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    ‘Coming 2 America’ | Anatomy of a Scene

    Film directors walk viewers through one scene of their movies, showing the magic, motives and the mistakes from behind the camera.Film directors walk viewers through one scene of their movies, showing the magic, motives and the mistakes from behind the camera. More

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    ‘Coming 2 America’ Review: Comedic Royalty

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main story‘Coming 2 America’ Review: Comedic RoyaltyMore than 30 years later, Eddie Murphy and Arsenio Hall reunite for a return trip from Zamunda to New York.The director Craig Brewer narrates a sequence from the film, which has Eddie Murphy and Arsenio Hall reprising their roles from the 1988 comedy.CreditCredit…Quantrell D. Colbert/Paramount Pictures/Amazon StudiosMarch 4, 2021Coming 2 AmericaDirected by Craig BrewerComedyPG-131h 50mFind TicketsWhen you purchase a ticket for an independently reviewed film through our site, we earn an affiliate commission.Breaking away from a lavish palace party meant to celebrate his engagement, Lavelle Junson (Jermaine Fowler), the newly minted crown prince of Zamunda, complains about the state of Hollywood filmmaking. He never says what kinds of movies he does like, but he’s vocal in his disdain for superhero spectacles and “sequels that nobody asked for.” Mirembe (Nomzamo Mbatha), his royal groomer and love interest, disagrees. Zamundan cinema isn’t so great, she says, and some of those sequels aren’t so bad.Their conversation is one of several meta-jokes scattered through “Coming 2 America,” a genial, mostly inoffensive, sometimes quite funny sequel to a beloved comedy from way back in the 1980s. “Coming to America” — the original, directed by John Landis — starred Eddie Murphy as Crown Prince Akeem, who traveled to the royally named borough of Queens to sow his wild oats, accompanied by Arsenio Hall as his aide-de-camp and comic foil, Semmi.Eddie Murphy returns as Akeem in the genial sequel “Coming 2 America.”Credit…Quantrell D. Colbert/Paramount Pictures/Amazon StudiosIf you remember that movie — it holds up pretty well in spite of a few bits that may chafe against present-day sensitivities — you will recall that the prince fell in love with a New Yorker named Lisa (Shari Headley), whose father (John Amos) owned a fast-food restaurant called McDowell’s. If you haven’t seen or can’t quite recall “Coming to America,” the relevant background is helpfully supplied here, along with some new information. Back then, it seems, there was an oat that got away — a not-even-one-night stand with Mary Junson (Leslie Jones) that resulted in Lavelle.Akeem, who has three daughters with Lisa, learns of his son’s existence during an eventful first act, as he and his queen celebrate their 30th anniversary and bid farewell to King Jaffe (James Earl Jones). Complicating factors include threats from General Izzi (Wesley Snipes), the bellicose ruler of the neighboring country of Nexdoria, and the patriarchal laws of Zamunda, which stipulate that the occupant of the throne must be male. Lavelle, a college dropout and part-time ticket scalper with some of his father’s good-hearted charm, looks like the solution to the kingdom’s problems.But of course the laws of comedy require that further problems ensue, and the many-authored script supplies plenty. Akeem and Semmi return to New York for what feels like a too-brief visit. The fish-out-of-water delights of “Coming to America” could hardly be repeated, but that film’s comic view of America from the perspective of a naïve African aristocrat could have used a more energetic updating. It’s nice to catch up with some of the secondary comic characters — the barbershop guys played by Hall and Murphy in old-age prosthetics, most especially — but any time a ripe satirical opportunity comes into view, “Coming 2,” directed by Craig Brewer, runs in the other direction.But maybe satire isn’t really the point. It isn’t hard, at the moment, to find comedy with a sharper edge, or a tougher view of American dysfunction. “Coming 2” — not unlike Brewer and Murphy’s previous collaboration, “Dolemite Is My Name” — is a sweet and silly celebration of Black popular culture, with a sincere respect for history and a welcoming regard for the new generation. (Speaking of “Dolemite,” this movie provides further testimony to the absolute comic genius of Wesley Snipes.)Murphy, left, with Jermaine Fowler in the film, directed by Craig Brewer.Credit…Quantrell D. Colbert/Paramount Pictures/Amazon StudiosGladys Knight, En Vogue and Salt N Pepa show up (as themselves, in fine vocal form), and so does KiKi Layne, a rising star (see “If Beale Street Could Talk”) who plays Meeka, Akeem’s oldest daughter. Generational conflict may drive the story, but the vibe is of an all-ages party, a blended family reunion with Tracy Morgan as the wacky uncle.Still, like Lavelle and Mirembe at the big bash, you might be tempted to wander off in the long, soft middle, when the music and jokes are put on hold in the interests of a creaky, corny, self-helpy plot. It takes “Coming 2” three-quarters of its running time to arrive at the place where “Coming to” started — the rejection of an arranged marriage in favor of the search for a soul mate. The feminist gestures at the end have an obligatory, let’s-all-nod-our-heads-in-unison feeling that a more daring movie, or one with a stronger idea of what it wanted to be, would not have needed. Lavelle’s cynicism about sequels isn’t challenged very effectively, I’m afraid.I do have one more thing to say, though, which may in itself be a sufficient recommendation, and that is: Ruth E. Carter. One of the all-time great costume designers, she won an Oscar for “Black Panther” and could win another one just for General Izzi’s warlord couture. (Don’t skip the credits or you’ll miss him in a kilt.) The art of “Coming 2 America” resides most fully in the costumes, which are at once travesties of globalist modern style and inspired tributes to it, as well as fully realized examples of a cultural collision that the movie itself can’t quite imagine.Coming 2 AmericaRated PG-13. Mild cross-cultural naughtiness. Running time: 1 hour 44 minutes. 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    Watch Eddie Murphy’s Return to Queens in ‘Coming 2 America’

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main storyAnatomy of a SceneWatch Eddie Murphy’s Return to Queens in ‘Coming 2 America’The director Craig Brewer narrates a sequence featuring the star alongside Arsenio Hall, Leslie Jones, Tracy Morgan and Jermaine Fowler.The director Craig Brewer narrates a sequence from the film, which has Eddie Murphy and Arsenio Hall reprising their roles from the 1988 comedy.CreditCredit…Quantrell D. Colbert/Paramount Pictures/Amazon StudiosMarch 5, 2021, 11:01 a.m. ETIn “Anatomy of a Scene,” we ask directors to reveal the secrets that go into making key scenes in their movies. See new episodes in the series on Fridays. You can also watch our collection of more than 150 videos on YouTube and subscribe to our YouTube channel.The best approach for directing a roomful of comedy giants? Let them laugh with each other long before saying “Action.”That’s the route the filmmaker Craig Brewer took for “Coming 2 America,” the sequel to the beloved 1988 hit starring Eddie Murphy.Murphy reprises his role as Akeem, then a prince, now the king of Zamunda, who realizes he fathered a child from a one-night stand on his previous visit to the States.This scene, narrated by Brewer, includes comedic work in various styles from Arsenio Hall as Akeem’s friend and right-hand man, Semmi; Jermaine Fowler as his newfound son, Lavelle; Leslie Jones as Lavelle’s mother; and Tracy Morgan as Lavelle’s uncle. It’s a lot of humor to wrangle.“When I was younger, I used to think that being a director meant that you constantly have to go in and assert yourself,” Brewer said. “But I’ve found, especially with comedic artists, is what they really want is a safe room. They want to feel like they’re free to try things.”Brewer said one of the best things he could do as a director, when he has Murphy, Hall, Jones and Morgan on set, is to not roll the camera immediately, but give them time and space to connect.“You’ve got to let these four people tell old jokes about people they knew on the comedy circuit,” he said. Or riffs that would sometimes include Murphy and Morgan re-enacting full scenes and dialogue from movies they love.“I would allow a good 10 to 15 minutes of just these guys coming into the room and laughing and joking and saying all this stuff. But then it was like, OK, now it’s time to get to work. And Eddie would nail it in two takes.”Read the “Coming 2 America” review.Sign up for the Movies Update newsletter and get a roundup of reviews, news, Critics’ Picks and more.AdvertisementContinue reading the main story More

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    Clown Princes: Eddie Murphy and Arsenio Hall on ‘Coming 2 America’

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main storyClown Princes: Eddie Murphy and Arsenio Hall on ‘Coming 2 America’The comic stars and longtime friends talk about their history together and their many, many roles in the original film and the new sequel.Eddie Murphy, left, at home in the Hollywood Hills and Arsenio Hall in Los Angeles. “There’s never been a period where we haven’t been friends,” Murphy said.Credit…Photographs by Brad Ogbonna for The New York TimesFeb. 24, 2021, 5:00 a.m. ETThere was a time when Eddie Murphy ruled the multiplex like a king — or at least a prince.In the 1980s, he capped off a series of comedy blockbusters (“48 Hrs.,” “Trading Places,” “Beverly Hills Cop”) and stand-up sets (“Raw”) with “Coming to America.” That 1988 film cast Murphy as Prince Akeem, the wealthy potentate of the fictional African nation of Zamunda, who travels incognito to New York with his faithful attendant, Semmi (Arsenio Hall), in search of a woman who will love him for himself.“Coming to America,” directed by John Landis, was propelled by his chemistry with Hall and their aptitude for playing countless other characters, including an unctuous reverend (Hall), a mediocre soul singer (Murphy) and the squabbling denizens of a local barber shop (Murphy, Hall and Murphy).Murphy has had many career highs and lows since, though he has lately been on an upswing that includes his hit 2019 biopic, “Dolemite Is My Name.” And now he’s returning to Zamunda in a long-awaited sequel, “Coming 2 America,” which Amazon will release on March 5.The follow-up, directed by Craig Brewer, finds an older Akeem reckoning with a grown daughter (KiKi Layne) who wants her own opportunity to rule the kingdom. He rushes back to New York with Semmi after learning that he fathered a son (Jermaine Fowler) there on his original visit. Murphy and Hall reprise several of their supporting characters, joined by “Coming to America” alumni James Earl Jones, Shari Headley and John Amos, as well as franchise newcomers like Wesley Snipes, Tracy Morgan and Leslie Jones.Hall and Murphy in “Coming 2 America.” Initially there were no plans for a follow-up. When Ryan Coogler proposed one, Murphy rejected it, but “that made me start thinking, maybe we should do a sequel.”Credit…Amazon StudiosThe making of “Coming to America” and its sequel is a story that spans the real-life friendship of Murphy and Hall, from their first encounter as stand-up comics to the present day. Murphy and Hall got together recently for a video interview to talk about the creation of “Coming 2 America” and their camaraderie, and to needle each other as only good friends can.These are edited excerpts from that conversation.How did you first meet?EDDIE MURPHY When we started doing comedy, there may have been, like, 10 Black comics in all of the country, so everybody knew each other. Comics are very cliquish, so you get in a clique with the people you think are funny. Of the 10 Black comics, there were four or five that I never became friends with. [Laughter] When I came out here [to Los Angeles], I met Arsenio through Keenen [Ivory Wayans].ARSENIO HALL We’re standing in front of the Improv, Keenen introduces me, I shake Eddie’s hand and we talk for a while and then coming down the street is Damon Wayans. But I had never met him. Keenen introduces us to Damon and he’s doing that character that Eddie let him do eventually in “Beverly Hills Cop,” the hotel guy. It was so convincing, I didn’t laugh because I didn’t know whether it was real. But that’s how he got the role in “Cop” 1.Eddie, what got you interested in the idea of seeing America and New York through the eyes of this African prince, Akeem?MURPHY This was at the height of when I first got in the business. I was on tour and had just broke up with a girlfriend, and a conversation started on the tour bus about wanting to meet a girl that didn’t know I was this dude and just liked me for me.The two in the original hit comedy, from 1988.Credit…Paramount PicturesArsenio, at that point I think your only movie credit was a comedy sketch in “Amazon Women on the Moon.” How did you get involved in the original film?HALL It’s funny, I was not a movie star, I was a stand-up comic —MURPHY Oh, no, no — he also did an episode of [the revived] “Love, American Style.” He’s with a “Soul Train” dancer named Damita Jo Freeman and they play a couple. I’ve looked all over. I looked on YouTube, but I can’t find it. [The segment can be found here.] We were friends, and I always like to be with some other comedian, to make it as funny as it can be. There’s me and Richard [Pryor in “Harlem Nights”], there’s me and Arsenio, me and Martin [Lawrence in “Life”]. I’m not going to be shouldering this [expletive] by myself.HALL But it’s funny you mention “Amazon Women” — Eddie and I are riding through Manhattan in a new white Corvette he had bought and Eddie says we’ve got to find somebody to direct this movie. And I remember saying, well, I’m not going to be much help, because I’ve only done one movie and it was with John Landis, called “Amazon Women on the Moon.” And I saw something go off.MURPHY You know what’s funny? John Landis says to me, “You know who’s really funny? Arsenio Brown.” I was like, “Arsenio Brown? Arsenio Hall.” “Oh, yes, Arsenio Hall.” To this day, he’ll still call himself Brown.HALL I think Reverend Brown came from that joke.MURPHY Arsenio Brown! It actually has a ring to it. Arsenio Hall sounds kind of stagy, like he made it up. Arsenio Brown sounds like a real person.Whose idea was it to have you play multiple characters in the movie?MURPHY The original idea didn’t have multiple characters. Once John Landis got involved, he knew I was able to do the Yiddish accent, so he was like, that would be hysterical. He had worked with [the special makeup-effects designer] Rick Baker before, so he was like, Rick could make you look like an old Jewish man — that would be hysterical. And that’s how that stuff started.Your careers went in very different directions after “Coming to America.” Did that make it difficult to remain in each other’s lives?MURPHY There’s never been a period where we haven’t been friends.HALL We can share different experiences. Part of it is being comfortable with who you are and knowing who you are. I’m a stand-up comic and a guy who does TV. Eddie is a movie star. But we share with each other because the bottom line is we’re both comfortable in our own skin.“If I’m thinking about my legacy — and I rarely do — my career never even comes into it,” Murphy said. “My legacy is my children.”Credit…Brad Ogbonna for The New York TimesWhat’s something that’s different about the two of you?HALL I’m here ’cause I’m broke — he’s here ’cause he’s good. [Laughter]MURPHY I don’t see myself as a movie star or a comedian or any of those things. I see myself as an artist. And I feel like there’s a bunch of different ways I can express myself.HALL You can pop by Eddie’s, and he’ll play a song for you. And you can’t even believe, wait, that’s you on guitar? That’s you singing? You wrote and produced this track? And that’s what he does for fun. For him it’s like crocheting a hat.MURPHY I have so many tracks and collaborations with people — Michael [Jackson], El DeBarge — all these people I’ve been in the studio with over the years and never finished it or never released it.HALL He does so many things. He does them as well as anybody else. He’s a beast. It’s hard to deal with.What took you so long to make a sequel to “Coming to America”?MURPHY We never thought about doing a sequel. The way the story ended was kind of like, “And they lived happily ever after.” Then all this time passed and the movie became this cult thing. Catchphrases from the movie start working their way into the culture. Stores turning themselves into McDowell’s. I see Beyoncé and Jay-Z dressed up like the Zamunda characters for Halloween.Then Ryan Coogler, before he directed “Black Panther,” I meet with him and he says, I want to do a “Coming to America” sequel. He had an idea for Michael B. Jordan to play my son and he would be looking for a wife. I was like, then the movie would be about the son, it’s not our characters, we already did that. It didn’t come together.But all that made me start thinking, maybe we should do a sequel. I saw the “Terminator” movie where they made Arnold Schwarzenegger young — his face looked like Arnold, but young — and that’s where I got it. [Snaps fingers] If we use that to make us young and create a new scene in the club [from the original “Coming to America”] where we’re out looking for the girls, so it’s part of that night. I go home with a girl and I’m high — that was the piece we needed to start the flow.HALL I never thought about it because we had always said we’re going to leave “Coming to America” where it is. But I text him sometimes when I do my coffee run in the morning, and he says, What are you doing? I think you should read this script now. And I read half of it sitting in his yard. It was so exciting and so good.“I’m a stand-up comic and a guy who does TV,” Hall said. “Eddie is a movie star. But we share with each other because the bottom line is we’re both comfortable in our own skin.Credit…Brad Ogbonna for The New York TimesDid the lawsuit won by Art Buchwald, who said “Coming to America” was based on a treatment he wrote, affect your ability to make a sequel?MURPHY Oh, not at all. I’m not even sure how all that stuff was resolved, what the exact wording was. But at the end of the day, I think it’s all good. In the credits, they give a thank you to the Art Buchwald estate.In both “Coming to America” films, we see Zamunda as this nation where Black people are able to fulfill their potential and achieve greatness without white people interfering or oppressing them. Was that a point you were trying to make explicitly?MURPHY We never say that. We never show you the history of the country. We just are. We’re like Wakanda.HALL And how perfect to do “Coming to America” 2 in Atlanta, where it’s very hot and the palace actually is owned by Rick Ross.MURPHY Yeah, his house is so big, we literally were able to dress it and make it look like a palace. That stuff you see where I’m walking on the African plain and there’s antelopes running — that’s Rick Ross’s backyard. He has like 300 acres or something.HALL And a lake! Do you have a lake? You’ve got to start rapping. Let me hear you say [Rick Ross voice], “Hunh.”Were there any character bits that were written for the sequel but didn’t make the cut?MURPHY There was a draft where the barbers had on MAGA hats and it turned out that they were Republicans. But it wasn’t because they were for Trump — they were Herman Cain supporters. We thought it was funny but it kind of dates the movie if we do this. We had these two old goat herders that had a dispute over a goat, and it was very funny but it culminated in, one of these guys [had sex with] this goat. It was like, uhhhh, we’ve got James Earl Jones in this movie — let’s keep it all classy. [Laughter] In the early drafts, Tracy Morgan was my son.HALL I’m like, I love Tracy and he’s the funniest guy in the world. But yo, Ed, y’all about the same age. [Murphy voice] “We’ll work it out, man, we’ll figure it out. He’s funny.”Murphy and Hall have been friends since early in their careers. “Comics are very cliquish, so you get in a clique with the people you think are funny,” Murphy said.Credit…The LIFE Picture Collection, via Getty ImagesDid the barbershop guys remain eternally the same age?MURPHY You look at the makeup — we aged them up nice and good. They’re supposed to be in their late 80s, early 90s now. Looking at the first one, I was amazed at how young we looked — the skin is tight, Saul [the barbershop patron], there are no age spots on his face, his face is all even-toned.What do you do to pass the time when you’re in the makeup chair?HALL It’s funny because we go to different places. We can’t be in the same trailer. He watches certain things and I watch certain other things. We tried it, the first day, together, and there were times when I didn’t want to see Prince videos.MURPHY Oh, you didn’t want to see MonoNeon?HALL Oh God!MURPHY MonoNeon — what’s the best way to describe him?HALL Something that makes Arsenio need his own trailer.MURPHY MonoNeon is a musician who plays bass and he’s unbelievable. He’s Jimi Hendrix and Basquiat and Skittles, all combined. I could watch it for hours and hours and hours and hours. [Hall begins to grimace and Murphy does Hall’s voice] “You’re watching MonoNeon again?!”HALL I’m a news junkie and I’ll watch the left, the right and the center, all day long.MURPHY I’m the exact opposite. Before the pandemic, I never, never watched the news. I never know what’s going on. I’ll be like, “What happened?” “Trump is the president!” I totally don’t follow any of that stuff.Murphy and Hall reprise their many, many characters in the sequel.Credit…Amazon StudiosIn the new movie, we see Akeem adjusting to changing times and reckoning with the desires of his grown children. Eddie, is this at all a metaphor for your life? Are you starting to think of the legacy you’ll someday leave behind?MURPHY If I’m thinking about my legacy — and I rarely do — my career never even comes into it. My legacy is my children. When I’m dead, and they’re doing my eulogy, ain’t nobody going to be standing over the coffin talking about, [preacher voice] “And then, he did ‘48 Hrs.,’ which was a wonderful film. Burst on the scene with Nick Nolte and shook up the world. Moved onto ‘Trading Places’ and then the great ‘Beverly Hills Cop.’ And then the classic ‘Raw’ — let’s show a clip.” [laughter]HALL [indicating the array of trophies that Murphy is seated in front of] I know you think those awards behind him are for show business, but those are Daddy of the Year Awards.MURPHY One for each child.Do you have any plans for another collaboration?HALL I think it’s back to the comedy clubs for me. I’ll be at the Milk Through Your Nose in Canada next Friday.MURPHY The plan was for all of us to be doing standup. When I got up off the couch and did this little patch of work, it was, let’s do “Dolemite.” Let’s do “Saturday Night Live.” Let’s do “Coming 2 America.” Because I want to go do standup again, but I don’t want to just pop up out there when people hadn’t seen me be really funny in a while. I didn’t want to do standup after the last movie you’ve seen me do is “Meet Dave.” [Laughter] Let me remind them that I’m funny. And then the pandemic hit and we had to pull everything back. But when the pandemic is over and it’s safe to be around people, I’m going to go do standup again. There’s so many comics in “Coming 2 America.” I’d love to do a tour with all the comedians, me, Arsenio, Leslie Jones, Tracy Morgan, Trevor Noah, Jermaine Fowler, Louie Anderson, Michael Blackson.Is it perilous for the two of you to hang out in public? If people see you together, do they just start quoting “Coming to America”?MURPHY We haven’t been out in a year because the bottom fell out of the world. But when the world gets back to normal, I don’t have a problem going anywhere. When I was young I used to have bodyguards. Then one day it was like, hey, wait a second — I don’t need all these bodyguards! [Laughs] And I haven’t had them since. I don’t restrict my movements or not go to places. When you go somewhere, you just say, “What’s up?,” take a picture and keep it rolling.HALL I can’t wait for those times to come back. The only problem with Starbucks is, Eddie’s a big tipper. When I go back alone, there’s always this look, like [mimes someone looking behind him to see if Murphy is also coming]. I leave $5. Eddie will leave them a Rolls-Royce tire.Bella Murphy contributed additional camera operating for the photographs of Eddie Murphy.AdvertisementContinue reading the main story More