapon”) takes the title of her film from a 2009 article written by Gene Weingarten, who appears in the documentary, along with a number of experts who have studied the issue of hot car deaths. In talking head interviews that unfortunately establish the film’s rote, even indifferent visual style, specialists offer dispassionate explanations for how parents can forget their children.More powerful sequences involve statements from experts of a different kind — the agonized parents of children who died in the back seat. Cooper’s mother, Leanna, is interviewed for the movie, and her recollections of her son’s death and her ex-husband’s trial are among the movie’s most damning testimonies against the common practice of criminalizing caregivers who leave their children behind.If the film is at times unimaginative as a work of art, it succeeds as a humane resource for understanding an unthinkable scenario.Fatal DistractionNot rated. Running time: 1 hour 30 minutes. Rent or buy on Apple TV, Google Play and other streaming platforms and pay TV operators. More

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      ‘Six Minutes to Midnight’ Review: A Finishing School for the Nazi Elite

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      In this suspense thriller set in the 1930s, Judi Dench and Eddie Izzard are stalwart Brits at a sinister girl’s school in England.There have been an awful lot of movies made not just about World War II but about the days leading up to it. So new angles can be hard to find. How about this: a Nazi girl’s school in a seaside town in England in the 1930s?Such a place did exist: the Augusta Victoria College at Bexhill-on-Sea. Its school badge contained both a Union Jack and a swastika. It was here that daughters of the Nazi elite went for finishing. Out of this peculiar fact, Eddie Izzard, whose family hails from Bexhill, determined to forge a film; Izzard not only stars in “Six Minutes to Midnight” but is also one of the writers of the screenplay as well as an executive producer.The scenario grafts a fictional Hitchcock-redolent suspense thriller to the reality of the school’s existence. “Midnight” opens with the disappearance of an instructor at the school, under sinister circumstances. Enter Izzard as Thomas Miller, come to replace him. Like his predecessor, Miller is a British spy really sent to gather intelligence on the school. While the activities of the students, their German instructor Ilse (Carla Juri) and their British headmistress (Judi Dench) seem on the up-and-up, pedagogy-wise, the environment nevertheless looks ripe for espionage. And when Miller witnesses the student body’s enthusiastic response to a speech by Adolf Hitler on the wireless, he figures the suspicions of his superiors are correct.Classified lists, a secret evacuation plan and a murder frame-up all come into play. The double-crosses are depicted by the director Andy Goddard with better-than-average craft, but the more the movie leans into old suspense conventions the more interest it loses, alas.Six Minutes to MidnightRated PG-13 for violence. Running time: 1 hour 39 minutes. In theaters and available to rent or buy on Apple TV, Google Play and other streaming platforms and pay TV operators. Please consult the guidelines outlined by the Centers for Disease Control and Prevention before watching movies inside theaters. More

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      Six Great Movies About Presidents

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      #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main storySix Great Movies About PresidentsIf you’re looking for some escapism, these films are a good reminder that democracy works.Daniel Day-Lewis took an Oscar-winning turn as President Abraham Lincoln in the 2012 film “Lincoln.”Credit…DreamWorks Pictures and 20th Century FoxJan. 16, 2021When a new president is inaugurated, it’s traditionally an occasion for pageantry and pomp, showcasing the splendor of Washington and reminding the country and the world of the United States’ democratic promise: that power ultimately rests in the will of the people. As we head into these ceremonies next week, it’s a good time to let these movies remind us that the mechanisms of American politics and the institution of the presidency — at their best and worst — have endured for centuries.These six entertaining films are about real and fictional presidents, and are set against the backdrop and complicated culture of our nation’s capital.‘Lincoln’The director Steven Spielberg and the screenwriter Tony Kushner take an unusual approach to telling the story of one of America’s most beloved presidents, focusing mostly on the first months of Abraham Lincoln’s second term, when he cajoled a reluctant Congress into passing a constitutional amendment to abolish slavery. Daniel Day-Lewis gives an Oscar-winning performance as Lincoln, capturing the man’s gentle good humor and shrewd — sometimes ruthless — political instincts. The “Lincoln” creative team make the figures from history books look and feel like real people, with complex personalities and motives.Watch it on Amazon Prime, Apple TV, Google Play, Vudu, YouTube[Read The New York Times review.]‘Thirteen Days’The title of this film refers to the 1962 Cuban Missile Crisis, when the Soviet deployment of nuclear weapons not far from the Florida coast pitted John F. Kennedy and his inner circle against both the Russians and their own Joint Chiefs of Staff. The outcome of this story is well-known. (Spoiler alert: The missiles were removed and a potential catastrophe was averted.) But the director Roger Donaldson and the screenwriter David Self still successfully dramatize the tension and paranoia brewing when Kennedy (Bruce Greenwood), his brother Robert (Steven Culp) and his adviser Kenneth O’Donnell (Kevin Costner) scrambled to out-negotiate their rivals.Watch it on Amazon Prime, Apple TV, Google Play, Vudu, YouTube[Read The New York Times review.]‘Seven Days in May’The characters in this jittery 1964 thriller are fictional, but the situation — particularly of late — feels all too real. Kirk Douglas plays a Marine colonel who suspects that a hawkish Air Force general (Burt Lancaster) is organizing a coup against a pacifist president (Frederic March). The director John Frankenheimer (who two years earlier made the similarly pulse-pounding “The Manchurian Candidate”) and the screenwriter Rod Serling adapt a novel by Charles W. Bailey II and Fletcher Knebel into an offbeat war movie, where the soldiers fight in boardrooms instead of battlefields, attacking using clandestine meetings and phone calls.Watch it on Amazon Prime, Apple TV, Google Play, Vudu, YouTube[Read The New York Times review.]‘All the President’s Men’Richard Nixon is at the center of this newspaper drama, even though he mostly stays offscreen. Based on Carl Bernstein’s and Bob Woodward’s account of how they investigated the Watergate scandal for The Washington Post, this film conveys the day-to-day business of gossip, leaks and social networking in the nation’s capital. But it’s also a rousing story about how citizens and journalists can serve as a check on the executive branch, whenever presidents and their staff start imperiously ignoring or bulldozing over federal laws.Watch it on HBO Max, Amazon Prime, Apple TV, Google Play, Vudu, YouTube[Read The New York Times review.]‘Dave’One big appeal of movies about presidents is the chance to see how the leader of the free world lives. In this 1993 comedy “Dave,” Kevin Kline plays an ordinary guy who looks just like the president. When the White House staff asks him to pose as POTUS while the real one recovers from a stroke, Dave soon finds himself embroiled in a plot involving scandal, chicanery and romance. What makes this picture so delightful is Kline’s endearingly upbeat performance as someone who genuinely enjoys the privileges of the presidency — from the perks of the White House to the power to improve people’s lives.Watch it on Amazon Prime, Apple TV, Google Play, Vudu, YouTube[Read The New York Times review.]‘The American President’The screenwriter Aaron Sorkin has a knack for creating charismatic and inspiring politicians, as seen in his hit TV series, “The West Wing.” In this 1995 romantic drama, Michael Douglas plays the title character, a Bill Clinton-like centrist Democrat prone to push for popular legislation rather than taking controversial stands. Sorkin’s story (directed by Rob Reiner) is mostly about the widowed president’s love affair with an environmental lobbyist played by Annette Bening. But the movie also imagines an idealized Washington, where the right speech at the right time can change minds and perhaps save a nation.Watch it on Netflix, Amazon Prime, Apple TV, Google Play, Vudu, YouTube[Read The New York Times review.]AdvertisementContinue reading the main story More