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    Wendy Williams Has Frontotemporal Dementia and Aphasia, Representatives Say

    Representatives for the former daytime talk show host announced her diagnoses two days before the release of a two-part documentary about her health issues.Wendy Williams, the former daytime talk show host, has been diagnosed with frontotemporal dementia and aphasia, a disorder that makes it difficult or impossible for a person to express or comprehend language, according to a statement from her representatives.Ms. Williams, 59, who hosted “The Wendy Williams Show” on Fox for more than a decade, was officially diagnosed last year after “undergoing a battery of medical tests,” according to a statement released on Thursday.The tests show that Ms. Williams has primary progressive aphasia, a type of frontotemporal dementia, her representatives said, adding that she was receiving the necessary medical care.“Over the past few years, questions have been raised at times about Wendy’s ability to process information,” the statement said, “and many have speculated about Wendy’s condition, particularly when she began to lose words, act erratically at times, and have difficulty understanding financial transactions.”The statement was released before the premiere this Saturday of “Where Is Wendy Williams?” a Lifetime network two-part documentary about Ms. Williams.The project stopped filming in April, when, according to the documentary, Ms. Williams entered a care center where she has been ever since, People magazine reported on Wednesday. Ms. Williams’s son, Kevin Hunter Jr., says in the documentary that doctors have connected her cognitive issues to alcohol use, People reported. Ms. Williams’s family told People that a court-appointed legal guardian was the only person who had “unfettered” access to her.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    YFN Lucci Pleads Guilty to Gang Charge Ahead of Trial

    The rapper was part of an indictment brought by the district attorney in Fulton County, Ga., who is pursuing a separate racketeering case against Young Thug and YSL.Rayshawn Bennett, a rapper known as YFN Lucci, pleaded guilty on Tuesday to one gang-related charge in Atlanta, his lawyers said, as part of a deal with prosecutors in a case interconnected with the racketeering charges against the Atlanta rap crew YSL.Mr. Bennett was part of a wide-ranging 2021 indictment, brought by District Attorney Fani T. Willis of Fulton County, that accused him of murder, aggravated assault and violating the state’s criminal racketeering law. In 2022, Ms. Willis used the same racketeering law to charge Young Thug, the popular rapper, YSL leader and rival to Mr. Bennett.The trial against Young Thug and five of his associates is proceeding in the same courthouse as the trial against Mr. Bennett, who reached the plea deal during jury selection.Like in the YSL prosecution, the indictment against those accused of being part of YFN put forward social media posts and song lyrics as evidence of criminal activity.As part of the plea deal with Mr. Bennett, prosecutors dismissed 12 out of the 13 charges against him, including the racketeering charge. He pleaded guilty to one count of violating the Street Gang Terrorism and Prevention Act, said one of his lawyers, Drew Findling.Mr. Bennett agreed to a 20-year sentence, including 10 years in custody and the rest on probation. But he could be considered for release in less than four months, Mr. Findling said, when factoring in parole eligibility rules and the time he has served in jail since his arrest in 2021. (If he had been convicted on the murder charge, which involved what prosecutors described as a gang-related shootout in 2020, Mr. Bennett could have faced life in prison.)“He’s ready to put this behind him and get back to his four children, to his family and to his career,” Mr. Findling said.The two other defendants who were scheduled to stand trial alongside Mr. Bennett also took plea deals, the lawyer said.A spokeswoman for the district attorney’s office did not immediately respond to a request for comment on the plea deal.Mr. Bennett is from Atlanta and gained prominence with his 2016 song “Key to the Streets,” which featured Quavo and Takeoff from the chart-topping rap group Migos. He has been a side character in the sprawling Young Thug prosecution, which claims that other YSL members attempted to kill Mr. Bennett by stabbing him at the Fulton County Jail.Speaking to reporters outside the Atlanta courthouse on Tuesday, Mr. Findling denied that his client had any plans to cooperate with the YSL prosecution, saying, “He wants nothing to do with that case.” More

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    The Managers Who Helped Make Travis Kelce a Celebrity

    In the only recent year in which Travis Kelce and the Kansas City Chiefs weren’t playing in the Super Bowl, the N.F.L. star was driving around Los Angeles in early February with his business managers, André and Aaron Eanes, marveling at billboards featuring Dwayne Johnson, the actor and entertainer better known as the Rock.“Man, I don’t think I’ll ever be as famous as the Rock,” Mr. Kelce said.His co-managers looked at each other. “We’re like, Yes, you can,” André Eanes said.The twin brothers had known since Mr. Kelce was at the University of Cincinnati that the 6-foot-5 athletic star with the Marvel-character physique, blue eyes and affable charm had crossover potential.But let’s be honest. Nobody imagined this.This was a year even The Rock might envy. Mr. Kelce, a tight end, won the Super Bowl (his second) in February. In March, he hosted “Saturday Night Live.” He’s starred in seven national television commercials. The podcast he co-hosts with his brother, Jason, is among the most popular on Spotify. He launched a clothing line with his team.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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    His ‘Dracula’ Project: Creating a Funny Vampire

    The great-grandnephew of Bram Stoker has written a comic version of “Dracula” that is appearing Off Broadway.Good morning. It’s Wednesday. We’ll meet someone who can laugh at Dracula because he’s like family. We’ll also find out why grade inflation has become an issue at Yale University.Matthew MurphyIn the past, Dacre Stoker has written or co-written serious fiction about his great-granduncle Bram, the man who gave the world that famous bloodthirsty Transylvanian at the end of the 19th century. Tonight, the younger Stoker will venture into comedy in an Off Broadway theater where “Dracula, a Comedy of Terrors” is playing.He told me last week that he had put together some funny material to deliver when joining the cast onstage after the performance. He said he would take along a prop and tell the actors: “Loved the performance. You might need a transfusion.”The prop won’t really be a transfusion: It will be red wine from a winery in Romania in which he has an interest. The winery is in Walachia, “the state below Transylvania,” he said. “We have given vampires to the country — why not get involved in commerce?”Stoker said his mission was to raise the profile of his ancestor “so the creator himself becomes at least half as famous as his creation.”He added: “This is how I started getting into writing the books and leading tours — asking, ‘Who is Bram Stoker?’ Bringing him into an Off Broadway comedy is another way to increase awareness of this guy.”He also enjoys making Dracula funny. “It’s nice to see that people can poke fun at a scary, horrifying novel that’s been around for 127 years,” he said. (Our reviewer Elisabeth Vincentelli called “Dracula, a Comedy of Terrors,” at New World Stages, “a gender-bending play” that “pays no mind to the ‘terrors’ part of its title.”)Dacre Stoker said his illustrious relative had connections to the world of theater: Bram Stoker’s “claim to fame before Dracula was running the famous Lyceum Theater in London for 27 years,” he said. He was the accommodating business assistant in the long shadow of the notoriously mercurial star Sir Henry Irving, the first actor ever knighted.“Irving had extravagant tastes,” he said, and Bram, who had a master’s in math, “had to hold him back while he crunched the numbers” at the theater, the great-grandnephew said.He also talked about the time his great-granduncle spent in New York: Bram Stoker joined the Players, the private club on Gramercy Park South, in 1893, when he and Irving were on one of eight American tours.“I saw the book where he was nominated by Samuel L. Clemens, his good friend and neighbor from Chelsea,” Dacre Stoker said, “so Mark Twain nominated him. He had more names seconding him than any other page I saw in the book.” Others have written about Bram Stoker’s fascination with the American poet Walt Whitman.Dacre Stoker, 65, a former member of the Canadian men’s pentathlon team who coached the team at the 1988 Olympics, said he had been “like this Indiana Jones version of a literary guy, trying to find the story behind the story, to bring this writer to life, to find out who Bram Stoker was.” He used material he found for “Dracul,” a prequel written with J.D. Barker and published in 2018 that envisioned what might have prompted Bram Stoker to create Dracula.That book followed a 2009 novel, “Dracula: The Un-Dead,” which Dacre Stoker wrote with the screenwriter Ian Holt, himself a Dracula historian. It was the first Dracula project authorized by the Stoker estate since the 1931 film that starred Bela Lugosi.WeatherA system sliding across the Mid-Atlantic states will mean a partly sunny day, with temperatures reaching the low 40s. At night, clouds will give way to a clearer sky, and the temperature will drop to around 30.ALTERNATE-SIDE PARKINGIn effect until Friday (Immaculate Conception).The latest Metro newsAhmed Gaber for The New York TimesConflict and CrisesIsrael-Gaza: Long before the temporary cease-fire ended in Gaza, the mood in Paterson, N.J., home to one of the largest communities of Palestinians outside the Middle East, was tense.Migrants and the mayor: New York City’s comptroller has restricted the mayor’s ability to quickly spend hundreds of millions of dollars on the migrant crisis — a major blow to his emergency powers.A Changing CityToward a quieter city: New York City, not exactly known for its peace and quiet, is expanding its use of “noise cameras,” which ticket the drivers of loud cars and motorcycles.The rich are back: At the height of the pandemic, the richest New Yorkers left in droves. A new report based on census and state tax filing data has found a reversal.Small theaters: New York’s nonprofit Signature Theater has three performance spaces, a history of cultivating major playwrights, and a board chaired by the Hollywood star Edward Norton. What Signature doesn’t have this fall are plays.Lots of A’s at YaleChristopher Capozziello for The New York TimesOne consequence of the pandemic has proved lasting at Yale University: Nearly everyone is getting A’s.A new report found that nearly 80 percent of the grades given to Yale undergraduates during the 2022-23 academic year were A’s or A minuses. The mean grade point average — 3.7 out of a possible 4.0 — was also up from before the pandemic.My colleague Amelia Nierenberg writes that the findings have frustrated some students and professors. What does excellence mean at Yale if 80 percent of the students get the equivalent of “excellent” in almost every class? Shelly Kagan, a Yale philosophy professor with a reputation as a tough grader, said that when “virtually everything that gets turned in” receives an A, “we are simply being dishonest to our students.”The post-pandemic spike in grades is not unique to Yale. At Harvard, 79 percent of all grades given to undergraduates in the 2020-21 year were A’s or A minuses. A decade earlier, that figure was 60 percent. In 2020-21, the average G.P.A. at Harvard was 3.8, compared with 3.41 in 2002-3.“Grades are like any currency,” said Stuart Rojstaczer, a retired Duke University professor who tracks grade inflation: They tend to increase over time.This is not just happening at elite schools. G.P.A.s have been increasing at colleges nationwide by about 0.1 per decade since the early 1980s, he said. But private colleges tend to have higher average G.P.A.s than public colleges and universities.At Yale, where an A is the new normal, the proportion of A’s and A minuses has been climbing for years. In the 2010-11 academic year, just over two-thirds of all grades at Yale — 67 percent — were A’s or A minuses. By 2018-19, the last full academic year before the pandemic, 73 percent were in the A range.Then, during the pandemic, the figure jumped. Almost 82 percent of Yale grades were in the A range in 2021-22. The figure slipped slightly, to about 79 percent, in 2022-23. The new statistics come from a report by Ray Fair, an economics professor whose work was first reported by The Yale Daily News. He declined to comment on his findings.Does any of this really matter?Pericles Lewis, the dean of Yale College, acknowledged that students could be overly concerned with G.P.A.s.But he added: “I don’t think many people care, 10 years out, what kind of grades you got at Yale. They mostly care that you, you know, you studied at Yale.”METROPOLITAN diaryTiffany frameDear Diary:I was cleaning out my closets when I came across a small Tiffany box. Much to my surprise, it did not appear to have ever been opened. Inside, covered in plastic, was a lovely sterling silver picture frame nestled in a Tiffany blue felt bag.Unfortunately, on close examination I could see that the silver had become tarnished. I tried to clean it, but to no avail.I called Tiffany and was told to bring it in for repair. So I traveled to Rockefeller Center, brought the box into the store and was directed to the repair department downstairs.I showed the frame to one of the women at the counter there. She called two other women over to take a look.The three of them admired it, but then said that they didn’t sell Tiffany items.“How could Tiffany not sell Tiffany?” I asked.“You’re in Saks Fifth Avenue!” one of the women said.— Eileen RosenbergIllustrated by Agnes Lee. Send submissions here and read more Metropolitan Diary here.Glad we could get together here. See you tomorrow. — J.B.P.S. Here’s today’s Mini Crossword and Spelling Bee. You can find all our puzzles here.Stefano Montali and Ed Shanahan contributed to New York Today. You can reach the team at nytoday@nytimes.com.Sign up here to get this newsletter in your inbox. More

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    At the Kennedy Center, an Ode to the Arts, and a Gentle Jab at Biden’s Age

    Billy Crystal, Renée Fleming, Queen Latifah, Barry Gibb and Dionne Warwick are honored; Robert De Niro joked that Crystal is just a few years younger than the president.Rarely is the president of the United States, nestled in his box, the center of attention at the Kennedy Center Honors, the annual awards ceremony that brings a carousel of celebrities, musicians and actors to the stage to pay tribute to lifetime achievements in the arts.But such was the case on Sunday night, when Robert De Niro, celebrating Billy Crystal’s career, marveled at all the honoree had packed into his career.“You’re only 75,” Mr. De Niro said. “That means you’re just about six years away from being the perfect age to be president.”As President Biden grinned, waved and ruefully shook his finger at Mr. De Niro from the presidential box, members of the audience leaped to their feet with applause — some to gawk at Mr. Biden’s reaction from the front row of the balcony.Billy Crystal attending the Kennedy Center Honors. Robert De Niro noted that Mr. Crystal is nearing the age of the president.Paul Morigi/Getty ImagesIt was the only suggestion of politics in an apolitical, if quintessentially Washington event that sees throngs of dignitaries and politicians gather each year to pay tribute to the arts.On Sunday, the Kennedy Center honored artists who not only revolutionized their genres but transcended them: Billy Crystal, the actor and comedian; Barry Gibb, the musician and songwriter who rose to fame as the eldest member of the Bee Gees; Renée Fleming, the opera singer; Queen Latifah, the rapper, singer and actress; and Dionne Warwick, the singer.Ms. Warwick, who has performed five times at the Kennedy Center and previously appeared at the honors gala to perform tributes to two separate honorees, said her reaction to learning that she would be honored was: “Finally, it’s here!”“It’s a privilege to wear this,” she said, gesturing to the signature rainbow medallion given to each honoree.Missy Elliott, performing at the Kennedy Center. She spoke of Queen Latifah, recalling that for her, Ms. Latifah’s “Ladies First” anthem “was saying, ‘You will respect me.’”Gail Schulman/CBSOne of the quirks of these Honors is that the cast of musicians, actors and singers paying tribute to the honorees are kept secret from the attendees, and even the honorees themselves. On Sunday, a nonstop series of bold-lettered names descended on the stage, including Missy Elliott, Jay Leno, Meg Ryan and Lin-Manuel Miranda.The evening blazed through a Broadway-style medley toasting to Mr. Crystal by Mr. Miranda; a showstopping rendition of “Alfie” by Cynthia Erivo, the Tony and Grammy-award winning singer and actress; tributes to Queen Latifah by Kerry Washington and Rev. Stef and Jubilation, the choir Queen Latifah’s mother had belonged to. It was capped by a stirring rendition of “You’ll Never Walk Alone” by Tituss Burgess, Christine Baranski and Susan Graham, and a medley of Bee Gees songs by Ariana DeBose.The honorees Dionne Warwick and Renée Fleming.Paul Morigi/Getty ImagesFor Mr. Crystal, the Kennedy Center conjured the Lower East Side onstage, projecting a likeness of Katz’s Delicatessen as a backdrop for Ms. Ryan, Mr. Crystal’s most famous co-star, in their famous scene together.“This scene really came naturally to me,” Ms. Ryan said, to laughter. “I’ve actually never been around anyone who made faking an orgasm easier.”For Mr. Gibb, musicians including Barbra Streisand, Dolly Parton and Paul McCartney on Sunday reflected on his extensive list of songs — more than 1,000, with tracks in different genres, like “Islands in the Stream” and “How Can You Mend a Broken Heart,” and the Bee Gees hits that made him and his brothers famous.“He taught us how to walk,” Lionel Richie said in a prerecorded video interview, as the famous guitar hook in “Stayin’ Alive” pulsed through the theater.“Kindness and understanding — we seem to be losing that,” Mr. Gibb said. “And we need to grab it back as quickly as possible.”Ms. Fleming, the soprano known as “the people’s diva,” said that she was grateful for the opportunity to highlight the arts.Barry Gibb and Queen Latifah, who were also honored.Manuel Balce Ceneta/Associated Press“Artists really can change hearts and minds and we’re allowed to wrestle with difficult problems and life and death,” Ms. Fleming said. “Because I’m in the opera world, we all die in opera.”But she allowed ahead of the show that she was experiencing a strange reverse form of stage fright. Performing on the world’s biggest stages may be second nature to her, but, she said, “The thing that scares me is sitting in the box!”Queen Latifah, for her part, appeared prepared to soak up the experience. At the State Department dinner on Saturday night, she told attendees how she would “never forget” the moment. And she appeared visibly moved when Ms. Elliott regaled members of the audience on Sunday with the memory of Queen Latifah on television declaring “Ladies first” in her feminist anthem of the same name, at a time when “we kept hearing, ‘It’s a man’s world.’”“She was saying, ‘You will respect me,’” Ms. Elliott said. “‘I will be a leader. I will be a provider. I will be an inspiration to many.’”The show will be broadcast on CBS on Dec. 27. More

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    Why a Boston Tea Party Patriot Is Being Honored in Brooklyn

    Ebenezer Stevens was among those who boarded three British ships in a symbolic act that helped jump-start the American Revolution.Good morning. It’s Wednesday. Today we’ll find out why a grave in Brooklyn is getting a plaque about the Boston Tea Party. We’ll also find out about a new theater at the site of what is widely considered the first Black theater company in the United States.The Boston Tea Party took place in Boston.So why will officials from groups based in Boston that are preparing to celebrate the uprising’s 250th anniversary spend Wednesday morning at a cemetery in Brooklyn, 230 miles from where the tea was thrown overboard?To commemorate Ebenezer Stevens, a patriot who boarded one of the ships in Boston Harbor.“He’s a classic example of an ordinary person who does an extraordinary thing,” said Jonathan Lane, the executive director of Revolution 250, a consortium of Massachusetts organizations that is preparing for the anniversary on Dec. 16.“He doesn’t do it alone — he’s in concert with many of his friends and neighbors,” Lane said, “but he was part of a moment in time where people stood up for what they believed were their individual rights and liberties.”Lane will attend this morning’s ceremony at Green-Wood Cemetery in Brooklyn, during which a plaque for Stevens’s grave will be presented to Jeff Richman, Green-Wood’s historian. The medallion will be the 136th placed on the grave of a Tea Party participant; Stevens is the only one buried in New York City.“He was a rather spirited individual, rather brave, of course,” said Evan O’Brien, the creative manager of Boston Tea Party Ships & Museum, who devised the campaign to mark the graves of the Tea Party patriots. And, O’Brien added, Stevens “risked everything for this cause he believed in — you get a glimpse of his personality that he was involved in this rather outrageous event.”Stevens was one of about 150 people assigned to board three ships in the harbor to protest a British tax on tea and, more broadly, to protest taxation without representation.“What a lot of people think about is it was this unruly mob,” O’Brien said. “That is not true at all. It was a well orchestrated, finely tuned operation. Each man knew his job. Some would haul the chests of tea out of the holds. Others were waiting at the rails to break them open and shake the tea out.”Stevens went on to fight in the Revolution. He took part in the Battle of Bunker Hill in 1775 and was there when the British general John Burgoyne surrendered at Saratoga in 1777. He rose to the rank of lieutenant colonel and eventually served under the Marquis de Lafayette.Later, as a major general in the New York State Militia, he mobilized soldiers to defend New York City in case of a British attack during the War of 1812. A fort named for him guarded Hell Gate and the East River channels.Richman, the Green-Wood historian, said that Stevens’s life outside the military was also eventful: He amassed a fortune as an owner of ships — a notice in The Evening Post in 1807 advertised passage and freight shipping to Bordeaux, France, aboard one of Stevens’s “new and fast” sailing ships. He sold liquor to Thomas Jefferson. And a granddaughter became famous: the author Edith Wharton.WeatherLook for a sunny to partly sunny day with temperatures in the mid-50s. Tonight, under a partly cloudy sky, the low will be in the 40s.ALTERNATE-SIDE PARKINGIn effect until Nov. 23 (Thanksgiving Day).The latest New York newsJeenah Moon for The New York TimesMore local newsTurkey ties: A major federal corruption investigation into Mayor Eric Adams’s fund-raising is examining whether his campaign conspired with members of the Turkish government to receive illegal donations. Here’s what we know.Guilty plea: Samuel Miele is the second person who worked on Representative George Santos’s House election campaigns who has pleaded guilty to federal charges.E-bike blaze: After scooter batteries burst into flames on Sunday and killed three people at a home in Brooklyn, the fire commissioner blamed big corporations for contributing to a rising death toll from electric-vehicle batteries.Deadly dispute: A landlord was arrested and charged with murdering his tenants on Tuesday after three people were found stabbed to death in the bedrooms of a Queens home.A new theater that honors what was there beforeCarl Cofield, an associate arts professor at New York University, on the stage of the African Grove Theater.Jonathan KingFor the opening tonight of New York University’s new African Grove Theater, the site’s the thing. The original African Theater, widely considered to have been the first Black theater company in the United States, presented classics like “Richard III” and “Othello” at the same corner, Bleecker and Mercer Streets.“If the model of the African Theater had been followed, American theater would be different,” said Michael Dinwiddie, professor of dramatic writing at N.Y.U.’s Gallatin School of Individualized Study, who spearheaded a campaign to name the new performance space in the African Theater’s honor. “It helps us understand the complexity of the American theater.”Appropriately, the play being staged tonight is based on the story of the play that opened the earlier theater on the site, “The African Company Presents Richard III.”The original theater was organized by William Alexander Brown, a retired ship steward from the West Indies. The location at Bleecker and Mercer was his second. He had started out in what is now known as TriBeCa, staging poetry readings and short plays for Black New Yorkers. He moved to the location now occupied by N.Y.U.’s Paulson Center in 1821. Appearing as the king in “Richard III” on opening night was an enslaved man; New York would not outlaw slavery until six years later.Brown presented “Othello” in the second month, but he lasted only two years at the new location. “When he dared to go toe-to-toe with a nearby white theater, each presenting rival Shakespeare productions,” our critic Maya Phillips wrote in 2021, “he was harassed by police and his theater was raided. His performers were attacked. He changed the theater’s name and moved it several times, opening and closing and reopening until the financial well ran dry.”Carl Cofield, an associate arts professor at N.Y.U.’s Tisch School of the Arts and the associate artistic director of the Classical Theater of Harlem, said that Brown was competing against a theater that was “bringing in the biggest stars from Europe,” including Junius Brutus Booth, a British actor whose actor sons included one who was famous, Edwin Booth, and one who was infamous — John Wilkes Booth, who assassinated Lincoln.Dinwiddie told me that he had noticed a plaque commemorating the African Theater at the corner when he moved to the neighborhood in the 1990s. “I was like, I remember that — I had read about it,” he said, including a chapter in “Black Manhattan” by James Weldon Johnson, N.Y.U.’s first Black professor.Hopper’s paintings as operaThe opera “Later the Same Evening” takes five Edward Hopper paintings and imagines what happens to the figures in them. John Musto, who composed the music for Mark Campbell’s libretto, described “Later the Same Evening” as “a love letter to New York, set in 1932.”It’s a love letter as complicated as New York (and New Yorkers), with Hopper-esque moodiness and estrangement.There is a couple that is not getting along. There is a widow who has come to the city for a date she is not sure she wants to go on. There is dancer who is leaving town, her dreams of stardom dashed. The director, Alison Moritz, writes that all of the characters eventually “converge for a moment of true New York serendipity at — where else? — a Broadway show.”Backstage, there is a moment in one scene when four singers converge around a microphone. “Hopper could have done some painting around this one mic,” said Michelle Rofrano, the assistant conductor, who cues them for an old-fashioned radio commercial that is heard onstage. The four sing a made-up toothpaste jingle — “It’s not just white, it’s Pearladent white.”Without a Hopper to capture it, the little tableau dissolves. The singers have other roles in the opera, which will be performed tonight and Friday at the Peter Jay Sharp Theater at the Juilliard School.“The odd thing is people keep talking about Hopper and his sense of color,” Musto said. “I have to keep telling them color means nothing to me. I am colorblind.”METROPOLITAN diary‘You are everything’Dear Diary:I was waiting for a friend outside a building on East 73rd Street when an S.U.V. pulled up and parked.The driver stayed in the car with the radio on and the windows open. “You Are Everything” by the Stylistics came on, and I began to sing along (quietly).As the song got to the chorus — “You are everything, and everything is you” — a guy walked past me. He was singing along too, and we exchanged man-this-is-such-a-great-song nods.Just then, the driver turned off the radio. The other guy and I shared a confused look. Then he approached the car.“Bro,” he implored the driver. “Turn that back on!”And he did.— Joe KatzIllustrated by Agnes Lee. Send submissions here and read more Metropolitan Diary here.Glad we could get together here. See you tomorrow. — J.B.P.S. Here’s today’s Mini Crossword and Spelling Bee. You can find all our puzzles here.Kellina Moore and Ed Shanahan contributed to New York Today. You can reach the team at nytoday@nytimes.com.Sign up here to get this newsletter in your inbox. More

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    Golden Bachelor, Boomer Bait?

    “The Golden Bachelor” is part of broadcast networks’ efforts to cater to their mostly older audience.In September 1985, a new hit premiered on NBC. The network envisioned a show like nothing else on TV. “Take some women around 60. Society has written them off, has said they’re over the hill,” the pitch to producers went. “We want them to be feisty as hell and having a great time.”The result, of course, was “The Golden Girls,” the beloved sitcom about a group of single women, widowed and divorced, living together in a house in Florida. The show was ranked in the Top 10 of Nielsen ratings for six of its seven seasons. More than 27 million people watched the 1992 series finale.Thirty-eight years later, ABC is betting that a house full of single women, ages 60 to 75, and the 72-year-old man whose heart they’ll vie to win, can achieve ratings success with the aid of mostly boomer-age viewers who still flip on the TV for the prime-time lineup, and have yet to fully abandon network television for streaming.I tuned in for Thursday night’s premiere of “The Golden Bachelor” at 8 p.m. sharp with high hopes. Buzz for the season promised we’d accompany a mild-mannered retired and widowed “grandzaddy” from Indiana on his quest for a second chance at love with one of 22 equally self-possessed bachelorettes. This sounded more my speed than the high-conflict carryings-on I usually associate with reality TV. Perhaps I’d be part of the showrunners’ hoped-for “new audiences who might have turned their noses up at the brand before now.”In the innuendo-packed first episode, we meet our bachelor, Gerry Turner, who spends the hour speed-dating the eager bachelorettes, including Leslie, a fitness instructor from Minneapolis who tells us she dated Prince; Sandra, a retired executive assistant from Georgia with a Zen practice that incorporates curse words; and Faith, a high school teacher from Washington State who rides in on a motorcycle, serenades Gerry with a guitar and seems from the little time we spend with her to be a leading contender for last woman standing.When the show opened with a scene of Gerry getting dressed, deliberately showing him putting in his hearing aids as he recounted the tale of his wife’s death over the strains of “The Wind” by Cat Stevens, I thought this might be a departure for the “Bachelor” franchise, a more serious examination of aging and mortality. But once we arrived at the mansion where Gerry canoodles with each potential sweetheart — a dizzying procession of bawdy jokes and canned repartee — I remembered that this was a reality show with a bonkers conceit that is about pure entertainment (and ratings). It may not end up being any more cerebral than its brethren, but that’s not its remit.So can “The Golden Bachelor” keep network television afloat through the imminent shortage of scripted shows occasioned by the writers’ and actors’ strikes? My colleague John Koblin says it’s “off to a decent start”: While far from the most-watched show of the week, the premiere episode was the most-watched show on network television on Thursday night and, with delayed viewing, the audience will only grow.But, more pressing for viewers, will Gerry ultimately find his soul mate? Who will get the final rose? And will people like me, still skeptical of love competition shows, tune in to find out?I was charmed to learn that one of the showrunners for “The Golden Bachelor” studied “The Golden Girls” for conversation topics should the repartee on the show start to lag. I’m holding out hope that we will see the golden bachelorettes in their chenille bathrobes and house scuffs, sharing a cheesecake in the middle of the night.For moreSee the moment in the NBC promotional special from 1984 when the “Night Court” actress Selma Diamond joked about an imaginary show called “Miami Nice,” a bit that inspired network executives to create “The Golden Girls.”Part of the networks’ continuing efforts to retain older viewers? Game shows.“Older daters face all of the challenges their younger counterparts do — burnout, ghosting, gaslighting — but many of them have found that dating can be infinitely better when you don’t have as much to prove,” writes my colleague Catherine Pearson of the roses and thorns of dating after 60.THE WEEK IN CULTUREMichael Gambon as DumbledoreJaap Buitendjik/Warner Bros. PicturesMichael Gambon, best known for playing Dumbledore in several of the Harry Potter movies, died at 82. Read how he inhabited the role of the beloved Hogwarts headmaster.A man was charged with murder in the 1996 killing of Tupac Shakur. Since his death, Shakur has become an almost mythical figure.A judge ended a legal arrangement between Michael Oher, the subject of the hit movie “The Blind Side,” and the people who took him in when he was a teenager. It had given them authority over his affairs.Amal Clooney, Anne Hathaway and Jon Hamm hit the fall galas in New York.After a lackluster debut for Helmut Lang in New York, the brand’s creative director, Peter Do, showed a better-received collection under his own name at Paris Fashion Week. In Milan, some of the most interesting looks were on the street.A meme of “King of Queens” actor Kevin James has taken over some people’s social media feeds, Vulture reports.Aerosmith postponed the rest of its farewell tour until next year because its lead singer, Steven Tyler, injured his vocal cords.Performances of Stephen Sondheim’s final musical, “Here We Are,” commenced this week. The composer died in 2021.Cher is accused of hiring four men to kidnap her adult son as an apparent form of intervention, The Los Angeles Times reported.Usher will perform at the Super Bowl. Listen to a playlist inspired by his hit “Yeah!”Electronic Arts, a video game publisher, released “EA Sports FC,” a rebranded version of its popular soccer series FIFA. Much of the game is the same, The Guardian reports.The French actor Gérard Depardieu’s art collection sold at auction in Paris for $4.2 million.The home of the French singer Serge Gainsbourg is open to the public, with everything as it was on the day he died.The eight remaining campuses of the Art Institutes, a system of for-profit colleges, will close by the end of the month.THE LATEST NEWSHiroko Masuike/The New York TimesHeavy rainfall pounded New York City and the surrounding region, causing flash floods, shutting subway lines and turning roads into lakes. See some of the hardest-hit areas.Senator Dianne Feinstein, the California Democrat who gained national stature in more than 30 years in the Senate, died at 90.Hard-line Republicans tanked Speaker Kevin McCarthy’s long-shot attempt to avert a government shutdown ahead of a midnight deadline tonight to keep federal funding flowing.A co-defendant in the Georgia election interference case against Donald Trump pleaded guilty to five charges, the first of the 19 defendants to enter a plea.The United Arab Emirates is giving weapons and medical treatment to one side in Sudan’s war under the guise of saving refugees.An I.R.S. contractor was charged with leaking tax return information believed to be Donald Trump’s.CULTURE CALENDAR📚 “Let Us Descend” (Tuesday): This book, inspired by Dante’s “Inferno,” is the latest from Jesmyn Ward, a two-time National Book Award winner and the youngest recipient of the Library of Congress’s American fiction prize. The novel follows an enslaved teenager named Annis as she travels through the pre-Civil War South after her white slave-owner father sold her. The book is among the most anticipated novels of the year.🎬 “Foe” (Friday): Paul Mescal and Saoirse Ronan, who are among the buzziest young actors working, play a married couple living on a farm in 2065 in this sci-fi drama. Their lives are upended when Junior (Mescal) is told that he’s been chosen to work on a space station. While he’s away, Henrietta (Ronan) will live with a duplicate version of her husband. — Desiree IbekweRECIPE OF THE WEEKLinda Xiao for The New York TimesTomato sandwichesAs September fades away, it’s time to celebrate some of the last of the good heirloom tomatoes by piling them in the sandwich of your dreams. While there are loads of variations to choose from, my tomato sandwich is probably the messiest, in the very best way. The recipe is a hybrid, combining the garlic-rubbed, oil-slathered toast of Catalan pan con tomate with the kind of slivered onions you would see in a tomato tea sandwich, and the bacon of a BLT. Act fast, because sad winter tomatoes will not do justice to a sandwich as good as this.REAL ESTATEHiroko Masuike/The New York TimesA dining table for six: Inside the Long Island City apartment of a best-selling cookbook author.A new frontier: As rising sea levels threaten coastlines, some developers look to floating homes.What you get for $1.4 million: A Cape Cod-style house in Monhegan Island, Maine; an Edwardian home in Evanston, Ill.; or an 1890 rowhouse in Washington, D.C.The hunt: These newlyweds want a three-bedroom house with a yard and a reasonable commute to Manhattan. Which did they choose? Play our game.LIVINGSimon Bailly/SepiaSelf-esteem: Want to believe in yourself? “Mattering” is key.Going solo: Make the best of attending a wedding alone.Elton John’s piano: Celebrity memorabilia and estate sales headline the coming auction season.Child of Birkin: The new standard-bearer for French-girl style just opened a store in Manhattan.Lessons from summer: Climate change is making travel season less predictable.ADVICE FROM WIRECUTTEREmergency essentialsWhen preparing for a natural disaster, no single strategy is right for everyone. But Wirecutter experts have found a few things to be true. When you put together a bag to grab in an emergency, don’t buy a premade kit. Instead, add gear that you actually need and know how to use. (Here’s a good place to start.) And it’s not just about the gear — simple tasks you can do today, like taking a CPR or first aid class, or designating a point person to be in touch with, can make a big difference. — Ellen AirhartFor more advice, sign up for Emergency Kit, an easy-to-follow guide to preparing for natural disasters from Wirecutter’s experts.GAME OF THE WEEKENDTaylor Swift at last week’s Kansas City Chiefs game.David Eulitt/Getty ImagesKansas City Chiefs vs. New York Jets: Taylor Swift and the N.F.L., two of America’s cultural juggernauts, pulled off a remarkable bit of brand synergy last weekend. Swift showed up in Kansas City to cheer on the Chiefs’ star tight end, Travis Kelce, whom she is rumored to be dating. The TV cameras, of course, cut to her constantly, and her exuberant celebrations brought life to an otherwise lousy game. Will she show up again this week? The N.F.L. surely hopes so — her presence would make this prime-time broadcast must-see TV, even if the game itself is another dud. (Fans who want great football without the spectacle should tune in earlier in the day to the powerhouse matchup between the Miami Dolphins and the Buffalo Bills.) 8:30 p.m. Eastern tomorrow on NBC.NOW TIME TO PLAYHere is today’s Spelling Bee. Yesterday’s pangrams were bootjack and jackboot.See the hardest Spelling Bee words from this week.Take the news quiz to see how well you followed this week’s headlines.And here are today’s Mini Crossword, Wordle, Sudoku and Connections.Thanks for spending part of your weekend with The Times. — MelissaSign up here to get this newsletter in your inbox. Reach our team at themorning@nytimes.com. More

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    After Threats in Mexico, Peso Pluma Postpones U.S. Concerts

    The breakout musician has not given a reason for rescheduling the dates. The authorities in Mexico are investigating the credibility of written threats against him.A string of concerts in the United States by the breakout Mexican singer-songwriter Peso Pluma were postponed this week after written threats were apparently issued by a major drug cartel. The authorities said they were investigating the credibility of the threats, which were written on banners and posted publicly in the border city Tijuana.Ticketmaster and Live Nation said that Peso Pluma shows scheduled from Thursday to Sunday, in Milwaukee, Chicago, Indianapolis and Birmingham, had been rescheduled for later this fall; his performances are set to resume on Sept. 30 in Chula Vista, Calif. A representative for Peso Pluma did not immediately respond to a request for comment about the scheduling changes.The singer, who performed at the MTV Video Music Awards on Tuesday night, is in the middle of his North American Doble P Tour, following the release of his third album, “Génesis,” which has helped lead an international surge in what is known in the United States under the umbrella term “regional Mexican music.” The album reached No. 3 on the Billboard chart upon its release in June, and has tallied hundreds of millions of digital streams.Peso Pluma — who was born Hassan Emilio Kabande Laija, and whose stage name translates to Featherweight — specializes in corridos tumbados, a modern form of the drug-trade songs known as narcocorridos, combining regional Mexican styles like ranchera, norteño, banda and mariachi with influences from American and Latin rap.On Tuesday morning, three threatening banners, or narcomantas, were spotted in different areas of Tijuana. The messages, written in big red letters, were addressed to Peso Pluma, who is scheduled to perform in the city on Oct. 14.“This is for you, Peso Pluma,” one of the banners read in Spanish. “Refrain from appearing this October 14. Because it will be your last presentation.”The banner was signed with the initials of the Cartel Jalisco Nueva Generación, or Jalisco New Generation Cartel, one of the most powerful and brutal cartels in Mexico, and a major rival to the Sinaloa Cartel. It said the artist would face consequences for being “disrespectful and loose-mouthed.”Edgar Mendoza, a state prosecutor in Baja, Calif., told the local press that one person had been detained on drug and terrorism charges after being found in the vicinity of one of the banners.The mayor of Tijuana, Montserrat Caballero, who is living in military headquarters, initially said the banners would be investigated while concert security was ramped up. As of Friday afternoon, tickets for Peso Pluma’s concert there next month remained on sale.However, on Tuesday, Caballero said in a radio interview that artists like Peso Pluma had potentially invited the attention of the cartels with their lyrics. “Let’s be clear: They sing and make an apology of crime and thus they should know the risk and consequences,” Caballero told Azucena Uresti, the host of Radio Fórmula, in a phone interview.She added that whether the authorities canceled the concert would be contingent on whether the narcomantas were the work of organized crime or ordinary citizens. Caballero, who is from the governing party Morena, moved into the military headquarters of the 28th Infantry Battalion after one of her bodyguards suffered an armed attack, and has said she is being targeted by organized crime for confiscating arms.Other Mexican musicians have drawn attention to the risks of the genre as well. Natanael Cano, who is considered a pioneer of corridos tumbados, recently stopped mid-song during a concert in Sonora, remarking that he was “going to get killed.” The lyrics of the song, “Cuerno Azulado,” allude to drug deals and potential government involvement, including a line assumed to be a reference to Joaquín Guzmán Loera, the drug lord known as El Chapo.Narcomantas have long been used by cartels and organized crime to leave public messages for authorities, rivals or the community at large. Popularized at the height of the drug war in the 2010s, the banners can be used to promote or assuage fear, although it is often unclear who is responsible for making them and how credible their messages are.Peso Pluma had previously been expected to appear at a concert at the Chevron Stadium in Tijuana in March, alongside the artists Eden Muñoz, Roberto Tapia and El Fantasma. But in late February, Tapia Entertainment, which was organizing the show, said tickets would be reimbursed “due to insecurity and threats towards other events.”Mexico’s president, Andrés Manuel López Obrador, criticized some of the country’s current popular music in June, invoking Peso Pluma’s hit song “AMG,” about a Mercedes-Benz. “As if material things were the most important things — brand clothes, houses, jewelry, power or arrogance,” he said. “There are other options, there are other alternatives, it’s possible to be happy in another way.” More